Maximalist horror-comedy has become such a mainstay of 21st-century indie cinema that a late-’80s-set lesbian romance that uses schlocky gore tinged with meta humor to figuratively explore the tumult of new love is hardly as outré as it would have seemed a decade ago. Rose Glass’s Love Lies Bleeding, with its hyper-saturated, giallo-evoking cinematography and lapses into fantastical imagery, freely plays with the boundaries of realism. This hyper-stylization, accompanied by a steady score of growling synths, packs some punches, but that isn’t to say that we can’t see a fair portion of them coming.
The small but tough Lou (Kristen Stewart) appears to be one of only two workers at a grimy gym, Crater’s, in middle-of-nowhere America. We meet her as she’s digging through vomit that’s clogged the gym’s toilet, a seemingly common occurrence at this sweaty den of muscled men, which...
The small but tough Lou (Kristen Stewart) appears to be one of only two workers at a grimy gym, Crater’s, in middle-of-nowhere America. We meet her as she’s digging through vomit that’s clogged the gym’s toilet, a seemingly common occurrence at this sweaty den of muscled men, which...
- 2/18/2024
- by Pat Brown
- Slant Magazine
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