NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
- 1/18/2024
- by Nick Newman
- The Film Stage
Though their “’80s Horror” lineup would constitute enough of a Halloween push, the Criterion Channel enter October all guns blazing. The month’s lineup also includes a 19-movie vampire series running from 1931’s Dracula (English and Spanish both) to 2014’s A Girl Walks Home Alone at Night, the collection in-between including Herzog’s Nosferatu, Near Dark, and Let the Right One In. Last year’s “Universal Horror” collection returns, a 17-title Ishirō Honda retrospective has been set, and a few genre titles stand alone: Hush…Hush, Sweet Charlotte, The House of the Devil, and Island of Lost Souls.
Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...
Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...
- 9/26/2022
- by Nick Newman
- The Film Stage
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