A24’s Everything Everywhere All at Once won a pair of awards as did Rob Lowry for his music supervision on both Cha Cha Real Smooth and Do Revenge on Sunday at the 13th annual Guild of Music Supervisors Awards.
The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.
Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.
Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.
The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.
Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.
Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.
- 3/6/2023
- by Patrick Hipes
- Deadline Film + TV
The music supervisors of “Elvis” and “Everything Everywhere All at Once” have won the top feature-film awards at the 13th annual Guild of Music Supervisors Awards, which were handed out on Sunday night at the Wiltern Theatre in Los Angeles.
Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.
Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”
Best...
Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.
Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”
Best...
- 3/6/2023
- by Steve Pond
- The Wrap
‘Monarch’, which starred Anna Friel, Trace Adkins, Susan Sarandon, Joshua Sasse and Beth Ditto, will not return for a second season. The Season 1 finale aired on December 6. The drama opened after an NFL doubleheader, debuting to a 0.8 rating among adults 18-49 with and 3.8 million total viewers, becoming most watched fall scripted premiere in three years. Monarch averaged 4.1 million multi-platform viewers across the 11 episodes as it failed to resonate with viewers, reports Variety.
The musical series, created by Melissa London Hilfers, was produced during the Covid-19 pandemic and originally was set to premiere in January 2022. Designed for a shorter run, it was then pushed to the fall.
The show follows the ‘first family of country music,’ led by Dottie Roman (Sarandon), who shockingly dies in the series premiere, despite being the face on every billboard for the show.
Over the course of the season, her husband Albie (Adkins) attempts to keep...
The musical series, created by Melissa London Hilfers, was produced during the Covid-19 pandemic and originally was set to premiere in January 2022. Designed for a shorter run, it was then pushed to the fall.
The show follows the ‘first family of country music,’ led by Dottie Roman (Sarandon), who shockingly dies in the series premiere, despite being the face on every billboard for the show.
Over the course of the season, her husband Albie (Adkins) attempts to keep...
- 12/8/2022
- by Glamsham Bureau
- GlamSham
The queen of country’s crown was too heavy for Fox.
“Monarch,” which starred Anna Friel, Trace Adkins, Susan Sarandon, Joshua Sasse and Beth Ditto, will not return for a second season. The Season 1 finale aired on Dec. 6.
The drama opened after an NFL doubleheader, debuting to a 0.8 rating among adults 18-49 with and 3.8 million total viewers, becoming Fox’s most-watched fall scripted premiere in three years. “Monarch” averaged 4.1 million multi-platform viewers across the 11 episodes as it failed to resonate with viewers.
The musical series, created by Melissa London Hilfers, was produced during the Covid-19 pandemic and originally was set to premiere in January 2022. Designed for a shorter run, it was then pushed to the fall.
The show follows the “first family of country music,” led by Dottie Roman (Sarandon), who shockingly dies in the series premiere, despite being the face on every billboard for the show. Over the course of the season,...
“Monarch,” which starred Anna Friel, Trace Adkins, Susan Sarandon, Joshua Sasse and Beth Ditto, will not return for a second season. The Season 1 finale aired on Dec. 6.
The drama opened after an NFL doubleheader, debuting to a 0.8 rating among adults 18-49 with and 3.8 million total viewers, becoming Fox’s most-watched fall scripted premiere in three years. “Monarch” averaged 4.1 million multi-platform viewers across the 11 episodes as it failed to resonate with viewers.
The musical series, created by Melissa London Hilfers, was produced during the Covid-19 pandemic and originally was set to premiere in January 2022. Designed for a shorter run, it was then pushed to the fall.
The show follows the “first family of country music,” led by Dottie Roman (Sarandon), who shockingly dies in the series premiere, despite being the face on every billboard for the show. Over the course of the season,...
- 12/8/2022
- by Emily Longeretta
- Variety Film + TV
The period-appropriate ‘80s pop hits assembled for Netflix’s “Monster: The Jeffrey Dahmer Story” by veteran music supervisor Amanda Krieg Thomas provides a welcome contrast to Nick Cave and Warren Ellis’ eerie, otherworldly and ominous score.
Thomas, who has worked with Ryan Murphy and his production head Alexis Martin Woodall on “Pose,” “American Horror Story: Apocalypse” and “The Assassination of Gianni Versace: American Crime Story,” as well as his first two Netflix projects, “Ratched” and “The Politician,” credits the writers for several of the notable needle drops. Over the course of the 10-part series, you hear cheery Top 40 radio fodder of the time like Kc and the Sunshine Band’s “Please Don’t Go,” Chris Rea’s “Fool” to Patrick Crowley’s “Menergy,” Sade’s “Hang on to Your Love” and Noel’s “Silent Morning.” She was even tasked with acquiring Laotian pop songs for an episode.
The music supervisor...
Thomas, who has worked with Ryan Murphy and his production head Alexis Martin Woodall on “Pose,” “American Horror Story: Apocalypse” and “The Assassination of Gianni Versace: American Crime Story,” as well as his first two Netflix projects, “Ratched” and “The Politician,” credits the writers for several of the notable needle drops. Over the course of the 10-part series, you hear cheery Top 40 radio fodder of the time like Kc and the Sunshine Band’s “Please Don’t Go,” Chris Rea’s “Fool” to Patrick Crowley’s “Menergy,” Sade’s “Hang on to Your Love” and Noel’s “Silent Morning.” She was even tasked with acquiring Laotian pop songs for an episode.
The music supervisor...
- 10/24/2022
- by Roy Trakin
- Variety Film + TV
“How do we make it uniquely ‘Monarch’?” That’s the question music supervisor Amanda Krieg Thomas asks herself before getting to work on each episode of Fox’s new drama series about a country music dynasty.
The answer is three-pronged: by having the cast tackle country classics, by sprinkling in a selection of unexpected pop covers, and, on the licensing side, by championing upcoming country artists.
“We really wanted to focus on covers because that’s a strong entry point,” Thomas says, before elaborating on her mandate: “Always be unexpected, always feature different eras and styles.” By that criteria, episode 3, which aired Tuesday night, was a resounding success. Beginning with a twangy take on Lizzo’s “Juice,” the show segued into a soaring rendition of Faith Hill’s “Breathe.” Throw in guest star Tanya Tucker singing “Delta Dawn” and a Miranda Lambert hit from the ‘00s, and you have a decidedly eclectic lineup.
The answer is three-pronged: by having the cast tackle country classics, by sprinkling in a selection of unexpected pop covers, and, on the licensing side, by championing upcoming country artists.
“We really wanted to focus on covers because that’s a strong entry point,” Thomas says, before elaborating on her mandate: “Always be unexpected, always feature different eras and styles.” By that criteria, episode 3, which aired Tuesday night, was a resounding success. Beginning with a twangy take on Lizzo’s “Juice,” the show segued into a soaring rendition of Faith Hill’s “Breathe.” Throw in guest star Tanya Tucker singing “Delta Dawn” and a Miranda Lambert hit from the ‘00s, and you have a decidedly eclectic lineup.
- 9/28/2022
- by Mike Wass
- Variety Film + TV
You might have thought that you didn’t really need to consume any more content about Andy Warhol. After all, the New York artist has been ubiquitous throughout pop culture for more than half a century. In fact, he kind of invented pop culture. But viewers who devour all six episodes of Netflix’s “The Andy Warhol Diaries” will realize that Warhol’s life had a lot more dimensions than a flat silkscreen of a Campbell’s soup can.
I thought I had a passing knowledge of Warhol and his life. Like most admirers of the groundbreaking music of the ‘60s and ‘70s, I had luxuriated in Todd Haynes’ “Velvet Underground” feature documentary last year. At Moca’s massive 2002 retrospective in Los Angeles, I developed an appreciation for Warhol’s early illustrations and figurative paintings, and over the years, I watched Jared Harris being ambushed by Lili Taylor in “Who...
I thought I had a passing knowledge of Warhol and his life. Like most admirers of the groundbreaking music of the ‘60s and ‘70s, I had luxuriated in Todd Haynes’ “Velvet Underground” feature documentary last year. At Moca’s massive 2002 retrospective in Los Angeles, I developed an appreciation for Warhol’s early illustrations and figurative paintings, and over the years, I watched Jared Harris being ambushed by Lili Taylor in “Who...
- 6/17/2022
- by Pat Saperstein
- Variety Film + TV
In the finale of Hulu’s “Pam & Tommy,” based on the vastly different experiences of Pamela Anderson Lee and Tommy Lee during their sex tape scandal, Lee’s group Mötley Crüe performs a promotional gig in a Tower Records parking lot, pinned to their “Generation Swine” album. The song they perform is “Crüe-by-numbers,” even if you can’t quite place it. A Shazam tap reveals the song is actually “She Says Yeah Yeah,” and the singers are Sebastian Stan (who plays Lee), Sam Meader and Zack Gold, not Mötley Crüe.
In fact, there aren’t any Mötley Crüe songs in the series, partly due to financial constraints, according to Amanda Krieg Thomas, the show’s music supervisor. Mainly, however, she notes that it never felt like there was a need for one — with the exception of the one scene.
“The team wanted to wait until production was done before...
In fact, there aren’t any Mötley Crüe songs in the series, partly due to financial constraints, according to Amanda Krieg Thomas, the show’s music supervisor. Mainly, however, she notes that it never felt like there was a need for one — with the exception of the one scene.
“The team wanted to wait until production was done before...
- 6/16/2022
- by Lily Moayeri
- Variety Film + TV
Music supervisors have proven to be an indispensable part of visual media, soundtracking movies, television series, video games and all manner of content. Yet the thousands-strong community has no representation as a collective beyond the 12-year-old Guild of Music Supervisors (Gms), and now music supervisors across film and TV are seeking to unionize in an effort to see fair treatment for the craft. The move comes after the Alliance of Motion Picture and Television Producers (AMPTP) refused music supervisors’ ask to grant equal rights, including such staples as overtime pay and other basic labor protections and benefits.
Over 75 of Film and Television Music Supervisors signed union cards agreeing to have IATSE, on their behalf, petition the AMPTP for voluntary recognition of their union.
Music Supervisors have wanted union representation for a long time and with the support of IATSE, that time has come. Speaking up has always been a challenge...
Over 75 of Film and Television Music Supervisors signed union cards agreeing to have IATSE, on their behalf, petition the AMPTP for voluntary recognition of their union.
Music Supervisors have wanted union representation for a long time and with the support of IATSE, that time has come. Speaking up has always been a challenge...
- 6/6/2022
- by Jazz Tangcay
- Variety Film + TV
The Guild of Music Supervisors held their 11th annual awards virtually today, celebrating outstanding achievement in the craft of music supervision in film, television, documentary, games, advertising and trailers.
Quincy Jones received this year’s Icon Award while Maureen Crowe, the founding President of the Guild of Music Supervisors, accepted the Legacy Award.
Music legend Stevie Wonder made a surprise visit and gave a heartfelt tribute to the accomplishments of Jones.
Pop star Billie Eilish and her brother, Finneas O’Connell, made a cameo appearance to present an award at today’s teleconference show.
The complete winners list for the 11th Annual Guild of Music Supervisors Awards is listed below.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Tom MacDougall – Soul *Winner*
Jonathan Leahy – Bill & Ted Face The Music
Becky Bentham – Eurovision Song Contest: The Story of Fire Saga
Julia Michels – Jingle Jangle: A Christmas Journey
Angela Leus – Trolls World...
Quincy Jones received this year’s Icon Award while Maureen Crowe, the founding President of the Guild of Music Supervisors, accepted the Legacy Award.
Music legend Stevie Wonder made a surprise visit and gave a heartfelt tribute to the accomplishments of Jones.
Pop star Billie Eilish and her brother, Finneas O’Connell, made a cameo appearance to present an award at today’s teleconference show.
The complete winners list for the 11th Annual Guild of Music Supervisors Awards is listed below.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Tom MacDougall – Soul *Winner*
Jonathan Leahy – Bill & Ted Face The Music
Becky Bentham – Eurovision Song Contest: The Story of Fire Saga
Julia Michels – Jingle Jangle: A Christmas Journey
Angela Leus – Trolls World...
- 4/12/2021
- by Brandon Choe
- Deadline Film + TV
Nominees for the 11th Annual Guild of Music Supervisors (Gms) Awards have been revealed. Recognizing the craft of music supervision in film, television, games, advertising and trailers, previous winners have included such top-of-their-field music supervisors as Mary Ramos (“Once Upon A Time In Hollywood), Robin Urdang (“The Marvelous Mrs. Maisel”) and Kier Lehman (“Queen & Slim”).
Among the film nominees for the 2021 edition of the Gms Awards, which was pushed to April in order to align with the rescheduled Oscars, are frontrunners like “Ma Rainey’s Black Bottom,” “Soul” and “Promising Young Woman.” Television shows that scored nods include “Watchmen,” “Better Call Saul” and “The Marvelous Mrs. Maisel.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Quincy Jones will receive the Icon Award. Maureen Crowe, the founding president of the Guild, will receive the organization’s prestigious Legacy Award.
Among the film nominees for the 2021 edition of the Gms Awards, which was pushed to April in order to align with the rescheduled Oscars, are frontrunners like “Ma Rainey’s Black Bottom,” “Soul” and “Promising Young Woman.” Television shows that scored nods include “Watchmen,” “Better Call Saul” and “The Marvelous Mrs. Maisel.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Quincy Jones will receive the Icon Award. Maureen Crowe, the founding president of the Guild, will receive the organization’s prestigious Legacy Award.
- 2/25/2021
- by Jazz Tangcay
- Variety Film + TV
Variety is pleased to announce that Mary J. Blige and Marcus Mumford will be keynote speakers at its Music for Screens Week, airing Nov. 30-Dec. 3.
Expanded for the first time over four days in this all-digital installment, Variety’s Music for Screens Summit 2020 will celebrate excellence in musical artistry and storytelling for film, TV, digital media, brands and more.
Blige will speak about her original song “See What You’ve Done” for the documentary “Belly of the Beast,” which looks at women who have been abused in the criminal justice system. Mumford, of the band Mumford and Sons, will speak to his experiences scoring his first TV series, Apple TV Plus’ “Ted Lasso,” a comedy about an American football coach hired to lead an English football club.
Music for Screens Week will also feature a State of Scoring composers panel presented by ASCAP, including Amanda Jones; Germaine Franco; Amelia Warner...
Expanded for the first time over four days in this all-digital installment, Variety’s Music for Screens Summit 2020 will celebrate excellence in musical artistry and storytelling for film, TV, digital media, brands and more.
Blige will speak about her original song “See What You’ve Done” for the documentary “Belly of the Beast,” which looks at women who have been abused in the criminal justice system. Mumford, of the band Mumford and Sons, will speak to his experiences scoring his first TV series, Apple TV Plus’ “Ted Lasso,” a comedy about an American football coach hired to lead an English football club.
Music for Screens Week will also feature a State of Scoring composers panel presented by ASCAP, including Amanda Jones; Germaine Franco; Amelia Warner...
- 11/19/2020
- by Ellise Shafer
- Variety Film + TV
The 2020 Emmy ballots have been released by the Television Academy, so we now know which shows, actors, etc. are in contention for this year’s golden statues. FX’s “American Horror Story: 1984” accounts for a whopping 29 entries across all competitive ballots, including 10 actors for their roles as counselors/workers at the hauntingly tubular Camp Redwood. This ninth season of the popular anthology series welcomed back fan favorites like John Carroll Lynch (as Mr. Jingles) and Emma Roberts (as Brooke Thompson) while also introducing some new blood in the form of Angelica Ross (as Nurse Rita) and Gus Kenworthy (as Chet Clancy).
This installment, which aired last September-November, is also notable for producing the show’s landmark 100th episode, which flash-forwarded a year after the massacre at Camp Redwood. Will “Ahs: 1984” continue the franchise’s winning streak at the 2020 Emmys? The first eight cycles took home 16 trophies, including acting wins...
This installment, which aired last September-November, is also notable for producing the show’s landmark 100th episode, which flash-forwarded a year after the massacre at Camp Redwood. Will “Ahs: 1984” continue the franchise’s winning streak at the 2020 Emmys? The first eight cycles took home 16 trophies, including acting wins...
- 7/11/2020
- by Marcus James Dixon
- Gold Derby
There’s nothing like validation from your peers, especially in Hollywood, but seeing your name emblazoned in a front-end credit on TV is something music supervisors have found elusive — even when the show centers around, or is chock full of, music.
”I worked on a very music-intensive show and asked for a front-end credit because the show was based around music and dance,” says Jen Malone, who this year won a Guild of Music Supervisors (Gms) Award for her work on “Euphoria” (the HBO series shows a title card in lieu of main credits). “The studio said the Directors Guild of America will not allow it because they consider a music supervisor to be a technical credit. Even the TV Academy now recognizes our work with an Emmy category so I’d hope that the DGA reevaluates their stance.”
Guild president Joel C. High puts the big picture into perspective vis-à-vis the small screen.
”I worked on a very music-intensive show and asked for a front-end credit because the show was based around music and dance,” says Jen Malone, who this year won a Guild of Music Supervisors (Gms) Award for her work on “Euphoria” (the HBO series shows a title card in lieu of main credits). “The studio said the Directors Guild of America will not allow it because they consider a music supervisor to be a technical credit. Even the TV Academy now recognizes our work with an Emmy category so I’d hope that the DGA reevaluates their stance.”
Guild president Joel C. High puts the big picture into perspective vis-à-vis the small screen.
- 6/30/2020
- by James Patrick Herman
- Variety Film + TV
Nominees for the 2020 Guild of Music Supervisors (Gms) Awards were announced today. The annual event is scheduled for Feb. 6 at the Wiltern Theater and coincides with the tenth anniversary of the Gms.
Films up for awards include “Once Upon A Time In Hollywood,” “Frozen II,” “Aladdin,” “Ford v Ferrari,” “The Irishman,” “Hustlers” and “Wild Rose,” among others.
Television shows nominated include “Euphoria”; “Pose,” supervised by the dynamo trio of Amanda Krieg Thomas, Alexis Martin Woodall and Ryan Murphy; and “The Marvelous Mrs. Maisel,” an Emmy winner in the music supervision category, although the Gms lists only Robin Urdang, where the Television academy awarded showrunners Amy Sherman-Palladino and Daniel Palladino.
Among the songs recognized are: “Spirit” from “The Lion King,” “Into The Unknown” from “Frozen II,” “Don’t Call Me Angel” from “Charlie’s Angels,” “Invisible Ink” from “This Is Us,” “Jenny of Oldstrones” from “Game of Thrones” and “On a Roll” from “Black Mirror.
Films up for awards include “Once Upon A Time In Hollywood,” “Frozen II,” “Aladdin,” “Ford v Ferrari,” “The Irishman,” “Hustlers” and “Wild Rose,” among others.
Television shows nominated include “Euphoria”; “Pose,” supervised by the dynamo trio of Amanda Krieg Thomas, Alexis Martin Woodall and Ryan Murphy; and “The Marvelous Mrs. Maisel,” an Emmy winner in the music supervision category, although the Gms lists only Robin Urdang, where the Television academy awarded showrunners Amy Sherman-Palladino and Daniel Palladino.
Among the songs recognized are: “Spirit” from “The Lion King,” “Into The Unknown” from “Frozen II,” “Don’t Call Me Angel” from “Charlie’s Angels,” “Invisible Ink” from “This Is Us,” “Jenny of Oldstrones” from “Game of Thrones” and “On a Roll” from “Black Mirror.
- 1/9/2020
- by Shirley Halperin
- Variety Film + TV
Benjamin Franklin believed that only two things were certain in life — death and taxes — but longtime Ryan Murphy collaborator and recently elevated president of Ryan Murphy Productions Alexis Martin Woodall begs to differ. It’s all about music and smells in her estimation. “Nobody is ever going to smell the same thing you smell and feel the exact same way. And that’s how music is,” she says. “You hear a song and it puts you in a time and place. I argue that music is important in every show.”
Murphy wouldn’t disagree with Woodall on that score — they’re like a old married couple. And when it comes to a mutual love of music, they might be soulmates.
Fittingly, Woodall’s collaborations with Murphy have been hallmarked by a strong musical presence. Friday marks the premiere of the first product of Murphy’s record-breaking development deal with Netflix,...
Murphy wouldn’t disagree with Woodall on that score — they’re like a old married couple. And when it comes to a mutual love of music, they might be soulmates.
Fittingly, Woodall’s collaborations with Murphy have been hallmarked by a strong musical presence. Friday marks the premiere of the first product of Murphy’s record-breaking development deal with Netflix,...
- 9/27/2019
- by James Patrick Herman
- Variety Film + TV
“A Star Is Born,” “Black Panther” and “Mary Poppins Returns” are among the films that have received multiple nominations from the Guild of Music Supervisors, which announces the nominees for its 9th Annual Guild of Music Supervisors Awards on Thursday.
All three of those films were nominated in the Best Music Supervision for a Film Budgeted Over $25 Million category, alongside “Bohemian Rhapsody” and “Peter Rabbit.” They were also nominated for individual songs: “A Star Is Born” for Lady Gaga’s “Shallow,” “Black Panther” for Kendrick Lamar’s “All the Stars” and “Mary Poppins Returns” for Marc Shaiman and Scott Wittman’s “Trip a Little Light Fantastic.”
The other nominated songs are Dolly Parton’s “Girl in the Movies,” from “Dumplin’,” and Post Malone and Swae Lee’s “Sunflower” from “Spider-Man: Into the Spider-Verse,” the only song nominated by the Gms that is not on the Academy’s short list of...
All three of those films were nominated in the Best Music Supervision for a Film Budgeted Over $25 Million category, alongside “Bohemian Rhapsody” and “Peter Rabbit.” They were also nominated for individual songs: “A Star Is Born” for Lady Gaga’s “Shallow,” “Black Panther” for Kendrick Lamar’s “All the Stars” and “Mary Poppins Returns” for Marc Shaiman and Scott Wittman’s “Trip a Little Light Fantastic.”
The other nominated songs are Dolly Parton’s “Girl in the Movies,” from “Dumplin’,” and Post Malone and Swae Lee’s “Sunflower” from “Spider-Man: Into the Spider-Verse,” the only song nominated by the Gms that is not on the Academy’s short list of...
- 1/10/2019
- by Steve Pond
- The Wrap
For the first time ever, the 2017 Primetime Emmys will hand out an award for Outstanding Music Supervision, acknowledging the creative contributions made by the music supervisors on TV series. It’s an award that’s long overdue; music supervision is an often misunderstood art form thought to be as simple as pulling songs off an iPod. “There’s so much work that goes into it that you don’t see on the screen,” says Amanda Krieg Thomas,...
- 6/23/2017
- Entertainment Tonight
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