Likable debut feature casts Sally Phillips as the mother of two tearaways, one of whom turns crimefighter when his motorbike is pinched
An expanded version of a well-received short of the same name made in 2018, this represents a sparky if a smidge predictable feature debut for writer-director William Stone, fronted by a mix of fresh and familiar onscreen faces. The redoubtable Sally Phillips probably worked three or four days max to play put-upon working-class Sharon, mother to two variously dodgy young men, all of them living on a Bristol council estate in the 1980s. The younger brother Steve has a steady job working at the local butcher and boosts his income with illegal fishing, selling the catch to a local restaurant. As the film starts, he’s finally saved enough scratch to buy a small Honda Xl 125 motorbike, which promptly gets nicked five minutes after he drives it home and...
An expanded version of a well-received short of the same name made in 2018, this represents a sparky if a smidge predictable feature debut for writer-director William Stone, fronted by a mix of fresh and familiar onscreen faces. The redoubtable Sally Phillips probably worked three or four days max to play put-upon working-class Sharon, mother to two variously dodgy young men, all of them living on a Bristol council estate in the 1980s. The younger brother Steve has a steady job working at the local butcher and boosts his income with illegal fishing, selling the catch to a local restaurant. As the film starts, he’s finally saved enough scratch to buy a small Honda Xl 125 motorbike, which promptly gets nicked five minutes after he drives it home and...
- 11/22/2022
- by Leslie Felperin
- The Guardian - Film News
“Bridgerton” star Phoebe Dynevor and “Aftersun” writer-director Charlotte Wells are among the emerging talents recognized at the British Independent Film Awards’ (BIFA) New Talent categories.
Dynevor has been longlisted in the Breakthrough Performance category for Sky film “The Colour Room” and Wells twice, in the Debut Director and Debut Screenwriter categories.
In all, 28 fiction and 14 documentary features have been longlisted, including in a new category for BIFA’s 25th year, Best Debut Director – Feature Documentary. Eleven first-time fiction feature directors, 16 first-time documentary feature directors, 14 first-time writers, 20 breakthrough producers and 15 new performers have been recognized by BIFA voters for their achievements.
BIFA’s Springboard scheme will provide a tailored program of continuing professional development, with seven of this year’s longlisted filmmakers joining the cohort of 30 filmmakers on the Film4 supported initiative.
The final five nominations in each category will be announced on Nov. 4 and winners will be revealed at the...
Dynevor has been longlisted in the Breakthrough Performance category for Sky film “The Colour Room” and Wells twice, in the Debut Director and Debut Screenwriter categories.
In all, 28 fiction and 14 documentary features have been longlisted, including in a new category for BIFA’s 25th year, Best Debut Director – Feature Documentary. Eleven first-time fiction feature directors, 16 first-time documentary feature directors, 14 first-time writers, 20 breakthrough producers and 15 new performers have been recognized by BIFA voters for their achievements.
BIFA’s Springboard scheme will provide a tailored program of continuing professional development, with seven of this year’s longlisted filmmakers joining the cohort of 30 filmmakers on the Film4 supported initiative.
The final five nominations in each category will be announced on Nov. 4 and winners will be revealed at the...
- 10/24/2022
- by Naman Ramachandran
- Variety Film + TV
The final five nominations in each category will be announced November 4.
Georgia Oakley’s Blue Jean, Charlotte Wells’ Aftersun and Jono McLeod’s My Old School and are among the titles that have made the new talent longlists for the 2022 British Independent Film Awards (Bifas), with 28 fiction and 14 documentary features longlisted.
Blue Jean has taken the most nominated spots with five – the Douglas Hickox Award for best debut director, as well as best debut screenwriter for Oakley, best breakthrough performance for Lucy Halliday and Screen Star of Tomorrow 2022 Rosy McEwen and best breakthrough producer for Hélène Sifre.
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Georgia Oakley’s Blue Jean, Charlotte Wells’ Aftersun and Jono McLeod’s My Old School and are among the titles that have made the new talent longlists for the 2022 British Independent Film Awards (Bifas), with 28 fiction and 14 documentary features longlisted.
Blue Jean has taken the most nominated spots with five – the Douglas Hickox Award for best debut director, as well as best debut screenwriter for Oakley, best breakthrough performance for Lucy Halliday and Screen Star of Tomorrow 2022 Rosy McEwen and best breakthrough producer for Hélène Sifre.
Scroll down for...
- 10/24/2022
- by Mona Tabbara
- ScreenDaily
UK feature has been self-released in theatres.
Vertigo Releasing has secured UK-Ireland rights to William Stone’s UK comedy drama The Fence in a direct deal with the film’s producers.
Vertigo has acquired VOD, digital and physical rights to Stone’s feature directorial debut and plans to release later this year.
In the UK, the film is being self-released theatrically by the filmmakers through their production outfit, Red Anchor Films. After opening at two locations on September 2, the Showcase Cinemas chain will expand its run to at least 10 venues around the UK from September 16.
This has been spearheaded by Guy Davies,...
Vertigo Releasing has secured UK-Ireland rights to William Stone’s UK comedy drama The Fence in a direct deal with the film’s producers.
Vertigo has acquired VOD, digital and physical rights to Stone’s feature directorial debut and plans to release later this year.
In the UK, the film is being self-released theatrically by the filmmakers through their production outfit, Red Anchor Films. After opening at two locations on September 2, the Showcase Cinemas chain will expand its run to at least 10 venues around the UK from September 16.
This has been spearheaded by Guy Davies,...
- 9/8/2022
- by Michael Rosser
- ScreenDaily
UK feature has been self-released in theatres.
Vertigo Releasing has secured UK-Ireland rights to William Stone’s UK comedy drama The Fence in a direct deal with the film’s producers.
Vertigo has acquired VOD, digital and physical rights to Stone’s feature directorial debut and plans to release later this year.
In the UK, the film is being self-released theatrically by the filmmakers through their production outfit, Red Anchor Films. After opening at two locations on September 5, the Showcase Cinemas chain will expand its run to at least 10 venues around the UK from September 16.
This has been spearheaded by Guy Davies,...
Vertigo Releasing has secured UK-Ireland rights to William Stone’s UK comedy drama The Fence in a direct deal with the film’s producers.
Vertigo has acquired VOD, digital and physical rights to Stone’s feature directorial debut and plans to release later this year.
In the UK, the film is being self-released theatrically by the filmmakers through their production outfit, Red Anchor Films. After opening at two locations on September 5, the Showcase Cinemas chain will expand its run to at least 10 venues around the UK from September 16.
This has been spearheaded by Guy Davies,...
- 9/8/2022
- by Michael Rosser
- ScreenDaily
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