The heat is on across King’s Dominion. To cool off, The Losers’ Club put on their shades, put the top down on their 1958 Plymouth Fury convertible, and feel the breeze in Hollywood King. It’s another high-octane news episode that finds Losers Randall Colburn, McKenzie Gerber, Jenn Adams and Justin Gerber cycling through the latest Stephen King headlines.
Topics include King’s new short stories collection You Like It Darker, Edgar Wright‘s The Running Man, Neon picking up Oz Perkins‘ adaptation of The Monkey, and Francis Lawrence‘s The Long Walk heading into production this summer. They also check in on King’s recent online antics, like his bizarre claim that he was never a Neil Young fan and his new friendship with Ice T, which leads to a meditation on the divergent paths of devoted posters in old age (and dramatic readings of Ice T’s best...
Topics include King’s new short stories collection You Like It Darker, Edgar Wright‘s The Running Man, Neon picking up Oz Perkins‘ adaptation of The Monkey, and Francis Lawrence‘s The Long Walk heading into production this summer. They also check in on King’s recent online antics, like his bizarre claim that he was never a Neil Young fan and his new friendship with Ice T, which leads to a meditation on the divergent paths of devoted posters in old age (and dramatic readings of Ice T’s best...
- 6/3/2024
- by Michael Roffman
- bloody-disgusting.com
“A crying woman is a scheming woman.”
Women are supposed to be natural caregivers. Once we become mothers, we’re expected to put aside our own physical pleasures and dedicate our lives to protecting our young. But what of the mothers who can’t keep their children alive? The women who fail in the one job they were made to fulfill? Even worse, what if this death is an act of neglect? Rather than hover and dote, what if a mother indulges her own physical pleasure at the cost of her child? Would we call that woman evil? Would we call her a witch? Lars von Trier reckons with the expectations we place on women in his controversial film Antichrist. By exploring the natural urges of a grieving mother, he interrogates the patriarchal construction of evil itself.
She (Charlotte Gainsbourg) and He (Willem Dafoe) are a married couple enjoying domestic...
Women are supposed to be natural caregivers. Once we become mothers, we’re expected to put aside our own physical pleasures and dedicate our lives to protecting our young. But what of the mothers who can’t keep their children alive? The women who fail in the one job they were made to fulfill? Even worse, what if this death is an act of neglect? Rather than hover and dote, what if a mother indulges her own physical pleasure at the cost of her child? Would we call that woman evil? Would we call her a witch? Lars von Trier reckons with the expectations we place on women in his controversial film Antichrist. By exploring the natural urges of a grieving mother, he interrogates the patriarchal construction of evil itself.
She (Charlotte Gainsbourg) and He (Willem Dafoe) are a married couple enjoying domestic...
- 5/30/2024
- by Jenn Adams
- bloody-disgusting.com
“You killed my son! And, now, I kill you and I can’t think of anything more rational.”
Compared to traditional slasher fare, there are many things that set the Scream franchise apart: multiple survivors, metatextual commentary, Matthew Lillard, the list goes on and on. But one of the most unique aspects of this beloved string of films is the fact that anyone and everyone could be the killer. With no supernatural elements or sub-human weapon-wielders, only a confirmed kill can eliminate a character from the suspect list. Many charismatic villains have donned the ominous Ghostface mask, but none so complex as the one revealed in Scream 2. Running on vengeance, grief, and motherly love, Mrs. Loomis (Laurie Metcalf) manipulates a psychotic young man and picks up the knife herself in an elaborate plan to seek revenge for the death of her son.
After surviving what has become known as the Woodsboro Murders,...
Compared to traditional slasher fare, there are many things that set the Scream franchise apart: multiple survivors, metatextual commentary, Matthew Lillard, the list goes on and on. But one of the most unique aspects of this beloved string of films is the fact that anyone and everyone could be the killer. With no supernatural elements or sub-human weapon-wielders, only a confirmed kill can eliminate a character from the suspect list. Many charismatic villains have donned the ominous Ghostface mask, but none so complex as the one revealed in Scream 2. Running on vengeance, grief, and motherly love, Mrs. Loomis (Laurie Metcalf) manipulates a psychotic young man and picks up the knife herself in an elaborate plan to seek revenge for the death of her son.
After surviving what has become known as the Woodsboro Murders,...
- 5/23/2024
- by Jenn Adams
- bloody-disgusting.com
“She’s mine, and I’m hers.”
The prison movie is a cornerstone of the cinematic landscape. Often adjacent to horror, there’s something inherently horrific about a building full of “convicts” jockeying for power. Criminal masterminds and the wrongfully convicted alike become pawns in a dehumanizing system and struggle to stay alive in the restrictive environment. Claire Denis pushes this genre to its outer limits with sci-fi and horror elements comparing incarceration to the prison of the human body. Her 2018 film High Life follows a group of prisoners turned astronauts who struggle to retain their humanity after the world has cast them out.
When we first meet Monte (Robert Pattinson), he’s raising a toddler on an isolated space station in the galaxy’s outer reaches. His daughter Willow was conceived through assault by fellow inmate Dr. Dibs (Juliette Binoche) as a part of her mission to reproduce in space.
The prison movie is a cornerstone of the cinematic landscape. Often adjacent to horror, there’s something inherently horrific about a building full of “convicts” jockeying for power. Criminal masterminds and the wrongfully convicted alike become pawns in a dehumanizing system and struggle to stay alive in the restrictive environment. Claire Denis pushes this genre to its outer limits with sci-fi and horror elements comparing incarceration to the prison of the human body. Her 2018 film High Life follows a group of prisoners turned astronauts who struggle to retain their humanity after the world has cast them out.
When we first meet Monte (Robert Pattinson), he’s raising a toddler on an isolated space station in the galaxy’s outer reaches. His daughter Willow was conceived through assault by fellow inmate Dr. Dibs (Juliette Binoche) as a part of her mission to reproduce in space.
- 5/16/2024
- by Jenn Adams
- bloody-disgusting.com
“You’d be a good mom someday, Auntie Beth. You know how to lie to kids.”
In 1981, visionary director Sam Raimi unleashed The Evil Dead and changed horror forever. This tentpole franchise not only popularized the “cabin in the woods” subgenre but remains one of the most creative and bloody sagas in the genre’s history. We first meet the Kandarian Demon in the remote woods, attacking Ash (Bruce Campbell) and his ill-fated friends. But the evil dead know no bounds and cannot be contained by geographic location. Lee Cronin’s 2023 sequel Evil Dead Rise sees the Necronomicon reemerge from the bowels of an LA high rise. Rather than a group of college coeds (and some medieval knights), this Kandarian iteration squares off against an unsuspecting mom and her likeable family. It’s the perfect film for Horror Movie Mothers Day as the terrifying deadites bring gory destruction instead of chocolates and a corsage.
In 1981, visionary director Sam Raimi unleashed The Evil Dead and changed horror forever. This tentpole franchise not only popularized the “cabin in the woods” subgenre but remains one of the most creative and bloody sagas in the genre’s history. We first meet the Kandarian Demon in the remote woods, attacking Ash (Bruce Campbell) and his ill-fated friends. But the evil dead know no bounds and cannot be contained by geographic location. Lee Cronin’s 2023 sequel Evil Dead Rise sees the Necronomicon reemerge from the bowels of an LA high rise. Rather than a group of college coeds (and some medieval knights), this Kandarian iteration squares off against an unsuspecting mom and her likeable family. It’s the perfect film for Horror Movie Mothers Day as the terrifying deadites bring gory destruction instead of chocolates and a corsage.
- 5/9/2024
- by Jenn Adams
- bloody-disgusting.com
After releasing The Colorado Kid and Joyland via the Hard Case Crime imprint, Stephen King made his grand debut into the world of hard-boiled crime fiction with Mr. Mercedes. The first in a trilogy, the 2014 novel introduced readers to Bill Hodges, a crusty, retired detective who finds his golden years interrupted by the taunts of a psychopathic killer he failed to apprehend.
A divisive book among the King faithful, Mr. Mercedes is nonetheless an important one, as it introduces Holly Gibney, a recluse-turned-investigator King would go on to feature in four subsequent novels (and one novella), including last year’s Holly.
Join The Losers’ Club’s Randall Colburn, Jenn Adams, Ashley Casseday, and Rachel Reeves as they detail the book’s origins, how it differs from the author’s previous forays into crime, and the ways in which it reflects evolving societal fears about domestic terrorism. They also discuss the...
A divisive book among the King faithful, Mr. Mercedes is nonetheless an important one, as it introduces Holly Gibney, a recluse-turned-investigator King would go on to feature in four subsequent novels (and one novella), including last year’s Holly.
Join The Losers’ Club’s Randall Colburn, Jenn Adams, Ashley Casseday, and Rachel Reeves as they detail the book’s origins, how it differs from the author’s previous forays into crime, and the ways in which it reflects evolving societal fears about domestic terrorism. They also discuss the...
- 5/3/2024
- by Randall Colburn
- bloody-disgusting.com
“Chip! Our mother is Charles Manson!”
What does it mean to be a good mother? Is it the ability to cook the perfect meatloaf or a talent for bird calls? Is it an impeccably turned out family each Sunday morning and an organized recycling setup? These may be important to a picture-perfect suburban life, but when it comes to being an effective mother, they’re merely window dressing. What truly makes a mother succeed is a dedication to the wellbeing of her children. But should that extend to murder? John Waters explores these questions in the 1994 film Serial Mom featuring a murderous mom who will do anything to give her kids a happy life.
Beverly Sutphin (Kathleen Turner) is the picture of maternal perfection. Her charming children and dreamy husband gather around the breakfast table each morning to discuss their lives and the hot button issues of the day. But...
What does it mean to be a good mother? Is it the ability to cook the perfect meatloaf or a talent for bird calls? Is it an impeccably turned out family each Sunday morning and an organized recycling setup? These may be important to a picture-perfect suburban life, but when it comes to being an effective mother, they’re merely window dressing. What truly makes a mother succeed is a dedication to the wellbeing of her children. But should that extend to murder? John Waters explores these questions in the 1994 film Serial Mom featuring a murderous mom who will do anything to give her kids a happy life.
Beverly Sutphin (Kathleen Turner) is the picture of maternal perfection. Her charming children and dreamy husband gather around the breakfast table each morning to discuss their lives and the hot button issues of the day. But...
- 5/2/2024
- by Jenn Adams
- bloody-disgusting.com
The Losers’ Club: A Stephen King Podcast closes out April with another trip to prom with Carrie White, only this time there’s no Brian De Palma, no Sissy Spacek, and no Amy Irving. Instead, they dial back to 2002, when NBC aired a new vision of Carrie that may or may not have been the backdoor pilot for a would-be TV series.
Join Jenn Adams, Ashley Casseday, Dan Pfleegor as they jump in the limo to burn through this early aughts nightmare. Together, they discuss Bryan Fuller‘s “vision”, the digital aesthetics, the garish CGI, Angela Bettis and Patricia Clarkson’s performances, how it hews closer to the page, and more. Never seen it? It’s streaming on Tubi.
Stream the discussion below and stay tuned next week for their coverage on Mr. Mercedes. For further adventures, join the Club over long days and pleasant nights via Apple Podcasts, Spotify,...
Join Jenn Adams, Ashley Casseday, Dan Pfleegor as they jump in the limo to burn through this early aughts nightmare. Together, they discuss Bryan Fuller‘s “vision”, the digital aesthetics, the garish CGI, Angela Bettis and Patricia Clarkson’s performances, how it hews closer to the page, and more. Never seen it? It’s streaming on Tubi.
Stream the discussion below and stay tuned next week for their coverage on Mr. Mercedes. For further adventures, join the Club over long days and pleasant nights via Apple Podcasts, Spotify,...
- 4/26/2024
- by Michael Roffman
- bloody-disgusting.com
“I am every little girl you ever watched, touched, hurt, screwed, killed.”
Being a teenager is hard. In addition to raging hormones, awkward social interactions, and the never ending quest to be cool, every action, choice, or identifying marker may be ruthlessly picked apart by peers just as concerned with maintaining their own social status. Elder millennials and older generations were lucky to go through these awkward years without social media to document every misstep or well-intentioned faux pas. The predators we were taught to fear operated out of shadowy vans or crowded food courts and stranger danger was the law of the land. In addition to the stress of social media, the teens of today must be on the lookout for catfishing creeps who lure them in with charming online personas, deceptive avatars, and manipulative DMs. David Slade’s 2005 film Hard Candy explores the early days of this new...
Being a teenager is hard. In addition to raging hormones, awkward social interactions, and the never ending quest to be cool, every action, choice, or identifying marker may be ruthlessly picked apart by peers just as concerned with maintaining their own social status. Elder millennials and older generations were lucky to go through these awkward years without social media to document every misstep or well-intentioned faux pas. The predators we were taught to fear operated out of shadowy vans or crowded food courts and stranger danger was the law of the land. In addition to the stress of social media, the teens of today must be on the lookout for catfishing creeps who lure them in with charming online personas, deceptive avatars, and manipulative DMs. David Slade’s 2005 film Hard Candy explores the early days of this new...
- 4/25/2024
- by Jenn Adams
- bloody-disgusting.com
“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”
Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking...
Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking...
- 4/18/2024
- by Jenn Adams
- bloody-disgusting.com
“It has nothing to do with Satan, Mama. It’s me. Me. If I concentrate hard enough, I can move things”
Is it possible to go to prom these days without thinking about Carrie? Brian De Palma’s 1976 adaptation of Stephen King’s debut novel has become so ingrained in the zeitgeist that it’s nearly impossible to shop for a prom dress without a fleeting fear that it might become covered in blood. And perhaps that’s a good thing. Revolutionary at the time, the story concludes with a shocking act of righteous revenge, but mixed into the wreckage is a cautionary tale about bullying and religious abuse. Carrie may wield the fiery hand of justice in the film’s final act, but only after a lifetime of victimization at the hands of her classmates and mother. Maybe thinking about Carrie and the real life outcasts that share her...
Is it possible to go to prom these days without thinking about Carrie? Brian De Palma’s 1976 adaptation of Stephen King’s debut novel has become so ingrained in the zeitgeist that it’s nearly impossible to shop for a prom dress without a fleeting fear that it might become covered in blood. And perhaps that’s a good thing. Revolutionary at the time, the story concludes with a shocking act of righteous revenge, but mixed into the wreckage is a cautionary tale about bullying and religious abuse. Carrie may wield the fiery hand of justice in the film’s final act, but only after a lifetime of victimization at the hands of her classmates and mother. Maybe thinking about Carrie and the real life outcasts that share her...
- 4/11/2024
- by Jenn Adams
- bloody-disgusting.com
“And then the world exploded.”
Fifty years ago, Stephen King published a slim novel about a lonely girl finding her power and the world of horror has never been the same. We all know the story by now. Outcast Carrie White gets bullied by her classmates and abused by her ultra-religious mother. Good Girl Sue Snell convinces her boyfriend to take Carrie to prom in her place. Mean Girl Chris Hargenson orchestrates a plot to get Carrie voted Prom Queen then coronates her with a bucket of pig’s blood. They all laugh and Carrie unleashes her deadly powers of telekinesis. King’s story of high school morality and bloody revenge has woven itself into the fabric of American life, extending its reach well past genre limits. To mark this milestone, The Losers’ Club celebrates the birth of a legend with a Twinner book episode on the 1974 novel Carrie.
Already an accomplished short story author,...
Fifty years ago, Stephen King published a slim novel about a lonely girl finding her power and the world of horror has never been the same. We all know the story by now. Outcast Carrie White gets bullied by her classmates and abused by her ultra-religious mother. Good Girl Sue Snell convinces her boyfriend to take Carrie to prom in her place. Mean Girl Chris Hargenson orchestrates a plot to get Carrie voted Prom Queen then coronates her with a bucket of pig’s blood. They all laugh and Carrie unleashes her deadly powers of telekinesis. King’s story of high school morality and bloody revenge has woven itself into the fabric of American life, extending its reach well past genre limits. To mark this milestone, The Losers’ Club celebrates the birth of a legend with a Twinner book episode on the 1974 novel Carrie.
Already an accomplished short story author,...
- 4/5/2024
- by Jenn Adams
- bloody-disgusting.com
“And don’t anyone say ‘April Fool’s’ again or I’ll rip them apart!”
What is it about the first day of April that makes us want to torture our friends? History tells us that just about every culture honors a day where tricks are not only celebrated, they’re the law of the land. In the west, we recognize April Fool’s Day – an auspicious 24-hour stretch in which the rules of logic and truth no longer apply. From gimmicky corporate announcements to fake positive pregnancy tests, the first day in April is a virtual smorgasbord of deceit designed to get a laugh or incredulous grin out of unsuspecting dupes. But sometimes the tricks go too far. While commitment to the bit may be admirable, not everyone enjoys having the rug pulled out from under them and many a friendship has died on the April Fools altar. The...
What is it about the first day of April that makes us want to torture our friends? History tells us that just about every culture honors a day where tricks are not only celebrated, they’re the law of the land. In the west, we recognize April Fool’s Day – an auspicious 24-hour stretch in which the rules of logic and truth no longer apply. From gimmicky corporate announcements to fake positive pregnancy tests, the first day in April is a virtual smorgasbord of deceit designed to get a laugh or incredulous grin out of unsuspecting dupes. But sometimes the tricks go too far. While commitment to the bit may be admirable, not everyone enjoys having the rug pulled out from under them and many a friendship has died on the April Fools altar. The...
- 4/4/2024
- by Jenn Adams
- bloody-disgusting.com
“God took her from me on the day of her first communion, don’t you see? He waited until then to teach me that children pay for the sins of their parents.”
Is there anything quite so devastating as the concept of original sin? The idea that we’re damned at conception before we’ve had a chance to take our first breath? What will it take to find salvation and how much will we have to pay for the actions of those who came before us? It’s a particularly painful topic for women. With Eve’s first bite of the apple weighing heavily against us and men holding all the levers of power, the path to righteousness can feel like a minefield. Some women will kill to escape these oppressive gender-based norms while others double down and kill to make sure they stay in place. The Lady Killers...
Is there anything quite so devastating as the concept of original sin? The idea that we’re damned at conception before we’ve had a chance to take our first breath? What will it take to find salvation and how much will we have to pay for the actions of those who came before us? It’s a particularly painful topic for women. With Eve’s first bite of the apple weighing heavily against us and men holding all the levers of power, the path to righteousness can feel like a minefield. Some women will kill to escape these oppressive gender-based norms while others double down and kill to make sure they stay in place. The Lady Killers...
- 3/28/2024
- by Jenn Adams
- bloody-disgusting.com
What does it mean to be a final girl? Can it really be as straightforward as staying alive until the sun rises? Picking up the knife, the machete, the abandoned gun and putting down the killer? Or is it something more? Could it mean stepping into a position of power and fighting for something larger than yourself? Or risking your life for the people you love? Could it be that anyone who bravely stands against an unstoppable force has final girl blood running through their veins?
Jennifer “Jade” Daniels has never seen herself as a final girl. When we first meet the teenage outcast in Stephen Graham Jones’ My Heart is a Chainsaw, she’s lurking on the fringes of her her small town and educating her teachers about the slasher lore. She knows everything there is to know about this bloody subgenre, but it takes a deadly twist of...
Jennifer “Jade” Daniels has never seen herself as a final girl. When we first meet the teenage outcast in Stephen Graham Jones’ My Heart is a Chainsaw, she’s lurking on the fringes of her her small town and educating her teachers about the slasher lore. She knows everything there is to know about this bloody subgenre, but it takes a deadly twist of...
- 3/26/2024
- by Jenn Adams
- bloody-disgusting.com
“So hungry was I to realize my own powers, I hardly even chewed.”
We’ve all grown up hearing the classic fairytale. A brother and sister are turned out of their home and sent by their wicked stepmother to survive in the deep, dark woods. The ingenious Hansel leaves a trail of pebbles and breadcrumbs to find the way home, but they eventually fall into the clutches of a sinister witch. While Gretel does get credit for pushing the old witch into the oven before she can roast and eat Hansel, most of the story’s heroism still falls on male shoulders. But what if Gretel was actually the one responsible for the sibling’s survival? What if it’s her courage and fortitude that saves the day while her brother is little more than a burden? Oz Perkins’s nightmarish film turns the classic fairy tale on its head...
We’ve all grown up hearing the classic fairytale. A brother and sister are turned out of their home and sent by their wicked stepmother to survive in the deep, dark woods. The ingenious Hansel leaves a trail of pebbles and breadcrumbs to find the way home, but they eventually fall into the clutches of a sinister witch. While Gretel does get credit for pushing the old witch into the oven before she can roast and eat Hansel, most of the story’s heroism still falls on male shoulders. But what if Gretel was actually the one responsible for the sibling’s survival? What if it’s her courage and fortitude that saves the day while her brother is little more than a burden? Oz Perkins’s nightmarish film turns the classic fairy tale on its head...
- 3/24/2024
- by Jenn Adams
- bloody-disgusting.com
Lobstrosities is a Patreon-only segment of The Losers’ Club that journeys into the barren wastelands of Stephen King movies and sequels. In the past, they’ve covered Pet Sematary 2, Creepshow 3, A Return to ‘Salem’s Lot, every sequel to Sometimes They Come Back, and a third of the Corn franchise. Today, in light of its 25th anniversary, the gang is unlocking their 2020 installment on the 1999 sequel, The Rage: Carrie 2.
Directed by Katt Shea, the direct sequel to Brian De Palma‘s Carrie follows Rachel Lang (Emily Bergl), the younger, also-telekinetic half-sister of Carrie White, who learns that her best friend’s suicide was prompted by a group of dickhead male classmates who exploited her sexually. The film brings back Amy Irving as Sue Snell and stuffs enough connective tissue between the cracks to make this whole thing work as a sequel.
Read: ‘The Rage: Carrie 2’ Twenty Five Years...
Directed by Katt Shea, the direct sequel to Brian De Palma‘s Carrie follows Rachel Lang (Emily Bergl), the younger, also-telekinetic half-sister of Carrie White, who learns that her best friend’s suicide was prompted by a group of dickhead male classmates who exploited her sexually. The film brings back Amy Irving as Sue Snell and stuffs enough connective tissue between the cracks to make this whole thing work as a sequel.
Read: ‘The Rage: Carrie 2’ Twenty Five Years...
- 3/15/2024
- by Michael Roffman
- bloody-disgusting.com
“You got involved with a woman who fell in love with you for your sanity and hoped it would rub off.”
What would the horror version of Kramer vs. Kramer look like? What about a murderous version of Marriage Story? While horror fans might enjoy throwing in gory dismemberment or supernatural chaos to these extremely human stories, would we be able to stomach the devastating mix of physical and emotional pain? Divorce is already hard enough! But that’s just what David Cronenberg gives us with The Brood. This 1979 film is a shocking and powerful story about the death of a marriage and the extensive collateral damage that lies in its wake.
Nola (Samantha Eggar) is a young mother taking time for herself. In order to process childhood trauma, she’s enrolled in extensive treatment at the Somafree Institure, a therapeutic retreat run by the illustrious Dr. Raglan (Oliver Reed). His patented modality,...
What would the horror version of Kramer vs. Kramer look like? What about a murderous version of Marriage Story? While horror fans might enjoy throwing in gory dismemberment or supernatural chaos to these extremely human stories, would we be able to stomach the devastating mix of physical and emotional pain? Divorce is already hard enough! But that’s just what David Cronenberg gives us with The Brood. This 1979 film is a shocking and powerful story about the death of a marriage and the extensive collateral damage that lies in its wake.
Nola (Samantha Eggar) is a young mother taking time for herself. In order to process childhood trauma, she’s enrolled in extensive treatment at the Somafree Institure, a therapeutic retreat run by the illustrious Dr. Raglan (Oliver Reed). His patented modality,...
- 3/14/2024
- by Jenn Adams
- bloody-disgusting.com
Dare you go Inside Julien Maury and Alexandre Bustillo’s ‘brutally affecting’ and deeply disturbing French feature? The film is set to strike stomach-wrenching fear into audiences once more, 15 years after its original release in 2007 as Second Sight Films have released a brand-new Inside Limited Edition Blu-ray Box set complete with a host of fantastic new special features.
Following a car accident that leaves her husband dead, expectant mother Sarah (Alysson Paradis – The Childhood of Icarus) is left to prepare for her impending birth alone while grieving her terrible loss. But when a stranger turns up at her house on Christmas Eve, things take a terrifying, unimaginably twisted turn… as the deranged intruder will stop at nothing to take her unborn baby.
The Inside Limited Edition Blu-ray Box set is presented in a stunning rigid slipcase with new artwork by James Neal and includes a 70-page book with new essays.
Following a car accident that leaves her husband dead, expectant mother Sarah (Alysson Paradis – The Childhood of Icarus) is left to prepare for her impending birth alone while grieving her terrible loss. But when a stranger turns up at her house on Christmas Eve, things take a terrifying, unimaginably twisted turn… as the deranged intruder will stop at nothing to take her unborn baby.
The Inside Limited Edition Blu-ray Box set is presented in a stunning rigid slipcase with new artwork by James Neal and includes a 70-page book with new essays.
- 3/13/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
“Question not my judgment, Malachai. I am the giver of His word.”
It’s the summer of 1984. The pavement is hot, the corn is high, and the eerie voices of children can be heard singing in a distant barn. Something sinister walks behind the rows. Is it a cult of killer children ripped from the Old Testament? Is a vengeful deity who demands human sacrifice? Is it a roving mound of dirt speeding through the corn or a loud little girl who draws in her sleep? In the latest episode of The Long Watch, The Losers’ Club will pick up their scythes and venture into the fragrant fields to unearth the secrets of Fritz Kiersch’s Children of the Corn.
Burt (Peter Horton) and Vicky (Linda Hamilton) are driving across the country when a detour off the main highway takes them straight through a never ending sea of corn. When...
It’s the summer of 1984. The pavement is hot, the corn is high, and the eerie voices of children can be heard singing in a distant barn. Something sinister walks behind the rows. Is it a cult of killer children ripped from the Old Testament? Is a vengeful deity who demands human sacrifice? Is it a roving mound of dirt speeding through the corn or a loud little girl who draws in her sleep? In the latest episode of The Long Watch, The Losers’ Club will pick up their scythes and venture into the fragrant fields to unearth the secrets of Fritz Kiersch’s Children of the Corn.
Burt (Peter Horton) and Vicky (Linda Hamilton) are driving across the country when a detour off the main highway takes them straight through a never ending sea of corn. When...
- 3/8/2024
- by Jenn Adams
- bloody-disgusting.com
“I’m an English teacher, not fucking Tomb Raider.”
What does it mean to be a strong woman? Is it visible muscles à la Linda Hamilton in Terminator 2: Judgment Day? Is it impressive feats of strength like climbing a mountain or braving white water? Is it putting yourself in harm’s way to save a friend? As it turns out, the answer is all–and none–of the above. There is no one way to be a “strong woman.” Sometimes it’s as simple as just showing up for the hard moments. Writer/director Neil Marshall explores the concept of female strength in his 2005 The Descent, a harrowing story of friendship and betrayal, strength and survival. In their latest episode, the Lady Killers kick off a series on Hidden Horrors by descending into the complicated themes of this terrifying film and facing off against the monsters lurking within the human heart.
What does it mean to be a strong woman? Is it visible muscles à la Linda Hamilton in Terminator 2: Judgment Day? Is it impressive feats of strength like climbing a mountain or braving white water? Is it putting yourself in harm’s way to save a friend? As it turns out, the answer is all–and none–of the above. There is no one way to be a “strong woman.” Sometimes it’s as simple as just showing up for the hard moments. Writer/director Neil Marshall explores the concept of female strength in his 2005 The Descent, a harrowing story of friendship and betrayal, strength and survival. In their latest episode, the Lady Killers kick off a series on Hidden Horrors by descending into the complicated themes of this terrifying film and facing off against the monsters lurking within the human heart.
- 3/7/2024
- by Jenn Adams
- bloody-disgusting.com
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
Crimson Peak 4K Uhd from Arrow Video
Crimson Peak will haunt 4K Ultra HD on May 21 via Arrow Video. The 2015 Gothic horror/romance is presented in 4K with Dolby Vision, approved by director Guillermo del Toro, and original DTS:X Master Audio sound.
Del Toro co-wrote the script with frequent collaborator Matthew Robbins. Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam, and Jim Beaver star with Doug Jones and Javier Botet appearing as ghosts.
The limited edition set comes with a double-sided poster, four double-sided postcards, and an 80-page book featuring writings by David Jenkins and Simon Abrams, an interview with del Toro, and conceptual illustrations by Guy Davis and Oscar Chichoni, all housed in...
Here are the coolest horror collectibles unveiled this week!
Crimson Peak 4K Uhd from Arrow Video
Crimson Peak will haunt 4K Ultra HD on May 21 via Arrow Video. The 2015 Gothic horror/romance is presented in 4K with Dolby Vision, approved by director Guillermo del Toro, and original DTS:X Master Audio sound.
Del Toro co-wrote the script with frequent collaborator Matthew Robbins. Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam, and Jim Beaver star with Doug Jones and Javier Botet appearing as ghosts.
The limited edition set comes with a double-sided poster, four double-sided postcards, and an 80-page book featuring writings by David Jenkins and Simon Abrams, an interview with del Toro, and conceptual illustrations by Guy Davis and Oscar Chichoni, all housed in...
- 3/1/2024
- by Alex DiVincenzo
- bloody-disgusting.com
“Are we going to prom or to hell?”
What’s the most important decision a teenager can make? Is it what to do with 5 million dollars two days before aliens blow up the planet? Is it what kind of corn nuts make the best pre-fraternity party snack? According to Michael Lehmann’s dark cult comedy Heathers, the most important decision a teenager can make is whether or not to die by suicide. But what if it’s not a decision at all? What if a hot killer couple blasts through the halls of their suburban high school dressing up their murders as altruistic revenge? The Lady Killers conclude Bad Romance month by putting on their red power scrunchies and fucking each other gently with chainsaws on a very special episode covering one of the hottest killer couples of all time.
Veronica Sawyer (Winona Ryder) may be so “very,” but she...
What’s the most important decision a teenager can make? Is it what to do with 5 million dollars two days before aliens blow up the planet? Is it what kind of corn nuts make the best pre-fraternity party snack? According to Michael Lehmann’s dark cult comedy Heathers, the most important decision a teenager can make is whether or not to die by suicide. But what if it’s not a decision at all? What if a hot killer couple blasts through the halls of their suburban high school dressing up their murders as altruistic revenge? The Lady Killers conclude Bad Romance month by putting on their red power scrunchies and fucking each other gently with chainsaws on a very special episode covering one of the hottest killer couples of all time.
Veronica Sawyer (Winona Ryder) may be so “very,” but she...
- 2/29/2024
- by Jenn Adams
- bloody-disgusting.com
“Words create lies. Pain can be trusted.”
Few things in this world are more frightening than dating. In addition to the fear of getting stood up or rejected, women have the added bonus of worrying that the person they’ve matched with might turn out to be a serial killer. It’s just smart to text your location and the photo of your blind date to a friend while asking for advice on which earrings best complement your impossibly sexy First Date Dress. Women talk about our hopes for a romantic adventure in the same breadth that we relay justifiable fears that we might end the evening as a collection of dismembered body parts in a trash bag at the bottom of a ravine.
Shigeharu Aoyama (Ryo Ishibashi) learns about this terrifying dichotomy the hard way in Takashi Miike’s insightful masterpiece Audition. Tired of the single life but terrified of women,...
Few things in this world are more frightening than dating. In addition to the fear of getting stood up or rejected, women have the added bonus of worrying that the person they’ve matched with might turn out to be a serial killer. It’s just smart to text your location and the photo of your blind date to a friend while asking for advice on which earrings best complement your impossibly sexy First Date Dress. Women talk about our hopes for a romantic adventure in the same breadth that we relay justifiable fears that we might end the evening as a collection of dismembered body parts in a trash bag at the bottom of a ravine.
Shigeharu Aoyama (Ryo Ishibashi) learns about this terrifying dichotomy the hard way in Takashi Miike’s insightful masterpiece Audition. Tired of the single life but terrified of women,...
- 2/22/2024
- by Jenn Adams
- bloody-disgusting.com
“Please. I’ll do anything you want. Anything.”
Who among us hasn’t fallen for a bad boy once or twice? Maybe he’s the cute senior trying to cheat off of us in Algebra. Maybe he jumped our car when the battery died outside the mall. Or maybe he’s our fiancé’s hot brother knocking on our door in the middle of a rainstorm just desperate for a towel. Whatever the case, we all know what it’s like to get pulled into an illicit, but ill-advised affair. Sure it seems exciting at first, but it rapidly spirals into the further regions of hell.
Julia Cotton (Clare Higgins) finds herself in a similar situation in Clive Barker’s decadent masterpiece Hellraiser. When she hooks up with her future brother-in-law Frank (Sean Chapman) just days before the wedding, she allows herself to taste the sinful pleasures not available in...
Who among us hasn’t fallen for a bad boy once or twice? Maybe he’s the cute senior trying to cheat off of us in Algebra. Maybe he jumped our car when the battery died outside the mall. Or maybe he’s our fiancé’s hot brother knocking on our door in the middle of a rainstorm just desperate for a towel. Whatever the case, we all know what it’s like to get pulled into an illicit, but ill-advised affair. Sure it seems exciting at first, but it rapidly spirals into the further regions of hell.
Julia Cotton (Clare Higgins) finds herself in a similar situation in Clive Barker’s decadent masterpiece Hellraiser. When she hooks up with her future brother-in-law Frank (Sean Chapman) just days before the wedding, she allows herself to taste the sinful pleasures not available in...
- 2/14/2024
- by Jenn Adams
- bloody-disgusting.com
Presented by Lisa Frankenstein, 1989 Week is dialing the clock back to the crossroads year for the genre with a full week of features that dig six feet under into the year. Today, Jenn Adams puts a candy-colored lens over the hot pink horror sub-genre.
The color most associated with the horror genre is undoubtedly red. Not only the hue of blood and anger, it’s also the shade of the iconic devil – a masculine figure said to be the source of all evil. But in recent years a new color has emerged to evoke a different kind of rage. Hot pink has become the new tone of female-centered horror. An effeminate variation of blood red, this electric hue combines the strawberry tones of wholesome girlhood with the electric fires of female empowerment.
Zelda Williams uses this color to her advantage in her horror comedy Lisa Frankenstein. Quiet and reserved, Lisa...
The color most associated with the horror genre is undoubtedly red. Not only the hue of blood and anger, it’s also the shade of the iconic devil – a masculine figure said to be the source of all evil. But in recent years a new color has emerged to evoke a different kind of rage. Hot pink has become the new tone of female-centered horror. An effeminate variation of blood red, this electric hue combines the strawberry tones of wholesome girlhood with the electric fires of female empowerment.
Zelda Williams uses this color to her advantage in her horror comedy Lisa Frankenstein. Quiet and reserved, Lisa...
- 2/9/2024
- by Jenn Adams
- bloody-disgusting.com
Presented by Lisa Frankenstein, 1989 Week is dialing the clock back to the crossroads year for the genre with a full week of features that dig six feet under into the year. Today, The Lady Killers revisit Diablo Cody’s 2009 slice of horror, Jennifer’s Body.
“Hell is a teenage girl.”
By now it’s safe to say that the world was not ready for Jennifer’s Body when it first released in 2009. Call it bad marketing, Juno fatigue, or audience aversion to a female-led horror comedy, this progressive film not only bombed at the box office, it sent director Karyn Kusama to what she calls “movie jail” for the better part of the next decade. But nearly fifteen years later, this beloved film about female empowerment seems to have finally found its audience. Not only is it a prime example of Boys In Danger horror, but Kusama and writer Diablo Cody take...
“Hell is a teenage girl.”
By now it’s safe to say that the world was not ready for Jennifer’s Body when it first released in 2009. Call it bad marketing, Juno fatigue, or audience aversion to a female-led horror comedy, this progressive film not only bombed at the box office, it sent director Karyn Kusama to what she calls “movie jail” for the better part of the next decade. But nearly fifteen years later, this beloved film about female empowerment seems to have finally found its audience. Not only is it a prime example of Boys In Danger horror, but Kusama and writer Diablo Cody take...
- 2/8/2024
- by Jenn Adams
- bloody-disgusting.com
Presented by Lisa Frankenstein, 1989 Week is dialing the clock back to the crossroads year for the genre with a full week of features that dig six feet under into the year. Today, Jenn Adams weighs in on the dreamiest and scariest boyfriends the genre has to offer.
We’ve all dated our fair share of bad boys. They win us over with their dreamy aloofness, then just when we’ve let our guard down, they turn out to be monsters in disguise. Horror has a long history of these roguish young lovers, some so bad they commit cold-blooded murder. But they’re not all monsters.
Every once in a while, a cinematic boyfriend manages to be attractive, kind, and non-murderous, all while supporting his girlfriend as she runs away from the film’s true villain. Rospo Pallenberg presents us with two appealing boyfriends in the 1989 slasher Cutting Class. Brian (Donovan Leitch Jr....
We’ve all dated our fair share of bad boys. They win us over with their dreamy aloofness, then just when we’ve let our guard down, they turn out to be monsters in disguise. Horror has a long history of these roguish young lovers, some so bad they commit cold-blooded murder. But they’re not all monsters.
Every once in a while, a cinematic boyfriend manages to be attractive, kind, and non-murderous, all while supporting his girlfriend as she runs away from the film’s true villain. Rospo Pallenberg presents us with two appealing boyfriends in the 1989 slasher Cutting Class. Brian (Donovan Leitch Jr....
- 2/8/2024
- by Jenn Adams
- bloody-disgusting.com
Presented by Lisa Frankenstein, 1989 Week is dialing the clock back to the crossroads year for the genre with a full week of features that dig six feet under into the year. Today, Jenn Adams tears a page from the new horror comedy and thirsts on threats similar to Lisa’s Creature.
Everybody loves a bad boy. There’s something appealing about a guy who disregards the rules and dreamy delinquents have been known to make even wholesome girls grow weak in the knees. Sometimes it’s the air of danger that heightens the appeal, allowing us to look past the most monstrous physiques.
The new horror comedy Lisa Frankenstein delivers a swoon worthy monster with Cole Sprouse’s Creature, a resurrected corpse who’s spent the last two centuries buried in the local Bachelor’s Cemetery. His tears may smell, and his body may be rotting, but the hunky fiend...
Everybody loves a bad boy. There’s something appealing about a guy who disregards the rules and dreamy delinquents have been known to make even wholesome girls grow weak in the knees. Sometimes it’s the air of danger that heightens the appeal, allowing us to look past the most monstrous physiques.
The new horror comedy Lisa Frankenstein delivers a swoon worthy monster with Cole Sprouse’s Creature, a resurrected corpse who’s spent the last two centuries buried in the local Bachelor’s Cemetery. His tears may smell, and his body may be rotting, but the hunky fiend...
- 2/7/2024
- by Jenn Adams
- bloody-disgusting.com
Stars: Béatrice Dalle, Alysson Paradis, Jean-Baptiste Tabourin, Nathalie Roussel, François-Régis Marchasson | Written and Directed by Alexandre Bustillo, Julien Maury
I remember always enjoying Inside, and first saw it not long after its initial release. It was brutal, gory and set on Christmas Eve. Therefore, a ‘Christmas’ movie that, for a while, got watched every holiday period. But, with my ever-expanded collection of Christmas movies, and not enough time to watch them, it had been several years since I had seen the film. So, Second Sight’s Limited Edition Blu-ray release has come at just the right time!
If someone asked me if home invasion horror movies were a particular favourite of mine, my initial reaction would be no. But two of my favourite movies are Inside and The Strangers. Two movies that do lots of different things with that subgenre but that are equally as effective. Inside is the one...
I remember always enjoying Inside, and first saw it not long after its initial release. It was brutal, gory and set on Christmas Eve. Therefore, a ‘Christmas’ movie that, for a while, got watched every holiday period. But, with my ever-expanded collection of Christmas movies, and not enough time to watch them, it had been several years since I had seen the film. So, Second Sight’s Limited Edition Blu-ray release has come at just the right time!
If someone asked me if home invasion horror movies were a particular favourite of mine, my initial reaction would be no. But two of my favourite movies are Inside and The Strangers. Two movies that do lots of different things with that subgenre but that are equally as effective. Inside is the one...
- 2/6/2024
- by Alain Elliott
- Nerdly
“If you ever come near my family again, I’ll kill you. Do you understand?”
We’ve all heard the phrase “hell hath no fury like a woman scorned.” We pull it out when we see a woman reacting to the hurtful choices of a romantic partner, standing up for herself after rejection, or really expressing any kind of powerful emotions at all. It’s a bon mot so pervasive that it makes you wonder if there are any men in hell. Maybe it’s all just hysterical women pulling hair and trying to steal each other’s boyfriends. Regardless of this reductive phrase and dehumanizing stereotype, few films in the history of cinema explore the concept of the scorned woman like Adrian Lyne’s Fatal Attraction. This cautionary tale about infidelity and revenge pits two women against each other for the love of one man with a surprising female killer emerging from the wreckage.
We’ve all heard the phrase “hell hath no fury like a woman scorned.” We pull it out when we see a woman reacting to the hurtful choices of a romantic partner, standing up for herself after rejection, or really expressing any kind of powerful emotions at all. It’s a bon mot so pervasive that it makes you wonder if there are any men in hell. Maybe it’s all just hysterical women pulling hair and trying to steal each other’s boyfriends. Regardless of this reductive phrase and dehumanizing stereotype, few films in the history of cinema explore the concept of the scorned woman like Adrian Lyne’s Fatal Attraction. This cautionary tale about infidelity and revenge pits two women against each other for the love of one man with a surprising female killer emerging from the wreckage.
- 2/1/2024
- by Jenn Adams
- bloody-disgusting.com
“Don’t you want to be an urban legend, Nat? All your friends are now.”
We heard from a friend of a friend of our roommate’s sister’s brother that there’s a killer on the loose at Pendleton University. Twenty-five years after administration officials swept a horrible tragedy under the rug, the current crop of attractive students are preparing to memorialize the dead in the most respectful way they can: by throwing a huge frat party. Sensitive Natalie (Alicia Witt) is trying to make a fresh start when her own painful past pushes its way to the surface. It seems someone is trying to send a message by murdering her friends and staging their deaths as urban legends. With the anniversary of the massacre approaching, Natalie has only her best friend Brenda (Rebecca Gayheart) and ethically challenged, but hunky reporter Paul (Jared Leto) to find the killer before...
We heard from a friend of a friend of our roommate’s sister’s brother that there’s a killer on the loose at Pendleton University. Twenty-five years after administration officials swept a horrible tragedy under the rug, the current crop of attractive students are preparing to memorialize the dead in the most respectful way they can: by throwing a huge frat party. Sensitive Natalie (Alicia Witt) is trying to make a fresh start when her own painful past pushes its way to the surface. It seems someone is trying to send a message by murdering her friends and staging their deaths as urban legends. With the anniversary of the massacre approaching, Natalie has only her best friend Brenda (Rebecca Gayheart) and ethically challenged, but hunky reporter Paul (Jared Leto) to find the killer before...
- 1/25/2024
- by Jenn Adams
- bloody-disgusting.com
In all of Stephen King’s massive catalog, few works are as bleak as his 2010 novella collection Full Dark, No Stars. Rather than supernatural entities, these four dark tales feature human monsters and deal with the horrors that live inside the human heart. Two novellas serve as mirror images of each other, exploring the female response to predatory men. “Big Driver” follows cozy mystery writer Tess Thorne on a mission of revenge against the stranger who raped her and left her for dead. “A Good Marriage” centers Darcy Anderson, a happily married woman faced with a horrifying choice when she discovers her husband’s secret life.
Both novellas were faithfully adapted into feature films in the year 2014 – for better or worse. Premiering on Lifetime, Big Driver tackles King’s rape-revenge story with Maria Bello staring as the vigilante writer and Olympia Dukakis as her literary detective. Ann Dowd and Joan Jett...
Both novellas were faithfully adapted into feature films in the year 2014 – for better or worse. Premiering on Lifetime, Big Driver tackles King’s rape-revenge story with Maria Bello staring as the vigilante writer and Olympia Dukakis as her literary detective. Ann Dowd and Joan Jett...
- 1/19/2024
- by Jenn Adams
- bloody-disgusting.com
“We’re in the mood for a little vivisection.”
We’ve all heard the saying “less is more.” Marie Kondo championed this minimalist sentiment when convincing us to rid our homes of unwanted items and Coco Chanel lived by the rule of taking one accessory off before leaving the house. We’re not sure Peter Jackson has ever heard this saying as his films tend to be extravaganzas filled with lavish plotting, eccentric characters, and over-the-top effects. And we’re not mad about it. Years before he wowed the world with expansive adaptations of J.R.R. Tolkien’s The Lord of the Rings and a mammoth remake of the 1933 classic King Kong, Jackson honed his delightful excesses in the horror genre culminating in the 1996 splatstick comedy The Frighteners.
Michael J. Fox stars as Frank Bannister, a widower blessed – or cursed – with the ability to see the dead. When he runs afoul...
We’ve all heard the saying “less is more.” Marie Kondo championed this minimalist sentiment when convincing us to rid our homes of unwanted items and Coco Chanel lived by the rule of taking one accessory off before leaving the house. We’re not sure Peter Jackson has ever heard this saying as his films tend to be extravaganzas filled with lavish plotting, eccentric characters, and over-the-top effects. And we’re not mad about it. Years before he wowed the world with expansive adaptations of J.R.R. Tolkien’s The Lord of the Rings and a mammoth remake of the 1933 classic King Kong, Jackson honed his delightful excesses in the horror genre culminating in the 1996 splatstick comedy The Frighteners.
Michael J. Fox stars as Frank Bannister, a widower blessed – or cursed – with the ability to see the dead. When he runs afoul...
- 1/18/2024
- by Jenn Adams
- bloody-disgusting.com
If you recall from last week’s episode, we’re spending the next two months catching up on all the Stephen King adaptations and anniversaries we missed over the past year. So, to stay on theme, we’re unlocking a very topical episode of The Stephen King Archives, our Patreon exclusive imprint in which your Losers search the vault of King material – dusting off unpublished short stories, long-forgotten interviews, coffee-stained manuscripts, and alternate versions of your favorite tales. This particular entry was recorded in June 2022 and finds the Losers dusting off their copy of Stephen King’s World of Horror.
Having aired in 1986 and released on VHS in 1988, the 45-minute doc covers the works of King and his influence on pop culture. Peppered between segments with King are a number of clips from essential horror titles alongside interviews with John Carpenter, Clive Barker, Tom Savini, etc. Together, Michael Roffman, Randall Colburn,...
Having aired in 1986 and released on VHS in 1988, the 45-minute doc covers the works of King and his influence on pop culture. Peppered between segments with King are a number of clips from essential horror titles alongside interviews with John Carpenter, Clive Barker, Tom Savini, etc. Together, Michael Roffman, Randall Colburn,...
- 1/12/2024
- by Michael Roffman
- bloody-disgusting.com
“Love is stronger than death… even than life.”
Twenty-five years before Bram Stoker revolutionized the world of horror with his iconic novel Dracula, another sensual vampire was drifting into the moonlit bedchambers of society’s upper crust. First appearing in a 1871 edition of the literary magazine The Dark Blue, Carmilla, a.k.a. Mircalla, Countess Karnstein, preys upon unsuspecting young women in the crumbling castles of the Austrian countryside. Despite never gaining the ubiquity of Stoker’s dark antagonist, Sheridan Le Fanu’s gothic novella Carmilla is one of the world’s first examples of vampiric literature and helped to establish the archetype of the lesbian vampire. Belgian director Harry Kümel combines this foundational text with the true story of Hungarian serial killer Elizabeth Báthory to create another sinister seductress in his 1971 erotic horror film Daughters of Darkness.
Newlyweds Stefan (John Karlen) and Valerie (Danielle Ouimet) are still enjoying the...
Twenty-five years before Bram Stoker revolutionized the world of horror with his iconic novel Dracula, another sensual vampire was drifting into the moonlit bedchambers of society’s upper crust. First appearing in a 1871 edition of the literary magazine The Dark Blue, Carmilla, a.k.a. Mircalla, Countess Karnstein, preys upon unsuspecting young women in the crumbling castles of the Austrian countryside. Despite never gaining the ubiquity of Stoker’s dark antagonist, Sheridan Le Fanu’s gothic novella Carmilla is one of the world’s first examples of vampiric literature and helped to establish the archetype of the lesbian vampire. Belgian director Harry Kümel combines this foundational text with the true story of Hungarian serial killer Elizabeth Báthory to create another sinister seductress in his 1971 erotic horror film Daughters of Darkness.
Newlyweds Stefan (John Karlen) and Valerie (Danielle Ouimet) are still enjoying the...
- 1/11/2024
- by Jenn Adams
- bloody-disgusting.com
Seven years, eight seasons! The journey continues…
Join Losers Michael Roffman, Randall Colburn, and Jenn Adams as they share their highlights from 2023, which includes an official audio drama and a live recording, before previewing all the books, movies, and events they’re covering throughout 2024. There will be Carrie, there will be Christine, there will be Cujo, but there will also be Hodges and Holly.
Stream the episode below and don’t forget your calendar. Then return next week when the Losers return to Dallas to cover Hulu’s 11.22.63 miniseries starring James Franco and Sarah Gadon. For further adventures, join the Losers’ Club over long days and pleasant nights via Apple Podcasts, Spotify, RadioPublic, Acast, Google Podcasts, and RSS.
You can also unlock hundreds upon hundreds of hours of exclusive content in The Barrens (Patreon) — from deep dives into uncollected King works to Dark Tower detours to feature-length King commentaries to...
Join Losers Michael Roffman, Randall Colburn, and Jenn Adams as they share their highlights from 2023, which includes an official audio drama and a live recording, before previewing all the books, movies, and events they’re covering throughout 2024. There will be Carrie, there will be Christine, there will be Cujo, but there will also be Hodges and Holly.
Stream the episode below and don’t forget your calendar. Then return next week when the Losers return to Dallas to cover Hulu’s 11.22.63 miniseries starring James Franco and Sarah Gadon. For further adventures, join the Losers’ Club over long days and pleasant nights via Apple Podcasts, Spotify, RadioPublic, Acast, Google Podcasts, and RSS.
You can also unlock hundreds upon hundreds of hours of exclusive content in The Barrens (Patreon) — from deep dives into uncollected King works to Dark Tower detours to feature-length King commentaries to...
- 1/6/2024
- by Michael Roffman
- bloody-disgusting.com
“Death of a loved one can lead people to do the strangest things.”
Of all the female killers in the wide world of cinema, few strike such an abhorrent cord as a mother who kills her children. Assumed to be natural caregivers and expected to automatically love their offspring, we place a special taboo on the women who not only fail to protect their kids, but actively cause their deaths. But mothers are not only human beings with complex inner lives, they are flawed, fallible, and just as likely to be cruel as the rest of society. Few films explore the mindset of a murderous mother like Alejandro Amenábar’s The Others. Within the trappings of a classic ghost story, this gorgeous film views its tragic heroine with a compassionate lens, extending an olive branch to a woman who has done the unthinkable. As the fog closes in and intruders threaten her carefully constructed life,...
Of all the female killers in the wide world of cinema, few strike such an abhorrent cord as a mother who kills her children. Assumed to be natural caregivers and expected to automatically love their offspring, we place a special taboo on the women who not only fail to protect their kids, but actively cause their deaths. But mothers are not only human beings with complex inner lives, they are flawed, fallible, and just as likely to be cruel as the rest of society. Few films explore the mindset of a murderous mother like Alejandro Amenábar’s The Others. Within the trappings of a classic ghost story, this gorgeous film views its tragic heroine with a compassionate lens, extending an olive branch to a woman who has done the unthinkable. As the fog closes in and intruders threaten her carefully constructed life,...
- 1/4/2024
- by Jenn Adams
- bloody-disgusting.com
“You’ll have to hide better than that.”
We’ve all got that one bad ex in our past. At first they seemed like a dream come true – an angel sent straight from heaven to be our perfect match. They were attractive, spontaneous, generous, kind … We spent most of our time indulging in months-long bone-a-thons and we just figured the future would take care of itself! And then we met the inlaws. Fortunately, no matter how stressful these “meet the parents” occasions may have been, they probably don’t hold a candle to what Grace (Samara Weaving) endures in Ready or Not. This gorgeous bride has just married the man of her dreams at a lavish estate wearing god’s gift to wedding dresses only to find out that she’s unwittingly entered into a bizarre gaming ritual that might end up costing her life.
This 2019 film from Radio Silence...
We’ve all got that one bad ex in our past. At first they seemed like a dream come true – an angel sent straight from heaven to be our perfect match. They were attractive, spontaneous, generous, kind … We spent most of our time indulging in months-long bone-a-thons and we just figured the future would take care of itself! And then we met the inlaws. Fortunately, no matter how stressful these “meet the parents” occasions may have been, they probably don’t hold a candle to what Grace (Samara Weaving) endures in Ready or Not. This gorgeous bride has just married the man of her dreams at a lavish estate wearing god’s gift to wedding dresses only to find out that she’s unwittingly entered into a bizarre gaming ritual that might end up costing her life.
This 2019 film from Radio Silence...
- 12/28/2023
- by Jenn Adams
- bloody-disgusting.com
“There’s someone in the house … absolutely trying to kill me, ya’know?”
The Christmas season is upon us! The warm glow of twinkling lights fills the air. Green pine trees decorate our living rooms and every solid surface seems to be decked out with ribbons and garland of deepest crimson. What better time to celebrate Dario Argento’s 1975 holiday giallo film Deep Red. Musician Marcus Daly (David Hemmings) is on his way home when he witnesses a brutal murder in the window of a neighboring apartment. To keep from becoming the next victim, he and quirky reporter Gianna Brezzi (Daria Nicolodi) must team up to solve not only the crime, but the mystery of the missing painting. This rocky partnership will lead them to a deep red lecture hall, a steamy bathroom, and an abandoned house in the canary islands all to track down a mysterious – and musical – killer.
The Christmas season is upon us! The warm glow of twinkling lights fills the air. Green pine trees decorate our living rooms and every solid surface seems to be decked out with ribbons and garland of deepest crimson. What better time to celebrate Dario Argento’s 1975 holiday giallo film Deep Red. Musician Marcus Daly (David Hemmings) is on his way home when he witnesses a brutal murder in the window of a neighboring apartment. To keep from becoming the next victim, he and quirky reporter Gianna Brezzi (Daria Nicolodi) must team up to solve not only the crime, but the mystery of the missing painting. This rocky partnership will lead them to a deep red lecture hall, a steamy bathroom, and an abandoned house in the canary islands all to track down a mysterious – and musical – killer.
- 12/22/2023
- by Jenn Adams
- bloody-disgusting.com
Vroom, vroom! This month marks the 40th anniversary of John Carpenter‘s Christine! To celebrate, The Losers’ Club: A Stephen King Podcast and the Music Box of Horrors are hosting a special holiday screening of the King classic at Chicago’s historic Music Box Theatre. After all, what are the holidays without a little rock ‘n’ roll and a killer car?
The one-night only event takes place on Tuesday, December 19th at 8:00 p.m. at Chicago’s historic Music Box Theatre. In addition to the screening, the night will also include a live recording of the Losers’ Club featuring nearly all of the show’s cast members. Yes, this will be the largest gathering of the Losers to date with most of the ka-tet flying in!
That includes Randall Colburn, Jenn Adams, Justin Gerber, Dan Caffrey, Michael Roffman, Mel Kassel, Dan Pfleegor, McKenzie Gerber, Rachel Reeves, Julia Marchese, and Sammie Kuykendall.
The one-night only event takes place on Tuesday, December 19th at 8:00 p.m. at Chicago’s historic Music Box Theatre. In addition to the screening, the night will also include a live recording of the Losers’ Club featuring nearly all of the show’s cast members. Yes, this will be the largest gathering of the Losers to date with most of the ka-tet flying in!
That includes Randall Colburn, Jenn Adams, Justin Gerber, Dan Caffrey, Michael Roffman, Mel Kassel, Dan Pfleegor, McKenzie Gerber, Rachel Reeves, Julia Marchese, and Sammie Kuykendall.
- 12/15/2023
- by Michael Roffman
- bloody-disgusting.com
“Women always have to put up a fucking fight.”
While the rest of North America settles in for the cold winter nights of December, The Lady Killers are heating it up with a trip out to the dry and dusty French desert. They’ll relax and unwind by snacking on seductive lollipops and dancing by the pool on a fancy sex holiday with their hot French boyfriend. Unfortunately, it looks like a couple of unwanted visitors will be crashing the party. Thank goodness they’ve got Jen (Matilda Anna Ingrid Lutz) to guide them through.
Few corners of the Horror genre deal with the subject of female rage like rape-revenge. These complicated and oft-controversial films have a long history of exploitation and salacious violence that turn the stomachs of many viewers. But there’s no doubt that they also provide a liberating sense of empowerment and an aspirational vision of...
While the rest of North America settles in for the cold winter nights of December, The Lady Killers are heating it up with a trip out to the dry and dusty French desert. They’ll relax and unwind by snacking on seductive lollipops and dancing by the pool on a fancy sex holiday with their hot French boyfriend. Unfortunately, it looks like a couple of unwanted visitors will be crashing the party. Thank goodness they’ve got Jen (Matilda Anna Ingrid Lutz) to guide them through.
Few corners of the Horror genre deal with the subject of female rage like rape-revenge. These complicated and oft-controversial films have a long history of exploitation and salacious violence that turn the stomachs of many viewers. But there’s no doubt that they also provide a liberating sense of empowerment and an aspirational vision of...
- 12/14/2023
- by Jenn Adams
- bloody-disgusting.com
Of life’s many mysteries, few are as powerful or as complicated as religion and death. Are we alone at the moment we cease to live or will there be someone waiting for us on the other side? Who pulls the strings that guide our lives and what will they require from us during our time among the living? There are as many different answers to these questions as stars in the sky and how we answer them often reveals more about ourselves than any higher power.
With such mysterious forces at play, it’s no wonder religion and death occupy so much of the genre landscape. Catholic horror movies abound with many tackling demonic forces attempting to invade innocent bodies. But few films present such an intimate portrait of penance and pain as Rose Glass’ Saint Maud. This bleak film follows Maud (Morfydd Clark) a young in-home nurse as...
With such mysterious forces at play, it’s no wonder religion and death occupy so much of the genre landscape. Catholic horror movies abound with many tackling demonic forces attempting to invade innocent bodies. But few films present such an intimate portrait of penance and pain as Rose Glass’ Saint Maud. This bleak film follows Maud (Morfydd Clark) a young in-home nurse as...
- 12/7/2023
- by Jenn Adams
- bloody-disgusting.com
“Now is the time. This is the hour. Ours is the magic. Ours is the power.”
As the nights grow longer and the snow begins to fall, we begin to insulate ourselves from the outside world and spend more time with our nearest and dearest. While comforting for others, this time of year can also bring with it the horrors of complicated family dynamics. For every turkey-loving Thanksgiving stan who thrives on big family reunions, there’s another lost and lonely soul looking for a friendly face. Many of us find comfort in spending time with a chosen family of trusted friends, fellow misfits we know will accept us no matter what. But even these bonds can bend. Sometimes they break. While many horror films have tackled complicated family dynamics, the witches of Andrew Fleming’s teen witch classic The Craft stand out from the crowd. This iconic film serves...
As the nights grow longer and the snow begins to fall, we begin to insulate ourselves from the outside world and spend more time with our nearest and dearest. While comforting for others, this time of year can also bring with it the horrors of complicated family dynamics. For every turkey-loving Thanksgiving stan who thrives on big family reunions, there’s another lost and lonely soul looking for a friendly face. Many of us find comfort in spending time with a chosen family of trusted friends, fellow misfits we know will accept us no matter what. But even these bonds can bend. Sometimes they break. While many horror films have tackled complicated family dynamics, the witches of Andrew Fleming’s teen witch classic The Craft stand out from the crowd. This iconic film serves...
- 11/23/2023
- by Jenn Adams
- bloody-disgusting.com
The heat is on across King’s Dominion. To cool off, The Losers’ Club put on their shades, put the top down on their 1958 Plymouth Fury convertible, and feel the breeze in Hollywood King. It’s another high-octane news episode that finds Losers Michael Roffman, Jenn Adams, Dan Caffrey, and Randall Colburn cycling through the latest Stephen King headlines.
Topics include King’s new short stories collection You Like It Darker, the forthcoming short story collection, It’s the End of the World as We Know It: Tales of Stephen King’s The Stand, and a whole lotta talk about the adaptations we’ve been waiting for like ‘Salem’s Lot, The Life of Chuck, The Monkey, The Running Man, and more.
Stream the episode below and return next week when the Losers look above to the Nightmares in the Sky for its 35th anniversary. For further adventures, join the Club...
Topics include King’s new short stories collection You Like It Darker, the forthcoming short story collection, It’s the End of the World as We Know It: Tales of Stephen King’s The Stand, and a whole lotta talk about the adaptations we’ve been waiting for like ‘Salem’s Lot, The Life of Chuck, The Monkey, The Running Man, and more.
Stream the episode below and return next week when the Losers look above to the Nightmares in the Sky for its 35th anniversary. For further adventures, join the Club...
- 11/10/2023
- by Michael Roffman
- bloody-disgusting.com
“You’re just in time to have your head cut off.”
As the autumn days wear on, horror fans around the world mourn the passing of spooky season and turn their lonely eyes to November. What better film to watch while finishing off the Halloween candy than Tim Burton’s Sleepy Hollow?
Adapted from Washington Irving’s 1820 short story “The Legend of Sleepy Hollow,” this icy film begins in an autumnal cornfield and ends on a snowy street just in time for a new century. Burton’s version of the story also features a surprising number of witches, a baffling appearance by Christopher Walken, and one of the most stunning villain reveal dresses in cinematic history.
Don’t be a goose and join The Lady Killers: A Feminine Rage Podcast as they dig into this transitional grayscale classic with an episode on the story’s vengeful killer, Lady Van Tassel...
As the autumn days wear on, horror fans around the world mourn the passing of spooky season and turn their lonely eyes to November. What better film to watch while finishing off the Halloween candy than Tim Burton’s Sleepy Hollow?
Adapted from Washington Irving’s 1820 short story “The Legend of Sleepy Hollow,” this icy film begins in an autumnal cornfield and ends on a snowy street just in time for a new century. Burton’s version of the story also features a surprising number of witches, a baffling appearance by Christopher Walken, and one of the most stunning villain reveal dresses in cinematic history.
Don’t be a goose and join The Lady Killers: A Feminine Rage Podcast as they dig into this transitional grayscale classic with an episode on the story’s vengeful killer, Lady Van Tassel...
- 11/9/2023
- by Jenn Adams
- bloody-disgusting.com
With Now Showing, your Halloweenies gather each month for a review on something new and something old in horror. This month, co-hosts Michael Roffman, McKenzie Gerber, and special guest Jenn Adams shoot the shit about all kinds of spooky stuff, specifically Five Nights at Freddy’s, Dark Harvest, Hell House LLC Origins: The Carmichael Manor, Deathdream, The Tunnel, and Paranormal Activity: The Ghost Dimension.
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, and The Evil Dead. This year? It’s Chucky!
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries, one-off deep dives on your favorite rentals, and even topical spinoffs like this past summer’s...
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, and The Evil Dead. This year? It’s Chucky!
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries, one-off deep dives on your favorite rentals, and even topical spinoffs like this past summer’s...
- 11/6/2023
- by Michael Roffman
- bloody-disgusting.com
“How’s your marriage?”
What a long dark night it’s been on this trip through Stephen King’s 2011 collection Full Dark, No Stars. After traveling back to 1922 and taking a detour through Big Driver, Losers Justin Gerber, Rachel Reeves, and Jenn Adams make a pit stop in Derry for a nasty little tale of schadenfreude and revenge with the third tale of this sordid collection in Fair Extension.
Then, it’s full speed ahead to Castle Rock with the collection’s final novella A Good Marriage. Inspired by the horrific crimes of Btk, King’s story follows a happily married woman who finds a life-altering secret buried in her garage. Topics range from the ethics of True Crime storytelling, the fine line between art and exploitation, and the lies that get us through the day.
Stream the episode below and return next week when the Losers head to Hollywood King.
What a long dark night it’s been on this trip through Stephen King’s 2011 collection Full Dark, No Stars. After traveling back to 1922 and taking a detour through Big Driver, Losers Justin Gerber, Rachel Reeves, and Jenn Adams make a pit stop in Derry for a nasty little tale of schadenfreude and revenge with the third tale of this sordid collection in Fair Extension.
Then, it’s full speed ahead to Castle Rock with the collection’s final novella A Good Marriage. Inspired by the horrific crimes of Btk, King’s story follows a happily married woman who finds a life-altering secret buried in her garage. Topics range from the ethics of True Crime storytelling, the fine line between art and exploitation, and the lies that get us through the day.
Stream the episode below and return next week when the Losers head to Hollywood King.
- 10/27/2023
- by Jenn Adams
- bloody-disgusting.com
“Kill her, Mommy! Kill her!”
“My, my what big eyes you have.”
We like to think we know how to throw down on Halloween, but no one parties like the counselors of Camp Crystal Lake, New Jersey or the residents of Warren Valley. While New Jersey’s summer camp eschews the traditional arts and crafts classes for archery and sculpting with Toxic Boy Mom Pamela Voorhees, Ohio’s picturesque little hamlet hosts a raging street soirée, a plethora of pumpkins, a haunted quarry, and, sure, a gang of princesses who just so happen to be werewolves. Lots to carve here, but who has the knives?
Enter The Lady Killers: A Feminine Rage Podcast.
Dedicated to Female-Identifying Killers in Horror, the latest series from BloodyFM finds co-hosts Jenn Adams, Sammie Kuykendall, Mae Shults, and Rocco T. Thompson discussing a female-identifying killer in the horror genre—and sometimes the wider world of...
“My, my what big eyes you have.”
We like to think we know how to throw down on Halloween, but no one parties like the counselors of Camp Crystal Lake, New Jersey or the residents of Warren Valley. While New Jersey’s summer camp eschews the traditional arts and crafts classes for archery and sculpting with Toxic Boy Mom Pamela Voorhees, Ohio’s picturesque little hamlet hosts a raging street soirée, a plethora of pumpkins, a haunted quarry, and, sure, a gang of princesses who just so happen to be werewolves. Lots to carve here, but who has the knives?
Enter The Lady Killers: A Feminine Rage Podcast.
Dedicated to Female-Identifying Killers in Horror, the latest series from BloodyFM finds co-hosts Jenn Adams, Sammie Kuykendall, Mae Shults, and Rocco T. Thompson discussing a female-identifying killer in the horror genre—and sometimes the wider world of...
- 10/26/2023
- by Jenn Adams
- bloody-disgusting.com
Nazi is as Nazi does.
After kicking off spooky season with a look at Tim Burton’s ode to Hammer Horror in Sleepy Hollow and tackling another Friday the 13th with one of its best entries in Friday the 13th Part 2, we’re getting serious for a minute with a discussion of Bryan Singer‘s 1998 Stephen King adaptation Apt Pupil.
Apt Pupil sees high school student Todd Bowden (Brad Renfro) discover a fugitive Nazi war criminal, Kurt Dussander (Ian McKellen), living in his neighborhood under a pseudonym. Bowden, obsessed with Nazism and the Holocaust, blackmails Dussander into sharing his horror stories, and their relationship stirs malice in each of them.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 252: Apt Pupil (1998)
Keep the cat away...
After kicking off spooky season with a look at Tim Burton’s ode to Hammer Horror in Sleepy Hollow and tackling another Friday the 13th with one of its best entries in Friday the 13th Part 2, we’re getting serious for a minute with a discussion of Bryan Singer‘s 1998 Stephen King adaptation Apt Pupil.
Apt Pupil sees high school student Todd Bowden (Brad Renfro) discover a fugitive Nazi war criminal, Kurt Dussander (Ian McKellen), living in his neighborhood under a pseudonym. Bowden, obsessed with Nazism and the Holocaust, blackmails Dussander into sharing his horror stories, and their relationship stirs malice in each of them.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 252: Apt Pupil (1998)
Keep the cat away...
- 10/23/2023
- by Trace Thurman
- bloody-disgusting.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.