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- Actor
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Born on February 1, 1965 to Bruce Lee (Martial Arts idol) and Linda Lee Cadwell. Brother to Shannon Lee. In 1970-71, they moved to Hong Kong, where Brandon lived until age eight, becoming fluent in Cantonese. By the time he was able to walk, he was already involved in learning about martial arts from his father.
Brandon attended high school in Los Angeles, where he realized that he had also inherited acting ability along with his martial arts skills. In 1983, he was expelled from school because of misbehavior, but received his diploma at Miraleste High School. He continued his education and interest in acting at Emerson College in Massachusetts, where he majored in theatre. Having chosen an acting career, he studied at the Strasberg Academy, with Eric Morris in New York and in Los Angeles, and in Lynette Katselas' class in Los Angeles.
His first professional job as an actor came at age twenty, when casting director Lynn Stalmaster asked him to read for a CBS television film, Kung Fu: The Movie (1986). Lee's first role in a feature film was Legacy of Rage (1986) (aka "Legacy of Rage" (1986)) for D.M. Films of Hong Kong, followed by a co-starring role in Showdown in Little Tokyo (1991). He was also in Rapid Fire (1992), and The Crow (1994). He turned down offers to be in Dragon: The Bruce Lee Story (1993).
Brandon died (while filming) at the age of 28, of what is to be believed, a brain hemorrhage on the set of The Crow (1994). The film crew shot a scene in which it was decided to use a gun without consent from the weapons coordinator, who had been sent home early that night. They handed Michael Massee the gun loaded with full power blanks and shot the scene, unaware that a bullet had become dislodged from a previous shot and had lodged itself in the barrel. Upon shooting of the scene the blank round forced the bullet out the barrel striking Brandon Lee. The crew only noticed when Lee was slow getting up. The doctors worked desperately for five hours, but it was no use. The bullet had lodged itself in Mr Lee's lower spine. He was pronounced dead at 1:04 P.M. the next day. He was supposed to marry Eliza Hutton on April 17, 1993. His body was flown to Seattle to be buried beside his father in Lake View Cemetery.- Actor
- Producer
- Soundtrack
Virile, handsome and square-jawed youthful star of the 1970s and 1980s who showed early potential at super-stardom, Jan-Michael Vincent originally made a name for himself portraying rebellious young men bucking the system, as in The Tribe (1970), White Line Fever (1975) and Baby Blue Marine (1976) or as a man of action on either side of the law, as in The Mechanic (1972), Vigilante Force (1976) and The Winds of War (1983).
He was born in July 1944 in Denver, Colorado, and was finishing a stint in the National Guard when a talent scout was struck by his all-American looks. He made his first appearance on-screen in The Hardy Boys: The Mystery of the Chinese Junk (1967), before appearing in Journey to Shiloh (1968) and in "Danger Island" on the Hanna-Barbera kids TV show The Banana Splits Adventure Hour (1968). He remained very busy during the 1970s, appearing in high-profile productions alongside such stars as John Wayne, Rock Hudson, Charles Bronson, Slim Pickens and Robert Mitchum.
In 1984, Vincent was cast as Stringfellow Hawke in the helicopter action series Airwolf (1984), co-starring Ernest Borgnine. The show wrapped after three seasons and from then on he was primarily appearing in low-budget, B-grade action and sci-fi films, including Alienator (1990), The Deadly Avenger (1992), Deadly Heroes (1993) and Lethal Orbit (1996). His last film was the woeful gang movie White Boy (2002), and ongoing health issues and personal problems seemed to preclude his return to the screen.
Vincent will be best remembered by film fans as a smirking, apprentice hit man to Charles Bronson in The Mechanic (1972), as feisty "Matt" in the superb surf movie Big Wednesday (1978) with Gary Busey and William Katt, or as rebel trucker Carol Jo Hummer battling corruption in White Line Fever (1975).- Actor
- Producer
- Additional Crew
Andy Griffith is best known for his starring roles in two very popular television series, The Andy Griffith Show (1960) and Matlock (1986). Griffith earned a degree in music from the University of North Carolina at Chapel Hill. In the 1950s, he became a regular on The Ed Sullivan Show (1948) and The Steve Allen Plymouth Show (1956). He was featured in the Broadway play "No Time for Sergeants" (1955) for which he received a Tony nomination, and he later appeared in the film version. His film debut was in the provocative and prophetic A Face in the Crowd (1957), in which Griffith gave a performance that has been described as stunning.
On The Andy Griffith Show (1960), Griffith portrayed a folksy small-town sheriff who shared simple heartfelt wisdom. The series was one of the most popular television series in history. It generated some successful spin-offs, and the original is still seen in reruns to this day. Griffith created his own production company in 1972, which produced several movies and television series. In 1981, he was nominated for an Emmy for his portrayal in Murder in Texas (1981). In 1983, Griffith was stricken with Guillain-Barre syndrome, but he recovered after rehabilitation. In 1986, he produced and starred in the very successful television series Matlock (1986). The series spawned numerous television movies as well. When he accepted the People's Choice Award for this series, he said this was his favorite role. Andy Griffith died at age 86 of a heart attack in his home in Dare County, North Carolina on July 3, 2012.- Actor
- Director
- Writer
American character actor and teacher. Born Jewel Guy in Powderly, Kentucky, on July 26, 1926, he was orphaned at three and adopted by Armen and Essa Knowland Best, who renamed him James Knowland Best and raised him in Corydon, Indiana. Following high school he worked briefly as a metalworker before joining the Army during World War II in July 1944. The majority of his service was as an MP in Wiesbaden, Germany just after the end of the war. While still in Germany, Best was transferred to Special Services and began his acting career. According to Best, he first acted in a European tour of "My Sister Eileen" directed by Arthur Penn. Upon his return to the U.S., he toured in road and stock companies in plays and musicals, and was finally spotted by a scout from Universal Pictures, who put him under contract. A handsome young man, his rural inflections perhaps kept him from frequent leading man roles. During the 1950s and '60s, he was a familiar face in movies and television in a wide range of roles, from Western bad guys to craven cowards and country bumpkins. Physical ailments curtailed his work for a long period late in his career, and he established a well-respected acting workshop in Los Angeles. He also served as artist-in-residence at the University of Mississippi, teaching and directing. He worked in both acting and producing capacities for Burt Reynolds on several of the latter's films in the late 1970s, before taking on his greatest commercial success. Although the The Dukes of Hazzard (1979) TV series was far beneath his talents, his role as Sheriff Rosco Coltrane was the part that gave him his greatest fame. He continued teaching, both in Hollywood and later in Florida (at the University of Central Florida). Semi-retired, he makes personal appearances and exhibits his paintings. James Best starred in the 2007 feature film, Moondance Alexander (2007), along with Don Johnson, Lori Loughlin, Kay Panabaker, Sasha Cohen and Whitney Sloan.- Murray Hamilton was one of those character actors whose face would be familiar to most movie buffs at an instant, yet his name may not. That's a shame, because Hamilton was one of the most versatile and prolific of performers who was never anything less than completely convincing in any role he took on, from priests to gangsters, soldiers to politicians, ordinary men to aliens. His characters would rarely fail to evoke emotion, whether that be sympathy or dislike. He particularly excelled at hard-edged, street-wise tough guys on either side of the law. His own dictum was to be always "true to the part as it is written".
Born and schooled in Washington, North Carolina, he had originally studied graphic design but had an early yearning for the acting profession. Barely out of his teens, he took a bus to Los Angeles, eventually arriving in Hollywood with just $50 to his name. He gained a foothold at Warner Brothers (his favorite studio) through the back door, as a messenger boy, earning $22 a week. He soon found work as an extra in films, but by 1945, returned to New York making his debut on Broadway as "a mill hand" in 'Strange Fruit', directed by 'Jose Ferrer (I)'.
His breakthrough came three years later, when he appeared with Henry Fonda in the long-running play 'Mister Roberts' (1948-51), first playing the role of a shore patrol officer, later taking over from David Wayne in the key part of Ensign Pulver. Over the years, Murray became quite comfortable with playing more comedic roles on stage and made good impressions as the over-zealous director Dion Kapakos in 'Critic's Choice' (1960-61), and as Otis Clifton in his Tony Award-nominated performance in 'Absence of a Cello' (1964-65), co-starring with Fred Clark and Charles Grodin. Of his enactment as Robert E. Lee Prewitt in the short-lived military drama 'Stockade' (1954), critic Brooks Atkinson remarked: "Modest of manner, pleasant of voice, he has a steel-like spirit that brings Prewitt honestly to life" (New York Times, September 17, 1986).
Murray began in films properly as a credited screen actor from 1951, alternating with guest starring roles on television (by the end of his life he had appeared in more than 100 TV shows). His expressive face and gravelly voice became an adaptable combination for playing surly gangsters (Perry Mason (1957)), authority figures with integrity (James Stewart's ill-fated colleague in The FBI Story (1959)), or without (pompous mayor Larry Vaughn in Jaws (1975)). He was particularly good as Irving Blanchard in the comedy No Time for Sergeants (1958), giving an excellent drunk impersonation; as obtuse barkeeper Al Paquette in Anatomy of a Murder (1959), the key witness to the crime who keeps mum out of misguided loyalty; cocky Kentuckian millionaire Findley who thinks he can take Fast Eddie in The Hustler (1961); and Anne Bancroft's complacent, cuckolded husband, Mr. Robinson, in The Graduate (1967), a role for which Marlon Brando was at one time considered. Of Murray's performance in the iconic 1960s film, Bosley Crowther posited that "Murray Hamilton is piercing ... a seemingly self-indulgent type who is sharply revealed as bewildered and wounded in one fine, funny scene" (New York Times, December 22, 1967).
On the small screen, he was memorable as "Mr. Death" in the 'One for the Angels' episode of Rod Serling's The Twilight Zone (1959), who is seemingly sweet-talked by salesman Lew Bookman (Ed Wynn) to remain on earth just long enough to make his big "pitch to the angels". As Lewis Dunn in the episode 'The Condemned' of The Invaders (1967), he was a very different type of visitor to earth, a sinister alien. In addition to numerous portrayals of harassed or cynical cops, he is also remembered for his recurring TV role, Captain Rutherford T. Grant, in B.J. and the Bear (1978).
Unlike other busy actors, Hamilton was not a part of the established Hollywood set, preferring to spend his life in his native North Carolina, and in Manhattan. He counted George C. Scott, Jason Robards, and Walter Matthau, among his close friends.
When the actor was suffering from the effects of cancer and found film roles harder to come by, Scott helped out by getting him a part in the made-for-television movie The Last Days of Patton (1986).
Murray Hamilton died, aged 63, in September 1986 in his native North Carolina. - Actor
- Writer
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Harry Anderson was born on 14 October 1952 in Newport, Rhode Island, USA. He was an actor and writer, known for Night Court (1984), It (1990) and Tales from the Crypt (1989). He was married to Elizabeth Morgan and Leslie Pollack. He died on 16 April 2018 in Asheville, North Carolina, USA.- Actress
- Additional Crew
- Soundtrack
Frances Bavier was born in New York City on December 14, 1902. Her first Broadway appearance was in April 1925 in "The Poor Nut," the start of a successful Broadway career. She traveled with the USO to entertain the U.S. troops in the Pacific during World War II. Her last appearance on Broadway was in the 1951 play, "Point of No Return" starring Henry Fonda. It ran for 356 performances.
Her first movie was the 1951 sci-fi classic The Day the Earth Stood Still (1951), which was also the first time Frances appeared with Olan Soule. He later went on to play Mayberry's choir director, John Masters, on the The Andy Griffith Show (1960). In the movie, they were both boarders in the rooming house where the alien stayed. She made many movies during the 50s and appeared on TV as featured characters on shows like It's a Great Life (1954) and The Eve Arden Show (1957) before what would become her most famous role, that of Aunt Bee to Andy Taylor (Andy Griffith) and Opie Taylor (Ron Howard) on The Andy Griffith Show (1960).- Actor
- Soundtrack
Bob Denver was attending college at Loyola-Marymount University, in Los Angeles, when he got into acting. At first, Denver wasn't sure he wanted to be an actor, but gradually gave in, deciding that's what he was going to do for a career. Before he became established, he worked as a mailman and teacher. He then got a screen test for the part of Maynard G. Krebs and to his surprise won the part. After four years on The Many Loves of Dobie Gillis (1959), Denver got his most famous part of Gilligan, in Gilligan's Island (1964). After Gilligan's three-year run ended he did a few other television shows (including the Gilligan wannabe Dusty's Trail (1973)) and Broadway plays. On September 2, 2005, he died of complications related to cancer treatment at Wake Forest University Baptist Hospital in North Carolina. He had most recently lived in Princeton, West Virgina. He is survived by his wife Dreama Perry Denver, and four children.- Actor
- Producer
- Soundtrack
Pat Hingle (real name: Martin Patterson Hingle) was born in Miami, Florida, the son of a building contractor. His parents divorced when Hingle was still in his infancy (he never knew his father) and his mother supported the family by teaching school in Denver. She then began to travel (with her son in tow) in search of more lucrative work; by age 13 Hingle had lived in a dozen cities. The future Tony Award nominee made his "acting debut" in the third grade, playing a carrot in a school play ("At that time it didn't seem like much of a way to make a living!", he recalled). Hingle attended high school in Texas and in 1941 entered the University of Texas, majoring in advertising. After serving in the Navy during WW II, he went back to the university and got involved with the drama department as a way to meet girls. With his wife Alyce (whom he first met at the university), Hingle moved to New York and began to get jobs on the stage and on TV. The apex of his stage career was "J.B." by poet Archibald Macleish, with Hingle in the title role as a 20th-century Job. It was during the run of "J.B." that Hingle took an accidental plunge down the elevator shaft of his New York apartment building, sustaining near-fatal injuries in the 54-foot fall. He was near death for two weeks (and lost the little finger of his left hand); his recovery took more than a year. In more recent years, Hingle has played Commissioner Gordon in the "Batman" movies.
Just prior to his death, he resided in Carolina Beach, North Carolina, with his wife, Julia.- Actress
- Writer
Actress Collin Wilcox extended her given name twice over the duration of her professional acting career -- billing herself as Collin Wilcox-Horne and Collin Wilcox Paxton, to be exact. She was born in Cincinnati, Ohio and raised in Highlands, North Carolina, and her interest in theater was sparked by her parents, Jack H. and Virginia Wilcox, who founded the Highlands Community Theatre (now known as the Highlands Playhouse) in 1939. She made her acting debut there as a young girl and appeared in various productions, including "Our Town". In later years, Collin would dutifully return from time to time and perform at her theater alma mater in appreciation.
She attended high school in Knoxville, Tennessee and became the resident ingénue at the regional Carousel Theatre. She majored in drama at the University of Tennessee and studied performing at the Goodman School of Drama in Chicago, Illinois, as well as improv at The Compass (a forerunner of the Second City troupe) where Paul Sills was the director. There, she worked alongside up-and-coming talents Mike Nichols, Elaine May, Barbara Harris, Severn Darden and Shelley Berman. She eventually migrated to New York in 1957 and earned membership with Lee Strasberg's Actor's Studio, who saw great potential in her. She worked there for eight years.
Collins' Broadway debut came a year later with "The Day the Money Stopped", starring Richard Basehart and Mildred Natwick, which earned her the Clarence Derwent Award for "Best Supporting Actress". Slowly garnering notice for her growing quirks and interesting, edgy performances, Collin went on to work with the crème de la crème of Broadway eccentrics including Tallulah Bankhead in "Crazy October", Geraldine Page in "Strange Interlude" and Ruth Gordon in "La Bonne Soup". Neurotic Southern plays such as Tennessee Williams off-Broadway productions of "Camino Real" and "Suddenly, Last Summer" fit her like a glove. In Los Angeles, she appeared in "The Sea Gull" under the direction of John Houseman, "Period of Adjustment" with William Windom and "Getting Out" with Susan Clark. Williams, himself, chose Collin to repeat her leading role as "Isabel" in "Period of Adjustment", when the play went to London.
Collin's film debut came with her brilliant, award-worthy role as young "Mayella", whose Southern white trash teenager, under the duress of her racist father, falsely accuses black man Brock Peters of rape in To Kill a Mockingbird (1962). Her cross-examination courtroom sequence with Peters' hired attorney, Gregory Peck, is unforgettable. No other film role would have the same impact as that once-in-a-lifetime part. Prior to this, "Mockingbird" director Robert Mulligan personally selected the classically-trained Collin as his TV "Frankie" in a strong presentation of The Member of the Wedding (1958). It was her first television role. For such a strong start, her later film career would prove strangely erratic, with a number of offbeat roles in The Baby Maker (1970), arguably her best post-Mockingbird part, opposite Barbara Hershey and Sam Groom, Catch-22 (1970), September 30, 1955 (1977), Jaws 2 (1978), Marie (1985), The Journey of August King (1995) and Midnight in the Garden of Good and Evil (1997), among them.
While Collin graced a number of quality TV programs, such as the mini-movies The Autobiography of Miss Jane Pittman (1974), Foxfire (1987) and Wildflower (1991) along with such established series as Gunsmoke (1955), The Twilight Zone (1959), The Fugitive (1963) and The Waltons (1972), it was the live stage that kept her fiery passion for acting alive. In the late seventies, she returned to her hometown, met and married third husband Scott Paxton, and founded the multi-arts center, "The Highlands Studio for the Arts", in 1981. She served as its artistic director for nine years as well as its resident playwright and improv teacher. She and her husband (who has been president of the Board of Directors) formed a troupe called "The Instant Theatre Company" (ITC) which reaffirmed her family's name in the commitment to its town's local theater. The company lasted for close to a decade before resurrecting again in 2003 with Collin and Rex Reed performing in a presentation of "Love Letters".
Married three times, she has two children, Kimberley and William, from her former husband, British actor Geoffrey Horne, and one child, Michael, from the marriage to Scott Paxton. She died of brain cancer at her North Carolina home in Highlands on October 14, 2009. She was 74.- Actor
- Additional Crew
- Soundtrack
In the late 1960s, Henry Darrow was THE ultimate Latin heartthrob on television. With a smooth, ingratiating style and a killer smile that brightened up the small screen, he also hit a cultural acting landmark as the first Hispanic actor to portray Zorro on television.
He was born Enrique Tomás Delgado in New York City, on September 15, 1933, the first son of Puerto Rican parents Enrique St. and Gloria Delgado. He made his debut at age 8 in a school play, which piqued his interest. The father moved his family (which included younger brother Dennis) back to his homeland out of prospective business concerns. While there Henry was elected president of his class at high school and attended the University of Rio Piedras as a political science and theater major. His fluency in two languages helped earn him supplementary income as an interpreter.
Henry returned to the United States on scholarships received from the Little Theater of Puerto Rico and the University of Puerto Rico, and eventually received his Bachelor of Arts degree. He initially trained at the Pasadena Playhouse (1954), in the Los Angeles area, where he met and later married first wife, Lucy, an aspiring actress. They went on to have two children, Denise (Dee-Dee) and Tom. He began seeking employment in movies and television, making his big screen debut unbilled in the light comedy Holiday for Lovers (1959).
However, Henry found steadier work on television and appeared in a number rugged series, primarily westerns, including Wagon Train (1957), Voyage to the Bottom of the Sea (1964), Bonanza (1959), Gunsmoke (1955) and Daniel Boone (1964). On stage, he continued to hone his craft in such plays as "The Alchemist" (1963) and "Dark of the Moon" (1966). While appearing in the 1965 stage production of "The Wonderful Ice Cream Suit" at the Coronet Theatre in Los Angeles, the by-now television veteran was spotted by producer David Dortort. Dortort later remembered Henry (who was then going by the name Henry Delgado) and thought him perfect for his upcoming western series The High Chaparral (1967).
Billed now as Henry Darrow, the actor stole women's hearts and much of the proceedings as the roguish ladies' man Manolito Montoya, who would rather make love than war. He reached his television peak in the western program, which also starred Leif Erickson, Cameron Mitchell and Linda Cristal, who played his sister. The series ran for four seasons.
Following this peak, Henry went on to earn a daytime Emmy for his role on Santa Barbara (1984) after joining the cast in 1989. Although he never found a strong footing in movies, his better supporting work has been seen in Badge 373 (1973) and Walk Proud (1979). television movies have included Night Games (1974), Aloha Means Goodbye (1974), Centennial (1978) and Attica (1980). As for his enduring relationship with the famous Zorro character, Darrow was not only the first Latino Zorro on television, but also provided the title voice for two 1980s animated series. In the early 1990s, Henry replaced Efrem Zimbalist Jr. as Zorro's father in yet another cable reincarnation of the series. This series was shot in Spain.
Henry continued to perform on the stage with opportunities ranging from the role Iago in "Othello" to a (still-running) one-man show entitled "That Certain Cervantes", which made its premiere in 2001. A founder of "Nosotros", an organization that gears Hispanic actors toward non-stereotyped roles, Darrow was the inaugural winner of the Ricardo Montalban/Nosotros Award for his contributions to improving the image of Latinos.
Millennium credits included elderly roles in the movies Runaway Jury (2003), Angels with Angles (2005), Primo (2008) and Soda Springs (2012). On television, Henry enjoyed a recurring role on The Bold and the Beautiful (1987) in 2001, while also guest starring on such series as Family Law (1999), The Lot (1999), Diagnosis Murder (1993), The Brothers Garcia (2000), Just Shoot Me! (1997) and One Tree Hill (2003).
In 1972, Darrow co-founded the Screen Actors Guild Ethnic Minority Committee with actors Ricardo Montalban, Carmen Zapata and Edith Diaz. Until his death on March 14, 2021, he resided in Wilmington, North Carolina with his second wife of many years, Lauren Levinson (aka Lauren Levian). She is an actress/screenwriter/producer who guest starred on her husband's "Zorro" series.- Actor
- Special Effects
- Producer
Ed Nelson was aiming for a career in the legal profession until he caught the acting bug during his second year of college. In 1952, he headed off to New York City, where he studied direction and production at the School of Radio Technique. He returned to his native New Orleans where he worked as an assistant director at WDSU-TV; he also narrated (and sometimes wrote) episodes of the New Orleans-made TV series N.O.P.D. (1955) with Stacy Harris. Nelson made the acquaintance of Roger Corman when the maverick movie-maker came to Louisiana to shoot the feature Swamp Women (1956); Nelson says he did "everything" on the picture, from playing a part and working as a location manager to wrestling an alligator(!). Nelson worked in many other Corman movies on Corman's Hollywood home turf, including Attack of the Crab Monsters (1957), where Nelson played the crab. In later years, Nelson became one of TV's hottest stars via the nighttime soap opera Peyton Place (1964).- Actress
- Soundtrack
Elizabeth MacRae was born in Columbia, South Carolina, and grew up in Fayetteville, North Carolina. She went to the Holton Arms School in Washington, D.C. and later moved to New York City to study acting with Uta Hagen at the Herbert Berghof Studio and the Art Student's League.
Ms. MacRae started acting in movies and TV shows in the mid-1960s. Some of her film roles include parts in For Love or Money (1963), The Incredible Mr. Limpet (1964), Everything's Ducky (1961), and Francis Ford Coppola's The Conversation (1974). On TV, she played Gomer Pyle's girlfriend in a show called Gomer Pyle: USMC (1964) and Festus's girlfriend on Gunsmoke (1955) for three years.
She also appeared as a guest or co-star in over 50 TV series, including Barnaby Jones (1973), Kojak (1973), Mannix (1967), The Fugitive (1963), Dr. Kildare (1961), and many others. The Holton Arms School in Washington, D.C. has scripts and audiovisual material documenting her career.- Actress
- Soundtrack
Stylish, slender-framed, raven-haired Daliah Lavi was made for alluring, exotic types and princess roles with her mesmerizing beauty, chiseled cheek bones and long, flowing mane. The Israeli actress first became a star in Europe before making a dent in Hollywood as part of a wave of knockout foreign star imports that flooded Hollywood during the mid 1960s -- Claudia Cardinale, Julie Christie, Jeanne Moreau, Liv Ullmann, Melina Mercouri, Ursula Andress, Jacqueline Bisset, Romy Schneider, Elke Sommer, Senta Berger, Rosanna Schiaffino, Geneviève Bujold, Capucine, Shirley Eaton, Sylva Koscina, Barbara Bouchet, Susannah York, Rita Tushingham, Monica Vitti, Vanessa Redgrave and her sister Lynn Redgrave, and Catherine Deneuve and her sister Françoise Dorléac. Like most of the others, Daliah was to be viewed as a viable sex symbol contender. In her case, she found decorative, second-tier notice via tongue-in-cheek spy spoofs, crime mysteries, erotic thrillers and rugged adventures. In retrospect, she may have fallen short of the illustrious Hollywood pedestal, but she did create a fine, if brief, stir.
She was born Daliah Levenbuch in the Moshav Shavey Zion, in the British Mandate of Palestine on October 12, 1942. The daughter of Reuben and Ruth Lewinbuk (or Levenbuch), who were of German-Jewish and Polish-Jewish descent, she was sent as a child to Stockholm, Sweden in the early 1950s to train in dance. She made her first film there at age 13 in the drama Hemsöborna (1955) playing the daughter of a professor. Her start in films was interrupted when she returned to Israeli following her father's death and joined the Israeli Army.
Following this period, she returned to acting and, being fluent in many European languages, began to figure in prominently with a host of French, Italian, German and English productions, often as a co-star. Such early films include a starring role in the German/Israeli co-production Brennender Sand (1960); the classic Voltaire comedy Candide or The Optimism in the 20th Century (1960) co-starring as Cunegonde alongside Jean-Pierre Cassel in the title role; and the Martine Carol drama Un soir sur la plage (1961). She continued to build up a strong European film reputation with the war drama No Time for Ecstasy (1961) co-starring Peter van Eyck; the mystery crime The Return of Dr. Mabuse (1961) starring Gert Fröbe and post-Tarzan Lex Barker; and made her American movie debut (earning a Golden Globe "Newcomer" Award in the process) as the second femme lead in the Kirk Douglas starer Two Weeks in Another Town (1962), directed by Vincente Minnelli.
Daliah gained considerable ground enhancing and beautifying such foreign movie product as the ensemble French crime mystery Le jeu de la vérité (1961) (aka The Game of Truth); the German comedy satire Das schwarz-weiß-rote Himmelbett (1962); the title role of a sultry peasant girl accused of being a witch in the Italian/French co-production Il demonio (1963) (aka The Demon); the European western action film Old Shatterhand (1964) starring U.S. imports Lex Barker and Guy Madison; the continental costumed adventure Cyrano et d'Artagnan (1964) starring José Ferrer and Jean-Pierre Cassel as Cyrano and D'Artagnan; the German comedy thriller They're Too Much (1965) starring Curd Jürgens, and the one of the ensemble suspects in the internationally cast whodunit Ten Little Indians (1965).
The actress hit her height of international popularity with four popular English/US-based films: as "The Girl" in the epic adventure Lord Jim (1965) starring Peter O'Toole and James Mason; as Princess Natasha in the spy comedy The Spy with a Cold Nose (1966) opposite Laurence Harvey; an alluring double agent in the first Matt Helm entry The Silencers (1966) starring Dean Martin; and as a sexy enemy weapon in the phantasmagorical Bondian spoof Casino Royale (1967), starring Peter Sellers and an all-star international cast. The last-mentioned film, in particular, had American male audiences taking major notice.
Decked out in tight mini-skirts, thigh-high go-go boots and a helmet of black hair, Daliah fit in perfectly with the times, a swinging, gorgeous chick of the psychedelic 60s. She quickly lost momentum, however, cast in such overlooked films as Those Fantastic Flying Fools (1967), The High Commissioner (1968) and Some Girls Do (1969). Her final film would be in the western comedy Catlow (1971) starring Yul Brynner.
In the 1970s Daliah pursued a singing career in Germany after being discovered by record producer Jimmy Bowien. A popular draw, she had a few hit songs and covered many international songwriters and artists. She was also glimpsed again on German television in the 90s for a brief spell. Daliah died on May 3, 2017, in North Carolina. Her fourth husband of 40 years, Charles Gans, survived her, along with four children, including her son Alex Gans who follow in her footsteps in film as a film editor, producer and director.- Actress
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Missouri born-and-bred Betty Ann Lynn was born in Kansas City. Her name is as light, breezy and innocent as the characters she played on film and TV. She is pleasantly remembered for playing TV's sweet-as-apple-pie "Thelma Lou," who had the tough end of the bargain as the ever-patient girlfriend of Don Knotts's neurotic "Barney Fife" character on The Andy Griffith Show (1960). It took a second reunion decades later to finally get those two characters married. While Betty enjoyed other entertainment outlets such as film and the stage, it is her "Thelma Lou" character that remains indelibly etched in the minds of all her fans.
Betty came from a musical background as the daughter of a singer and began her career as a young teen performing in both supper clubs and on Broadway; in such musical productions as "Walk with Music" (1940) and "Oklahoma!," the latter as a dancing replacement. She even entertained the troops with her light soprano at USO tent shows towards the end of World War II. In the late 1940s, after being "discovered" in the short-lived Broadway production of "Park Avenue," the fresh-faced Betty was signed on as a starlet for Twentieth Century Fox and appeared in several of their popular movies, billed herself briefly as "Betty Ann Lynn" before abruptly dropping her middle name from the credits.
Betty made her movie debut in a small, sprightly role in the classic Clifton Webb comedy Sitting Pretty (1948). After another minor part in Apartment for Peggy (1948), she earned a featured part playing kid sister to Barbara Bates in June Bride (1948) starring Bette Davis and Robert Montgomery. She continued the momentum, all in a same airy vein, as the bobby-soxer daughter of stars Loretta Young in Mother Is a Freshman (1949) and Fred MacMurray and Maureen O'Hara in Father Was a Fullback (1949). After appearing again in pictures starring Clifton Webb and Bette Davis (Cheaper by the Dozen (1950) and Payment on Demand (1951), respectively), her blossoming film career lost major ground. Betty instead focused on 50s TV and also returned to the stage with a production of "The Moon Is Blue" (1954). She still appeared occasionally on the larger screen but, for the most part, was either unbilled or the pictures themselves were obscure. While on hiatus from the Disney series, "Texas John Slaughter" (1959), Betty tested and won the recurring role of Deputy Barney Fife's steady girl on Andy Griffith's homespun series. She became part of the small-town ensemble for five seasons -- until Knotts officially left the series to try out, full-time, in motion pictures. The producers were thinking of keeping her on the show but Betty felt her role was incomplete, without her connection to Don Knotts, after Barney Fife left.
TV work continued, never straying far from her wholesome image, with recurring roles on Family Affair (1966) and My Three Sons (1960) and guest parts on The Farmer's Daughter (1963), The Smith Family (1971) and Little House on the Prairie (1974). After a 1978 part on an episode of Barnaby Jones (1973), little was seen of her until she rejoined the Mayberry cast for a reunion in the TV movie Return to Mayberry (1986). In the same year, Andy Griffith hired her to play his secretary in a handful of episodes for his Matlock (1986) series. Betty's last acting role on TV occurred in 1990 and, save for a stage appearance in "Love Letters" in 2002 opposite another former Mayberry resident Howard Morris, she officially left acting.
Residing in the same West Hollywood home since 1950, she moved out of state to Mount Airy, North Carolina - the primary real-life inspiration for the fictional Mayberry. The never-married former actress lived in a retirement community there till her death on October 16, 2021 at the age of 95.- Actor
- Director
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Ivan Dixon was a handsome, mustachioed African-American actor and director who carried a strong, serious nature about his solid frame. He initially earned attention in groundbreaking stage and film work with pronounced themes of social and racial relevance. He would become better known, however, for his ensemble playing in the nonsensical but popular WWII sitcom Hogan's Heroes (1965). His character was a POW radio technician with the last name of Kinchloe, and the role, while heightening his visibility, did little to satisfy his creative needs. Overshadowed by the flashier posturings of stars Bob Crane, Werner Klemperer and John Banner, Ivan eventually left the series after season five (of six), the only one of the original cast to do so. He was among the few African-American male actors in the 1960s, along with Bill Cosby and Greg Morris, to either star or co-star on a major TV series.
Born Ivan Nathaniel Dixon III on Monday, April 6, 1931, in New York's Harlem area, where his parents originally owned a grocery store, Ivan grew up in the South and as a youngster was headed towards a life of crime before he took a keen interest in acting. This helped him to get back on the straight and narrow, studying dramatics at Lincoln Academy, a black boarding school in Gaston County, North Carolina. He then graduated from North Carolina Central University (in Durham) with a degree in drama in 1954.
Ivan's Broadway debut occurred three years later in William Saroyan's "The Cave Dwellers", and in 1959 his career took a significant jump after earning the role of Joseph Asagai, the well-mannered Nigerian-born college student, in Lorraine Hansberry's landmark drama "A Raisin in the Sun". Starring Sidney Poitier, it was the first play written by a black woman that was produced on Broadway. He and Poitier became lifelong friends, and Ivan's early film career included providing stunt double assistance for Poitier in The Defiant Ones (1958).
Following minor film parts in the racially tinged Something of Value (1957) and Porgy and Bess (1959) (both of which starred Poitier), he and Poitier recreated their respective Broadway roles in the film version of A Raisin in the Sun (1961), which drew high marks all round. Ivan's most mesmerizing film role, however, came a few years later when he and renowned jazz singer Abbey Lincoln starred in the contemporary film drama Nothing But a Man (1964). Starring as a young, aimless railroad worker who gives up his job to marry a schoolteacher and minister's daughter (Lincoln), Ivan's character matures as he strives to build a noble, dignified life for the couple, who are living in the deeply prejudiced South. The film was hailed for its extraordinarily powerful portrayals of black characters and its stark, uncompromising script. The film, which was written by two white documentary filmmakers who spent time in the Deep South in the 1960s, was considered far ahead of its time. Dixon himself never found a comparable role in film again. During this time, he was cast in several TV dramas, with fine roles on "Perry Mason," "The Twilight Zone," "Laramie", "The Outer Limits" and several other series.
Following another strong but secondary showing as Poitier's brother in the film A Patch of Blue (1965), Dixon won the role of Kinchloe on Hogan's Heroes (1965). While shooting the series, he managed to squeeze in the title role in "The Final War of Olly Winter," a dramatic special that earned him his sole Emmy nomination in 1967. After he decided to leave Hogan's Heroes (1965) after five seasons, his acting work was limited. Active in the civil rights movement (he served as a president of Negro Actors for Action), he steadfastly refused to play roles that he felt were stereotypical. Instead, he segued into directing and was a noted success, helping hundreds of television productions during the '70s and '80s, including "Nichols," "The Waltons," "The Greatest American Hero," "The Rockford Files," "Magnum, P.I.," "Quincy" and "In the Heat of the Night."
Ivan also managed to direct films, including Trouble Man (1972) and the controversial crime drama The Spook Who Sat by the Door (1973), the story of the first black officer in the Central Intelligence Agency, who turns revolutionary. This blaxploitation-era movie did not do well upon initial release (the film's title being highly questionable) and was quickly pulled from theaters. It subsequently gained cult status.
Throughout his career, Ivan actively worked for better roles for himself and other black actors. Among the honors he received were four NAACP Image Awards, the National Black Theatre Award, and the Paul Robeson Pioneer Award from the Black American Cinema Society.
In his final years, Ivan battled kidney disease and died of a brain hemorrhage at age 76 in Charlotte, North Carolina. He was survived by his wife of 58 years, Berlie Ray, whom he met while both were college theater students. Two of their four children, Ivan Nathaniel IV and N'Gai Christopher, predeceased him. His surviving children are Doris Nomathande Dixon and Alan Kimara; Doris has been a documentary filmmaker and was a one-time production assistant on the film Boyz n the Hood (1991). The complete life span of Ivan Dixon--April 6th, 1931, to Sunday, March 16, 2008--totaled 28,097 days, or 4,013 weeks and 6 days.- Actor
- Soundtrack
Wolfman Jack was born on 21 January 1938 in Brooklyn, New York City, New York, USA. He was an actor, known for American Graffiti (1973), Sgt. Pepper's Lonely Hearts Club Band (1978) and Motel Hell (1980). He was married to Lucy Lamb. He died on 1 July 1995 in Belvidere, North Carolina, USA.- Actor
- Soundtrack
Jackie 'Butch' Jenkins was born on 29 August 1937 in Los Angeles, California, USA. He was an actor, known for National Velvet (1944), Boys' Ranch (1946) and Summer Holiday (1948). He was married to Glenda Larue Birmingham. He died on 14 August 2001 in Asheville, North Carolina, USA.- Actor
- Producer
Herbert 'Cowboy' Coward was born on 21 August 1938 in Haywood County, North Carolina, USA. He was an actor and producer, known for Deliverance (1972), Ghost Town: The Movie (2007) and Hillbilly Blood (2013). He was married to Dorothy Eileen Ledford. He died on 24 January 2024 in Haywood County, North Carolina, USA.- Actress
- Soundtrack
After graduating with two degrees (arts and music) from Mather College (Western Reserve) in Cleveland, Ohio, in 1935, Janis headed to New York with aspirations of embarking on a musical career in opera. Supporting herself by waitressing, singing in churches, modeling (Conover) and writing radio scripts, she won an audition with the Met. However, a case of nerves assured her failure and an end to that ambition. Landing on her feet, she got a part in the Broadway musical I Married An Angel. DuBarry Was A Lady soon followed and then Panama Hattie, in which she had a solo number. Darryl Zanuck of 20th Century-Fox attended the opening night and was impressed enough with Janis to offer her a contract. She arrived in Hollywood in February 1941 and stayed for 12 years, making more than 30 movies for 20th Century-Fox, MGM, Columbia, and RKO. After leaving Hollywood for good, Janis headed back to New York and began a career working in television. She acted in numerous shows, both drama and comedy, and in 1954 became the hostess of the NBC quiz show Feather Your Nest, working with Bud Collyer. In 1956, Janis married Julius Stulman and retired from show business. With the same enthusiasm she had shown in other areas of her life, she involved herself in cultural activities of her community, serving in various capacities throughout the years, primarily in Sarasota, Florida.- Texas-born Helen Vinson was born Helen Rulfs in Beaumont on September 17, 1907, the daughter of an oil company exec.. The family eventually settled in Houston, where her inflamed passion for acting was first ignited. While in her teens she married Harry N. Vickerman, a man fifteen years her senior who came from a well-to-do Philadelphia family. Although she was not accepted into the drama department of the University of Texas. She persevered by earning parts in local theater productions. She eventually made her Broadway debut in a walk-on role in a production entitled "Los Angeles" (1927). The stock market crash of 1929 ruined her husband's business and the stress and anguish precipitated divorce proceedings after only five years. Helen gained further notice on Broadway in "Berlin" starring Sydney Greenstreet and "The Fatal Alibi" (1932) with Charles Laughton. During this time she was also noticed by Warner Brothers talent scouts who ushered the svelte blonde straight to Hollywood.
A chic, elegant beauty with a tinge of a Southern drawl, she played both lead and support roles in pre-Code films. Making a strong impression trading insults as the aloof "other woman." Often unsympathetic, self-involved and frequently bitchy and backstabbing. She was not above using her feminine wiles to get her way. She played Kay Francis' epicurean friend in the mild comedy Jewel Robbery (1932), and stood between Loretta Young and David Manners happiness as his wealthy fiance in the soap-styled drama They Call It Sin (1932). In the classic I Am a Fugitive from a Chain Gang (1932), she had a rather bland "nice girl" role as the stylish woman Paul Muni leaves Glenda Farrell for. Appearing opposite a number of diminutive male stars such as Muni, Edward G. Robinson, James Cagney and George Raft, whom she danced with in Midnight Club (1933), the almost 5'7" actress was not too popular with the so-called vertically-challenged leading men at Warners and was quickly released from her contract.
Earlier (in 1931) she had earned major Broadway notice as the female lead in the fantasy "Death Takes a Holiday" playing a woman who literally faces Death (played by Philip Merivale). Both she and Merivale missed out on recreating their roles in the 1934 film version when the parts instead went to Fredric March and Evelyn Venable. More film work came Helen's way alongside some of Hollywood's most popular and virile leading men. She played Warner Baxter's castoff wife in Frank Capra's Broadway Bill (1934) and Gary Cooper's problematic mate in The Wedding Night (1935). She appeared with Charles Boyer in Private Worlds (1935); Humphrey Bogart in Two Against the World (1936); James Cagney in Torrid Zone (1940) and even lightened it up a little bit in the Bob Hope/Paulette Goddard comedy Nothing But the Truth (1941). One of Helen's best known film roles, however, came with the plush drama In Name Only (1939) starring Cary Grant and Carole Lombard. In this vintage soaper, Vinson plays a close confidante to the highly manipulative and rancorous Kay Francis, who is married to Grant, who has in turn fallen in love with good-hearted Lombard.
When Helen married the British Wimbledon tennis champion Fred Perry, in 1935. She moved to England for a time. While there she made the films Transatlantic Tunnel (1935), King of the Damned (1935) and Love in Exile (1936), which resulted in little fanfare. They relocated to Los Angeles a couple years later so she could find more work. Perry also hoped he could parlay his sports fame into a movie career. Their highly publicized marriage was short-lived, however. Lasting only five years. After marrying her third husband, stockbroker Donald Hardenbrook, in 1945. Helen gave up her career completely according to the wishes of her husband. The couple remained together until his death in 1976. She had no children from her three marriages. After her retirement, she found varied interests including interior design. For the remainder of her life. She divided home life between Chapel Hill, North Carolina and Nantucket Island, Massachusetts. Helen passed away in Chapel Hill in 1999 of natural causes at the age of 92. - A former model, the luminously beautiful Dorothy Hart was signed to a contract by Universal Pictures after having made only one film, Columbia's Gunfighters (1947). After that she did westerns, costume dramas, prison sagas, Tarzan movies, and the cult classic I Was a Communist for the F.B.I. (1951). However, she soon left the film business in 1952, moved to New York and did occasional guest spots on TV dramas and game shows. She was very active in working through the United Nations for the world's children.
- Actor
- Camera and Electrical Department
Captain Kidd Brewer Jr. was born on 27 August 1948 in Raleigh, North Carolina, USA. He was an actor, known for The Abyss (1989), Piranha II: The Spawning (1982) and Under Pressure: Making 'the Abyss' (1993). He died on 22 May 1990 in Raleigh, North Carolina, USA.- Actor
- Soundtrack
Tab Thacker was born on 10 March 1962 in North Carolina, USA. He was an actor, known for Police Academy 4: Citizens on Patrol (1987), Police Academy 5: Assignment: Miami Beach (1988) and Wildcats (1986). He was married to Sharon. He died on 28 December 2007 in Raleigh, North Carolina, USA.- Actor
- Transportation Department
- Second Unit Director or Assistant Director
"Got a smoke?" Darwin Joston secured himself a permanent place in cult movie history with that particular laconically witty line as laid-back Death Row-bound convict Napoleon Wilson in John Carpenter's outstanding urban action thriller classic Assault on Precinct 13 (1976). Wilson was undoubtedly Joston's best role, and he played it with exceptional skill: mellow, low-key and disarmingly casual with a cool sense of dry ironic humor and a wickedly funny way with a sardonic wisecrack. Joston's terrific portrayal of the acidic and fatalistic Wilson should have led to bigger and better things. Alas, it did not.
He was born as Francis Darwin Solomon on December 9, 1937, in Winston-Salem, North Carolina. His parents were Mary Elizabeth Smith and Buford Odell Solomon. Joston attended Glenn High School in Kernersville, North Carolina, where he was considered a talented athlete. Following graduation from the University of North Carolina at Chapel Hill in 1960, Darwin moved to New York and began acting in stage plays and summer stock productions for about five years in the early to mid 1960s. He then moved to Los Angeles to continue his acting career.
Compared to his substantial starring role in "Assault on Precinct 13," most of Joston's other film parts were relatively small: he's an ill-fated soldier in the dreadful killer snake dud Rattlers (1976), a beleaguered pencil-factory clerk in Eraserhead (1977), a drunken truck driver in Coast to Coast (1980), a coroner in the splendidly spooky The Fog (1980) and a typically relaxed FBI agent in the entertainingly crummy science-fiction/horror hoot Time Walker (1982) (Joston was reunited with his fellow "Assault on Precinct 13" cast member Austin Stoker in this latter picture).
Joston also did guest spots on such TV shows as ALF (1986), Hill Street Blues (1981), Remington Steele (1982), Spenser: For Hire (1985), The Rookies (1972), McCloud (1970), Circle of Fear (1972), Ironside (1967), The Rat Patrol (1966), Lassie (1954) (in which he had a recurring role) and The Virginian (1962). In addition to his acting credits, Joston worked behind-the-scenes as either a driver or a transportation captain on such features as The American President (1995), Wild at Heart (1990), La Bamba (1987), Back to the Beach (1987), The Ladies Club (1985), Down and Out in Beverly Hills (1986) and The Buddy Holly Story (1978).
Darwin Joston died of leukemia on June 1, 1998. Although he's no longer with us, Joston nonetheless will forever live on in our hearts and memories as the supremely amiable, if notorious, killer criminal Napoleon Wilson. "Anybody got a smoke?"