Chicago – The 2024 Chicago Critics Film Festival Day Four – Monday, May 6th – presents a film about music dreams and a documentary on a music store. “Dandelion” is written and directed by Nicole Riegel and “Flipside” by Chris Wilcha are the centerpiece screenings. For the full schedule, info and tickets, click Ccff May 6th. For individual films, click titles below.
Dandelion
Dandelion
Photo credit: ChicagoCriticsFilmFestival.com
Dandelion (KiKi Layne) is a struggling Cincinnati singer-songwriter in a downward spiral, takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey (Thomas Doherty), a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s nomadic group of struggling musicians, the kindred spirits make music together and strike up a whirlwind romance.
Capsule Review: This is a passionate meditation on young love and the sensitive artist trying to interpret it. The love is as much about the...
Dandelion
Dandelion
Photo credit: ChicagoCriticsFilmFestival.com
Dandelion (KiKi Layne) is a struggling Cincinnati singer-songwriter in a downward spiral, takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey (Thomas Doherty), a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s nomadic group of struggling musicians, the kindred spirits make music together and strike up a whirlwind romance.
Capsule Review: This is a passionate meditation on young love and the sensitive artist trying to interpret it. The love is as much about the...
- 5/6/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
KiKi Layne, breakout of “If Beale Street Could Talk” and other indies, sings and performs in Nicole Riegel’s SXSW premiere “Dandelion” as a Cincinnati singer/songwriter in a downward spiral. IndieWire shares an exclusive first look at the film here ahead of its March 10 premiere in Austin at the 2024 SXSW Film & TV Festival. Riegel previously directed 2021’s “Holler,” a blue-collar drama starring Jessica Barden.
Here’s the SXSW synopsis for “Dandelion”: “Dandelion, a struggling Cincinnati singer-songwriter in a downward spiral, takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s nomadic group of struggling musicians, the kindred spirits make music together and strike up a whirlwind romance. The experience moves Dandelion from a narrow view of success to a deeper appreciation of her artistic journey, and the discovery...
Here’s the SXSW synopsis for “Dandelion”: “Dandelion, a struggling Cincinnati singer-songwriter in a downward spiral, takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s nomadic group of struggling musicians, the kindred spirits make music together and strike up a whirlwind romance. The experience moves Dandelion from a narrow view of success to a deeper appreciation of her artistic journey, and the discovery...
- 3/4/2024
- by Ryan Lattanzio
- Indiewire
The SXSW Film Festival announced today 50 new films, Xr projects and television programs that complete the 2024 SXSW Film & TV Festival lineup. Among the world premieres are the latest from The Voyeurs director Michael Mohan, who reunites with star Sydney Sweeney in Immaculate; Dev Patel’s action thriller Monkey Man; Alice Lowe’s followup to her Prevenge, Timestalker; and a new film from The Disappearance of Eleanor Rigby director Ned Benson, The Greatest Hits. Festival favorites traveling from Park City to Austin include Didi, Black Box Diaries, Love Machina, Ghostlight and I Saw the TV Glow. Of particular interest to […]
The post SXSW Announces 50 New Projects for Its 2024 Program, Including Films from Michael Mohan, Nicole Riegel and Alice Lowe first appeared on Filmmaker Magazine.
The post SXSW Announces 50 New Projects for Its 2024 Program, Including Films from Michael Mohan, Nicole Riegel and Alice Lowe first appeared on Filmmaker Magazine.
- 2/7/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
The SXSW Film Festival announced today 50 new films, Xr projects and television programs that complete the 2024 SXSW Film & TV Festival lineup. Among the world premieres are the latest from The Voyeurs director Michael Mohan, who reunites with star Sydney Sweeney in Immaculate; Dev Patel’s action thriller Monkey Man; Alice Lowe’s followup to her Prevenge, Timestalker; and a new film from The Disappearance of Eleanor Rigby director Ned Benson, The Greatest Hits. Festival favorites traveling from Park City to Austin include Didi, Black Box Diaries, Love Machina, Ghostlight and I Saw the TV Glow. Of particular interest to […]
The post SXSW Announces 50 New Projects for Its 2024 Program, Including Films from Michael Mohan, Nicole Riegel and Alice Lowe first appeared on Filmmaker Magazine.
The post SXSW Announces 50 New Projects for Its 2024 Program, Including Films from Michael Mohan, Nicole Riegel and Alice Lowe first appeared on Filmmaker Magazine.
- 2/7/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
Exclusive: T-Street filmmakers Rian Johnson and Ram Bergman have set Katie McNeill to become a producer at their independent studio. McNeill joins the film side of the company alongside producers Ben LeClair, Leopold Hughes and Nikos Karamigios.
McNeill joins T-Street on the heels of a big year for the company in both film and TV, where they produced the highly acclaimed films American Fiction and Fair Play, from first time writer/directors Cord Jefferson and Chloe Domont, respectively. American Fiction this week got five Oscar nominations including Best Picture. MRC/T-Street collaborated on the film, which was acquired by Orion and released by Amazon MGM.
Fair Play was acquired by Netflix in a bidding war at last year’s Sundance Film Festival launching the breakout writer/director Domont.
T-Street is gearing up to make the third installment of the Benoit Blanc franchise for Netflix later this year. The yet to...
McNeill joins T-Street on the heels of a big year for the company in both film and TV, where they produced the highly acclaimed films American Fiction and Fair Play, from first time writer/directors Cord Jefferson and Chloe Domont, respectively. American Fiction this week got five Oscar nominations including Best Picture. MRC/T-Street collaborated on the film, which was acquired by Orion and released by Amazon MGM.
Fair Play was acquired by Netflix in a bidding war at last year’s Sundance Film Festival launching the breakout writer/director Domont.
T-Street is gearing up to make the third installment of the Benoit Blanc franchise for Netflix later this year. The yet to...
- 1/25/2024
- by Mike Fleming Jr
- Deadline Film + TV
Selected for SXSW in 2020 but unfortunately that was the last minute canceled edition, Nicole Riegel‘s debut film Holler would technically land its world premiere at the 2020 Deauville American Film Festival. She quickly followed this up with a sophomore film that shot in October of 2022 shot in Cincinnati and South Dakota — the IFC Films folks re-teamed with the director and will distribute. A romantic drama, Dandelion is toplined by KiKi Layne who also has producer creds.
Gist: KiKi Layne plays a struggling, but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last ditch effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago.…...
Gist: KiKi Layne plays a struggling, but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last ditch effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago.…...
- 11/9/2023
- by Eric Lavallée
- IONCINEMA.com
Exclusive: Longtime IFC Films and Cinetic Media PR colleagues Laura Sok and Kate McEdwards are launching new PR and strategy firm, Track Shot.
Track Shot will be based in New York City and work across independent, foreign and genre films as well as distribution strategy. The duo brings more than two decades in the publicity and communications field as well as a deep knowledge of the distribution landscape. Sok and McEdwards have built and led hundreds of film campaigns during their careers working in-house and alongside major distributors on the agency side. Previously, they led PR efforts for IFC Films, IFC Midnight, Sundance Selects, IFC Films Unlimited (streaming service) and most recently Shudder and Rlje.
Their final campaign for IFC Films was Matt Johnson’s chart-topping BlackBerry. This year they also launched Kyle Edward Ball’s breakthrough feature Skinamarink for Shudder/IFC Films.
Among their many successful campaigns at IFC...
Track Shot will be based in New York City and work across independent, foreign and genre films as well as distribution strategy. The duo brings more than two decades in the publicity and communications field as well as a deep knowledge of the distribution landscape. Sok and McEdwards have built and led hundreds of film campaigns during their careers working in-house and alongside major distributors on the agency side. Previously, they led PR efforts for IFC Films, IFC Midnight, Sundance Selects, IFC Films Unlimited (streaming service) and most recently Shudder and Rlje.
Their final campaign for IFC Films was Matt Johnson’s chart-topping BlackBerry. This year they also launched Kyle Edward Ball’s breakthrough feature Skinamarink for Shudder/IFC Films.
Among their many successful campaigns at IFC...
- 6/13/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Deadline has learned that IFC Films’ longtime Head of PR Laura Sok will be departing the indie distribution company.
Sok has been Head of PR for the last five years in an overall seven-year career at IFC (she worked there from 2008-2010), and was first hired by Jonathan Sehring to run the department. She led public-relations efforts for IFC Films, IFC Midnight, Sundance Selects and streaming service IFC Films Unlimited. Last December, her oversight was expanded to include the labels Shudder and Rlje Films.
Sok led 20th anniversary efforts for IFC Films and was integral in constructing the 2020 drive-in release and promotion strategy during the pandemic. She also led publicity strategy and campaigns for all films during the most successful financial years in IFC Films history.
While Sok is one of many executives to recently leave IFC including distribution head Jasper Basch,...
Sok has been Head of PR for the last five years in an overall seven-year career at IFC (she worked there from 2008-2010), and was first hired by Jonathan Sehring to run the department. She led public-relations efforts for IFC Films, IFC Midnight, Sundance Selects and streaming service IFC Films Unlimited. Last December, her oversight was expanded to include the labels Shudder and Rlje Films.
Sok led 20th anniversary efforts for IFC Films and was integral in constructing the 2020 drive-in release and promotion strategy during the pandemic. She also led publicity strategy and campaigns for all films during the most successful financial years in IFC Films history.
While Sok is one of many executives to recently leave IFC including distribution head Jasper Basch,...
- 4/24/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Thomas Doherty, best known for playing the resident flirt on HBO Max’s “Gossip Girl” reboot, is set to star alongside Kiki Layne in “Dandelion.”
The romantic drama, backed by IFC Films, is currently in production. IFC plans to release the movie theatrically on a yet-to-be determined date in 2023.
Nicole Riegel wrote and directed “Dandelion,” which centers on an aspiring singer-songwriter named Dandelion (Layne), who can’t seem to make her dream come true when she reluctantly takes a gig at a motorcycle rally that’s ways away from her hometown of Cincinnati. At the event, she meets Casey (Doherty), a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s electric and nomadic group of struggling musicians, the two kindred spirits make music together and strike up an intoxicating whirlwind romance that changes her artistic journey.
“Dandelion,” according to Kiki Layne, is “a story about...
The romantic drama, backed by IFC Films, is currently in production. IFC plans to release the movie theatrically on a yet-to-be determined date in 2023.
Nicole Riegel wrote and directed “Dandelion,” which centers on an aspiring singer-songwriter named Dandelion (Layne), who can’t seem to make her dream come true when she reluctantly takes a gig at a motorcycle rally that’s ways away from her hometown of Cincinnati. At the event, she meets Casey (Doherty), a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s electric and nomadic group of struggling musicians, the two kindred spirits make music together and strike up an intoxicating whirlwind romance that changes her artistic journey.
“Dandelion,” according to Kiki Layne, is “a story about...
- 10/31/2022
- by Rebecca Rubin
- Variety Film + TV
Exclusive: IFC Films has picked up worldwide rights to writer-director Nicole Riegel’s sophomore feature Dandelion. A theatrical release is planned for next year. Cameras roll this week on the romantic drama.
Dandelion stars KiKi Layne, who will executive produce. She plays a struggling but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s eclectic and nomadic group of struggling musicians, the kindred spirits make music together and strike up an intoxicating whirlwind romance that moves Dandelion from an obsession with results and a narrow view of success to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.
“I’m very excited to bring forth a story about the resilience of...
Dandelion stars KiKi Layne, who will executive produce. She plays a struggling but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s eclectic and nomadic group of struggling musicians, the kindred spirits make music together and strike up an intoxicating whirlwind romance that moves Dandelion from an obsession with results and a narrow view of success to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.
“I’m very excited to bring forth a story about the resilience of...
- 10/19/2022
- by Anthony D'Alessandro
- Deadline Film + TV
2022 Film Independent Spirit Awards: ‘The Lost Daughter’ Takes the Top Prize (Complete Winners List)
The 37th annual Film Independent Spirit Awards were handed out Sunday at the Santa Monica Pier, with comedy power couple Nick Offerman and Megan Mullally serving as hosts.
There weren’t too many surprises throughout the night. Troy Kotsur won the first award of the evening, Best Supporting Male Actor for “Coda,” very much as predicted. Taylour Paige took home Best Female Lead Actor, for “Zola,” while Simon Rex, of “Red Rocket,” walked away with Best Male Lead. Ruth Negga won Best Supporting Female Actor for “Passing,” beating out Jessie Buckley from “The Lost Daughter.”
But Maggie Gyllenhaal’s adaptation of the Elena Ferrante book won the three other categories in which it was nominated — Best Screenplay, Best Director, Best Feature — and was the night’s biggest victor. Gyllenhaal gave three effusive thank you speeches, spreading her appreciation around to her cast, crew, financiers, publicist, husband and mother. “Women in film!
There weren’t too many surprises throughout the night. Troy Kotsur won the first award of the evening, Best Supporting Male Actor for “Coda,” very much as predicted. Taylour Paige took home Best Female Lead Actor, for “Zola,” while Simon Rex, of “Red Rocket,” walked away with Best Male Lead. Ruth Negga won Best Supporting Female Actor for “Passing,” beating out Jessie Buckley from “The Lost Daughter.”
But Maggie Gyllenhaal’s adaptation of the Elena Ferrante book won the three other categories in which it was nominated — Best Screenplay, Best Director, Best Feature — and was the night’s biggest victor. Gyllenhaal gave three effusive thank you speeches, spreading her appreciation around to her cast, crew, financiers, publicist, husband and mother. “Women in film!
- 3/6/2022
- by Missy Schwartz
- The Wrap
Exclusive: 7 Days, the romantic comedy from The Resident co-creator Roshan Sethi that stars Geraldine Viswanathan and Karan Soni, now has a release date and a trailer. Cinedigm, which acquired the pic in November after its premiere at the 2021 Tribeca Film Festival, will release it wide in theaters March 25.
The news comes as the rom-com is up for an Independent Spirit Award this weekend for Best First Feature.
Soni (Deadpool) and Viswanathan star in the film, which was co-written by Sethi and Soni, partners in real life. The plot revolves around a pair of Indian-American twentysomethings who find themselves bonding in unusual circumstances following a dud date set arranged by their conservative parents.
Zenobia Shroff, Aparna Nancherla, Gita Reddy and Mark Duplass also star. Liz Cardenas and Mel Eslyn are producers, with Jay and Mark Duplass, Soni, Sethi and Viswanathan executive producing. Maddie Buis is co-producer.
Check out the trailer above.
The news comes as the rom-com is up for an Independent Spirit Award this weekend for Best First Feature.
Soni (Deadpool) and Viswanathan star in the film, which was co-written by Sethi and Soni, partners in real life. The plot revolves around a pair of Indian-American twentysomethings who find themselves bonding in unusual circumstances following a dud date set arranged by their conservative parents.
Zenobia Shroff, Aparna Nancherla, Gita Reddy and Mark Duplass also star. Liz Cardenas and Mel Eslyn are producers, with Jay and Mark Duplass, Soni, Sethi and Viswanathan executive producing. Maddie Buis is co-producer.
Check out the trailer above.
- 3/4/2022
- by Patrick Hipes
- Deadline Film + TV
It’s been another strange year. Perhaps more so than ever, the way films have been released has been in a confusing state of flux. What’s coming to cinemas? If it makes it how many screenings will it actually have? What’s going to which streaming service, and when? There have been a lot of excellent movies released in 2021, but sifting through them has been challenging, even if you’re doing your best to keep up.
Here, the HeyUGuys team have a few suggestions for things that may have slipped through the cracks, but which we think you should catch up with.
Daniel Goodwin Recommends
The Summit of the Gods (Patrick Imbert)
Based on the Jiro Taniguchi manga, this visually breath-taking, staggeringly dramatic, 90s set, French animated feature tells the tale of Nepal based, Japanese photojournalist Makato Fukamachi (Damien Boisseau), who happens upon the old Kodak camera of a...
Here, the HeyUGuys team have a few suggestions for things that may have slipped through the cracks, but which we think you should catch up with.
Daniel Goodwin Recommends
The Summit of the Gods (Patrick Imbert)
Based on the Jiro Taniguchi manga, this visually breath-taking, staggeringly dramatic, 90s set, French animated feature tells the tale of Nepal based, Japanese photojournalist Makato Fukamachi (Damien Boisseau), who happens upon the old Kodak camera of a...
- 12/16/2021
- by Sam Inglis
- HeyUGuys.co.uk
A24 is the leading film distributor with 13 nominations, followed by Neon and Netflix on nine.
Janicza Bravo’s Zola led the Film Independent Spirit Awards nominations with seven nods, followed by Lauren Hadaway’s The Novice with five and Maggie Gyllenhaal’s The Lost Daughter on four.
All three are competing for best feature and best director, with Ninja Thyberg for Pleasure and Mike Mills for C’mon C’mon rounding out the latter category. It’s the second year in a row that four women have been nominated for best director.
The other best feature nominees are C’mon C’mon...
Janicza Bravo’s Zola led the Film Independent Spirit Awards nominations with seven nods, followed by Lauren Hadaway’s The Novice with five and Maggie Gyllenhaal’s The Lost Daughter on four.
All three are competing for best feature and best director, with Ninja Thyberg for Pleasure and Mike Mills for C’mon C’mon rounding out the latter category. It’s the second year in a row that four women have been nominated for best director.
The other best feature nominees are C’mon C’mon...
- 12/14/2021
- by Orlando Parfitt
- ScreenDaily
By Ben Miller
2010's Winter's Bone was a surprise Sundance success that depicted the poverty-stricken community of middle America. Debra Granik's debut made Jennifer Lawrence a star and earned four Oscar nominations. Directors have tried to replicate that film to varying degrees of success, and writer/director Nicole Riegel tries her hand with Holler.
Jessica Barden stars as Ruth, a teenager on the verge of high school graduation. When she receives her acceptance into college, she and her brother Blaze (Gus Harper) join an illegal scrap metal crew in order to get the money she needs to further herself...
2010's Winter's Bone was a surprise Sundance success that depicted the poverty-stricken community of middle America. Debra Granik's debut made Jennifer Lawrence a star and earned four Oscar nominations. Directors have tried to replicate that film to varying degrees of success, and writer/director Nicole Riegel tries her hand with Holler.
Jessica Barden stars as Ruth, a teenager on the verge of high school graduation. When she receives her acceptance into college, she and her brother Blaze (Gus Harper) join an illegal scrap metal crew in order to get the money she needs to further herself...
- 6/12/2021
- by Ben Miller
- FilmExperience
If you didn’t Meet The Blacks in 2016, they’re back this weekend in Deon Taylor’s second horror-comedy installment.
The first film was a send-up of The Purge. This one – The House Next Door: Meet The Blacks 2 — goes gothic. Star Mike Epps returns as Carl Black, about to face off with a neighbor from hell, Dr. Mamuwalde (Katt Williams). He’s a pimp who may or may not be a vampire and Carl’s got to figure out what he’s up to in the middle of the night before it’s too late for him and his family.
“In 2016, I made this little movie that cost $900,000. We put it out there ourselves, independently, cut our own trailers, did our own marketing,” Taylor told Deadline. It made $9.1 million. His credits since include Fatale and Black and Blue, “but everywhere I would go, people would say, “Are you going...
The first film was a send-up of The Purge. This one – The House Next Door: Meet The Blacks 2 — goes gothic. Star Mike Epps returns as Carl Black, about to face off with a neighbor from hell, Dr. Mamuwalde (Katt Williams). He’s a pimp who may or may not be a vampire and Carl’s got to figure out what he’s up to in the middle of the night before it’s too late for him and his family.
“In 2016, I made this little movie that cost $900,000. We put it out there ourselves, independently, cut our own trailers, did our own marketing,” Taylor told Deadline. It made $9.1 million. His credits since include Fatale and Black and Blue, “but everywhere I would go, people would say, “Are you going...
- 6/11/2021
- by Jill Goldsmith
- Deadline Film + TV
Chicago – Patrick McDonald of HollywoodChicago.com audio film review on the new film “Holler,” an IFC Films new release about a brother and sister trying to survive in a dying factory town. In select theaters and through Video On Demand beginning June 11th, 2021.
Rating: 3.5/5.0
Holler involves a family anchored by a brother named Blaze (Gus Halper) and a sister named Ruth (Jessica Barden). They live in a Southern Ohio town that is slowly dying, with no jobs and no future. Ruth is a math whiz, so much so that Blaze convinces her to apply to college, and she’s accepted. But Ruth is also conflicted about leaving, having begun a new job with Blaze collecting scrap metal – often stolen from from local shutdown factories – and not wanting to abandon her mother (Pamela Adlon), who is doing time in drug rehab. Will Ruth stay or will she go now?
“Holler” is...
Rating: 3.5/5.0
Holler involves a family anchored by a brother named Blaze (Gus Halper) and a sister named Ruth (Jessica Barden). They live in a Southern Ohio town that is slowly dying, with no jobs and no future. Ruth is a math whiz, so much so that Blaze convinces her to apply to college, and she’s accepted. But Ruth is also conflicted about leaving, having begun a new job with Blaze collecting scrap metal – often stolen from from local shutdown factories – and not wanting to abandon her mother (Pamela Adlon), who is doing time in drug rehab. Will Ruth stay or will she go now?
“Holler” is...
- 6/11/2021
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Amusement Park (George A. Romero)
Created as a PSA to raise awareness about elder abuse, George A. Romero’s 1973 film The Amusement Park, long considered lost and recently restored by Romero’s widow Suzanne and the George A. Romero Foundation, arrives on Shudder as a time-capsule oddity. Produced by the Lutheran Society at a point in Romero’s career post-Night of the Living Dead and pre-Dawn that saw the infamous horror director in a period of commercial and critical decline, The Amusement Park is a damning, if not exactly horrifying, condemnation of the ways in which society marginalizes and others its elderly. – Christian G. (full review)
Where to Watch: Shudder
City Hall (Frederick Wiseman)
In the opening shot of Frederick Wiseman’s National Gallery,...
The Amusement Park (George A. Romero)
Created as a PSA to raise awareness about elder abuse, George A. Romero’s 1973 film The Amusement Park, long considered lost and recently restored by Romero’s widow Suzanne and the George A. Romero Foundation, arrives on Shudder as a time-capsule oddity. Produced by the Lutheran Society at a point in Romero’s career post-Night of the Living Dead and pre-Dawn that saw the infamous horror director in a period of commercial and critical decline, The Amusement Park is a damning, if not exactly horrifying, condemnation of the ways in which society marginalizes and others its elderly. – Christian G. (full review)
Where to Watch: Shudder
City Hall (Frederick Wiseman)
In the opening shot of Frederick Wiseman’s National Gallery,...
- 6/11/2021
- by Jordan Raup
- The Film Stage
Jessica Barden began her professional career at a young age, shooting an episode of “My Parents Are Aliens” when she was only 7. At the time, she was just having fun. “I was just a showoff, I wasn’t good at acting in any way,” the British actor reveals. It wasn’t until she was 17 and had a role in Stephen Frears’ 2010 film “Tamara Drewe” that she knew she was hooked. “He’s a director for actors, through and through. I don’t know a single person that has worked for him that didn’t have the best time with him,’ she notes. “He didn’t speak to me like I was a child. He spoke to me like I was an adult, he asked me what I thought about the scenes as we were shooting. And I realized I wanted to do this for the rest of my life.”
Perhaps...
Perhaps...
- 6/10/2021
- by Jenelle Riley
- Variety Film + TV
The year 2020 should have kicked off a banner one for young actress Jessica Barden: At the SXSW Film Festival, she was set to surface in Nicole Riegel’s affecting blue collar drama “Holler” and the very different, though similarly well-made “Pink Skies Ahead.” Both movies feature Barden in leading roles that show off her big-time rage. The physical festival was canceled due to the pandemic, and both films were eventually pushed to 2021. Now, audiences can finally appreciate that Barden is doing excellent work and exhibiting a rare depth for her age.
Written and directed by first-time feature filmmaker Riegel (and inspired by her own coming-of-age in the Ohio Rust Belt and her earlier short film of the same name), “Holler” sets the “End of the F**king World” star as something of a Riegel surrogate: high school senior Ruth, sassy and brassy, smart and driven, and trapped by the...
Written and directed by first-time feature filmmaker Riegel (and inspired by her own coming-of-age in the Ohio Rust Belt and her earlier short film of the same name), “Holler” sets the “End of the F**king World” star as something of a Riegel surrogate: high school senior Ruth, sassy and brassy, smart and driven, and trapped by the...
- 6/9/2021
- by Kate Erbland
- Indiewire
Edgar Wright, John Krasinski, Emma Stone, Ryan Reynolds, Rebecca Hall, Neill Blomkamp introduce footage.
Studio and indie distributor brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Arnold Schwarzenegger took to the stage and chanted “We are back! We are back!” at the event, organised by National Association Of Theatre Owners, Motion Picture Association, exhibitors, distributors, and CAA head of motion picture marketing Megan Crawford.
J.J. Abrams, Maggie Q and Jason Blum also turned up in...
Studio and indie distributor brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Arnold Schwarzenegger took to the stage and chanted “We are back! We are back!” at the event, organised by National Association Of Theatre Owners, Motion Picture Association, exhibitors, distributors, and CAA head of motion picture marketing Megan Crawford.
J.J. Abrams, Maggie Q and Jason Blum also turned up in...
- 5/19/2021
- by Jeremy Kay
- ScreenDaily
John Krasinski, Emma Stone, Ryan Reynolds, Rebecca Hall, J.J. Abrams, Neill Blomkamp introduce footage.
Studio brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Stars and filmmakers including J.J. Abrams and Maggie Q, who both turned up in person, and recorded messages from John Krasinski, Emma Stone, Ryan Reynolds and Rebecca Hall introduced footage.
Abrams spoke of his love for cinema-going, teed up footage of a longtime cinema employee, and signed off by saying, “I...
Studio brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Stars and filmmakers including J.J. Abrams and Maggie Q, who both turned up in person, and recorded messages from John Krasinski, Emma Stone, Ryan Reynolds and Rebecca Hall introduced footage.
Abrams spoke of his love for cinema-going, teed up footage of a longtime cinema employee, and signed off by saying, “I...
- 5/19/2021
- by Jeremy Kay
- ScreenDaily
Holler Trailer — Nicole Riegel‘s Holler (2021) movie trailer has been released by IFC Films. The Holler trailer stars Pamela Adlon, Jessica Barden, Austin Amelio, Becky Ann Baker, Gus Halper, Grace Kaiser, Joe Hemsley, Larry Jones, and Trevor Evans. Crew Nicole Riegel wrote the screenplay for Holler. Gene Back created the music for the [...]
Continue reading: Holler Trailer: Jessica Barden is Torn Between a New Life & Her South Ohio Family in Nicole Riegel’s 2021 Movie...
Continue reading: Holler Trailer: Jessica Barden is Torn Between a New Life & Her South Ohio Family in Nicole Riegel’s 2021 Movie...
- 5/11/2021
- by Rollo Tomasi
- Film-Book
With Pink Skies Ahead and Holler, Jessica Barden explored two very different perspectives on what it’s like to come of age in America.
Written and directed by Kelly Oxford, the former dramedy centers on Winona, a young writer struggling with an anxiety disorder that drops out of school, and is left to figure out how to move forward in her life.
Holler, from writer-director Nicole Riegel, follows Ruth, a young woman who joins a dangerous and illegal scrap metal crew with her brother, to pay for her education, so that she can one day get out of her small, working-class Ohio town.
While the indies are dissimilar on the surface, in terms of tone and subject matter, they actually have more in common than is immediately apparent.
Both were the first features from up-and-coming female filmmakers. And both allowed Barden—best known...
Written and directed by Kelly Oxford, the former dramedy centers on Winona, a young writer struggling with an anxiety disorder that drops out of school, and is left to figure out how to move forward in her life.
Holler, from writer-director Nicole Riegel, follows Ruth, a young woman who joins a dangerous and illegal scrap metal crew with her brother, to pay for her education, so that she can one day get out of her small, working-class Ohio town.
While the indies are dissimilar on the surface, in terms of tone and subject matter, they actually have more in common than is immediately apparent.
Both were the first features from up-and-coming female filmmakers. And both allowed Barden—best known...
- 5/6/2021
- by Matt Grobar
- Deadline Film + TV
The first trailer just dropped for Nicole Riegel’s Holler, a flinty, tremendously assured debut drama with a powerful lead performance by Jessica Barden. When I interviewed Riegel last fall when her film played in Toronto’s market, she spoke of its development and financing process, during which some financiers asked her if she could make the lead male. “I wanted to tell my story, and I only knew to tell that if it was about a young woman in a very harsh, muscular environment,” Riegel told me. “And then I wanted to tell about how hard it is for young women […]
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
- 5/5/2021
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
The first trailer just dropped for Nicole Riegel’s Holler, a flinty, tremendously assured debut drama with a powerful lead performance by Jessica Barden. When I interviewed Riegel last fall when her film played in Toronto’s market, she spoke of its development and financing process, during which some financiers asked her if she could make the lead male. “I wanted to tell my story, and I only knew to tell that if it was about a young woman in a very harsh, muscular environment,” Riegel told me. “And then I wanted to tell about how hard it is for young women […]
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
- 5/5/2021
- by Scott Macaulay
- Filmmaker Magazine - Blog
"A drama about scavenging the American dream." IFC Films has debuted an official trailer for a small town drama titled Holler, marking the feature directorial debut of Ohio filmmaker Nicole Riegel, adapting her own short of the same name. This first premiered at the Deauville and Nashville Film Festivals last year, and will open in theaters this June. Alongside her older brother, Ruth joins a dangerous scrap metal crew in an industrial corner of Ohio in order to pay her way to college. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the once thriving factories at night. She will have to decide which path she wants to take next in life. Jessica Barden stars, with Pamela Adlon, Austin Amelio, Becky Ann Baker, Grace Kaiser, and Gus Halper. This looks as good as promised, an authentic story about ...
- 5/5/2021
- by Alex Billington
- firstshowing.net
IFC Films has acquired the North American rights to “Holler,” a coming-of-age drama starring Jessica Barden (“End of the F***ing World”) that premiered at the Toronto International Film Festival in 2020.
Nicole Riegel made her directorial debut on “Holler,” which also stars Gus Halper, Pamela Adlon, Becky Ann Baker and Austin Amelio and is executive produced by Paul Feig.
IFC Films plans to release “Holler” in June 2021. Here’s the synopsis:
Riegel also wrote the film, which centers on Barden as a young woman from a small Southern Ohio town where manufacturing and opportunities have tried up. After winning acceptance to college, she joins her older brother on a dangerous scrap metal crew seeking to pay her tuition. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the aging factories at night.
The producers are Katie McNeill and Jamie Patricof of Hunting Lane Films,...
Nicole Riegel made her directorial debut on “Holler,” which also stars Gus Halper, Pamela Adlon, Becky Ann Baker and Austin Amelio and is executive produced by Paul Feig.
IFC Films plans to release “Holler” in June 2021. Here’s the synopsis:
Riegel also wrote the film, which centers on Barden as a young woman from a small Southern Ohio town where manufacturing and opportunities have tried up. After winning acceptance to college, she joins her older brother on a dangerous scrap metal crew seeking to pay her tuition. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the aging factories at night.
The producers are Katie McNeill and Jamie Patricof of Hunting Lane Films,...
- 2/4/2021
- by Brian Welk
- The Wrap
IFC Films has acquired “Holler,” a drama about a woman who joins a dangerous scrap metal crew in order to pay for her college education.
The deal is for North American right. IFC will release the film in June 2021. “Holler” received critical claim both for Nicole Riegel’s work behind the camera and for the lead performance of Jessica Barden. Variety’s Peter Debruge praised the movie’s grit, writing, “‘Holler’ is honest, which is not always what people want from movies, but it isn’t your typical poverty porn. Riegel avoids the melodramatic gimmicks that tellers of such working-class stories love to pull, trusting that audiences understand that the only happy ending — the only hopeful ending — is one that sees Ruth on her way out of Jackson.”
Riegel wrote the screenplay for the movie and is making her directorial debut. Barden starred in “End of the F*cking World...
The deal is for North American right. IFC will release the film in June 2021. “Holler” received critical claim both for Nicole Riegel’s work behind the camera and for the lead performance of Jessica Barden. Variety’s Peter Debruge praised the movie’s grit, writing, “‘Holler’ is honest, which is not always what people want from movies, but it isn’t your typical poverty porn. Riegel avoids the melodramatic gimmicks that tellers of such working-class stories love to pull, trusting that audiences understand that the only happy ending — the only hopeful ending — is one that sees Ruth on her way out of Jackson.”
Riegel wrote the screenplay for the movie and is making her directorial debut. Barden starred in “End of the F*cking World...
- 2/4/2021
- by Brent Lang
- Variety Film + TV
Exclusive: Veteran film and television producer Christy Spitzer Thornton has been named Head of Film and TV, Development & Production at Rebelle Media, the female-run entertainment company founded by former CAA agent Laura Lewis. Thornton will work with Lewis to oversee the film and television slate and creative direction of the company.
Prior to her new post, Thornton served as the Head of Creative at Level Forward where she produced the Nicole Riegel-helmed upcoming film Holler starring Jessica Barden. She also executive produced Topside, written and directed by Celine Held and Logan George, and The Assistant, starring Julia Garner and written/directed by Kitty Green. Thornton oversaw the Shatterbox short film series partnership with Refinery29.
Rounding out the Rebelle team are Creative Executive Stephanie Noonan and Coordinator Rachel Clair.
“I’m beyond thrilled to join Laura, Stephanie, and the team at Rebelle Media in this progressive venture where we can...
Prior to her new post, Thornton served as the Head of Creative at Level Forward where she produced the Nicole Riegel-helmed upcoming film Holler starring Jessica Barden. She also executive produced Topside, written and directed by Celine Held and Logan George, and The Assistant, starring Julia Garner and written/directed by Kitty Green. Thornton oversaw the Shatterbox short film series partnership with Refinery29.
Rounding out the Rebelle team are Creative Executive Stephanie Noonan and Coordinator Rachel Clair.
“I’m beyond thrilled to join Laura, Stephanie, and the team at Rebelle Media in this progressive venture where we can...
- 10/27/2020
- by Amanda N'Duka
- Deadline Film + TV
It's bleak out there. Even before a global pandemic sent the world into a period of great unrest, countries were suffering through a period massive change. Technology, automation, globalization, climate change, these things are all affecting the way we live and Nicole Riegel's feature film debut Holler unfolds to the backdrop of a number of these.
Jessica Barden, best known for her role in "The End of the F***ing World," stars as Ruth, a high school student who spends a large part of her day scavenging for scrap metal with her brother Blaze (Gus Halper). Their mother is in jail, a victim of opioid addiction, and the siblings have been doing what they can to stay afloat and even then, they're living well below the poverty line with barely a roof over their heads.
Homeless a...
Jessica Barden, best known for her role in "The End of the F***ing World," stars as Ruth, a high school student who spends a large part of her day scavenging for scrap metal with her brother Blaze (Gus Halper). Their mother is in jail, a victim of opioid addiction, and the siblings have been doing what they can to stay afloat and even then, they're living well below the poverty line with barely a roof over their heads.
Homeless a...
- 9/16/2020
- QuietEarth.us
You can only hide so many eviction notices underneath the porch flowerpot before a bank official finds and tapes them all onto the front door. This is where we meet Ruth (Jessica Barden) and Blaze Avery (Gus Halper). What choice do they have, though? With their mother (Pamela Adlon’s Rhonda) in jail because of a refusal to go to rehab for a pain pill addiction and family friend Linda (Becky Ann Baker) already over-extending herself to help, these two siblings are waking up at dawn to sell soda cans for pennies at the local scrap heap owned by Hark (Austin Amelio). Blaze works nonstop to keep them from going hungry and Ruth misses so many classes that her high school teachers have given up on even considering college.
It’s a sobering realization that writer/director Nicole Riegel knows too well. The former Marine draws upon her own experience...
It’s a sobering realization that writer/director Nicole Riegel knows too well. The former Marine draws upon her own experience...
- 9/13/2020
- by Jared Mobarak
- The Film Stage
“Holler” is not the first film to chronicle the human toll of the flight of industry from the American Rust Belt to China and other countries abroad, but it might be the most direct. “Holler” makes the subtext text by focusing on an Ohio group of scrappers, crews illegally stripping abandoned old factories and institutional buildings for raw metal that can be sold to Asian buyers. Writer-director Nicole Riegel uses this conceit, with expressive shots of breaking into haunted factories to rip copper from the walls, as an effective cinematic representation of the economic forces that have torn apart these communities.
Continue reading ‘Holler’: Jessica Barden Shines In A Drama About Scavenging The American Dream [Review] at The Playlist.
Continue reading ‘Holler’: Jessica Barden Shines In A Drama About Scavenging The American Dream [Review] at The Playlist.
- 9/11/2020
- by Joe Blessing
- The Playlist
Nicole Riegel makes her directorial debut with Holler, a familiar coming-of-age film about a young woman trying to find a way out of her hometown in Southern Ohio. Ruth (Jessica Barden of Netflix’s The End of the F***ing World) lives with her older brother Blaze (Gus Halper) as her drug-addicted mother Rhonda (Pamela Adlon) is stuck at the county jail until she agrees to go to rehab. Ruth works at a factory with her brother, under the watchful eye of Linda (Becky Ann Baker), who acts as her surrogate mother. What follows is a cut-and-dry story of tough situations and ...
- 9/11/2020
- The Hollywood Reporter - Movie News
Nicole Riegel makes her directorial debut with Holler, a familiar coming-of-age film about a young woman trying to find a way out of her hometown in Southern Ohio. Ruth (Jessica Barden of Netflix’s The End of the F***ing World) lives with her older brother Blaze (Gus Halper) as her drug-addicted mother Rhonda (Pamela Adlon) is stuck at the county jail until she agrees to go to rehab. Ruth works at a factory with her brother, under the watchful eye of Linda (Becky Ann Baker), who acts as her surrogate mother. What follows is a cut-and-dry story of tough situations and ...
- 9/11/2020
- The Hollywood Reporter - Film + TV
There’s a distracting practice in American cinema of casting actors who are already well into their 20s to play teens, although “Holler” contains one of the few examples in recent memory where an age difference of nearly a decade, while noticeable, works to the film’s advantage. Ruth, the resourceful Ohio high school student at the heart of writer-director Nicole Riegel’s open-wound debut, has been forced to grow up too soon. Life isn’t fair, and it shows on the face of British actor Jessica Barden (“The Lobster”), whose remarkable performance illuminates this unvarnished dive into tough, small-town survival … and escape.
A resilient spark plug in a box of rusted parts, Ruth represents a huge swath of the American public rarely seen on-screen: young people without iPhones and Instagram accounts, just struggling to get by. Her mother (Pamela Adlon) got hooked on painkillers after injuring her hand and...
A resilient spark plug in a box of rusted parts, Ruth represents a huge swath of the American public rarely seen on-screen: young people without iPhones and Instagram accounts, just struggling to get by. Her mother (Pamela Adlon) got hooked on painkillers after injuring her hand and...
- 9/9/2020
- by Peter Debruge
- Variety Film + TV
Embracing every circumstance to bolster their professional opportunities and overall personal existence is a meaningful situation for anyone, especially women who wish to push the boundaries in fields that are largely dominated by men. That’s certainly the case for the strong women who made, as well as the resolute female protagonist in, the new drama, […]
The post Toronto International Film Festival 2020 Video Interview: Nicole Riegel and Jessica Barden Talk Holler (Exclusive) appeared first on Shockya.com.
The post Toronto International Film Festival 2020 Video Interview: Nicole Riegel and Jessica Barden Talk Holler (Exclusive) appeared first on Shockya.com.
- 9/9/2020
- by Karen Benardello
- ShockYa
With its timely vision of Black American icons, awards buzz, and run at two of the fall’s three major festivals, Regina King’s “One Night in Miami” couldn’t have asked for a better sales environment in any other year. But in 2020, few in the business could get to Venice to watch the premiere, while TIFF’s largely virtual program means American industry members would be stuck screening King’s directorial debut at home. The in-theater excitement and cocktail chatter that have inspired so many late-night dealmaking sessions? Not Covid friendly.
“Everyone’s trying to be creative and find a situation whereby we’re not just sending out links (to online screeners) and hoping for the best,” said ICM Partners sales agent Oliver Wheeler.
Earlier this summer, ICM offered extended footage of the film to a cadre of buyers in a tight screening window, a pandemic-era (virtual) analogue to...
“Everyone’s trying to be creative and find a situation whereby we’re not just sending out links (to online screeners) and hoping for the best,” said ICM Partners sales agent Oliver Wheeler.
Earlier this summer, ICM offered extended footage of the film to a cadre of buyers in a tight screening window, a pandemic-era (virtual) analogue to...
- 9/9/2020
- by Chris Lindahl
- Indiewire
Industry registration closes on September 2.
Toronto International Film Festival (TIFF) organisers on Tuesday (September 1) announced a selection of 30 global acquisition titles outside the Official Selection.
TIFF Industry Selects titles hail from 29 countries and have been hand-picked by TIFF’s industry and festival programming teams and will screen to accredited users on the festival’s dedicated press and industry platform, TIFF Digital Cinema Pro. Industry registration closes on September 2.
2020 TIFF Industry Selects Titles:
A Good Man (France) Marie-Castille Mention-Schaar
After Love (UK) Aleem Khan
And Tomorrow The Entire World (Germany/France) Julia Von Heinz
Apples (Greece) Christos Nikou
Baby Done (New...
Toronto International Film Festival (TIFF) organisers on Tuesday (September 1) announced a selection of 30 global acquisition titles outside the Official Selection.
TIFF Industry Selects titles hail from 29 countries and have been hand-picked by TIFF’s industry and festival programming teams and will screen to accredited users on the festival’s dedicated press and industry platform, TIFF Digital Cinema Pro. Industry registration closes on September 2.
2020 TIFF Industry Selects Titles:
A Good Man (France) Marie-Castille Mention-Schaar
After Love (UK) Aleem Khan
And Tomorrow The Entire World (Germany/France) Julia Von Heinz
Apples (Greece) Christos Nikou
Baby Done (New...
- 9/1/2020
- by Jeremy Kay
- ScreenDaily
The Toronto Film Festival has unveiled around 30 indie movie titles that will screen as part of its inaugural TIFF Industry Selects sidebar during this year’s online-only film market.
The international titles looking to spark interest at TIFF among buyers and global festival programmers include Nicole Riegel’s Holler, a 2020 SXSW pick that stars Jessica Barden and is produced by Paul Feig; Curtis Vowell’s New Zealand comedy Baby Done, from Taika Waititi’s Piki Films; and Falling For Figaro, Ben Lewin’s romantic comedy that stars Joanna Lumley and Danielle Macdonald.
The market picks for Toronto’s Sept. 10-19 run are ...
The international titles looking to spark interest at TIFF among buyers and global festival programmers include Nicole Riegel’s Holler, a 2020 SXSW pick that stars Jessica Barden and is produced by Paul Feig; Curtis Vowell’s New Zealand comedy Baby Done, from Taika Waititi’s Piki Films; and Falling For Figaro, Ben Lewin’s romantic comedy that stars Joanna Lumley and Danielle Macdonald.
The market picks for Toronto’s Sept. 10-19 run are ...
The Toronto Film Festival has unveiled around 30 indie movie titles that will screen as part of its inaugural TIFF Industry Selects sidebar during this year’s online-only film market.
The international titles looking to spark interest at TIFF among buyers and global festival programmers include Nicole Riegel’s Holler, a 2020 SXSW pick that stars Jessica Barden and is produced by Paul Feig; Curtis Vowell’s New Zealand comedy Baby Done, from Taika Waititi’s Piki Films; and Falling For Figaro, Ben Lewin’s romantic comedy that stars Joanna Lumley and Danielle Macdonald.
The market picks for Toronto’s Sept. 10-19 run are ...
The international titles looking to spark interest at TIFF among buyers and global festival programmers include Nicole Riegel’s Holler, a 2020 SXSW pick that stars Jessica Barden and is produced by Paul Feig; Curtis Vowell’s New Zealand comedy Baby Done, from Taika Waititi’s Piki Films; and Falling For Figaro, Ben Lewin’s romantic comedy that stars Joanna Lumley and Danielle Macdonald.
The market picks for Toronto’s Sept. 10-19 run are ...
One of the rare festivals to be hosting physical edition in the coronavirus era, the Deauville American Film Festival is set to world premiere 10 anticipated movies that are part of Cannes’s 2020 Official Selection.
The Deauville roster of Cannes pics was curated by the Normandy-set festival’s artistic director Bruno Barde out of the 56 films selected by Cannes’ director Thierry Fremaux.
These include many prestige French films, notably Maïwenn’s “Adn,” Marie-Castille Mention-Schaar’s “A Good Man,” Lucas Belvaux’s “Home Front,” Bruno Podalydès’ “French Tech,” Charlène Favier’s “Slalom,” alongside Farid Bentoumi’s “Rouge,” Ludovic & Zoran Boukherma’s “Teddy” and Farid Bentoumi’s “Red Soil.”
Other non-u.S. pics from Cannes set for Deauville include Francis Lee’s British film “Ammonite” and Yeon Sang-ho’s South Korean movie “Peninsula.” The only American movie of the pack, Jonathan Nossiter’s “Last Words,” will play in competition.
“A town, beaches, views?...
The Deauville roster of Cannes pics was curated by the Normandy-set festival’s artistic director Bruno Barde out of the 56 films selected by Cannes’ director Thierry Fremaux.
These include many prestige French films, notably Maïwenn’s “Adn,” Marie-Castille Mention-Schaar’s “A Good Man,” Lucas Belvaux’s “Home Front,” Bruno Podalydès’ “French Tech,” Charlène Favier’s “Slalom,” alongside Farid Bentoumi’s “Rouge,” Ludovic & Zoran Boukherma’s “Teddy” and Farid Bentoumi’s “Red Soil.”
Other non-u.S. pics from Cannes set for Deauville include Francis Lee’s British film “Ammonite” and Yeon Sang-ho’s South Korean movie “Peninsula.” The only American movie of the pack, Jonathan Nossiter’s “Last Words,” will play in competition.
“A town, beaches, views?...
- 7/28/2020
- by Elsa Keslassy
- Variety Film + TV
Deauville will be one of the first film festivals to take place physically in France since March.
Kelly Reichardt’s period drama First Cow, Miranda July’s crime comedy caper Kajillionaire and Jonathan Nossiter’s dystopian drama Last Words will be among 14 US titles playing in competition at the Deauville American Film Festival this year.
The festival, unfolding in the upmarket beach resort of Deauville on France’s Normandy coast, will take place September 4-13.
It will be one of the first film festivals to take place physically in France since the Covid-19 pandemic hit in early March, alongside the Angouleme Francophone Festival,...
Kelly Reichardt’s period drama First Cow, Miranda July’s crime comedy caper Kajillionaire and Jonathan Nossiter’s dystopian drama Last Words will be among 14 US titles playing in competition at the Deauville American Film Festival this year.
The festival, unfolding in the upmarket beach resort of Deauville on France’s Normandy coast, will take place September 4-13.
It will be one of the first film festivals to take place physically in France since the Covid-19 pandemic hit in early March, alongside the Angouleme Francophone Festival,...
- 7/21/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
“This was going to a transformative event, and with the cancellation, the filmmakers were left stranded and scrambling.”
SXSW film head Janet Pierson said on Friday (13) that despite the cancellation of the physical festival, staff will ensure all of this year’s competition sections can be judged via screener links.
At time of writing Screen understands almost every filmmaker in every section including the 10 narrative feature and 10 documentary feature competition categories had opted into the plan. Only one filmmaker of a short had not opted in and at time of writing organisers were waiting to hear back from the teams behind two high school shorts.
SXSW film head Janet Pierson said on Friday (13) that despite the cancellation of the physical festival, staff will ensure all of this year’s competition sections can be judged via screener links.
At time of writing Screen understands almost every filmmaker in every section including the 10 narrative feature and 10 documentary feature competition categories had opted into the plan. Only one filmmaker of a short had not opted in and at time of writing organisers were waiting to hear back from the teams behind two high school shorts.
- 3/13/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Before Sundance gets underway, SXSW has unveiled the first wave of their film lineup. This year’s slate includes Judd Apatow’s Pete Davidson-led comedy The King of Staten Island, a new Spike Jonze-directed Beastie Boys documentary, an intriguing new film by Amy Seimetz, and more.
There’s also The Lovebirds, directed by Michael Showalter (The Big Sick) and starring Issa Rae and Kumail Nanjiani, whose comedic stylings coalesce astoundingly well in the first trailer. The duo play Leilani and Jibran, a couple who are accidentally embroiled in a murder mystery as a man claiming to be a cop commits murder with their car and leaves them with the evidence.
Ahead of a release on April 3, see the trailer below, followed by the SXSW 2020 lineup.
Narrative Feature Competition
Ten world premieres, ten unique ways to celebrate the art of storytelling. Selected from 1,305 narrative feature submissions in 2020.
Holler
Director...
There’s also The Lovebirds, directed by Michael Showalter (The Big Sick) and starring Issa Rae and Kumail Nanjiani, whose comedic stylings coalesce astoundingly well in the first trailer. The duo play Leilani and Jibran, a couple who are accidentally embroiled in a murder mystery as a man claiming to be a cop commits murder with their car and leaves them with the evidence.
Ahead of a release on April 3, see the trailer below, followed by the SXSW 2020 lineup.
Narrative Feature Competition
Ten world premieres, ten unique ways to celebrate the art of storytelling. Selected from 1,305 narrative feature submissions in 2020.
Holler
Director...
- 1/17/2020
- by Margaret Rasberry
- The Film Stage
SXSW announced today the 102 features and episodic shows that from the first wave of films comprising the 2020 SXSW Film Festival. Judd Apatow’s Pete Davidson-starring The King of Staten Island will be the Opening Night feature. Other highlights include Frank Oz’s film based on magician and artist Derek DelGaudio’s acclaimed theater work, In & Of Itself; actor and director Amy Seimetz’s follow-up to Sun Don’t Shine, She Dies Tomorrow; features from directors on this magazine’s 25 New Faces list, including Nicole Riegel (Holler), Celine Held and Logan George (Topside), Tod Chandler (Bulletproof), Marnie Ellen Hertzler (Crestone), and Kitao Sakurai […]...
- 1/15/2020
- by Scott Macaulay
- Filmmaker Magazine - Blog
SXSW announced today the 102 features and episodic shows that from the first wave of films comprising the 2020 SXSW Film Festival. Judd Apatow’s Pete Davidson-starring The King of Staten Island will be the Opening Night feature. Other highlights include Frank Oz’s film based on magician and artist Derek DelGaudio’s acclaimed theater work, In & Of Itself; actor and director Amy Seimetz’s follow-up to Sun Don’t Shine, She Dies Tomorrow; features from directors on this magazine’s 25 New Faces list, including Nicole Riegel (Holler), Celine Held and Logan George (Topside), Tod Chandler (Bulletproof), Marnie Ellen Hertzler (Crestone), and Kitao Sakurai […]...
- 1/15/2020
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
The 27th edition of the SXSW Film Festival will feature a romantic caper starring Issa Rae and Kumail Nanjiani, a documentary about the Beastie Boys directed by Spike Jonze, a “hidden camera” comedy headlined by Tiffany Haddish and an autobiographical studio vehicle from Pete Davidson.
Thousands of moviegoers will flock to Austin, Texas, starting on March 13 for the annual gathering, which is a launching pad for major summer — or spring — studio releases, as well as smaller independent films and buzzy TV shows.
“King of Staten Island,” which stars Davidson, will open the fest. The movie is directed by Judd Apatow, who is no stranger to SXSW, having brought many of his hit projects — from “Knocked Up” to “Bridesmaids” — to screen first at SXSW.
Other high-profile titles that will premiere in Austin include “The Lovebirds,” a comedy from Michael Showalter, with Rae and Nanjiani trying to solve a murder mystery; “Bad Trip,...
Thousands of moviegoers will flock to Austin, Texas, starting on March 13 for the annual gathering, which is a launching pad for major summer — or spring — studio releases, as well as smaller independent films and buzzy TV shows.
“King of Staten Island,” which stars Davidson, will open the fest. The movie is directed by Judd Apatow, who is no stranger to SXSW, having brought many of his hit projects — from “Knocked Up” to “Bridesmaids” — to screen first at SXSW.
Other high-profile titles that will premiere in Austin include “The Lovebirds,” a comedy from Michael Showalter, with Rae and Nanjiani trying to solve a murder mystery; “Bad Trip,...
- 1/15/2020
- by Ramin Setoodeh
- Variety Film + TV
The 27th edition of the SXSW Film Festival has unveiled its robust slate of feature and episodic premieres which will kick off with its opening night film, Judd Apatow’s The King of Staten Island starring Saturday Night Live cast member Pete Davidson. The fest is set to run March 13-22 in Austin.
In The King of Staten Island, Davidson is a burnout living in the titular New York City borough with his mom played by Oscar-winning actress Marisa Tomei. The movie, which will make its world premiere at SXSW, also stars Bill Burr, Bel Powley, Steve Buscemi and Maude Apatow.
“Judd Apatow has consistently provided transcendent, exhilarating experiences at SXSW, starting with Knocked Up, then Bridesmaids, Trainwreck, Girls, The Big Sick, and his documentary May it Last: A Portrait of the Avett Brothers,” said Janet Pierson, Director of Film. “This March it’s our particular privilege to present his...
In The King of Staten Island, Davidson is a burnout living in the titular New York City borough with his mom played by Oscar-winning actress Marisa Tomei. The movie, which will make its world premiere at SXSW, also stars Bill Burr, Bel Powley, Steve Buscemi and Maude Apatow.
“Judd Apatow has consistently provided transcendent, exhilarating experiences at SXSW, starting with Knocked Up, then Bridesmaids, Trainwreck, Girls, The Big Sick, and his documentary May it Last: A Portrait of the Avett Brothers,” said Janet Pierson, Director of Film. “This March it’s our particular privilege to present his...
- 1/15/2020
- by Dino-Ray Ramos
- Deadline Film + TV
“The King of Staten Island,” written by Judd Apatow and Pete Davidson, as well as “Bad Trip” starring Tiffany Haddish and Eric Andre, have been announced as part of the 2020 SXSW Film Festival lineup.
“Pink Skies Ahead,” starring Mary J. Blige and Marcia Gay Hayden, “Violet,” starring Olivia Munn and Justin Theroux, Spike Jonze’s “Beastie Boys Story” documentary, and “The Love Birds,” starring Issa Rae and Kumail Nanjiani,” will also be debuting at the festival.
Alex Gibney will be returning with “Crazy, Not Insane,” a documentary about the minds of serial killers. “The King of Staten Island” is also the festival’s Opening Night Film.
Also Read: 'SNL': Pete Davidson's Parody of Michael Avenatti Gets a 'Total Loser' Review From the Attorney
In total, 102 features and episodics were announced on Wednesday — dozens of additional titles will be announced on Feb. 5. The 2020 program was selected from 2,316 feature-length film submissions. The...
“Pink Skies Ahead,” starring Mary J. Blige and Marcia Gay Hayden, “Violet,” starring Olivia Munn and Justin Theroux, Spike Jonze’s “Beastie Boys Story” documentary, and “The Love Birds,” starring Issa Rae and Kumail Nanjiani,” will also be debuting at the festival.
Alex Gibney will be returning with “Crazy, Not Insane,” a documentary about the minds of serial killers. “The King of Staten Island” is also the festival’s Opening Night Film.
Also Read: 'SNL': Pete Davidson's Parody of Michael Avenatti Gets a 'Total Loser' Review From the Attorney
In total, 102 features and episodics were announced on Wednesday — dozens of additional titles will be announced on Feb. 5. The 2020 program was selected from 2,316 feature-length film submissions. The...
- 1/15/2020
- by Beatrice Verhoeven
- The Wrap
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