What’s the biggest documentary festival in the world? The International Documentary Festival Amsterdam. For now.
Upstart Cph:dox in Copenhagen aims to overtake IDFA as the top showcase for nonfiction film worldwide. On the new episode of Deadline’s Doc Talk podcast, we sit down with Cph:dox Artistic Director Niklas Engstrøm for a conversation about the growth of the festival in the Danish capital and how he aims to make it No. 1.
Engstrøm argues that Cph:dox has been central to the emergence of Denmark as one of the most important hubs for documentary on the planet. It’s a country of less than 6 million that has produced a remarkable number of Oscar-nominated documentary directors and producers in recent years, including Signe Byrge Sørensen, Monica Hellström, Simon Lereng Wilmont, Jonas Rasmussen, Sigrid Dyekjær and Kirstine Barfod.
In our report from the field at Cph:Dox, we also talk with filmmaker Benjamin Ree about Ibelin,...
Upstart Cph:dox in Copenhagen aims to overtake IDFA as the top showcase for nonfiction film worldwide. On the new episode of Deadline’s Doc Talk podcast, we sit down with Cph:dox Artistic Director Niklas Engstrøm for a conversation about the growth of the festival in the Danish capital and how he aims to make it No. 1.
Engstrøm argues that Cph:dox has been central to the emergence of Denmark as one of the most important hubs for documentary on the planet. It’s a country of less than 6 million that has produced a remarkable number of Oscar-nominated documentary directors and producers in recent years, including Signe Byrge Sørensen, Monica Hellström, Simon Lereng Wilmont, Jonas Rasmussen, Sigrid Dyekjær and Kirstine Barfod.
In our report from the field at Cph:Dox, we also talk with filmmaker Benjamin Ree about Ibelin,...
- 3/26/2024
- by Matthew Carey
- Deadline Film + TV
There are a lot of "Frankenstein" movies. There's even one in theaters right now: "Lisa Frankenstein," a fun 80s-set horror-comedy-romance brew (read /Film's review here).
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
- 2/18/2024
- by Devin Meenan
- Slash Film
This article contains light spoilers for James Bond: 007 #1.
In the first pages of a new comic book series, a mafioso gathers his family and talks of revenge. Reeling with sorrow and anger at the murder of his son, the mafioso vows to destroy his child’s killer. As he talks, the mafioso praises the remaining members of his family, and artist Rapha Lobosco devotes a panel to each, letting the reader see their importance: his strapping sons, his beautiful daughters, his loving wife, and his elderly mother.
But just when the mafioso hits the climax of his speech, an interuption forces him to turn around. There, he sees all but his mother dead, blood pouring from a bullet hole placed precisely in their foreheads. After killing the mafioso, the gunman turns to the elderly mother and says, “Better safe than sorry.” The sequence ends with a splash page showing...
In the first pages of a new comic book series, a mafioso gathers his family and talks of revenge. Reeling with sorrow and anger at the murder of his son, the mafioso vows to destroy his child’s killer. As he talks, the mafioso praises the remaining members of his family, and artist Rapha Lobosco devotes a panel to each, letting the reader see their importance: his strapping sons, his beautiful daughters, his loving wife, and his elderly mother.
But just when the mafioso hits the climax of his speech, an interuption forces him to turn around. There, he sees all but his mother dead, blood pouring from a bullet hole placed precisely in their foreheads. After killing the mafioso, the gunman turns to the elderly mother and says, “Better safe than sorry.” The sequence ends with a splash page showing...
- 1/23/2024
- by Joe George
- Den of Geek
In “Ibelin” Norwegian filmmaker Benjamin Ree focuses on Mats Steen, a Norwegian gamer who died in 2014 of a degenerative muscular disease at age 25. Ree, who as a child was family friends with the Steen family, conceived of the project after reading a 2019 BBC article. The piece explains that after Mats’ death his parents discovered that they were all wrong about their son’s social life. Instead of a lonely, isolated existence in a wheelchair, they found out that Mats had been leading a vibrant digital life as Lord Ibelin Redmoore, an avatar, in the popular video game “World of Warcraft.” After his death, people from all over Europe, who had never physically met Mats, sent his parents condolence letters expressing how their son had profoundly impacted their lives.
Variety spoke with Ree ahead of the Sundance world premiere of “Ibelin” on Jan. 18.
After reading the BBC article in 2019 did you...
Variety spoke with Ree ahead of the Sundance world premiere of “Ibelin” on Jan. 18.
After reading the BBC article in 2019 did you...
- 1/18/2024
- by Addie Morfoot
- Variety Film + TV
Since the beginning of the mumblecore movement in the 2000s, independent cinema has been saturated with stories of young (often white) people in their 20s in a state of arrested development. For these people, adulthood is a playground characterized by risk-taking and pontificating about the state of their romantic relationships. With spare lighting and naturalistic camera movements, these films attempt to mimic the rawness of real life, adding weight to the mundane. Though the movement has already passed, these stories continue to thrive at festivals.
In Lisa Steen’s feature directorial debut Late Bloomers, millennial angst is once again at the center of a deeply personal, minimalist story. Karen Gillan plays Louise, an aimless and depressed musician in her 20s struggling to get past a painful breakup. When she discovers that her ex-boyfriend is moving on without her, Louise tries to drunkenly climb into his apartment through the window. Falling and injuring her hip,...
In Lisa Steen’s feature directorial debut Late Bloomers, millennial angst is once again at the center of a deeply personal, minimalist story. Karen Gillan plays Louise, an aimless and depressed musician in her 20s struggling to get past a painful breakup. When she discovers that her ex-boyfriend is moving on without her, Louise tries to drunkenly climb into his apartment through the window. Falling and injuring her hip,...
- 3/17/2023
- by Jourdain Searles
- The Hollywood Reporter - Movie News
Late Bloomers is a new comedy film having its world premiere at South by Southwest in Austin, Texas, on Friday. To discuss the making of the film, screenwriter Anna Greenfield, director Lisa Steen (her feature debut) and star Karen Gillan joined The Hollywood Reporter in its SXSW Studio.
Greenfield based the story on real-life experiences. The movie follows a Brooklyn woman, Louise, in her late 20s, who falls drunkenly and breaks her hip, prompting a stay at a physical therapy ward with the elderly. When Louise is assigned to care for an old Polish woman named Antonina, the pair are forced to face some painful truths.
Steen and Greenfield connected when they went to college together and were also friends with Gillan through her husband. Gillan, previously known for her roles in franchises including Guardians of the Galaxy and Jumanji, became obsessed with the script after reading it, studying Greenfield...
Greenfield based the story on real-life experiences. The movie follows a Brooklyn woman, Louise, in her late 20s, who falls drunkenly and breaks her hip, prompting a stay at a physical therapy ward with the elderly. When Louise is assigned to care for an old Polish woman named Antonina, the pair are forced to face some painful truths.
Steen and Greenfield connected when they went to college together and were also friends with Gillan through her husband. Gillan, previously known for her roles in franchises including Guardians of the Galaxy and Jumanji, became obsessed with the script after reading it, studying Greenfield...
- 3/11/2023
- by Hilton Dresden
- The Hollywood Reporter - Movie News
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