Just when you thought you couldn’t get enough of Austin Butler’s Elvis voice, the man is back with several more renditions of classic Presley songs, now available on the deluxe edition of the Elvis soundtrack.
The new release — out today, March 7 — adds 15 songs to the already stuffed soundtrack, including four previously unreleased recordings of Presley hits: “Blue Suede Shoes,” “Heartbreak Hotel,” “Crawfish” (which was recorded live on set), and “Are You Lonesome Tonight?” Butler also appears on “Fly Away Weave,” a wild interpolation of the traditional “I’ll Fly Away...
The new release — out today, March 7 — adds 15 songs to the already stuffed soundtrack, including four previously unreleased recordings of Presley hits: “Blue Suede Shoes,” “Heartbreak Hotel,” “Crawfish” (which was recorded live on set), and “Are You Lonesome Tonight?” Butler also appears on “Fly Away Weave,” a wild interpolation of the traditional “I’ll Fly Away...
- 3/7/2023
- by Jon Blistein
- Rollingstone.com
The 70th annual Golden Reel Awards were handed out on Sunday night, honoring the best achievements in sound editing across film, television, video games and student work.
The top three film awards were handed to “Top Gun: Maverick,” “The Banshees Of Inisherin” and “Elvis” which won for feature effects/foley, feature dialogue/Adr and feature music respectively. All three films are also nominated for the top prize, best picture at the 95th Academy Awards which will be handed out on March 12.
Other winners included “Moonage Daydream,” “Good Night Oppy” and “Guillermo del Toro’s Pinocchio.”
The ceremony was opened by an address from Motion Pictures Sound Editors president Mark Lanza. “Sound editors play a crucial role in bringing films, television shows, and games to life,” he said. “This year, we have seen truly incredible sound editing. From the explosive action of blockbusters to the subtle nuances of character-driven dramas, sound...
The top three film awards were handed to “Top Gun: Maverick,” “The Banshees Of Inisherin” and “Elvis” which won for feature effects/foley, feature dialogue/Adr and feature music respectively. All three films are also nominated for the top prize, best picture at the 95th Academy Awards which will be handed out on March 12.
Other winners included “Moonage Daydream,” “Good Night Oppy” and “Guillermo del Toro’s Pinocchio.”
The ceremony was opened by an address from Motion Pictures Sound Editors president Mark Lanza. “Sound editors play a crucial role in bringing films, television shows, and games to life,” he said. “This year, we have seen truly incredible sound editing. From the explosive action of blockbusters to the subtle nuances of character-driven dramas, sound...
- 2/27/2023
- by Jazz Tangcay
- Variety Film + TV
Click here to read the full article.
Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
Top Gun: Maverick, The Batman, Doctor Strange in the Multiverse of Madness and Dune are among the movies that received multiple Hpa (Hollywood Professional Association) Award nominations. The annual Hpa Awards recognizes postproduction talent in areas including color grading, editing, sound and visual effects.
The voting period runs from September to September, meaning that some of last year’s award season films will compete against this year’s contenders.
The awards will be handed out Nov. 17 at the Hollywood Legion Theater.
The complete list of nominees follow:
Outstanding Color Grading – Theatrical Feature
Top Gun: Maverick
Stefan Sonnenfeld, Adam Nazarenko / Company 3
Dune
David Cole / FotoKem
Nightmare Alley
Stefan Sonnenfeld, Adam Nazarenko / Company 3
The Batman
David Cole / FotoKem
No Time to Die
Matt Wallach / Company 3
Outstanding Color Grading – Episode or Non-Theatrical Feature
“1883 – 1883”
Mitch Paulson // Company 3
“Better Call Saul – Carrot and Stick”
Keith Shaw...
- 10/4/2022
- by THR staff
- The Hollywood Reporter - Movie News
While Austin Butler’s performance in Baz Lurhmann’s “Elvis” is visually captivating, the music experience is immersive. The film needs to be seen, but it demands to be heard.
Composer Elliott Wheeler worked closely with music editor Jamieson Shaw, as the film dances between Butler’s vocals, Elvis Presley’s voice and newly recorded versions of the King’s classics like Kacey Musgraves’ rendition of “Can’t Help Falling in Love.”
Wheeler says Butler recorded every single line of each performance seen in the film, and Presley’s voice was then mixed in when needed. Wheeler explains, “If we did end up using Elvis takes, we ended up slicing [parts of] Austin’s performance. We used a lot of the breaths, grunts and body movements that are Austin, and we’d switch back to Elvis.”
Though it is primarily Butler’s vocals that audiences will be hearing, the latter half of...
Composer Elliott Wheeler worked closely with music editor Jamieson Shaw, as the film dances between Butler’s vocals, Elvis Presley’s voice and newly recorded versions of the King’s classics like Kacey Musgraves’ rendition of “Can’t Help Falling in Love.”
Wheeler says Butler recorded every single line of each performance seen in the film, and Presley’s voice was then mixed in when needed. Wheeler explains, “If we did end up using Elvis takes, we ended up slicing [parts of] Austin’s performance. We used a lot of the breaths, grunts and body movements that are Austin, and we’d switch back to Elvis.”
Though it is primarily Butler’s vocals that audiences will be hearing, the latter half of...
- 6/25/2022
- by Jazz Tangcay
- Variety Film + TV
Baz Luhrmann’s “Elvis” is far from being just about Elvis, when it comes to the music in the film and on a forthcoming soundtrack album. Besides the vintage Presley cuts included, the movie is providing the opportunity for the most high-profile multi-artist soundtrack in years. The lineup of participating artists was announced in May — without any song titles attached — and a handful of singles has been released, by Eminem, Måneskin and Doja Cat. But not until the film began screening more widely, in advance of its June 17 wide release, did it become fully apparent who was singing what and just how some of the more unusual choices would fit into the biopic.
Here’s a guide to the most notable newly recorded tracks and how they’re used in the film — followed by a guide to which songs are Elvis originals and which are sung by Austin Butler or,...
Here’s a guide to the most notable newly recorded tracks and how they’re used in the film — followed by a guide to which songs are Elvis originals and which are sung by Austin Butler or,...
- 6/18/2022
- by Chris Willman
- Variety Film + TV
“Time,” Garrett Bradley‘s Oscar-nominated documentary on Amazon Prime, was never meant to be a feature-length film. The filmmaker originally conceived “Time” as 13-minute companion short film to her 2017 op-doc short “Alone,” which follows a woman whose fiancé is incarcerated. For “Time,” Bradley met Sibil Fox Richardson, known as Fox Rich, whose husband Rob Rich was serving a 60-year prison sentence, and then got a gift on the last day of filming.
“It wasn’t until our last day of making this short that [Rich] handed me what ended up being 100 hours of her home personal archive, which really forced myself and Gabe Rhodes, who cut the film, to radically rethink what we were making and how it was going to exist, in addition to it obviously being longer,” Bradley explains during Gold Derby’s Meet the Btl Experts: Documentary panel (watch above). “She handed me this little black bag that...
“It wasn’t until our last day of making this short that [Rich] handed me what ended up being 100 hours of her home personal archive, which really forced myself and Gabe Rhodes, who cut the film, to radically rethink what we were making and how it was going to exist, in addition to it obviously being longer,” Bradley explains during Gold Derby’s Meet the Btl Experts: Documentary panel (watch above). “She handed me this little black bag that...
- 4/6/2021
- by Joyce Eng
- Gold Derby
Following our top 50 films of 2020 and more year-end coverage, we’re pleased to share personal top 10s of 2020 from our contributors.
Oh, where to begin? There’s usually so much to complain about. Yes, 2020 was rough. It was like if the second half of mother! was directed by three minions in a trench coat posing as McGruff the Crime Dog and then came to life. Even the film world was odd. Stuff got pushed to VOD. Studios delayed tent poles a year back in some cases. In what has to be the longest record since I was three years old, I haven’t been to a theater since March 12. I’m all but sure it’ll be more than a few months before it’s safe (or even possible) to see something again on the big screen, but getting this handful of movies is more than a nice consolation prize.
Oh, where to begin? There’s usually so much to complain about. Yes, 2020 was rough. It was like if the second half of mother! was directed by three minions in a trench coat posing as McGruff the Crime Dog and then came to life. Even the film world was odd. Stuff got pushed to VOD. Studios delayed tent poles a year back in some cases. In what has to be the longest record since I was three years old, I haven’t been to a theater since March 12. I’m all but sure it’ll be more than a few months before it’s safe (or even possible) to see something again on the big screen, but getting this handful of movies is more than a nice consolation prize.
- 12/31/2020
- by Matt Cipolla
- The Film Stage
As Martin Scorsese once said, “Music and cinema fit together naturally. Because there’s a kind of intrinsic musicality to the way moving images work when they’re put together. It’s been said that cinema and music are very close as art forms, and I think that’s true.” Indeed, the right piece of music–whether it’s an original score or a carefully selected song–can do wonders for a sequence, and today we’re looking at the 20 films that best expressed this notion this year.
From seasoned composers to accomplished musicians, as well as a smattering of soundtracks, each musical example perfectly transported us to the world of the film. Check out our rundown of the top 20, which includes streams to each soundtrack in full where available.
20. Wendy (Dan Romer and Benh Zeitlin)
19. She Dies Tomorrow (Mondo Boys)
18. The Nest (Richard Reed Parry)
17. Ammonite (Dustin O’Halloran and...
From seasoned composers to accomplished musicians, as well as a smattering of soundtracks, each musical example perfectly transported us to the world of the film. Check out our rundown of the top 20, which includes streams to each soundtrack in full where available.
20. Wendy (Dan Romer and Benh Zeitlin)
19. She Dies Tomorrow (Mondo Boys)
18. The Nest (Richard Reed Parry)
17. Ammonite (Dustin O’Halloran and...
- 12/29/2020
- by Jordan Raup
- The Film Stage
The influential Cinema Eye Honors nominations, voted on by documentary filmmakers, help to narrow the wide field for documentary awards contenders. Amazon Studios release “Time,” Garrett Bradley’s poetic black-and-white portrait of one family’s struggle through years of incarceration, leads the field with six nominations, including Outstanding Feature, Direction, Editing, Score and Debut.
Garnering four nominations: Alexander Nanau’s Romanian health system exposé “Collective” (Magnolia), Victor Kossakovsky’s story of a mother pig, “Gunda” (Neon), and David France’s “Welcome to Chechnya” (HBO) with four.
With three nominations each: Amanda McBaine and Jesse Moss’ “Boys State” (Apple), Kirsten Johnson’s “Dick Johnson is Dead” (Netflix), Liz Garbus’ series “I’ll Be Gone in the Dark” (HBO), Gianfranco Rosi’s Italian Oscar submission “Notturno” (Super Ltd), and Michael Dweck & Gregory Kershaw’s “The Truffle Hunters” (Sony Pictures Classics).
Per usual, prolific Netflix leads all distributors/broadcasters with thirteen nominations, while HBO Documentary Films grabbed ten,...
Garnering four nominations: Alexander Nanau’s Romanian health system exposé “Collective” (Magnolia), Victor Kossakovsky’s story of a mother pig, “Gunda” (Neon), and David France’s “Welcome to Chechnya” (HBO) with four.
With three nominations each: Amanda McBaine and Jesse Moss’ “Boys State” (Apple), Kirsten Johnson’s “Dick Johnson is Dead” (Netflix), Liz Garbus’ series “I’ll Be Gone in the Dark” (HBO), Gianfranco Rosi’s Italian Oscar submission “Notturno” (Super Ltd), and Michael Dweck & Gregory Kershaw’s “The Truffle Hunters” (Sony Pictures Classics).
Per usual, prolific Netflix leads all distributors/broadcasters with thirteen nominations, while HBO Documentary Films grabbed ten,...
- 12/10/2020
- by Anne Thompson
- Thompson on Hollywood
The influential Cinema Eye Honors nominations, voted on by documentary filmmakers, help to narrow the wide field for documentary awards contenders. Amazon Studios release “Time,” Garrett Bradley’s poetic black-and-white portrait of one family’s struggle through years of incarceration, leads the field with six nominations, including Outstanding Feature, Direction, Editing, Score and Debut.
Garnering four nominations: Alexander Nanau’s Romanian health system exposé “Collective” (Magnolia), Victor Kossakovsky’s story of a mother pig, “Gunda” (Neon), and David France’s “Welcome to Chechnya” (HBO) with four.
With three nominations each: Amanda McBaine and Jesse Moss’ “Boys State” (Apple), Kirsten Johnson’s “Dick Johnson is Dead” (Netflix), Liz Garbus’ series “I’ll Be Gone in the Dark” (HBO), Gianfranco Rosi’s Italian Oscar submission “Notturno” (Super Ltd), and Michael Dweck & Gregory Kershaw’s “The Truffle Hunters” (Sony Pictures Classics).
Per usual, prolific Netflix leads all distributors/broadcasters with thirteen nominations, while HBO Documentary Films grabbed ten,...
Garnering four nominations: Alexander Nanau’s Romanian health system exposé “Collective” (Magnolia), Victor Kossakovsky’s story of a mother pig, “Gunda” (Neon), and David France’s “Welcome to Chechnya” (HBO) with four.
With three nominations each: Amanda McBaine and Jesse Moss’ “Boys State” (Apple), Kirsten Johnson’s “Dick Johnson is Dead” (Netflix), Liz Garbus’ series “I’ll Be Gone in the Dark” (HBO), Gianfranco Rosi’s Italian Oscar submission “Notturno” (Super Ltd), and Michael Dweck & Gregory Kershaw’s “The Truffle Hunters” (Sony Pictures Classics).
Per usual, prolific Netflix leads all distributors/broadcasters with thirteen nominations, while HBO Documentary Films grabbed ten,...
- 12/10/2020
- by Anne Thompson
- Indiewire
Garrett Bradley’s “Time,” which follows a family through decades of the father’s incarceration, leads all films in nominations for the 14th annual Cinema Eye Honors, a New York-based award established to honor all facets of nonfiction filmmaking.
“Time” received six nominations, including one in the Outstanding Nonfiction Feature category. There, it will compete with “Boys State,” “Collective,” “Dick Johnson Is Dead” and “Gunda.”
“Collective,” “Gunda” and “Welcome to Chechnya” each received four nominations, while “Boys State,” “Dick Johnson Is Dead,” “I’ll Be Gone in the Dark,” “Notturno” and “The Truffle Hunters” landed three each.
“Time” is now the only film to be nominated in the top category by the Cinema Eye Honors, the IDA Documentary Awards, the Critics Choice Documentary Awards and the Gotham Awards, and also receive a spot on Doc NYC’s “Short List” of awards contenders. “Gunda” was honored by four of the five groups,...
“Time” received six nominations, including one in the Outstanding Nonfiction Feature category. There, it will compete with “Boys State,” “Collective,” “Dick Johnson Is Dead” and “Gunda.”
“Collective,” “Gunda” and “Welcome to Chechnya” each received four nominations, while “Boys State,” “Dick Johnson Is Dead,” “I’ll Be Gone in the Dark,” “Notturno” and “The Truffle Hunters” landed three each.
“Time” is now the only film to be nominated in the top category by the Cinema Eye Honors, the IDA Documentary Awards, the Critics Choice Documentary Awards and the Gotham Awards, and also receive a spot on Doc NYC’s “Short List” of awards contenders. “Gunda” was honored by four of the five groups,...
- 12/10/2020
- by Steve Pond
- The Wrap
It was a clear victory for sci-fi sound editing Sunday night at the 65th annual Mpse Golden Reel Awards at the Westin Bonaventure. “War for the Planet of the Apes” was the surprise winner for Dialogue/Adr, splitting honors with “Blade Runner 2049,” which grabbed the Effects/Foley prize. The big loser was “Dunkirk” (which won the BAFTA sound award earlier Sunday). However, Christopher Nolan’s World War II survival epic took home the Music Score award and remains the sound editing Oscar favorite.
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
- 2/19/2018
- by Bill Desowitz
- Indiewire
Mel Gibson’s “Hacksaw Ridge” earned the top two sound editing awards Sunday night at the 64th Mpse Golden Reel Awards, while Damien Chazelle’s “La La Land” and Disney’s “Moana” took musical and animation honors.
“The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble” and “Warcraft: The Beginning” won for documentary and score.
“Hacksaw Ridge” now becomes the favorite to beat “La La Land” in the Oscar battle.
TV winners included “Westworld” (for both long form and short form FX/Foley), “The Night of” “Part 1 The Beach,” “Penny Dreadful III” “Ebb Tide,” “Stranger Things,” and “The Rocky Horror Picture Show: Let’s Do the Time Warp Again,” and “Mozart in the Jungle.”
The Filmmaker and Career Achievement Awards were presented to Guillermo del Toro and Harry Cohen.
64th Mpse Golden Reel Award Highlights:
Best Sound Editing In Feature Film – Dialogue / Adr
Hacksaw Ridge
Crosscreek...
“The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble” and “Warcraft: The Beginning” won for documentary and score.
“Hacksaw Ridge” now becomes the favorite to beat “La La Land” in the Oscar battle.
TV winners included “Westworld” (for both long form and short form FX/Foley), “The Night of” “Part 1 The Beach,” “Penny Dreadful III” “Ebb Tide,” “Stranger Things,” and “The Rocky Horror Picture Show: Let’s Do the Time Warp Again,” and “Mozart in the Jungle.”
The Filmmaker and Career Achievement Awards were presented to Guillermo del Toro and Harry Cohen.
64th Mpse Golden Reel Award Highlights:
Best Sound Editing In Feature Film – Dialogue / Adr
Hacksaw Ridge
Crosscreek...
- 2/20/2017
- by Bill Desowitz
- Indiewire
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