Last May, after “Killers of the Flower Moon” premiered at the Cannes Film Festival, Martin Scorsese traveled to Rome with his wife, Helen Morris, to attend a conference titled “The Global Aesthetics of the Catholic Imagination.” There, the director announced that he had responded to an appeal by Pope Francis to artists “in the only way I know how: by imagining and writing a screenplay for a film about Jesus.”
The conference was organized by Jesuit publication “La Civiltà Cattolica.” It took place after the journal’s editor, Father Antonio Spadaro, held a series of one-on-one conversations with Scorsese that have just come out in Italy in a book published by La nave di Teseo titled “Dialoghi sulla fede” (“Dialogues on Faith”).
The final chapter of this book is titled, as translated from Italian, “Screenplay for a Possible Film on Jesus” by Scorsese. Spadaro, in the book’s introduction, specifies...
The conference was organized by Jesuit publication “La Civiltà Cattolica.” It took place after the journal’s editor, Father Antonio Spadaro, held a series of one-on-one conversations with Scorsese that have just come out in Italy in a book published by La nave di Teseo titled “Dialoghi sulla fede” (“Dialogues on Faith”).
The final chapter of this book is titled, as translated from Italian, “Screenplay for a Possible Film on Jesus” by Scorsese. Spadaro, in the book’s introduction, specifies...
- 3/27/2024
- by Nick Vivarelli
- Variety Film + TV
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