Perhaps the only sane way to tell a story about the U.S. Immigration system is to make it as absurd and fantastical as possible, and Julio Torres’ “Problemista,” like his HBO series “Los Espookys,” is packed with visually elaborate set pieces that feel handmade and human. But the most complex build of the film — one that also features a child’s impossible dream castle and a maze of immigration offices laid out like the world’s worst ant farm — was located in Torres’ vision of the digital world.
Larry Owens personifies the website Craigslist, to which Torres’ character Alejandro turns to raise the cash to process his work sponsorship forms for his visa, assuming that the mercurial Elizabeth (Tilda Swinton) will, in fact, sign them. Over the course of “Problemista,” Alejandro and Craiglist commune several times, first and most spectacularly with Ale falling through, one assumes, the wormhole tubes...
Larry Owens personifies the website Craigslist, to which Torres’ character Alejandro turns to raise the cash to process his work sponsorship forms for his visa, assuming that the mercurial Elizabeth (Tilda Swinton) will, in fact, sign them. Over the course of “Problemista,” Alejandro and Craiglist commune several times, first and most spectacularly with Ale falling through, one assumes, the wormhole tubes...
- 3/19/2024
- by Sarah Shachat
- Indiewire
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