The UK’s Screen Cornwall has revealed the first four recipients of its feature film development scheme for projects in the Cornish language, Kernewek, made by local creative talent.
Callum Mitchell, who was the assistant director on Mark Jenkin’s Bait and Enys Men, has written Lanow (Rising Tide). A 10-year-old and his loving father, victims of a devastating housing crisis, treasure one last summer together in a place they call home. Simon Nicholls of Spike Productions produces.
Dedhyow Tesen (Cake Days) follows a young woman is determined to help her terminally ill father complete his bucket list before it’s too late,...
Callum Mitchell, who was the assistant director on Mark Jenkin’s Bait and Enys Men, has written Lanow (Rising Tide). A 10-year-old and his loving father, victims of a devastating housing crisis, treasure one last summer together in a place they call home. Simon Nicholls of Spike Productions produces.
Dedhyow Tesen (Cake Days) follows a young woman is determined to help her terminally ill father complete his bucket list before it’s too late,...
- 4/24/2024
- ScreenDaily
UK director Lucy Cohen’s narrative feature debut Edge Of Summer has been picked up for world sales by boutique UK-France sales outfit Alief, ahead of its world premiere at next month’s Glasgow Film Festival.
The film is about an 11 year-old girl who befriends a mysterious local boy while on holiday with her mother in Cornwall.
Flora Hylton and Joel Sefton-Iongi make their acting debuts alongside Josie Walker, Steffan Rhodri, Nichola Burley and Edward Rowe.
The drama was developed and produced by Julia Nottingham and Ariadne Kotsaki of UK outfit Dorothy St Pictures, and marks the company’s first foray into scripted content.
The film is about an 11 year-old girl who befriends a mysterious local boy while on holiday with her mother in Cornwall.
Flora Hylton and Joel Sefton-Iongi make their acting debuts alongside Josie Walker, Steffan Rhodri, Nichola Burley and Edward Rowe.
The drama was developed and produced by Julia Nottingham and Ariadne Kotsaki of UK outfit Dorothy St Pictures, and marks the company’s first foray into scripted content.
- 2/9/2024
- ScreenDaily
Exclusive: WME has signed filmmaker Mark Jenkin (Enys Men) for representation in all areas.
A true multi-hyphenate, who has worked as a director, editor, screenwriter, cinematographer and composer over the course of his career, Jenkin most recently wrote and directed the folk horror film Enys Men, which was picked up for distribution in North America by Neon following its Cannes Directors’ Fortnight world premiere.
Starring Mary Woodvine, Edward Rowe, Flo Crowe and John Woodvine, the experimental feature shot on 16mm follows a wildlife volunteer living on an otherwise uninhabited island off the Cornish coast in 1973, as her daily observations of a rare flower turn into a metaphysical journey that forces her as well as the viewer to question what is real and what is nightmare.
Jenkin previously broke out with his debut feature Bait, which won the BAFTA Award for Outstanding Debut by a British Writer, Director, or Producer in...
A true multi-hyphenate, who has worked as a director, editor, screenwriter, cinematographer and composer over the course of his career, Jenkin most recently wrote and directed the folk horror film Enys Men, which was picked up for distribution in North America by Neon following its Cannes Directors’ Fortnight world premiere.
Starring Mary Woodvine, Edward Rowe, Flo Crowe and John Woodvine, the experimental feature shot on 16mm follows a wildlife volunteer living on an otherwise uninhabited island off the Cornish coast in 1973, as her daily observations of a rare flower turn into a metaphysical journey that forces her as well as the viewer to question what is real and what is nightmare.
Jenkin previously broke out with his debut feature Bait, which won the BAFTA Award for Outstanding Debut by a British Writer, Director, or Producer in...
- 6/15/2023
- by Matt Grobar
- Deadline Film + TV
"I can either pull focus, or I can move the camera." Opening in select art house theaters this week is Enys Men, a one-of-a-kind, chilling experimental horror film made by Cornish filmmaker Mark Jenkins. It's his follow-up to the festival hit Bait (which is finally getting a US release also this wek) and it premiered at the 2023 Cannes Film Festival last year. In honor of the US opening this weekend, Neon has revealed a 14-minute behind-the-scenes featurette for the film. Set in 1973 on an uninhabited island off the Cornish coast, a wildlife volunteer's daily observations of a rare flower slowly turn into a metaphysical journey that forces her as well as the viewer to question what is real and what is nightmare. The film stars Mary Woodvine as the volunteer working on the island, with a small cast including Edward Rowe and Flo Crowe. This is a fascinating inside look at Jenkins' process,...
- 3/31/2023
- by Alex Billington
- firstshowing.net
The title is Cornish for “Stone Island,” a forbidding slab of land located off the coast of England’s southern tip. The year is 1973 — the same horror-cinema annus mirabilis of The Wicker Man and Don’t Look Now, for those of you playing along at home. The only current resident seems to be a woman (Mary Woodvine), who is never named; she’s simply referred to as “The Volunteer” in the end credits. Every day, she treks out past the lighthouse and the stone statue that stands in for some vaguely hinted-at collective grief (and which,...
- 3/30/2023
- by David Fear
- Rollingstone.com
In theaters this Friday, March 31st (with early access screenings on Wednesday) from Neon is Bait (2019) director Mark Jenkin’s folk horror film Enys Men, set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
Bloody Disgusting has a haunting exclusive clip in which some sort of artifact appears to be the catalyst to madness.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror asserts Mark Jenkin as one of the U.K.’s most exciting and singular filmmakers.
Bloody Disgusting has a haunting exclusive clip in which some sort of artifact appears to be the catalyst to madness.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror asserts Mark Jenkin as one of the U.K.’s most exciting and singular filmmakers.
- 3/29/2023
- by Brad Miska
- bloody-disgusting.com
The biggest new release for the week is Dungeons & Dragons: Honor Among Thieves, which brings various monsters from the long-running property to the big screen beginning on Thursday night, and it’s joined by several brand new horror movies in the coming days.
Here’s all the new horror releasing March 28 – April 2, 2023!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Up first, BayView Entertainment and Vipco have released Skarecrow: A Curse Never Dies today, which looks to be an ultra-low-budget indie film centered on a killer scarecrow.
In the film, “When the vile James Brothers murder an innocent woman to take over her land, her dying breath places a curse on the family through a scarecrow. Years later, a descendent of the James family has taken his friends to the old cabin for the weekend. They soon find the curse and the scarecrow are still wanting blood.
Here’s all the new horror releasing March 28 – April 2, 2023!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Up first, BayView Entertainment and Vipco have released Skarecrow: A Curse Never Dies today, which looks to be an ultra-low-budget indie film centered on a killer scarecrow.
In the film, “When the vile James Brothers murder an innocent woman to take over her land, her dying breath places a curse on the family through a scarecrow. Years later, a descendent of the James family has taken his friends to the old cabin for the weekend. They soon find the curse and the scarecrow are still wanting blood.
- 3/28/2023
- by John Squires
- bloody-disgusting.com
Neon is bringing Bait (2019) director Mark Jenkin’s folk horror film Enys Men to theaters this Friday, but Bloody Disgusting is giving away (20) free pairs of tickets to see the film with the director in attendance on Saturday, April 1st at 7:30 Pm at the Nuart Theatre.
All you have to do is Email rsvp@neonrated.com to RSVP. Winners will be picked at random and contacted directly.
The film is set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace,...
All you have to do is Email rsvp@neonrated.com to RSVP. Winners will be picked at random and contacted directly.
The film is set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace,...
- 3/28/2023
- by Brad Miska
- bloody-disgusting.com
In theaters this Friday, March 31st (with early access screenings on Wednesday) from Neon is Bait (2019) director Mark Jenkin’s folk horror film Enys Men, which Bloody Disgusting has an exclusive batch of new images from.
The film is set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror asserts Mark Jenkin as one of the U.K.’s most exciting and singular filmmakers.”
Jenkin wrote and directed, with the...
The film is set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror asserts Mark Jenkin as one of the U.K.’s most exciting and singular filmmakers.”
Jenkin wrote and directed, with the...
- 3/28/2023
- by Brad Miska
- bloody-disgusting.com
Bait (2019) director Mark Jenkin’s next is the folk horror film Enys Men, and Neon has announced that they’ll be bringing the film to select theaters on March 31, 2023.
The film is set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare. Check out the trailer below.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror asserts Mark Jenkin as one of the U.K.’s most exciting and singular filmmakers.”
Jenkin wrote and directed, with the original story...
The film is set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare. Check out the trailer below.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror asserts Mark Jenkin as one of the U.K.’s most exciting and singular filmmakers.”
Jenkin wrote and directed, with the original story...
- 2/13/2023
- by John Squires
- bloody-disgusting.com
Enys Men is a real curio – a folk horror film with all the desperate mystery of a message in a bottle, or a garbled Sos call. It’s a film that demands some deciphering, viewers dropped in like detectives. A daunting task, maybe, but Enys Men is so rich with symbolism that there’s a real satisfaction to be gained from rifling through the clues. I wished only that I could get my own hands on it – to cut it up and rearrange it until something new blossomed in front of me.
It follows a woman, named only The Volunteer (Mary Woodvine), who is stationed on a remote outcrop (the film’s title is Cornish for “stone island”). Her sole task is to monitor the growth and condition of a patch of flowers. Time seems to bend around her. A radio broadcast mentions a monument erected half a century ago...
It follows a woman, named only The Volunteer (Mary Woodvine), who is stationed on a remote outcrop (the film’s title is Cornish for “stone island”). Her sole task is to monitor the growth and condition of a patch of flowers. Time seems to bend around her. A radio broadcast mentions a monument erected half a century ago...
- 1/12/2023
- by Clarisse Loughrey
- The Independent - Film
Enys Men Trailer — Mark Jenkin‘s Enys Men (2022) movie trailer has been released by Neon. The Enys Men trailer stars Mary Woodvine, Edward Rowe, Flo Crowe, and John Woodvine. Plot Synopsis Enys Men‘s plot synopsis: “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip [...]
Continue reading: Enys Men (2022) Movie Trailer: Mark Jenkin’s Grungy and Grainy Psychedelic Horror Thriller...
Continue reading: Enys Men (2022) Movie Trailer: Mark Jenkin’s Grungy and Grainy Psychedelic Horror Thriller...
- 11/27/2022
- by Rollo Tomasi
- Film-Book
BFI Distribution revealed the UK trailer for ‘Enys Men.’ Written, directed and photographed by Mark Jenkin, and following his 2019 BAFTA-winning first feature ‘Bait.’
The mind-bending Cornish folk horror set in 1973 unfolds on an uninhabited island off the Celtic Sea. A wildlife volunteer’s daily observations of a rare flower take a dark turn into the strange and metaphysical, forcing both her and viewers to question what is real and what is a nightmare.
Shot by Jenkin on grainy 16mm colour film stock and with his trademark post-synched sound, the form feels both innovative and authentic to the period. Filmed on location around the disused tin mines of West Penwith, it is also an ode to Cornwall’s rich folklore and natural beauty.
Mary Woodvine (Poldark, Judge John Deed, Doc Martin), who played Sandra in ‘Bait’, is The Volunteer. She reunites with ‘Bait’ co-star Edward Rowe (The Witcher, House of the Dragon) who is The Boatman.
The mind-bending Cornish folk horror set in 1973 unfolds on an uninhabited island off the Celtic Sea. A wildlife volunteer’s daily observations of a rare flower take a dark turn into the strange and metaphysical, forcing both her and viewers to question what is real and what is a nightmare.
Shot by Jenkin on grainy 16mm colour film stock and with his trademark post-synched sound, the form feels both innovative and authentic to the period. Filmed on location around the disused tin mines of West Penwith, it is also an ode to Cornwall’s rich folklore and natural beauty.
Mary Woodvine (Poldark, Judge John Deed, Doc Martin), who played Sandra in ‘Bait’, is The Volunteer. She reunites with ‘Bait’ co-star Edward Rowe (The Witcher, House of the Dragon) who is The Boatman.
- 11/18/2022
- by Zehra Phelan
- HeyUGuys.co.uk
"Supremely disquieting " Neon has unveiled the first official US trailer for an indie British horror film titled Enys Men, the latest from acclaimed Cornish director Mark Jenkin, known for his indie hit Bait from a few years back. His latest creation premiered at the 2022 Cannes Film Festival in the Directors' Fortnight sidebar, and I was lucky to catch the world premiere of it back in May. Very mysterious film. Set in 1973 on an uninhabited island off the Cornish coast, a wildlife volunteer's daily observations of a rare flower slowly turn into a metaphysical journey that forces her as well as the viewer to question what is real and what is nightmare. The film mainly stars Mary Woodvine as the volunteer working on the island, with a small cast including Edward Rowe and Flo Crowe. It's hard to describe this one – it's a lo-fi, grainy, quiet horror that is scarier to...
- 11/17/2022
- by Alex Billington
- firstshowing.net
Bait (2019) director Mark Jenkin’s next is the Cornish-set horror film Enys Men, and the brand new trailer suggests we’re in for a wild ride.
Neon picked up North American rights to the film that’s set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
The gritty, unsettling trailer below puts an emphasis on “nightmare.” It’s folk horror meets ’70s grit, with music evocative of The Texas Chain Saw Massacre, set by the Cornish sea. And the enigmatic trailer confirms that Enys Men is coming soon.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of...
Neon picked up North American rights to the film that’s set in 1973 on an uninhabited island off the British coast where a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
The gritty, unsettling trailer below puts an emphasis on “nightmare.” It’s folk horror meets ’70s grit, with music evocative of The Texas Chain Saw Massacre, set by the Cornish sea. And the enigmatic trailer confirms that Enys Men is coming soon.
In Enys Men, “A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. Evoking the feeling of...
- 11/17/2022
- by Meagan Navarro
- bloody-disgusting.com
If you’re a fan of short films, the London Film Festival has made access to watching the highlights of their programme this year as accessible as it’s ever been. There’s the option to watch these films, as they should be seen, on the big screen across venues in London but there’s also the option to check them out from home on the BFI Player, for free, from the 5th to the 23rd October. And what a selection there is! What struck me most this year was the experimentation in these short films. Each of them in their own way is in conversation with the form and either deconstructs it or ignores its conventions in favour of charting new territory. If you’re looking to start your watching but not sure where to begin, check out Dn’s list of recommendations below which features ten short films we believe are must-sees.
- 10/11/2022
- by James Maitre
- Directors Notes
Continuing in the same vein as last year’s outing, London Film Festival returns for another year and is once again placing precedence on accessibility. The festival will be taking place from the 5th to the 16th of October across a variety of London-based venues, in addition to a selection of UK-wide cinemas that will be screening a portion of this year’s programme. It’s also worth noting that for those who want to enjoy the festival from the comfort of their sofa there’s also the option to watch some of the work on the BFI Player, with features screening there from the 14th to the 23rd of October and short films from the 5th October through to the 23rd.
Each year the festival adapts to the cultural climate, pushing the boundaries of what it constitutes as cinema with the inclusion of series and immersive storytelling featuring alongside...
Each year the festival adapts to the cultural climate, pushing the boundaries of what it constitutes as cinema with the inclusion of series and immersive storytelling featuring alongside...
- 9/30/2022
- by James Maitre
- Directors Notes
Cannes attracts a specific type of movie and film festival buyer. Rather than the crowd-pleasing Sundance film, the Neons, Sony Pictures Classics and Mubis of the world are on the hunt for the next arthouse event of the year, the movie that demands to be seen in a theater populated with other cinephiles, which led to big deals for titles like “The Worst Person in the World” and “Drive My Car.”
The 2022 competition slate, while already loaded with pre-sold films, includes some similarly auteur-driven work that should no doubt have some commercial appeal to the right buyer.
“Broker” – Neon
Neon ahead of the festival acquired competition title “Broker” from the Palme D’or-winning director of “Shoplifters,” Hirokazu Kore-eda. Kore-eda is Japanese but made his debut in Korean on “Broker” in partnership with the Korean media giant Cj Enm. The film follows Sang-hyun (Song Kang Ho) and Dong-soo (Gang Dong Won) as “brokers of goodwill,...
The 2022 competition slate, while already loaded with pre-sold films, includes some similarly auteur-driven work that should no doubt have some commercial appeal to the right buyer.
“Broker” – Neon
Neon ahead of the festival acquired competition title “Broker” from the Palme D’or-winning director of “Shoplifters,” Hirokazu Kore-eda. Kore-eda is Japanese but made his debut in Korean on “Broker” in partnership with the Korean media giant Cj Enm. The film follows Sang-hyun (Song Kang Ho) and Dong-soo (Gang Dong Won) as “brokers of goodwill,...
- 5/24/2022
- by Brian Welk
- The Wrap
In the run-up to Cannes, the British Film Institute and the British Council held the Great8 showcase, which presented eight U.K. films from emerging filmmakers. Here are the films selected:
“Aftersun” (drama)
Director/writer: Charlotte Wells
Cast: Paul Mescal, Frankie Corio, Celia Rowlson-Hall
Sales: Charades
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father 20 years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn’t.
“Birchanger Green” (sci-fi)
Director/writer: Moin Hussain
Cast: Faraz Ayub, Natalie Gavin, Claire Rushbrook, Simon Nagra
Sales: Bankside Films
Adam lives a solitary life. Upon hearing that his estranged father has died, he finds himself in search of answers. Piecing together a complicated image of a man he never knew, Adam starts to become convinced he is descended from an alien race.
“Aftersun” (drama)
Director/writer: Charlotte Wells
Cast: Paul Mescal, Frankie Corio, Celia Rowlson-Hall
Sales: Charades
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father 20 years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn’t.
“Birchanger Green” (sci-fi)
Director/writer: Moin Hussain
Cast: Faraz Ayub, Natalie Gavin, Claire Rushbrook, Simon Nagra
Sales: Bankside Films
Adam lives a solitary life. Upon hearing that his estranged father has died, he finds himself in search of answers. Piecing together a complicated image of a man he never knew, Adam starts to become convinced he is descended from an alien race.
- 5/21/2022
- by K.J. Yossman
- Variety Film + TV
UK-based sales agent Protagonist Pictures represents worldwide rights.
BFI Distribution has secured UK and Ireland rights to Mark Jenkin’s psychological horror and Cannes Directors’ Fortnight premiere Enys Men.
Enys Men is Jenkin’s follow-up to his Bafta-winning debut Bait – also released by BFI Distribution.
UK-based sales agent Protagonist Pictures represents worldwide rights. Neon acquired North American rights earlier this week.
The title is set on a remote island in 1973, where a wildlife volunteer finds her reality stars spiralling into a nightmare. The cast is led by Bait stars Mary Woodvine and Edward Rowe.
It is produced by Denzil Monk...
BFI Distribution has secured UK and Ireland rights to Mark Jenkin’s psychological horror and Cannes Directors’ Fortnight premiere Enys Men.
Enys Men is Jenkin’s follow-up to his Bafta-winning debut Bait – also released by BFI Distribution.
UK-based sales agent Protagonist Pictures represents worldwide rights. Neon acquired North American rights earlier this week.
The title is set on a remote island in 1973, where a wildlife volunteer finds her reality stars spiralling into a nightmare. The cast is led by Bait stars Mary Woodvine and Edward Rowe.
It is produced by Denzil Monk...
- 5/20/2022
- by Mona Tabbara
- ScreenDaily
UK-based sales agent Protagonist Pictures represents worldwide rights.
BFI Distribution has secured UK rights to Mark Jenkin’s psychological horror and Cannes Directors’ Fortnight premiere Enys Men.
Enys Men is Jenkin’s follow-up to his Bafta-winning debut Bait – also released by BFI Distribution.
UK-based sales agent Protagonist Pictures represents worldwide rights. Neon acquired North American rights earlier this week.
The title is set on a remote island in 1973, where a wildlife volunteer finds her reality stars spiralling into a nightmare. The cast is led by Bait stars Mary Woodvine and Edward Rowe.
It is produced by Denzil Monk for Bosena and co-financed by Film4.
BFI Distribution has secured UK rights to Mark Jenkin’s psychological horror and Cannes Directors’ Fortnight premiere Enys Men.
Enys Men is Jenkin’s follow-up to his Bafta-winning debut Bait – also released by BFI Distribution.
UK-based sales agent Protagonist Pictures represents worldwide rights. Neon acquired North American rights earlier this week.
The title is set on a remote island in 1973, where a wildlife volunteer finds her reality stars spiralling into a nightmare. The cast is led by Bait stars Mary Woodvine and Edward Rowe.
It is produced by Denzil Monk for Bosena and co-financed by Film4.
- 5/20/2022
- by Mona Tabbara
- ScreenDaily
UK-based sales agent Protagonist Pictures represents worldwide rights.
Mark Jenkin’s psychological horror and Cannes Directors’ Fortnight premiere Enys Men has been picked up for UK distribution by BFI Distribution.
The Protagonist Pictures title was also recently acquired for North American release by Neon.
Enys Men is Jenkin’s follow-up to his Bafta-winning debut Bait – also released by BFI Distribution.
The title is set on a remote island in 1973, where a wildlife volunteer finds her reality stars spiralling into a nightmare. The cast is led by Bait stars Mary Woodvine and Edward Rowe. It’s produced by Denzil Monk for Bosena and co-financed by Film4.
Mark Jenkin’s psychological horror and Cannes Directors’ Fortnight premiere Enys Men has been picked up for UK distribution by BFI Distribution.
The Protagonist Pictures title was also recently acquired for North American release by Neon.
Enys Men is Jenkin’s follow-up to his Bafta-winning debut Bait – also released by BFI Distribution.
The title is set on a remote island in 1973, where a wildlife volunteer finds her reality stars spiralling into a nightmare. The cast is led by Bait stars Mary Woodvine and Edward Rowe. It’s produced by Denzil Monk for Bosena and co-financed by Film4.
- 5/20/2022
- by Mona Tabbara
- ScreenDaily
Shudder Acquires Official Fantasia Festival Selection Moloch: "Shudder, AMC Network’s premium streaming service for horror, thriller and the supernatural, has acquired rights to Dutch director Nico van den Brink’s directorial debut Moloch. The film, an official selection of the Fantasia International Film Festival, will be available exclusively on Shudder in the US, Canada, the United Kingdom, Ireland, Australia and New Zealand on Thursday, July 21.
“Moloch is a bold and thrilling new folk horror that is sure to chill Shudder members this summer,” said Shudder general manager Craig Engler.
Added Nico van den Brink, ”I’m extremely excited to be working with Shudder in bringing Moloch to horror-lovers worldwide. The film will have a wonderful home there. I know we have some very creepy stories to tell in the Netherlands and I'm really looking forward to inviting Shudder's diverse and international audience into the unique world of local Dutch folklore.
“Moloch is a bold and thrilling new folk horror that is sure to chill Shudder members this summer,” said Shudder general manager Craig Engler.
Added Nico van den Brink, ”I’m extremely excited to be working with Shudder in bringing Moloch to horror-lovers worldwide. The film will have a wonderful home there. I know we have some very creepy stories to tell in the Netherlands and I'm really looking forward to inviting Shudder's diverse and international audience into the unique world of local Dutch folklore.
- 5/19/2022
- by Jonathan James
- DailyDead
Kirill Serebrennikov, the director of Cannes competition title “Tchaikovsky’s Wife” and the only Russian director with a film in this year’s official festival, on Thursday called for world governments to lift sanctions on a Russian oligarch and film financier who has been reported to be helping the Ukraine war effort.
The oligarch is Roman Abramovich, who is behind the film fund Kinoprime that helped to finance both “Tchaikovsky’s Wife” and Serebrennikov’s prior film “Petrov’s Flu,” among other Russian art-house films. Serebrennikov, who said he did not receive money from the state to make “Tchaikovsky’s Wife,” defended Abramovich’s work as saying that the films he funds are not propaganda movies but are “rather the contrary.”
“We have to lift the sanctions against Abramovich,” the director said during his Cannes press conference. “He helps modern art, and he has for a long time now. He’s a real patron...
The oligarch is Roman Abramovich, who is behind the film fund Kinoprime that helped to finance both “Tchaikovsky’s Wife” and Serebrennikov’s prior film “Petrov’s Flu,” among other Russian art-house films. Serebrennikov, who said he did not receive money from the state to make “Tchaikovsky’s Wife,” defended Abramovich’s work as saying that the films he funds are not propaganda movies but are “rather the contrary.”
“We have to lift the sanctions against Abramovich,” the director said during his Cannes press conference. “He helps modern art, and he has for a long time now. He’s a real patron...
- 5/19/2022
- by Brian Welk
- The Wrap
Neon has taken the North American distribution rights to Mark Jenkin’s horror feature Enys Men, starring Mary Woodvine and Edward Rowe. The deal was hatched before Cannes, ahead of the pic’s world premiere in the Directors’ Fortnight section.
Jenkin wore several hats on the production beyond director and writer, including cinematographer, sound designer, and composer.
Set in 1973 on an uninhabited island off the British coast, a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
Enys Men was shot on 16mm color negative using a 1970’s clockwork Bolex camera and post sync sound. This was to achieve the feeling of discovering a reel of never-before-seen celluloid unspooling in a desolate, haunted movie palace.
The movie is produced by Denzil Monk for Bosena. Johnny Fewings serves as EP. Film4 co-financed the film, with Ben Coren...
Jenkin wore several hats on the production beyond director and writer, including cinematographer, sound designer, and composer.
Set in 1973 on an uninhabited island off the British coast, a wildlife volunteer descends into a terrifying metaphysical and ecosophical journey that challenges her grip on reality and pushes her into a living nightmare.
Enys Men was shot on 16mm color negative using a 1970’s clockwork Bolex camera and post sync sound. This was to achieve the feeling of discovering a reel of never-before-seen celluloid unspooling in a desolate, haunted movie palace.
The movie is produced by Denzil Monk for Bosena. Johnny Fewings serves as EP. Film4 co-financed the film, with Ben Coren...
- 5/19/2022
- by Anthony D'Alessandro
- Deadline Film + TV
The feature is premiering in Cannes’ Directors’ Fortnight.
Neon has acquired North American rights to Mark Jenkin’s horror Enys Men, ahead of its premiere in Cannes’ Directors’ Fortnight.
UK-based Protagonist Pictures represents worldwide rights.
The title is Jenkin’s follow-up to Bafta winner Bait, and reunites him with Bait stars Mary Woodvine and Edward Rowe. It unravels around a wildlife volunteer living a solitary life on a remote Cornish island, who starts to lose her grip on reality.
It’s produced by Denzil Monk for Bosena. Film4 co-financed the film.
Jenkin won the Bafta for outstanding debut by a British writer,...
Neon has acquired North American rights to Mark Jenkin’s horror Enys Men, ahead of its premiere in Cannes’ Directors’ Fortnight.
UK-based Protagonist Pictures represents worldwide rights.
The title is Jenkin’s follow-up to Bafta winner Bait, and reunites him with Bait stars Mary Woodvine and Edward Rowe. It unravels around a wildlife volunteer living a solitary life on a remote Cornish island, who starts to lose her grip on reality.
It’s produced by Denzil Monk for Bosena. Film4 co-financed the film.
Jenkin won the Bafta for outstanding debut by a British writer,...
- 5/19/2022
- by Mona Tabbara
- ScreenDaily
Neon has purchased North American distribution rights to Mark Jenkin’s “Enys Men,” ahead of the horror film’s premiere in the Directors’ Fortnight section of the Cannes Film Festival.
The film, which sounds very shades of “The Wicker Man,” stars Mary Woodvine and Edward Rowe. Jenkin wore a lot of hats on this one. He wrote and directed the picture, as well as served as its cinematographer, sound designer, and composer. Presumably, manning the catering truck was left to someone else. “Enys Men” was shot on 16mm color negative using a 1970’s clockwork Bolex camera and post sync sound, in order to convey, the press release says, “…the feeling of discovering a reel of never before seen celluloid unspooling in a desolate, haunted movie palace.”
“Enys Men” is set in 1973 on an uninhabited island off the British coast. There, a wildlife volunteer descends into a metaphysical journey that challenges...
The film, which sounds very shades of “The Wicker Man,” stars Mary Woodvine and Edward Rowe. Jenkin wore a lot of hats on this one. He wrote and directed the picture, as well as served as its cinematographer, sound designer, and composer. Presumably, manning the catering truck was left to someone else. “Enys Men” was shot on 16mm color negative using a 1970’s clockwork Bolex camera and post sync sound, in order to convey, the press release says, “…the feeling of discovering a reel of never before seen celluloid unspooling in a desolate, haunted movie palace.”
“Enys Men” is set in 1973 on an uninhabited island off the British coast. There, a wildlife volunteer descends into a metaphysical journey that challenges...
- 5/19/2022
- by Brent Lang
- Variety Film + TV
Titles include ’Aftersun’, ’Enys Men’, ‘Birchanger Green’ and ‘A Gaza Weekend’.
Cannes premieres Aftersun, sold by Charades, and Enys Men, sold by Protagonist Pictures, are among the titles selected for year’s Great 8, the annual Cannes buyers’ showcase of UK films from emerging directors.
The other six titles are all in post-production.
Now in its fifth edition, the 2022 Great 8 showcase is funded and run by the BFI and the British Council, in partnership with BBC Film and Film4.
Unseen footage from all of the titles will be introduced by their filmmakers and screened on May 12 exclusively to buyers and festival programmers during the online-only showcase,...
Cannes premieres Aftersun, sold by Charades, and Enys Men, sold by Protagonist Pictures, are among the titles selected for year’s Great 8, the annual Cannes buyers’ showcase of UK films from emerging directors.
The other six titles are all in post-production.
Now in its fifth edition, the 2022 Great 8 showcase is funded and run by the BFI and the British Council, in partnership with BBC Film and Film4.
Unseen footage from all of the titles will be introduced by their filmmakers and screened on May 12 exclusively to buyers and festival programmers during the online-only showcase,...
- 5/5/2022
- by Mona Tabbara
- ScreenDaily
The BFI and British Council have revealed the line-up for this year’s Great8 showcase, which allows international distributors and festival programmers to get an early look at eight releases from emerging U.K. filmmakers in the run-up to Cannes Marché.
Now in its fifth year, the showcase on May 12 will allow filmmakers to screen unseen footage from the films, which will be available to buy during the market, which runs from May 17-28.
Of the eight films selected for the showcase, one has also been selected for the official Directors’ Fortnight and another for the Critics’ Week line-up. The remaining six films are in post-production.
The Great8 showcase is funded and organized by the BFI and the British Council, in partnership with BBC Film and Film4. It has previously presented films including “I Am Not A Witch” and “Calm with Horses.”
Neil Peplow, the BFI’s Director of Industry and International Affairs,...
Now in its fifth year, the showcase on May 12 will allow filmmakers to screen unseen footage from the films, which will be available to buy during the market, which runs from May 17-28.
Of the eight films selected for the showcase, one has also been selected for the official Directors’ Fortnight and another for the Critics’ Week line-up. The remaining six films are in post-production.
The Great8 showcase is funded and organized by the BFI and the British Council, in partnership with BBC Film and Film4. It has previously presented films including “I Am Not A Witch” and “Calm with Horses.”
Neil Peplow, the BFI’s Director of Industry and International Affairs,...
- 5/4/2022
- by K.J. Yossman
- Variety Film + TV
Sales on the Bait follow-up will commence at EFM.
UK sales outfit Protagonist Pictures has acquired worldwide sales rights to UK director Mark Jenkin’s psychological horror Enys Men, and will be launching at the European Film Market (EFM).
The title is a 1973-set horror, which unfolds around a wildlife volunteer who lives alone on an uninhabited Cornish island. Her daily observations of a rare flower turn into a metaphysical journey, forcing her to confront what is real, and what is a nightmare.
It is the follow up to Jenkin’s breakout feature, 2019 Berlin premiere Bait, which won him the...
UK sales outfit Protagonist Pictures has acquired worldwide sales rights to UK director Mark Jenkin’s psychological horror Enys Men, and will be launching at the European Film Market (EFM).
The title is a 1973-set horror, which unfolds around a wildlife volunteer who lives alone on an uninhabited Cornish island. Her daily observations of a rare flower turn into a metaphysical journey, forcing her to confront what is real, and what is a nightmare.
It is the follow up to Jenkin’s breakout feature, 2019 Berlin premiere Bait, which won him the...
- 2/3/2022
- by Mona Tabbara
- ScreenDaily
Julia Garner in ‘The Assistant.’
In a further sign of consolidation among independent distributors, Rialto Distribution has closed its Sydney office while continuing to book films into Australian cinemas via its Auckland headquarters.
However the end of the company’s presence in Oz after more than 20 years does not signal any reduction in acquisitions for multiple-platform release.
“We have gained much-needed economies of scale with Kevin Gordon, our Australia/New Zealand sales and distribution manager, selling in directly,” CEO Kelly Rogers tells If.
“This is going very well and Australian exhibitors are receptive to our strong line-up. We expect to release approximately 30 titles in 2020, mainly digital titles and select strong theatrical films.”
Former Myriad Pictures and Icon Film Distribution marketing executive Lisa Garner, who joined Rialto as Sydney-based head of film in February 2018, expects to soon announce her next venture.
Currently Rialto has a hit with Michael Schwartz and Tyler Nilson...
In a further sign of consolidation among independent distributors, Rialto Distribution has closed its Sydney office while continuing to book films into Australian cinemas via its Auckland headquarters.
However the end of the company’s presence in Oz after more than 20 years does not signal any reduction in acquisitions for multiple-platform release.
“We have gained much-needed economies of scale with Kevin Gordon, our Australia/New Zealand sales and distribution manager, selling in directly,” CEO Kelly Rogers tells If.
“This is going very well and Australian exhibitors are receptive to our strong line-up. We expect to release approximately 30 titles in 2020, mainly digital titles and select strong theatrical films.”
Former Myriad Pictures and Icon Film Distribution marketing executive Lisa Garner, who joined Rialto as Sydney-based head of film in February 2018, expects to soon announce her next venture.
Currently Rialto has a hit with Michael Schwartz and Tyler Nilson...
- 3/2/2020
- by The IF Team
- IF.com.au
Exclusive: Bait, Mark Jenkin’s low budget indie feature that was a BAFTA winner on Sunday, has begun racking up international sales following its successful UK theatrical run last year.
The Festival Agency (Tfa) has now inked deals on the title for Australia and New Zealand (Vertigo Releasing/Rialto), Scandinavia (Folkets Bio) and Poland (New Horizons Association). Those territories follow the Germany release via Arsenal in October, and come ahead of the domestic bow that is being lined up for this spring.
Tfa will handle the U.S. roll out in-house, springboarding it off the recently announced SXSW special event screening of the movie that will be accompanied by a new live score.
BFI Distribution handled the UK rollout, which begin in August and snowballed from modest ambitions to eventually gross more than $500,000. That was a more than stellar result for a super low-budget homegrown movie in a crowded theatrical...
The Festival Agency (Tfa) has now inked deals on the title for Australia and New Zealand (Vertigo Releasing/Rialto), Scandinavia (Folkets Bio) and Poland (New Horizons Association). Those territories follow the Germany release via Arsenal in October, and come ahead of the domestic bow that is being lined up for this spring.
Tfa will handle the U.S. roll out in-house, springboarding it off the recently announced SXSW special event screening of the movie that will be accompanied by a new live score.
BFI Distribution handled the UK rollout, which begin in August and snowballed from modest ambitions to eventually gross more than $500,000. That was a more than stellar result for a super low-budget homegrown movie in a crowded theatrical...
- 2/7/2020
- by Tom Grater
- Deadline Film + TV
In his latest podcast/inteview, host Stuart Wright talks with Bait‘s leading man Edward Rowe about working with director Mark Jenkin on 2019′s cinematic masterpiece.
Martin Ward is a cove fisherman, without a boat. His brother Steven has re-purposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a get-away for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.
Tickets go on sale from 10th December for the live score screening on 17th January 2020, BFI, South Bank, London: whatson.bfi.org.uk/Online/default.…5A-DE95947E259D
Bait will be released on DVD from 20th January 2020 but you can still catch Bait in cinemas in 2019 – see www.
Martin Ward is a cove fisherman, without a boat. His brother Steven has re-purposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a get-away for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.
Tickets go on sale from 10th December for the live score screening on 17th January 2020, BFI, South Bank, London: whatson.bfi.org.uk/Online/default.…5A-DE95947E259D
Bait will be released on DVD from 20th January 2020 but you can still catch Bait in cinemas in 2019 – see www.
- 12/2/2019
- by Stuart Wright
- Nerdly
One of the main things I miss about print film is the texture; there is something about how an physical object, going through a projector, conveys the layers of physicalness necessary to create it. It conveys as much for the story in the film as the plot and characters, and expresses how we are meant to view and understand. Such is the labour and beauty evoked in Mark Jenkin's first feature-length film Bait, a remarkable achievement both technically and in story. Martin (Edward Rowe), a fisherman in a small Cornish village, is without a boat, as his brother Steven has repurposed theirs to take tourists around the bay. In addition, he has been forced to sell his house to...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 10/16/2019
- Screen Anarchy
It’s war between the locals and tourists in a once-thriving Cornish fishing village in Mark Jenkin’s dreamlike masterpiece
Cornish film-maker Mark Jenkin’s breakthrough feature is a thrillingly adventurous labour of love – a richly textured, rough-hewn gem in which form and content are perfectly combined. A refreshingly authentic tale of tensions between locals and tourists in a once-thriving fishing village, it’s an evocative portrait of familiar culture clashes in an area where traditional trades and lifestyles are under threat. Shot with clockwork cameras on grainy 16mm stock, which Jenkin hand-processed in his studio in Newlyn, Bait is both an impassioned paean to Cornwall’s proud past, and a bracingly tragicomic portrait of its troubled present and possible future. It’s a genuine modern masterpiece, which establishes Jenkin as one of the most arresting and intriguing British film-makers of his generation.
Fishing-stock siblings Martin and Steven Ward (“Kernow...
Cornish film-maker Mark Jenkin’s breakthrough feature is a thrillingly adventurous labour of love – a richly textured, rough-hewn gem in which form and content are perfectly combined. A refreshingly authentic tale of tensions between locals and tourists in a once-thriving fishing village, it’s an evocative portrait of familiar culture clashes in an area where traditional trades and lifestyles are under threat. Shot with clockwork cameras on grainy 16mm stock, which Jenkin hand-processed in his studio in Newlyn, Bait is both an impassioned paean to Cornwall’s proud past, and a bracingly tragicomic portrait of its troubled present and possible future. It’s a genuine modern masterpiece, which establishes Jenkin as one of the most arresting and intriguing British film-makers of his generation.
Fishing-stock siblings Martin and Steven Ward (“Kernow...
- 9/1/2019
- by Mark Kermode
- The Guardian - Film News
Shot using a 1970s wind-up Bolex camera and on 16mm film, Mark Jenkin’s Bait is somewhat of a glorious visual anomaly in a world dominated by big budget blockbuster action thrillers and endless superhero franchises.
Set within a small community of an undisclosed Cornish fishing village (the shoot itself took place in Charlestown and Penzance), Bait presents an eerily enchanting expressionist aesthetic which owes a lot to the early films of French cinema pioneer Jean Epstein (The Fall of The House of Usher) or even Carl Theodor Dreyer (The Passion of Joan of Arc).
Bait tells the story of Martin Ward (played brilliantly by comedian Edward Rowe aka Kernow King), a gruff and taciturn cove fisherman who no longer has a boat at his disposition to fulfil a job he loves. His brother Steven (Giles King) has turned their father’s vessel into a pleasure boat for tourists, and...
Set within a small community of an undisclosed Cornish fishing village (the shoot itself took place in Charlestown and Penzance), Bait presents an eerily enchanting expressionist aesthetic which owes a lot to the early films of French cinema pioneer Jean Epstein (The Fall of The House of Usher) or even Carl Theodor Dreyer (The Passion of Joan of Arc).
Bait tells the story of Martin Ward (played brilliantly by comedian Edward Rowe aka Kernow King), a gruff and taciturn cove fisherman who no longer has a boat at his disposition to fulfil a job he loves. His brother Steven (Giles King) has turned their father’s vessel into a pleasure boat for tourists, and...
- 8/30/2019
- by Linda Marric
- HeyUGuys.co.uk
Cornish tourism is the hook for Mark Jenkin’s hypnotic tale of a villager angling for payback against the owners of his old home
Cornish film-maker Mark Jenkin has created an arrestingly strange adventure in zero-budget analogue cinema. It’s black-and-white, shot with a Bolex cine-camera on 16mm film and developed in such a way as to create ghostly glitches and scratches on the print. A bizarre expressionist melodrama, it has the huge closeups and crashingly emphatic narrative grammar of early cinema and, like home movies, it has non-diegetic sound, with dialogue overdubs and ambient noise that could well be taken from a sound-effects LP. But it’s very effective, and the monochrome cinematography desentimentalises the Cornish landscape, turning it into an anti-postcard.
The weirdness of Bait can’t be overestimated; it’s like an episode of EastEnders directed by Fw Murnau. Martin Ward (Edward Rowe) is a fisherman, a...
Cornish film-maker Mark Jenkin has created an arrestingly strange adventure in zero-budget analogue cinema. It’s black-and-white, shot with a Bolex cine-camera on 16mm film and developed in such a way as to create ghostly glitches and scratches on the print. A bizarre expressionist melodrama, it has the huge closeups and crashingly emphatic narrative grammar of early cinema and, like home movies, it has non-diegetic sound, with dialogue overdubs and ambient noise that could well be taken from a sound-effects LP. But it’s very effective, and the monochrome cinematography desentimentalises the Cornish landscape, turning it into an anti-postcard.
The weirdness of Bait can’t be overestimated; it’s like an episode of EastEnders directed by Fw Murnau. Martin Ward (Edward Rowe) is a fisherman, a...
- 8/29/2019
- by Peter Bradshaw
- The Guardian - Film News
For his debut feature, writer-director-cinematographer Mark Jenkin takes a parable about a contemporary fishing community under threat from wealthy outsiders and presents it in a style reminiscent of documentaries of the early 20th century, namely Robert J. Flaherty’s 1934 film Man of Aran. The result is titled Bait, a punky, pastoral little movie that draws from the mysticism and iconography of documentaries like Flaherty’s but with a narrative and ironic wit that is inescapably of the here and now. Put it this way: the director may have had those films in mind when he chose to shoot Bait on 16mm and have it processed by hand–for purposes of wear and tear–but perhaps less so when he wrote the scene in which a man on a stag party boards a boat dressed in a large penis costume.
It is that kind of anachronistic counterpoint that makes so much of Bait such a blast.
It is that kind of anachronistic counterpoint that makes so much of Bait such a blast.
- 2/28/2019
- by Rory O'Connor
- The Film Stage
What a difference 85 years can make. In the decades since nonfiction pioneer Robert Flaherty developed the aesthetic that is irresistibly evoked by U.K. experimental filmmaker Mark Jenkin in his 2019 feature debut, the categorization of Flaherty’s films has evolved as his fidelity to what we now accept as documentary truth has been debunked.
But today, the tension that exists in Jenkin’s hand-processed, 16mm, black-and-white “Bait” is not between real and staged — indeed, the archly antiqued technique, from the warm, scratched fuzz of the film’s surface to the beautifully creaky and ever-so-slightly out-of-sync post-dubbing of dialogue and sound effects, consistently reminds us that we’re watching fiction. Instead, the film’s crackling chiaroscuro serves to make “Bait,” which in narrative terms is slight, feel in form and presentation part of the same ongoing conflict as that which cues its story.
A tale of Cornish fishermen whose traditional livelihoods...
But today, the tension that exists in Jenkin’s hand-processed, 16mm, black-and-white “Bait” is not between real and staged — indeed, the archly antiqued technique, from the warm, scratched fuzz of the film’s surface to the beautifully creaky and ever-so-slightly out-of-sync post-dubbing of dialogue and sound effects, consistently reminds us that we’re watching fiction. Instead, the film’s crackling chiaroscuro serves to make “Bait,” which in narrative terms is slight, feel in form and presentation part of the same ongoing conflict as that which cues its story.
A tale of Cornish fishermen whose traditional livelihoods...
- 2/28/2019
- by Jessica Kiang
- Variety Film + TV
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