It's no secret to any horror buff that the genre's greatest offerings aren't always defined by critical prestige. But when it comes to horror television, the uphill battle that new shows face to overcome skepticism and garner positive reviews is even steeper. This is aptly demonstrated by the TV landscape of the '90s, in which writers and directors galvanized the medium by venturing into as-yet-unexplored depths of scariness, violence, and production value. However, creators weren't always able to translate that broadening of horizons into favorable critical notes.
Sure, it was the decade of "Twin Peaks," "The X-Files," Stephen King's "It," and all the bold new offerings for which such beloved programs paved the way by evidencing audiences' appetite for serious, well-made horror TV. But it was also the decade of a vast number of critical flops, which have been either largely forgotten or marred by extremely negative reputations...
Sure, it was the decade of "Twin Peaks," "The X-Files," Stephen King's "It," and all the bold new offerings for which such beloved programs paved the way by evidencing audiences' appetite for serious, well-made horror TV. But it was also the decade of a vast number of critical flops, which have been either largely forgotten or marred by extremely negative reputations...
- 4/27/2024
- by Leo Noboru Lima
- Slash Film
This X-Men ’97 article contains spoilers.
“They shall know my Inferno!” cries the Goblin Queen early in X-Men ’97‘s third episode. Now, the Goblin Queen has had a rough day, which began with her thinking that she was the real Jean Grey and ended with the revelation that she was a clone created by evil (but fashionable) geneticist Mr. Sinister. Her heel turn came so quick that she really didn’t have time to workshop her villain monologues.
Whatever the shortcomings in her baddie banter, the Goblin Queen makes up for it with evil powers. She immediately begins transforming the X-Mansion into a Hellscape, complete with a giant head in an elevator and a vision of Xavier as a monster from the anime classic Akira. Wild as these transformations are, they have nothing on the comic book storyline that inspired it.
The Inferno crossover from 1988 and 1989 was peak weird Marvel,...
“They shall know my Inferno!” cries the Goblin Queen early in X-Men ’97‘s third episode. Now, the Goblin Queen has had a rough day, which began with her thinking that she was the real Jean Grey and ended with the revelation that she was a clone created by evil (but fashionable) geneticist Mr. Sinister. Her heel turn came so quick that she really didn’t have time to workshop her villain monologues.
Whatever the shortcomings in her baddie banter, the Goblin Queen makes up for it with evil powers. She immediately begins transforming the X-Mansion into a Hellscape, complete with a giant head in an elevator and a vision of Xavier as a monster from the anime classic Akira. Wild as these transformations are, they have nothing on the comic book storyline that inspired it.
The Inferno crossover from 1988 and 1989 was peak weird Marvel,...
- 3/27/2024
- by Joe George
- Den of Geek
Founded by Maxwell Gaines in 1944, the Entertaining Comics brand (a.k.a. EC Comics) initially specialized in educational comics and stories aimed at children. But after Gaines died in a boating accident in ’47, his 25-year-old son William took control of the company and changed its direction, exploring the genres of horror, sci-fi, and satire while bringing us classic titles like Tales from the Crypt, The Vault of Horror, The Haunt of Fear, Weird Science, Weird Fantasy, and Mad. Sadly, EC Comics was at its peak when parents started to worry about the negative effects reading comic books could have on their children, leading to things like a Congressional hearing that blamed comic books for juvenile delinquency – a claim that was backed up by the book Seduction of the Innocent, written by psychiatrist Fredric Wertham. So by 1956, EC Comics ceased publishing all of their titles except for Mad. Those classic EC...
- 2/20/2024
- by Cody Hamman
- JoBlo.com
Founded by Max Gaines in 1944 and taken over by son William Gaines later that decade, EC Comics is one of the most legendary names in horror, known for their series’ Tales from the Crypt, The Vault of Horror, and The Haunt of Fear. Eighty years after the company came onto the scene, THR reports this afternoon that EC Comics is coming back from the dead.
THR reports, “Oni Press, the publisher perhaps best known for the breakout indie hit Scott Pilgrim, has partnered with William M. Gaines Agent, Inc., the rights holders of the EC line, to launch all-new stories with A-list comics creators beginning this summer.”
“EC Comics is one of the most artistically important and culturally significant publishers of all time,” Oni’s publisher Hunter Gorinson told The Hollywood Reporter.
He added, “In ways both artful and shocking, EC confronted the darkness lurking behind the thin facade of...
THR reports, “Oni Press, the publisher perhaps best known for the breakout indie hit Scott Pilgrim, has partnered with William M. Gaines Agent, Inc., the rights holders of the EC line, to launch all-new stories with A-list comics creators beginning this summer.”
“EC Comics is one of the most artistically important and culturally significant publishers of all time,” Oni’s publisher Hunter Gorinson told The Hollywood Reporter.
He added, “In ways both artful and shocking, EC confronted the darkness lurking behind the thin facade of...
- 2/19/2024
- by John Squires
- bloody-disgusting.com
The impact of EC Comics cannot be understated, having inspired countless horror creators, including George A. Romero, Stephen King, and many, many more. After nearly 70 years since the last comic book from EC, as first reported by the NY Times, Oni Press has partnered with William M. Gaines Agent, Inc. to introduce new EC Comics! Starting this summer, Epitaphs From The Abyss #1 and Cruel Universe #1 will kick off brand-new stories from some of today's best comic book writers, and we have all the details:
"Oni Press – the multiple Eisner and Harvey Award-winning publisher of groundbreaking comics and graphic fiction for more than 25 years – is proud to announce a brand-new publishing partnership with William M. Gaines Agent, Inc. that will see the full-fledged return of EC Comics to comic shop and bookstore shelves worldwide with a slate of all-new series beginning in the summer of 2024.
Beginning with Epitaphs From The Abyss...
"Oni Press – the multiple Eisner and Harvey Award-winning publisher of groundbreaking comics and graphic fiction for more than 25 years – is proud to announce a brand-new publishing partnership with William M. Gaines Agent, Inc. that will see the full-fledged return of EC Comics to comic shop and bookstore shelves worldwide with a slate of all-new series beginning in the summer of 2024.
Beginning with Epitaphs From The Abyss...
- 2/19/2024
- by Jonathan James
- DailyDead
In the early 1950s, EC Comics was the bad boy of comic publishers. Its comics such as Tales From the Crypt, Weird Science and Two-Fisted Tales sold millions in mid-century America. Unfortunately, its stories — at times shocking, horrifying, and even progressive — also drew scrutiny and backlash, and the company found itself in the cross hairs of censorship and regulation at the height of the McCarthy era. The company ultimately shuttered, with the last comic hitting newsstands and drug stores in 1956.
Now, seventy years after the creation of the self-regulatory body Comics Code Authority, the infamous comics company is blasting out of the crypt and returning with a brand new line of comics.
Oni Press, the publisher perhaps best known for the breakout indie hit Scott Pilgrim, has partnered with William M. Gaines Agent, Inc., the rights holders of the EC line, to launch all-new stories with A-list comics creators beginning this summer.
Now, seventy years after the creation of the self-regulatory body Comics Code Authority, the infamous comics company is blasting out of the crypt and returning with a brand new line of comics.
Oni Press, the publisher perhaps best known for the breakout indie hit Scott Pilgrim, has partnered with William M. Gaines Agent, Inc., the rights holders of the EC line, to launch all-new stories with A-list comics creators beginning this summer.
- 2/19/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
The JoBlo Original covering Tales from the Crypt‘s physical media releases was Written by Paul Bookstaber, Edited by Lance Vlcek, and Narrated by Kier Gomes.
Back in 1989 a horror anthology series hit HBO network and took the horror world by storm. Maybe you heard of it? Doesn’t ring a bell? Its intro is made of nightmare fuel as the camera treks through its main gate, which ascends to a broken-down, deteriorated mansion as lightning cackles through the night sky. We enter this amusement park of horrors, cobwebs draped alongside the walls, creeks and strange noises echoing about, eerie atmosphere soaking up the screen, and we enter a false trap door. Now when I was younger, I think I was close to shitting my pants because here or there as we descend down these stairs into this abyss, and we go through a room here and there. And then right then and there,...
Back in 1989 a horror anthology series hit HBO network and took the horror world by storm. Maybe you heard of it? Doesn’t ring a bell? Its intro is made of nightmare fuel as the camera treks through its main gate, which ascends to a broken-down, deteriorated mansion as lightning cackles through the night sky. We enter this amusement park of horrors, cobwebs draped alongside the walls, creeks and strange noises echoing about, eerie atmosphere soaking up the screen, and we enter a false trap door. Now when I was younger, I think I was close to shitting my pants because here or there as we descend down these stairs into this abyss, and we go through a room here and there. And then right then and there,...
- 1/16/2024
- by Paul Bookstaber
- JoBlo.com
Al Jaffe, the storied cartoonist who created two staple features of Mad magazine, the “Fold-In” and “Snappy Answers to Stupid Questions,” died Monday, April 10, The New York Times reports. He was 102.
Jaffee’s granddaughter, Fani Thomson, confirmed his death, saying it was caused by multi-system organ failure.
Jaffee enjoyed a Guinness World Record-setting 77 years as a professional cartoonist, starting in 1942 and ending just a couple of years ago, in June 2020, when he finally decided to retire at the age of 99. He started working for Mad in 1955, three years after its founding,...
Jaffee’s granddaughter, Fani Thomson, confirmed his death, saying it was caused by multi-system organ failure.
Jaffee enjoyed a Guinness World Record-setting 77 years as a professional cartoonist, starting in 1942 and ending just a couple of years ago, in June 2020, when he finally decided to retire at the age of 99. He started working for Mad in 1955, three years after its founding,...
- 4/10/2023
- by Jon Blistein
- Rollingstone.com
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