Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.News*Corpus Callosum (Michael Snow, 2002).Michael Snow, Canadian artist and avant-garde filmmaker best known for Wavelength and La Région Centrale, has died at the age of 94. Via Sabzian, Snow’s 2020 email exchange with Brandon Kaufman is a worthy read; the artist reflects on a life of filmmaking, painting, and playing jazz piano. “Though I’ve had an interesting life, I don’t think I’m particularly nostalgic,” he types. According to The Hollywood Reporter, Francis Ford Coppola's long-gestating, self-funded passion project Megalopolis is in mid-production peril, with a number of key collaborators departing as the budget expands.Recommended Viewinga new restoration for Hou Hsiao-hsien’s turn-of-the-century classic Millennium Mambo (2001) is in US cinemas now. Metrograph have shared a trailer for the 4K...
- 1/10/2023
- MUBI
Over the past few years, Ricky D’Ambrose has established himself as one of the more intriguing independent American directors. His shorts, especially Six Cents in the Pocket (2015) and Spiral Jetty (2017), are above all founded upon a radical minimalism enforced by both budget and style, recalling Robert Bresson in the quick, close-up shots of hands, objects, and faces, conveyed with a directness that suggests a shifting complexity just under the surface. Coupled with this predilection is perhaps D’Ambrose’s most singular characteristic: his lovingly crafted, authentic-looking recreations or representations of various scattered material: newspapers, journal articles, postcards, notes, subway maps, correspondence, and other sundry objects. This was especially pronounced in Spiral Jetty, a film about an archivist who uncovers a dark mystery through the papers of a deceased celebrated psychologist.
With his debut feature, Notes on an Appearance, D’Ambrose takes this central idea and elaborates upon it. David,...
With his debut feature, Notes on an Appearance, D’Ambrose takes this central idea and elaborates upon it. David,...
- 8/17/2018
- by Ryan Swen
- The Film Stage
Kino Lorber has acquired U.S. rights to the Talal Derki-directed documentary Of Fathers and Sons, which picked up the World Cinema Grand Jury Prize Award earlier this year at Sundance. The film will be released in theaters in the Fall of 2018 followed by VOD and home video releases are scheduled for early 2019. In the doc, Derki returns to his homeland where he gained the trust of Abu Osama, one of the founders and front members of Al-Nusra, the Syrian arm of Al-Qaeda. He spent two and a half years documenting Osama and his eight young sons who are on the path to becoming Jihadi fighters. Producers are Hans Robert Eisenhauer, Ansgar Frerich, Eva Kemme, and Tobias Siebert. Richard Lorber and Wendy Lidell of Kino negotiated the deal with Nick Shumaker of UTA, Dan Cogan of Impact Partners and Tobias Siebert from Basis Berlin.
Grasshopper Film has obtained the U.
Grasshopper Film has obtained the U.
- 5/7/2018
- by Amanda N'Duka
- Deadline Film + TV
In today’s film news roundup, a science-fiction Tom Hanks project will arrive in 2020, “Hearts Beat Loud” gets a film festival slot, and “Notes on an Appearance” gets distribution.
Release Dates
Universal Pictures has dated Tom Hanks’ sci-fi story “Bios” for Oct. 2, 2020, along with giving horror-thriller “The Turning” a Feb. 22 launch and canine drama “A Dog’s Journey” for May 17, 2019.
Hanks stars in Amblin Entertainment’s “Bios” as the last man on Earth who builds a robot to keep his beloved dog safe. As the trio embarks upon an epic cross-country journey, the scientist must teach his creation to become “human” enough to take care of its charge… and the beloved pet to accept a new master.
“Bios” is directed by Miguel Sapochnik from a script by Craig Luck and Ivor Powell. Producers are Kevin Misher, as well as ImageMovers’ Jack Rapke and Jackie Levine. Robert Zemeckis, Luck, Sapochnik, and...
Release Dates
Universal Pictures has dated Tom Hanks’ sci-fi story “Bios” for Oct. 2, 2020, along with giving horror-thriller “The Turning” a Feb. 22 launch and canine drama “A Dog’s Journey” for May 17, 2019.
Hanks stars in Amblin Entertainment’s “Bios” as the last man on Earth who builds a robot to keep his beloved dog safe. As the trio embarks upon an epic cross-country journey, the scientist must teach his creation to become “human” enough to take care of its charge… and the beloved pet to accept a new master.
“Bios” is directed by Miguel Sapochnik from a script by Craig Luck and Ivor Powell. Producers are Kevin Misher, as well as ImageMovers’ Jack Rapke and Jackie Levine. Robert Zemeckis, Luck, Sapochnik, and...
- 5/5/2018
- by Dave McNary
- Variety Film + TV
A young man goes missing in Brooklyn after researching a controversial writer in Ricky D’Ambrose’s peculiar feature film “Notes on an Appearance,” which premiered this year at the Berlin Film Festival and is part of the New Directors/New Films Festival. Despite D’Ambrose’s unique storytelling style, the film never fully presents a coherent narrative.
A young man, David (Bingham Bryant) moves from Chappaqua to Brooklyn to help his college friend Todd (Keith Poulson) in a research project on the controversial political writer Stephen Taubes.
A young man, David (Bingham Bryant) moves from Chappaqua to Brooklyn to help his college friend Todd (Keith Poulson) in a research project on the controversial political writer Stephen Taubes.
- 4/5/2018
- by Christian Gallichio
- The Playlist
Stubbornly opaque in its narrative, Ricky D'Ambrose's debut feature is the sort of experimental film perfectly designed for exposure in highbrow festivals. This tale of a young man who goes missing in Brooklyn has some intriguing moments and a unique visual style, but it proves far too elliptical to be of much more than academic interest. Notes on an Appearance was recently showcased at the Film Society of Lincoln Center and Museum of Modern Art's New Directors/New Films festival.
The fragmentary storyline revolves around David (Bingham Bryant), a young man who moves to Brooklyn (where else for a hipster film?)...
The fragmentary storyline revolves around David (Bingham Bryant), a young man who moves to Brooklyn (where else for a hipster film?)...
- 4/5/2018
- by Frank Scheck
- The Hollywood Reporter - Movie News
As the definition of an independent film has shifted with the ever-expanding budget divide in American filmmaking — particularly Hollywood cutting back on its mid-range projects — when it comes time for awards season, it’s often only the highest profile of “indie films” that get recognized. While we do our best to recognize the films that often get unfortunately, a new awards has launched that honors the best of truly independent American cinema, featuring films all under a $1 million budget.
Aptly titled the American Independent Film Awards (aka AIFAs), they were voted on by international film festival programmers, U.S. based film festival programmers, and North American film critics (including yours truly.) “First and foremost, we would like to thank all film producers and distribution companies who helped us identify qualifying films and outline the categories. We’d also like to thank the international and American based film festival programmers, and...
Aptly titled the American Independent Film Awards (aka AIFAs), they were voted on by international film festival programmers, U.S. based film festival programmers, and North American film critics (including yours truly.) “First and foremost, we would like to thank all film producers and distribution companies who helped us identify qualifying films and outline the categories. We’d also like to thank the international and American based film festival programmers, and...
- 2/20/2017
- by Jordan Raup
- The Film Stage
Every week, the CriticWire Survey asks a select handful of film and TV critics two questions and publishes the results on Monday morning. (The answer to the second, “What is the best film in theaters right now?” can be found at the end of this post.)
This week’s question: What was the best film of summer 2016?
Charles Bramesco (@intothecrevasse), Rolling Stone
Gosh, where to start! It’s been a banner summer if, like me, you enjoy submerging yourself in vast unending ocean of incomprehensible bullshit at the movies. There was “Suicide Squad,” which is to plot structure what the Elephant Man is to facial bone structure. Loved me some “X-Men: Apocalypse,” an epic battle between an uncomfortable-looking ensemble of interesting-to-talented actors and a script intent on turning them all into cardboard cutouts. “The Shallows” was fun in the way that completing the maze on the back of a cereal box is fun,...
This week’s question: What was the best film of summer 2016?
Charles Bramesco (@intothecrevasse), Rolling Stone
Gosh, where to start! It’s been a banner summer if, like me, you enjoy submerging yourself in vast unending ocean of incomprehensible bullshit at the movies. There was “Suicide Squad,” which is to plot structure what the Elephant Man is to facial bone structure. Loved me some “X-Men: Apocalypse,” an epic battle between an uncomfortable-looking ensemble of interesting-to-talented actors and a script intent on turning them all into cardboard cutouts. “The Shallows” was fun in the way that completing the maze on the back of a cereal box is fun,...
- 8/22/2016
- by David Ehrlich
- Indiewire
As an anxious, post-youth New York City cinephile with a dismaying penchant for missing out, I found For the Plasma, Bingham Bryant and Kyle Molzan’s debut feature, an intimidatingly hep first watch. The tone, somewhere between goofy and morbid, between airless and chaotic. The horror-red title font. The surprisingly fun synth score. The high-waisted jean shorts. The blondeness. After I saw it at its sold-out premiere screening at BAMcinemaFest, way back in the spring of 2014, I scrambled to get ahead of the young, well-spoken directors’ influences, hoping to solve their self-proclaimed “digital-pastoral” puzzle the way I thought I knew […]...
- 7/29/2016
- by John Magary
- Filmmaker Magazine - Blog
It’s not every day that an avant-garde/experimental picture both makes its way to theaters and also has a relatively modest marketing push behind it. Released by Factory 25, and eyeing both a Blu-ray release for the feature itself as well as a vinyl release for its great Keiichi Suzuki score, For The Plasma is just that rare type of art comedy that will hopefully go from the festival world (it played festivals like BAMcinemaFest as well as IndieLisboa) to find an audience in general release.
The debut feature from Bingham Bryant and Kyle Molzan, For The Plasma introduces us to Helen (Rosalie Lowe), a woman living in a remote cabin in Maine forest whose job it is to keep an eye on potential forest fires. However, while looking at numerous monitors all day, she has uncovered something highly profitable within these feeds. When her friend Charlie (Anabelle LeMieux) arrives,...
The debut feature from Bingham Bryant and Kyle Molzan, For The Plasma introduces us to Helen (Rosalie Lowe), a woman living in a remote cabin in Maine forest whose job it is to keep an eye on potential forest fires. However, while looking at numerous monitors all day, she has uncovered something highly profitable within these feeds. When her friend Charlie (Anabelle LeMieux) arrives,...
- 7/29/2016
- by Joshua Brunsting
- CriterionCast
To help sift through the increasing number of new releases (independent or otherwise), the Weekly Film Guide is here! Below you’ll find basic plot, personnel and cinema information for all of this week’s fresh offerings.
For July, we’ve also put together a list for the entire month. We’ve included this week’s list below, complete with information on screening locations for films in limited release.
See More: Here Are All the Upcoming Movies in Theaters for July 2016
Here are the films opening theatrically in the U.S. the week of Friday, July 22. All synopses provided by distributor unless listed otherwise.
Wide
Ice Age: Collision Course
Director: Galen T. Chu, Mike Thermeier
Cast: Adam DeVine, Jennifer Lopez, Melissa Rauch
Synopsis: Scrat’s epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet.
For July, we’ve also put together a list for the entire month. We’ve included this week’s list below, complete with information on screening locations for films in limited release.
See More: Here Are All the Upcoming Movies in Theaters for July 2016
Here are the films opening theatrically in the U.S. the week of Friday, July 22. All synopses provided by distributor unless listed otherwise.
Wide
Ice Age: Collision Course
Director: Galen T. Chu, Mike Thermeier
Cast: Adam DeVine, Jennifer Lopez, Melissa Rauch
Synopsis: Scrat’s epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet.
- 7/21/2016
- by Steve Greene
- Indiewire
Bingham Bryant: "The intimations of ghosts - that was a strange self-fulfilling prophecy." Photo: Anne-Katrin Titze
Matías Piñeiro, Jean-Luc Godard, Shakespeare, Hermia & Helena, Kobo Abe, Edgar Allan Poe, Marcel Proust, David Lynch's Mulholland Drive, the Brothers Grimm, plus Jake Perlin, Andrew Adair, and Tyler Brodie of the Cinema Conservancy haunted my conversation with For The Plasma writer/co-director Bingham Bryant.
Helen (Rosalie Lowe) monitors forest fires while living in a house in Maine and invites her acquaintance Charlie (Anabelle LeMieux) to keep her company and be her assistant. Deadpan Mainer lighthouse keeper Herbert (Tom Lloyd), a dead bat, four living crabs, a couple of Japanese businessmen (Ryohei Hoshi and James Han), and a few phone calls pop up to structure the narrative flow in Bryant and Kyle Molzan's Poe-tic For The Plasma.
"It is very tale-like because it creates just a suspension because of the loop.
Matías Piñeiro, Jean-Luc Godard, Shakespeare, Hermia & Helena, Kobo Abe, Edgar Allan Poe, Marcel Proust, David Lynch's Mulholland Drive, the Brothers Grimm, plus Jake Perlin, Andrew Adair, and Tyler Brodie of the Cinema Conservancy haunted my conversation with For The Plasma writer/co-director Bingham Bryant.
Helen (Rosalie Lowe) monitors forest fires while living in a house in Maine and invites her acquaintance Charlie (Anabelle LeMieux) to keep her company and be her assistant. Deadpan Mainer lighthouse keeper Herbert (Tom Lloyd), a dead bat, four living crabs, a couple of Japanese businessmen (Ryohei Hoshi and James Han), and a few phone calls pop up to structure the narrative flow in Bryant and Kyle Molzan's Poe-tic For The Plasma.
"It is very tale-like because it creates just a suspension because of the loop.
- 7/19/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Independent filmmakers who strive to make challenging, idiosyncratic, blatantly uncommercial features should be applauded and encouraged, no matter how abysmally they fail. Three cheers, then, for Bingham Bryant and Kyle Molzan, whose joint first effort, For The Plasma, ranks among the year’s most singular movies, even as it also ranks among the year’s most painful movies to endure. From its off-putting title (never really explained, though it’s spoken as a line of dialogue) to its robotic performances and cryptic-verging-on-absent narrative, this shoestring production, shot mostly in a single location on 16mm, couldn’t possibly be less career-driven; it’s a movie destined from conception to be seen by almost nobody. That it actually should be seen by almost nobody is a bummer, but at least they tried to create something more original than the typical Sundance-aspiring ensemble wankfest. A minuscule cult following no doubt awaits.
The first...
The first...
- 7/19/2016
- by Mike D'Angelo
- avclub.com
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Kino Lorber has acquired the U.S. distribution rights to Keith Maitland’s animated documentary, “Tower.” The film explores the tragic story of America’s first mass school shooting, where a lone gunman climbed a clock tower at the University of Texas in 1966, shooting 49 people and killing 17. The film had its world premiere at SXSW 2016, where it won both the Grand Jury Prize and Audience Award for best documentary feature.
The film has also picked up awards at numerous other festivals, including Dallas International, Montclair, RiverRun, and DeadCenter Film Festival. Kino Lorber will release “Tower” theatrically on October 12 at New York’s Film Forum, to be followed by a national rollout, marking the 50th anniversary of the shooting.
– Kino Lorber has acquired the U.S. distribution rights to Keith Maitland’s animated documentary, “Tower.” The film explores the tragic story of America’s first mass school shooting, where a lone gunman climbed a clock tower at the University of Texas in 1966, shooting 49 people and killing 17. The film had its world premiere at SXSW 2016, where it won both the Grand Jury Prize and Audience Award for best documentary feature.
The film has also picked up awards at numerous other festivals, including Dallas International, Montclair, RiverRun, and DeadCenter Film Festival. Kino Lorber will release “Tower” theatrically on October 12 at New York’s Film Forum, to be followed by a national rollout, marking the 50th anniversary of the shooting.
- 6/24/2016
- by Kate Erbland
- Indiewire
Plus: Production wraps in Canada on ‘The Stakelander’; and more…
Upcoming Hollywood releases Ghostbusters, The Legend Of Tarzan, and Mr. Church will screen at the 14th Ischia Global Film and Music Festival, which runs from July 10-17.
“We are truly pleased and excited that our friends at Warner Bros. Pictures and Warner Bros Italy have chosen to screen three of their most important summer releases at Ischia Global,” said festival founder Pascal Vicedomini.
The festival will honour Bruce Beresford with the Ischia Legend Award. Beresford directs the Cinelou films production Mr. Church.
Revolution has acquired from Dallas-based Tango Films worldwide rights to five titles produced by Gk Films: Hugo, The Tourist, Edge Of Darkness, The Rum Diary, and The Young Victoria.The National Association Of Latino Independent Producers will present their annual Nalip Latino Media Awards on June 26 at the Nalip Media Summit in Hollywood. Oscar-winning director Juan José Campanella, who won the...
Upcoming Hollywood releases Ghostbusters, The Legend Of Tarzan, and Mr. Church will screen at the 14th Ischia Global Film and Music Festival, which runs from July 10-17.
“We are truly pleased and excited that our friends at Warner Bros. Pictures and Warner Bros Italy have chosen to screen three of their most important summer releases at Ischia Global,” said festival founder Pascal Vicedomini.
The festival will honour Bruce Beresford with the Ischia Legend Award. Beresford directs the Cinelou films production Mr. Church.
Revolution has acquired from Dallas-based Tango Films worldwide rights to five titles produced by Gk Films: Hugo, The Tourist, Edge Of Darkness, The Rum Diary, and The Young Victoria.The National Association Of Latino Independent Producers will present their annual Nalip Latino Media Awards on June 26 at the Nalip Media Summit in Hollywood. Oscar-winning director Juan José Campanella, who won the...
- 6/21/2016
- by govi2016@lawnet.ucla.edu (Alec Govi)
- ScreenDaily
Following a list of some of the best recent American independent films, Girish Shambu offers notes on the work of Josephine Decker, Gina Telaroli, Khalik Allah, Jenni Olson, Amanda Rose Wilder, Joanna Arnow, Bingham Bryant and Kyle Molzan, Joe Swanberg, Kentucker Audley, Stephen Cone and Nathan Silver. Also in today's roundup: Jim Hemphill on Joe Dante's The Second Civil War, Jonathan Rosenbaum on Wong Kar-wai's Days of Being Wild and Edward Yang's A Brighter Summer Day, an interview with Steven Soderbergh, Lodge Kerrigan and Amy Seimetz, Carl Bernstein and Bob Woodward on All the President's Men, Simon Callow on Orson Welles and a podcast featuring Dennis Hauck (Too Late), Joachim Trier (Louder Than Bombs) and Gabriel Mascaro (Neon Bull). » - David Hudson...
- 4/9/2016
- Keyframe
Following a list of some of the best recent American independent films, Girish Shambu offers notes on the work of Josephine Decker, Gina Telaroli, Khalik Allah, Jenni Olson, Amanda Rose Wilder, Joanna Arnow, Bingham Bryant and Kyle Molzan, Joe Swanberg, Kentucker Audley, Stephen Cone and Nathan Silver. Also in today's roundup: Jim Hemphill on Joe Dante's The Second Civil War, Jonathan Rosenbaum on Wong Kar-wai's Days of Being Wild and Edward Yang's A Brighter Summer Day, an interview with Steven Soderbergh, Lodge Kerrigan and Amy Seimetz, Carl Bernstein and Bob Woodward on All the President's Men, Simon Callow on Orson Welles and a podcast featuring Dennis Hauck (Too Late), Joachim Trier (Louder Than Bombs) and Gabriel Mascaro (Neon Bull). » - David Hudson...
- 4/9/2016
- Fandor: Keyframe
Held earlier this month on May 13-17, the epic 22nd annual Chicago Underground Film Festival gave out eight awards and six honorable mentions.
The big winner was Jennifer Reeder who took home this year’s Best of the Fest award for Blood Below the Skin, a 38-minute short film about three teenage girls who forge a special bond in the wake of an unanticipated incident. This marks back-to-back wins for Reeder who won the Best Short Award last year at Cuff for her previous film A Million Miles Away.
Other winners include Iva Radivojevic’s rumination on asylum seekers in Cyprus, Evaporating Borders, which won Best Feature; while David McMurry’s meditation on the world’s first nuclear town, Arco, Idaho, Atomic City, won Best Documentary. Also, ethnographic documentarian Ben Russell won the Poseidon’s Trident Award for Experimental Mythologies for Atlantis; and Laura Harrison’s animated The Lingerie Show...
The big winner was Jennifer Reeder who took home this year’s Best of the Fest award for Blood Below the Skin, a 38-minute short film about three teenage girls who forge a special bond in the wake of an unanticipated incident. This marks back-to-back wins for Reeder who won the Best Short Award last year at Cuff for her previous film A Million Miles Away.
Other winners include Iva Radivojevic’s rumination on asylum seekers in Cyprus, Evaporating Borders, which won Best Feature; while David McMurry’s meditation on the world’s first nuclear town, Arco, Idaho, Atomic City, won Best Documentary. Also, ethnographic documentarian Ben Russell won the Poseidon’s Trident Award for Experimental Mythologies for Atlantis; and Laura Harrison’s animated The Lingerie Show...
- 5/26/2015
- by Mike Everleth
- Underground Film Journal
Chicago – One of the funkiest and offbeat film festivals is taking place in Chicago through Sunday, May 17th, 2015. The 22nd Chicago Underground Film Festival (Cuff) showcases independent, experimental and documentary films from around the world. This year’s festival takes place all at the Logan Theatre – 2646 North Milwaukee, Chicago – and the films are augmented by nightly parties and concerts.
Official Cuff Poster
Photo credit: Chicago Underground Film Festival
Founded in 1993, The Chicago Underground Film Festival is a year-round organization dedicated to the work of film and video makers with defiantly independent visions. The full weekend schedule for Cuff is mapped out below. Prime time features and documentaries are highlighted for each of the remaining days of the festival. and you can click here for full film descriptions (including all the short films in each compilation) and for ticket purchasing information.
Friday, May 15th
”Shorts #2: Humanity I Love You”
Five short films in this program.
Official Cuff Poster
Photo credit: Chicago Underground Film Festival
Founded in 1993, The Chicago Underground Film Festival is a year-round organization dedicated to the work of film and video makers with defiantly independent visions. The full weekend schedule for Cuff is mapped out below. Prime time features and documentaries are highlighted for each of the remaining days of the festival. and you can click here for full film descriptions (including all the short films in each compilation) and for ticket purchasing information.
Friday, May 15th
”Shorts #2: Humanity I Love You”
Five short films in this program.
- 5/15/2015
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The 22nd annual Chicago Underground Film Festival presents five days of devastating celluloid provocations on May 13-17 at the Logan Theatre.
The fest kicks off on May 13 with the incredibly haunting short film Echoes by Jaimz Asmundson and the Filipino romantic crime drama Ruined Heart: Another Lovestory Between a Criminal and a Whore by the single-named director Khavn.
Highlights of the fest include the new slacker-ific comedy by Lev Kalman and Whitney Horn, L for Leisure; the Spanish socio-political documentary Speculation Nation by Bill Brown and Sabine Gruffat; the pastoral friendship drama For the Plasma by Bingham Bryant & Kyle Molzan; and the joyful pop doc Living Stars by Gastón Duprat and Mariano Cohn.
There are also loads of un-missable short films, such as the gritty modern film noir Bite Radius by Spencer Parsons; and amazing new films by Jennifer Reeder (Blood Below the Skin), Zachary Epcar (Under the Heat Lamp...
The fest kicks off on May 13 with the incredibly haunting short film Echoes by Jaimz Asmundson and the Filipino romantic crime drama Ruined Heart: Another Lovestory Between a Criminal and a Whore by the single-named director Khavn.
Highlights of the fest include the new slacker-ific comedy by Lev Kalman and Whitney Horn, L for Leisure; the Spanish socio-political documentary Speculation Nation by Bill Brown and Sabine Gruffat; the pastoral friendship drama For the Plasma by Bingham Bryant & Kyle Molzan; and the joyful pop doc Living Stars by Gastón Duprat and Mariano Cohn.
There are also loads of un-missable short films, such as the gritty modern film noir Bite Radius by Spencer Parsons; and amazing new films by Jennifer Reeder (Blood Below the Skin), Zachary Epcar (Under the Heat Lamp...
- 5/11/2015
- by Mike Everleth
- Underground Film Journal
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/5/2015
- by Notebook
- MUBI
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