Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 4,433
- Tatiana Samoilova (Tatyana Samojlova) is a Russian film actress known for the leading roles in The Cranes Are Flying (1957) and Anna Karenina (1967).
She was born Tatiana Evgenievna Samoilova on May 4, 1934, in Leningrad (St. Petersburg), Russia. Her father, Evgeniy Samoylov, was a notable Russian actor, Her mother, Zinaida Ilyinichna, was Jewish. Young Samojlova studied music under the tutelage of her mother. During the Second World War, she escaped from the siege of Leningrad with her parents, and moved to Moscow. There she studied ballet and graduated from the Ballet School of Stanislavsky Theatre. She was invited by Maya Plisetskaya to join the ballet school of Bolshoi Theatre, but she chose to be a dramatic actress. From 1953-1956 she studied at Shchukin Theatrical School, then at State Institute of Theatrical Art (GITIS), graduating in 1962, as actress. While a student, Samojlova made her film debut in Meksikanets (1955).
Samojlova shot to fame with the leading role as Veronika in Letyat Zhuravli (The Cranes are Flying 1957) by director Mikhail Kalatozov. In spite of the initial cold reception by the Soviet officialdom, the film was loved by public in Russia and internationally. It became the first and only Russian film to be awarded the Golden Palm at the Cannes Film Festival in 1958. Samojlova won a Special Mention at Cannes and was nominated for Best Foreign Actress BAFTA Film Award in 1959. She received many offers internationally, and was invited to work in Hollywood, but the Soviet government forced her to decline any jobs outside the Soviet Union.
During the 60s, her career stagnated due to overall stagnation in the USSR under Leonid Brezhnev. In 1960 Samojlova lost her job with Mayakovsky Theatre in Moscow, and was practically unemployed for several years. Her next success came with the title role in Anna Karenina (1967), an adaptation of the eponymous novel by Lev Tolstoy by director Aleksandr Zarkhi. Samojlova starred as Anna Karenina opposite her ex-husband Vasiliy Lanovoy.
During the 80s and 90s, Tatiana Samojlova had a lengthy pause in her film career. She made a comeback in several TV series in the 2000s. She was married four times, and has one son. Samojlova was designated People's Actress of Russia (1993). She is living in Moscow, Russia. - Anastasiya Zavorotnyuk was born on 3 April 1971 in Astrakhan, Astrakhanskaya oblast, RSFSR, USSR [now Russia]. She was an actress, known for Moya prekrasnaya nyanya (2004), Kod apokalipsisa (2007) and Proklyatie spyaschikh (2018). She was married to Pyotr Chernyshyov, Dmitriy Stryukov and Olaf Schwarzkopf. She died on 29 May 2024 in Moscow, Russia.
- Director
- Actor
- Writer
Elem Klimov was born on 9 July 1933 in Stalingrad, Nizhne-Volzhskiy kray, RSFSR, USSR [now Volgograd, Volgogradskaya oblast, Russia]. He was a director and actor, known for Come and See (1985), Rasputin (1981) and Pokhozhdeniya zubnogo vracha (1965). He was married to Larisa Shepitko. He died on 26 October 2003 in Moscow, Russia.- The famous Russian actor was discovered by Andrei Tarkovsky. He was looking for an actor to play the part of Andrei Rublev for his second full-length film and accidentally found the completely unknown Solonitsyn in Chelyabinsk. He worked there as an amateur actor. After Andrei Rublev, he played main parts in many of Russia's best movies.
- Actor
- Writer
- Director
Sergei Bondarchuk was one of the most important Russian filmmakers, best known for directing an Academy Award-winning film epic War and Peace (1965), based on the book by Lev Tolstoy, in which he also starred as Pierre Bezukhov.
He was born Sergei Fedorovich Bondarchuk on September, 25, 1920, in the village of Belozerka, Kherson province, Ukraine, Russian Federation (now Belozerka, Ukraine). He was brought up in Southern Ukraine, then in Azov and Taganrog, Southern Russia. Young Bondarchuk was fond of theatre and books by such authors as Anton Chekhov and Lev Tolstoy. He made his stage debut in 1937, on the stage of the Chekhov Drama Theatre in the city of Taganrog, then studied acting at Rostov Theatrical School. In 1942 his studies were interrupted by the Nazi invasion during WWII. Bondarchuk was recruited in the Red Army and served for four years until he was discharged in 1946. From 1946 - 1948 he attended the State Institute of Cinematography in Moscow (VGIK), graduating as an actor from the class of Sergey Gerasimov. In 1948 he made his film debut in Povest o nastoyashchem cheloveke (1948) then co-starred in The Young Guard (1948).
For his portrayal of the title character in Taras Shevchenko (1951) he was awarded the State Stalin's Prize of the USSR, and was designated People's Artist of the USSR, becoming the youngest actor ever to receive such honor. Then he starred in the internationally renowned adaptation of the Shakespeare's Othello (1956), in the title role opposite Irina Skobtseva as Desdemona. Bondarchuk expressed his own experience as a soldier of WWII when he starred in The Destiny of a Man (1959), a war drama based on the eponymous story by Mikhail Sholokhov, which was also Bondarchuk's directorial debut that earned him the prestigious Lenin's Prize of the USSR in 1960.
Bondarchuk shot to international fame with War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy. The 7-hour-long film epic won the 1969 Academy Award for Best Foreign Language Film, and brought Bondarchuk a reputation of one of the finest directors of his generation. The most expensive project in film history, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (over $800,000,000 adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the 3rd two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed. Bondarchuk also made history by introducing several remote-controlled cameras that were moving on 300 meter long wires above the scene of the battlefield. Having earned international acclaim for War and Peace (1965), he starred in the epic The Battle of Neretva (1969) with fellow Russian, Yul Brynner, and Orson Welles, whom he would direct the following year.
By the late 1960s Bondarchuk was one of the most awarded actor and director in the Soviet Union. However, he was still not a member of the Soviet Communist Party, a fact that brought attention from the Soviet leadership under Leonid Brezhnev. Soon Bondarchuk received an official recommendation to join the Soviet Communist Party, an offer that nobody in the Soviet Union could refuse without risking a career. At that time he was humorously comparing his situation with the historic Hollywood trials of filmmakers during the 50s. Bondarchuk was able to avoid the Communist Party in his earlier career, but things changed in the Soviet Union under Brezhnev, so in 1970, he accepted the trade-off and joined the Soviet Communist Party for the sake of protecting his film career. In 1971 he was elected Chairman of the Union of Filmmakers, a semi-government post in the Soviet system of politically controlled culture. Eventually he evolved into a politically controlled figure and turned to making such politically charged films as Red Bells (1982) and other such films. Later, during the liberalization of the Soviet Union under Mikhail Gorbachev, Bondarchuk was seen as a symbol of conservatism in Soviet cinema, so in 1986 he was voted out of the office.
Bondarchuk was the first Russian director to make a big budget international co-production with the financial backing of Italian producer Dino De Laurentiis, such as Waterloo (1970), a Russian-Italian co-production vividly reconstructing the final battle of the Napoleonic Wars. This was his first English-language production, but several Soviet actors were cast, e.g. Sergo Zakariadze and Oleg Vidov. In this film, Orson Welles, his co-star in The Battle of Neretva (1969) made a cameo as the old King Louis XVII of France. But this time Bondarchuk was unable to control the advances of Rod Steiger, and the film was a commercial flop in Europe and America, albeit it gained the favor of critics.
After his dismissal from the office of Chairman of the Union of Cinematographers he started filming Tikhiy Don (2006) based on the eponymous novel by the Nobel Prize winner Mikhail Sholokhov, with Rupert Everett as the lead. At the end of filming, just before post-production, Bondarchuk learned about some unfavorable details in his contract, causing a bitter dispute with the producers over the rights to the film and bringing much pain to the last two years of his life. Amidst this legal battle the production was stopped and the film was stored in a bank vault, and remained unedited and undubbed for nearly fourteen years. The production was completed by Russian television company "First Channel", and aired in November 2006.
In his career that spanned over five decades, Sergei Bondarchuk had credits as actor, director, writer, and co-producer in a wide range of films. He suffered a heart attack and died on October 20, 1994, and was laid to rest in Novodevichy Cemetery in Moscow, Russia, next to such Russian luminaries as Anton Chekhov and Mikhail A. Bulgakov. His death caused a considerable mourning in Russia. Bondarchuk was survived by his second wife, actress Irina Skobtseva and their children, actress Alyona Bondarchuk, and actor/director Fedor Bondarchuk, and actress Natalya Bondarchuk, his daughter with his first wife, actress Inna Makarova.
As a tribute to Sergei Bondarchuk, his son, Fedor Bondarchuk called him "a father and my teacher," and dedicated his directorial debut, 9th Company (2005), set in war-torn Afghanistan, whereas Sergei's directorial debut was set in WWII.- Director
- Writer
- Editor
The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Writer
- Soundtrack
Fyodor Mikhailovich Dostoevsky was born on November 11, 1821, in Moscow, Russia. He was the second of seven children of Mikhail Andreevich and Maria Dostoevsky. His father, a doctor, was a member of the Russian nobility, owned serfs and had a considerable estate near Moscow where he lived with his family. It's believed that he was murdered by his own serfs in revenge for the violence he would commit against them while in drunken rages. As a child Fyodor was traumatized when he witnessed the rape of a young female serf and suffered from epileptic seizures. He was sent to a boarding school, where he studied sciences, languages and literature. He was devastated when his favorite writer, Alexander Pushkin, was killed in a duel in St. Petersburg in 1837. That same year Dostoevsky's mother died, and he moved to St. Petersburg. There he graduated from the Military Engineering Academy, and served in the Tsar's government for a year.
Dostoevsky was active in St. Petersburg literary life; he grew out of his early influence by Nikolay Gogol, translated "Eugenia Grande" by Honoré de Balzac in 1844 and published his own first novel, "Poor Folk", in 1845, and became friends with Ivan Turgenev and Nikolai A. Nekrasov, but it ended abruptly after they criticized his writing. At that time he became indirectly involved in a revolutionary movement, for which he was arrested in 1849, convicted of treason and sentenced to death. His execution was scheduled for a freezing winter day in St. Petersburg, and at the appointed hour he was blindfolded and ordered to stand before the firing squad, waiting to be shot. The execution was called off at the last minute, however, and his sentence was commuted to a prison term and exile in Siberia, where his health declined amid increased epileptic seizures. After serving ten years in prison and exile, he regained his title in the nobility and returned to St. Petersburg with permission from the Tsar. He abandoned his formerly liberal views and became increasingly conservative and religious. That, however, didn't stop him from developing an acute gambling problem, and he accumulated massive gambling debts.
In 1862, after returning from his first major tour of Western Europe, Dostoevsky wrote that "Russia needs to be reformed, by learning the new ideas that are developing in Europe." On his next trip to Europe, in 1863, he spent all of his money on a manipulative woman, A. Suslova, went on a losing gambling spree, returned home flat broke and sank into a depression. At that time he wrote "Notes from Underground" (1864), preceding existentialism in literature. His first wife died in 1864, after six years of a childless marriage, and he adopted her son from her previous marriage. Painful experiences caused him to fall further into depression, but it was during this period that he wrote what many consider his finest work: "Crime and Punishment" (1866).
After completion of "The Gambler" (1867), the 47-year-old Dostoevsky married his loyal friend and literary secretary, 20-year-old Anna Snitkina, and they had four children. His first baby died at three months of age, causing him to sink further into depression and triggering more epileptic seizures. At that time Dostoevsky expressed his disillusionment with the Utopian ideas in his novels "The Idiot" (1868) and "The Devils" (aka "The Possessed") (1871), where the "devils" are destructive people, such as revolutionaries and terrorists. Dostoevsky was the main speaker at the opening of the monument to Alexander Pushkin in 1880, calling Pushkin a "wandering Russian, searching for universal happiness". In his final great novel, "The Brothers Karamazov" (1880), Dostoevsky revealed the components of his own split personality, depicted in four main characters; humble monk Alyosha, compulsive gambler Dmitri, rebellious intellectual Ivan, and their cynical father Fyodor Karamazov.
Dostoevsky died on February 9, 1881, of a lung hemorrhage caused by emphysema and epileptic seizures. He lived his entire life under the pall of epilepsy, much like the mythical "Sword of Damocles", and was fearless in telling the truth. His writings are an uncanny reflection on his own life - the fate of a genius in Russia.- Additional Crew
Joseph Stalin (a code name meaning "Man of Steel") was born Iosif (Joseph) Vissarionovich Dzhugashvili in 1878 in Gori, Georgia, the Transcaucasian part of the Russian Empire. His father was a cobbler named Vissarion Dzhugashvili, a drunkard who beat him badly and frequently and left the family when Joseph was young. His mother, Ekaterina Gheladze, supported herself and her son (her other three children died young and Jopseph was effectively an only child) by taking in washing. She managed, despite great hardship, to send Joseph to school and then on to Tiflis Orthodox Theological Seminary in Tbilisi, hoping he would become a priest. However, after three years of studies he was expelled in 1899, for not attending an exam and for propagating communist ideas and the books of Karl Marx.
Since 1898, Stalin became active in the Communist underground as the organizer of a powerful gang involved in a series of armed robberies. After robbing several banks in southern Russia, Stalin delivered the stolen money to Vladimir Lenin to finance the Communist Party. Stalin's gang was also involved in the murders of its political opponents; Stalin himself was arrested seven times, repeatedly imprisoned, and twice exiled to Siberia between 1902 and 1913. During those years he changed his name twice and became more closely identified with revolutionary Marxism. He escaped many times from prison and was shuttling money between Lenin and other communists in hiding, where his intimacy with Lenin and Bukharin grew, as did his dissatisfaction with fellow Communist leader Lev Trotskiy. In 1912 he was co-opted on to the illegal Communist Central Committee. At that time he wrote propaganda articles, and later edited the Communist paper, "Pravda" (Truth). As Lenin's apprentice he joined the Communist majority (Bolsheviks), and was responsible for the consolidation of several secret communist cells into a larger ring. Stalin's Communist ring in St. Petersburg and across Russia played the leading role in the Russian Revolution of 1917. After the revolution the Bolsheviks Communists grabbed the power, then Communists murdered the Tsar and the Russian royal family. Stalin and Lenin took over the Tsar's palaces and used the main one in Kremlin as their private residence.
Lenin appointed Stalin the People's Commissar for Nationalities in the first Soviet government and a member of the Communist Politburo, thus giving him unlimited power. Stalin led the "Reds" against anti-Communist forces known as the "Whites" and also in the war with Poland. He also organized "Red Terror" in Tsaritsin (later renamed Stalingrad). With his appointment as General Secretary to the Party Central Committee in 1922, a post he held for the next 30 years, until his death, he consolidated the power that would ensure his control of the country after Lenin's death in 1924. He also took, or gave himself, other key positions that enabled him to amass total power in the Party and Soviet government.
Stalin was known for his piercing eyes and terrifying stare, which he used to cow his opponents into submission during private discussions. In 1927 Stalin requested medical help for his insomnia, anger and severe anxiety disorder. His doctors diagnosed him as having "typical clinical paranoia" and recommended medical treatment. Instead, Stalin became angry and summoned his secret service agents. The next day the chief psychiatrist, Dr. Bekhterev, and his assistants died of poisoning. In addition, before the doctors' diagnosis about Stalin's mental condition could become known, he ordered the executions of intellectuals, resulting in the murders of hundreds of thousands of doctors, professors, writers, and others.
Stalin's policy of amassing dictatorial power under the guise of building "socialism in the country" resulted in brutal extermination of all real and perceived anti-Communist opposition. His purges of the Soviet military brought about the execution of tens of thousands of army officers, many of them experienced combat veterans of the Revolution, the Civil War, the Polish campaigns and other military operations (this decimation of the Russian officer corps would result in the Soviet Union's initial defeats at the hands of Nazi invaders at the beginning of World War II). He also isolated and disgraced his political rivals, notably Trotsky. Stalin's economic policies of strict centralized planning (i.e., the "five-year plans") resulted in the near ruination of the Soviet economy and mass famines in many areas of the Soviet Union, notably in Central Russia and the Ukraine. Popular resistance to Stalin's policies, such as nationalization of private lands and collective farming, by independent farmers ("kulaks"), brought about brutal retaliation, in which millions of kulaks were either forced off their land or executed outright. Altogether Stalin's economic and political policies resulted in the deaths of up to 10 million peasants during 1926-1934. Between 1934 and 1939 he organized and led massive purge (known as "The Great Terror") of the party, government, armed forces and intelligentsia, in which millions of so-called "enemies of the Soviet people" were imprisoned, exiled or executed. In the late 1930s, Stalin sent some Red Army forces and material to support the Spanish Republican government in its fight against the rebels led by Gen. Francisco Franco and aided by troops and material from Nazi Germany and Fascist Italy.
Stalin made the Non-Aggression Pact with Adolf Hitler in 1939, which bought the Soviet Union two years' respite from involvement in World War 2. After the German invasion in 1941, the USSR became a member of the Grand Alliance and Stalin, as war leader, assumed the title of Generalissimus. He had no formal military training and scorned the advice of his senior officers, due to suspicion and his rising paranoia, actions that resulted in horrific losses to the Russian military in both men and material (not to mention civilian losses). He rejected military plans made by such experienced officers as Marshal Georgi Zhukov, and insisted they be replaced by his own plans, which led to even more horrific losses. Towards the end of WWII he took part in the conferences of Teheran, Yalta and Potsdam with Franklin D. Roosevelt, Winston Churchill, Harry S. Truman and Clement Attlee. The agreements reached in those conferences resulted in Soviet military and political control over the liberated countries of postwar Castern and Central Europe.
From 1945 until his death Stalin resumed his repressive measures at home, resulting in censorship of the arts, literature and cinema, forced exiles of hundreds of thousands and the executions of intellectuals and other potential "enemies of the state". At that time he conducted foreign policies that contributed to the Cold War between the Soviet Union and the West. Stalin had little interest in family life, although he was married twice and had several mistresses. His first wife (Ekaterina Svanidze, married c. 1904) died three years after their marriage and left a son, Jacob (also known as Yacov), an officer in the Russian army during World War II who was captured by the Nazis and died in a POW camp (his father refused German offers to exchange him for captured German officers). His second wife (Nadezhda Alliluyeva, married 1919) attempted to moderate his politics, but she died by suicide, leaving a daughter, Svetlana Alliluyeva, and an alcoholic son, Vasili Stalin, who later died in exile. Increasingly paranoid, Stalin launched attacks on such intellectuals as Osip Mandelstam, Vsevolod Meyerhold, Anna Akhmatova, Dmitri Shostakovich, Sergei Prokofiev, Boris Pasternak, Aleksandr Solzhenitsyn and many other cultural luminaries. Stalin personally intervened in the fate of "counterrevolutionary" Yiddish writers and changed their sentences from exile to execution. Thirteen of them were executed by the Soviet secret police; their leader, Perets Markish, was executed in the typical KGB manner by a single gunshot to the head on August 12, 1952, in Moscow.
Stalin died suddenly on March 5, 1953, under somewhat mysterious circumstances, after announcing his intention to arrest Jewish doctors, whom he believed were plotting to kill him. The "official" cause of death was announced as brain hemorrhage. Stalin's apprentice, Georgi Malenkov, took the power, but was soon ousted by Nikita Khrushchev. Three years after death, Stalin was posthumously denounced by Nikita Khrushchev at the 20th Party Congress in 1956 for crimes against the Party and for building a "cult of personality." In 1961 Stalin's body was removed from Lenin's Mausoleum, where it had been displayed since his death, and buried near the Kremlin wall. In 1964 Leonid Brezhnev dismissed Khrushchev and brought back some of Stalin's hard-line policies. After 1986 Mikhail Gorbachev initiated a series of liberal political reforms known as "glasnost" and "perstroika", and many of Stalin's victims were posthumously rehabilitated, and the whole phenomenon of "Stalinism" was officially condemned by the Russian authorities.- Leonid Kuravlyov made his first appearance in a movie while he was still a student. In 1959 he played in the film There Will Be No Leave Today (1959) by his classmate Andrei Tarkovsky. In 1960, he played the role of a sailor Kamushkin in a historical movie Michman Panin (1960) directed by Mikhail Shvejtser. Simultaneously, Kuravlyov acted in Vasiliy Shukshin's degree work Iz Lebyazhego soobshchayut (1960). That same year, Kuravlyov graduated from VGIK and joined the Theater Studio of Film Actors. From that moment on, Leonid Kuravlyov played a few leading parts and incidental characters in a few movies. In 1961, Kuravlyov starred in a famous Soviet melodrama When the Trees Were Tall (1962) with Yuriy Nikulin playing the leading part. Actor and film director Vasiliy Shukshin is considered to have been the one to widely introduce Leonid Kuravlyov to the general public. In 1964, he shot two films - Zhivyot takoy paren (1964) and Vash syn i brat (1966) - both starring Leonid Kuravlyov. Vasiliy Shukshin liked Kuravlyov's acting in these two movies so much that he would constantly offer him different roles in many of his projects. Kuravlyov, however, turned down each one of them because he did not wish to play clichéd characters.
The role of Shura Balaganov in Mikhail Shvejtser's comedy The Golden Calf (1968) based on Ilya Ilf and Yevgeni Petrov's eponymous book was the next step in Leonid Kuravlyov's acting career, in which he managed to create an unforgettable sparkling image of a naive petty thief. Kuravlyov's other notable films of this period include one of the first Soviet horror movies Viy (1967) adaptation of Nikolay Gogol's novell directed by Georgiy Kropachyov, where he played young seminarist Khoma Brutus, and a psychological melodrama Nepodsuden (1969) directed by Vladimir Krasnopolskiy and Valeriy Uskov, where he played the negative character Sorokin.
In the early 1970s, Leonid Kuravlyov would star in three to four films a year. He managed to play completely opposite characters like Robinson Crusoe in Stanislav Govorukhin's Robinson Crusoe (1973), Nazi officer Kurt Eismann in Seventeen Moments of Spring (1973), and Lavr Mironych in Pyotr Todorovskiy's Poslednyaya zhertva (1976).
Even though Kuravlyov is very good at playing serious dramatic roles, he is still best known and mostly loved for his comic appearances in movies like Leonid Gaidai's Ivan Vasilyevich Changes His Profession (1973), where Kuravlyov played a thief named George Miloslavsky, who accidentally got teleported to the times of Ivan the Terrible. Interestingly enough, Andrey Mironov also tried out for this role, but Leonid Gaidai decided in Kuravlyov's favor.
In 1975, Leonid Kuravlyov starred in one his most famous comedies Afonya (1975), directed by Georgiy Daneliya. Kuravlyov played a very atypical character - a plumber named Afonya Borshchyov, who takes bribes, often gets into trouble, abuses alcohol, quarrels with his superiors at work, and doesn't really know what to do with his life. And then suddenly, one of his neighborhood "female clients" falls in love with him... About 62,2 mln. people went to see Afonya during its first year on cinema screens, making it an unconditional Soviet box-office leader of 1975.
In 1979, Leonid Kuravlyov played a very short role of a thief named Kopchyoniy in Stanislav Govorukhin's cult series The Meeting Place Cannot Be Changed (1979). The actor masterfully created an accomplished and amazingly credible image of an experienced criminal in just a matter of minutes.
During the 1980s, Leonid Kuravlyov starred in a number of memorable movies, such as Damy priglashayut kavalerov (1981), Ishchite zhenshchinu (1983), Demidovy (1983), TASS upolnomochen zayavit... (1984), Samaya obayatelnaya i privlekatelnaya (1985), Adventures of Sherlock Holmes and Dr. Watson: The Twentieth Century Approaches (1987) and many others.
The 1990s were not the best times for the Russian cinema in general and most of the released movies were mediocre and low-grade. During this period, many actors were forced to star in low-quality films just to make ends meet, and Leonid Kuravlyov was not an exception. Perhaps, his role in a movie called Lady Into Lassie (1995) is the only one worth mentioning.
In 2002 he starred in Russian mini-TV series Law of the Lawless (2002) as an MVD general. In 2009 he played the Nobleman in Disney's first Russian-only release, Kniga masterov (2009). - Actor
- Director
- Writer
Alexandr Kajdanovsky, Russian actor, director and screenwriter, now best remembered for his work in Andrei Tarkovsky's films. Kajdanovsky left Junior High School to enroll in technical college where he was training to become a welder. Apparently a prospect of becoming a worker did not appeal to him and in 1965 he started studying acting at The Shchukhin Theatre School in Moscow. Before completing the course he took his first part in the film Tainstvennaya stena (1968) (A Mysterious Wall), and upon graduation in 1969, he worked as stage actor. Still unsatisfied with his work Kajdanovsky joined the army in 1973 spending some years in cavalry.
It was a famous film director Nikita Mikhalkov who discovered Kajdanovsky and gave him the lead in his civil war drama At Home Among Strangers, a Stranger Among His Own (1974) (At Home among Strangers, Stranger at Home). By the late 1970s Kajdanovsky had had credits in some noted films, including adventure stories Propavshaya ekspeditsiya (1975) (The Lost Expedition), Zolotaya rechka (1977) (Golden River), a fantasy Pilot Pirx's Inquest (1979) (Pilot Pirks Tested). The greatest twist in his career came with Andrei Tarkovsky giving him the lead in Stalker (1979). Kajdanovsky attended Tarkovsky's writing seminar and under his teacher's influence he wrote and directed Prostaya smert (1985) (An Ordinary Death) - an adaptation of one of Leo Tolstoy's stories - the film won honour at the Malaga film festival. Kajdanovsky's starring role in Spanish film El aliento del diablo (1993) (The Devil's Breath) and in Hungarian Büvös vadász (1994) (Magic Hunter) made him an international celebrity and resulted in him having been invited to become the juryman of the 1994 Cannes Film Festival. Unfortunately alcohol ruined his life, he could hardly maintain his career between the bouts of drinking, he died on December 3, 1995, 3 months short of 50.- Director
- Cinematographer
- Writer
Mikhail Kalatozov was born on 28 December 1903 in Tiflis, Russian Empire [now Tbilisi, Republic of Georgia]. He was a director and cinematographer, known for The Cranes Are Flying (1957), True Friends (1954) and Zagovor obrechyonnykh (1950). He died on 27 March 1973 in Moscow, RSFSR, USSR [now Russia].- Galina Davydova was born on 12 October 1975 in Sovetsk, Tulskaya oblast, USSR. She was an actress, known for Amici come prima (2018), Ostriv lyubovi (1995) and Osobennosti bannoy politiki, ili banya 2 (2000). She died on 3 May 2024 in Sovetsk, Tulskaya oblast, Russia.
- Actor
- Writer
- Director
Sergei Bodrov Jr. was born on December 27th, 1971 to producer and director Sergei Bodrov. He made his film debut in his father's Prisoner of the Mountains (1996) (Prisoner of the mountains) for which he won a Nika. From then on Sergei's career began. In 1997 he played a lead role in Brother (1997) which turned him into a star and made him one of the most known and beloved Russian actors.
He followed up the role with Brat 2 (2000) in 2000. He made his directorial debut in 2001 with Sisters (2001). The movie was a hit with audiences and critics alike.
In 2002 he was supposed to direct a movie, "Messenger", for which he traveled to the Caucasus mountains. On September 20th 2002, an avalanche due to a glacier slide came down from the mountains. Bodrov and his production group are still reported missing, believed killed. He is survived by his wife and two children, a four year old daughter and a two-month old son.- Director
- Writer
- Actor
Aleksey Balabanov was born on 25 February 1959 in Sverdlovsk, Sverdlovskaya oblast, RSFSR, USSR [now Ekaterinburg, Russia]. He was a director and writer, known for Brother (1997), Cargo 200 (2007) and Of Freaks and Men (1998). He was married to Irina ? and Nadezhda Vasileva. He died on 18 May 2013 in Solnechnoye, Leningradskaya oblast, Russia.- Music Department
- Composer
- Writer
Dmitri Shostakovich, one of Russian culture's most acclaimed intellectuals who was censored under the dictatorship of Joseph Stalin, was an internationally recognized composer whose music was in over 100 films.
He was born Dmitri Dmitrievich Shostakovich on September 25, 1906, in St. Petersburg, Russia. He was the second of three children of Dmitri Boleslavovich Shostakovich, a chemical engineer, and Sofia Kokaoulina, a pianist. Young Shostakovich studied piano under his mother tutelage and at a private school in St. Petersburg. His greatest influences were Johann Sebastian Bach, Ludwig van Beethoven and Modest Mussorgsky. From 1919-1925 he studied piano and composition at St. Petersburg (Leningrad) Conservatory. He wrote his First "Classical" symphony as his graduation piece. In 1927 he won an "honorable mention diploma" at the 1st International Piano Competition in Warsaw. In 1929 he collaborated with writer Vladimir Mayakovsky, artist Alexander Rodchenko and director Vsevolod Meyerhold.
In 1934 Shostakovich collaborated with Aleksei Dikij on the legendary opera Katerina Izmailova" (aka Lady Makbeth of Mtsensk). Dikij's production of "Katerina Izmailova" had over 100 performances in Leningrad and Moscow, and was considered a highlight in his directing career. However, in 1936, the opera was severely criticized by some critics on the Pravda, the Communist Party's official newspaper, and accused of formalism and intellectualism.
In the summer of 1941 Nazi Germany and its allies invaded the Soviet Union, and German and Finnish forces and encircled Leningrad (St. Petersburg). Defenders and civilians in besieged Leningrad were doomed, because the besieging forces cut supplies of food and energy to the surrounded city. It wasn't long before the city's population of birds, pets and even rats were eaten, and not long after there were reports of cannibalism brought about by starvation. The siege of Leningrad was so impenetrable that by December of that year an average of 4000 to 6000 residents a day were dying of starvation, disease, shellfire, bombardment and a variety of other causes.
During the first months of the siege Shostakovich was in Leningrad. He survived the first bombardments and joined the "night watch" patrol, helping to put out fires during massive German air bombardments. Shostakovich personally neutralized several incendiary bombs and was actively involved in firefighting. After aerial and artillery bombardments, during the rare quiet moments, Shostakovich was back to his piano composing new music. He was evacuated from the besieged city in the end of 1941.
The Seventh "Leningrad" Symphony, which Shostakovich started composing during the Nazi aerial and artillery attacks during the siege, was the masterpiece that won him national and international recognition. His music helped lift the spirits of Leningrad citizens in a time when they were struggling to survive.
On August 9, 1942, Karl Eliasberg gave a premiere performance of Shostakovich's Seventh Symphony in Leningrad. That famous concert was made possible because Eliasberg specially created an orchestra of survivors who were still able to perform in spite of starvation and dystrophy.
Eliasberg, who was also extremely emaciated, spent some time in the hospital in the Astoria hotel and came to the rehearsals straight from the sick ward. On the score of one of the musicians of that legendary orchestra you can still see a drawing showing hollow-cheeked Eliasberg conducting his orchestra sitting on a chair. The legendary performance was broadcast live from the Radio Hall in Leningrad, so millions of civilians and defenders of the besieged city were able to hear the powerful music. The symphony written in the conventional four movements is Shostakovich's longest, and one of the longest in the repertoire, with performances taking approximately one hour and fifteen minutes. The scale and scope of the work is consistent with Shostakovich's other symphonies as well as with those of composers considered to be his strongest influences, including Bruckner, Gustav Mahler and Igor Stravinsky.
Before they tackled Shostakovich's work, Eliasberg had the players go through pieces from the standard repertoire - Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky, Nikolai Rimsky-Korsakov - which they also performed for broadcast. Because the city was still blockaded at the time, the score was flown by night in early July for rehearsal. The concert was given on 9 August 1942. Whether this date was chosen intentionally, it was the day Hitler had chosen previously to celebrate the fall of Leningrad with a lavish reception for the top Nazi commanders. But instead of Hitler's plan, all loudspeakers delivered the live broadcast of the symphony performance throughout the city as well as to the German forces in a move of psychological warfare. The Russian commander of the Leningrad front, General Govorov, ordered a bombardment of German artillery positions in advance of the broadcast to ensure their silence during the performance of the symphony; a special operation, code-named "Squall," was executed for precisely this purpose. Three thousand high-caliber shells were lobbed onto the enemy. Then the music of Shostakovich came out of the speakers all over the siege perimeter, so the Nazis had to face the music. The music of Shostakovich brought the much needed support and catharsis to survivors who loved the symphony and applauded to Eliasberg and his orchestra. General Govorov with his staff came backstage to thank Eliasberg and his musicians for their art and courage.
The news about Dmitry Shostakovich's Seventh Symphony premiere in besieged Leningrad spread all over the world. It was an important message to all nations that Hitler's attack on Leningrad failed. Shostakovich who began to write his famous symphony before evacuation from besieged Leningrad in 1941, could not go back to attend its premier performance in 1942. The composer sent the conductor and the musicians who performed his work in the besieged city a telegram with words of gratitude.
After WWII Shostakovich was again accused of formalism in 1948. At that time, Shostakovich gained international recognition in the free world, and received several invitations to participate in music festivals and other cultural events. He was awarded the International Peace Prize (1954), State Prize five times (in 1941-1952), State Prizes of Russia and the USSR, and was designated People's Artist of the USSR. From 1957-1975 he was secretary of the Union of Composers of Russia and the USSR. He taught and promoted many talented musicians, such as Andrey Petrov, Georgi Sviridov, Karen Khachaturyan, and Boris Tishchenko among others.
Shostakovich and Yevgeniy Yevtushenko worked together on the famous Symphony No. 13 titled "Babi Yar", a vocal setting of poems by Yevtushenko. It was first performed in Moscow on December 18, 1962 under the baton of Kirill Kondrashin. Yevtushenko and Shostakovich toured many countries with the performances of "Babi Yar", and made several recordings of the Symphony No. 13. Among Shostakovich's best known film scores are 'Suite from The Gadfly' from The Gadfly (1955), and the score for director Grigoriy Kozintsev's acclaimed film Hamlet (1964) starring Innokentiy Smoktunovskiy.
In 1965 Shostakovich raised his voice in defense of poet Joseph Brodsky, who was sentenced to five years of exile and hard labor. Shostakovich co-signed protests together with such prominent figures as Korney Ivanovich Chukovskiy, Anna Akhmatova, Samuil Marshak, Yevgeniy Yevtushenko, and the French philosopher Jean-Paul Sartre. After the protests his sentence was commuted, and Brodsky returned to Leningrad. At that time, Shostakovich joined the group of 25 distinguished intellectuals in signing the letter to Leonid Brezhnev asking not to rehabilitate Joseph Stalin.
Dmitri Shostakovich was a towering figure in Russian music of the 20th century along with 'Sergei Prokofiev (I)' and Aram Khachaturyan. He wrote 15 symphonies, of which the Fifth (1937), the Sevenths "Leningrad" (1942), and the Thurteenth "Baby Yar" (1968) are the best known. His other compositions include cantatas and oratorios, seven operas and operettas, four ballets, twelve musical comedies and other music for stage plays, 36 original motion picture scores, fifteen quartets and other chamber music for, piano, violin, and cello. Shostakovich, who was an awarded pianist himself, had composed outstanding works for piano, such as his Piano concertos No1 and No2. His 24 Preludes and Fugues for piano received numerous awards and recognitions, and were recorded in critically acclaimed performance by Vladimir Ashkenazy.
Shostakovich died of a heart attack on august 9, 1975, in Moscow, and was laid to rest in Novodevichi Convent Cemetery in Moscow, Russia. His legacy is continued by his son, conductor Maxim Shostakovich, and his grandson, pianist Dmitri Shostakovich Jr.- Her Imperial Highness, The Grand Duchess Olga Nicholaievna Romanov was born on November 15, 1895 at Tsarskoe Selo. She was the oldest daughter of Tsar Nicholas II and the Empress Alexandra. She has 3 younger sisters - Tatiana, Maria and Anastasia - and one younger brother Alexei. Olga was the most like her father, the Tsar Nicholas the Second, with chestnut-blonde hair and blue eyes. She was the more thoughtful of her sisters and very intelligent, but she was sometimes difficult, and argued with her mother, Empress Alexandra. Olga was extremely close to her younger sister Tatiana, who was 18 months younger then her. Tatiana and Olga shared a bedroom and were called "The Big Pair", while Olga's other two younger sisters - Maria and Anastasia - were called "The Little Pair." Olga was going to maybe marry Price Carol of Romania, but Olga didn't want to leave Russia. "I am Russian and I mean to remain Russian!" So Olga did not marry Prince Carol. When World War I started Olga, her sister Tatiana and her Mother the Empress Alexandra became War nurses. During the War Olga became more aware of the resentment that the Russian people had for her family. Also During the war she had a mental breakdown. When her father abdicated, for himself and Alexei, Olga and her family were prisoners of the Revolution, in Tobolsk. After that, Olga's father, mother and sister Maria went to Ekaterinburg, leaving Olga with her sisters Tatiana and Anastasia and her younger brother Alexei. Olga and her sisters took care of Alexei because he got very hurt before her father, mother and sister left. After Alexei was well enough to be moved, Olga, Tatiana, Anastasia, Alexei and some of their employees went to Ekaterinburg, to be with their parents and Maria. In Ekaterinburg the Romanov's lived in a place called "The House of Special Purpose." Olga, Tatiana, Maria, and Anastasia all shared a room, while her father, mother, and Alexei shared. On July 17, 1918 the Romanovs, their Doctor, and others where set up in a basement in "The House of Special Purpose." Then, 11 executors entered and started firing. Olga and her family and servants all died. Olga was only 23 years old when she died. But, when they found the bodies of the Romanovs and their servants they realized they are missing two, Alexei and either Maria, Tatiana, or Anastasia. Recently the Russian Orthodox Church in Russia canonized the Romanovs as saints.
- Actor
- Writer
- Director
Aleksei Vladimirovich Batalov was born on November 20, 1928, into the family of famous Russian theatrical actor Vladimir Batalov. He was born in the city of Vladimir, near Moscow, where his grandmother was the Doctor General at the Vladimir city hospital. His parents, Vladimir Petrovich Batalov and Nina Antonovna Olshevskaya, were both actors of the Moscow Art Theatre (MKhAT), under the directorship of Konstantin Stanislavski and Vladimir Nemirovich-Danchenko. His uncle, named Nikolay Batalov, was a distinguished film actor.
The Batalov family lived in the actor's apartments building at the Moscow Art Theatre. There young Aleksei got early exposure to the acting profession. He then moved with his mother to the home of her second husband writer Viktor Ardov, who was the neighbor of Osip Mandelstam. Young Batalov became a good friend of poet Anna Akhmatova who stayed in his room during her many visits to Moscow. Later, in the 1960's, Aleksei Batalov painted an oil portrait of Anna Akhmatova. Writers Mikhail A. Bulgakov, Mikhail Zoschenko, Boris Pasternak were among the closest friends of the Batalov's family, being also the colleagues of his stepfather Viktor Ardov.
In 1945, upon his return from evacuation in Tatarstan, Aleksei Batalov made his film debut as a cameo in 'Zoya'. He studied acting professionally at the Moscow Art Theatre's Acting Studio-School of Vladimir Nemirovich-Danchenko from which he graduated in 1950, as an actor. That same year he was drafted in the Red Army and worked as an actor with the Central Theatre of the Soviet Army from 1950-1953. He then returned to the Moscow Art Theatre and was a permanent member of the troupe through 1957.
Batalov shot to fame with his role in 'Bolshaya Semya' (The Big Family 1954) directed by 'Iosif Kheifets'. For that role he won the Best Actor award at the Cannes Film Festival, which he shared with his partners Sergei Lukyanov, Boris Andreyev, Nikolai Gritsenko, Pavel Kadochnikov, and others; the whole ensemble of actors and actresses were awarded for that film at Cannes, in 1955.
Aleksei Batalov received more international acclaim for his memorable acting opposite Tatyana Samoylova in The Cranes Are Flying (1957) (aka.. The Cranes Are Flying) for which director Mikhail Kalatozov won the Golden Palm at Cannes, in 1958. Batalov won the Jussi Diploma of Merit (1962) for the supporting role in 'Dama s sobachkoi' (aka.. The Lady with the Dog), a story by Anton Chekhov directed by Iosif Kheifits. Batalov also worked with Kheifits in 'V gorode S.' (In the Town of S.), another story by Anton Chekhov. Alrksei Batalov himself directed three films; 'Shinel' (1960) on the story by Nikolay Gogol, 'Tri tolstyaka' (1966) by Yuriy Olesha, and 'Igrok' (1973) (aka.. The Gambler), an adaptation of the eponymous book by Fyodor Dostoevsky.
Aleksei Batalov earned the State Prize of the USSR for a strong and difficult leading role in '9 dney odnogo goda' (1961), for which director Mikhail Romm won Crystal Globe. Batalov's performance in the leading role of a Russian intellectual in 'Beg' (1970) based on the play by Mikhail A. Bulgakov, was somewhat overshadowed by the brilliant duo of his film partners Mikhail Ulyanov and Evgeniy Evstigneev. However, after a few years of his hiatus, Batalov made a successful comeback in 'Moskva slezam ne verit' (1979), which won an Oscar for the Best Foreign Language Film (1981).
In addition to his numerous international awards Batalov was honored with the title of the People's Artist of the USSR (1976). He was decorated and received many Soviet and Russian awards from the state. Batalov was the Dean of the Actors Studio at the Moscow State Film Institute (VGIK) from 1975 to 2005. He taught over 20 acting seminars in the USA and Canada. He also made notable works for the Moscow Radio.
Aleksei Batalov resided and worked in Moscow, Russia, where he died on June 14, 2017.- Writer
- Soundtrack
Count Lev Nikolaevich Tolstoy was born on September 9, 1828, in his ancestral estate Yasnaya Polyana, South of Moscow, Russia. He was the fourth of five children in a wealthy family of Russian landed Gentry. His parents died when he was a child, and he was brought up by his elder brothers and relatives.
Leo Tolstoy studied languages and law at Kazan University for three years. He was dissatisfied with the school and left Kazan without a degree, returned to his estate and educated himself independently. In 1848 he moved to the capital, St. Petersburg, and there passed two tests for a law degree. He was abruptly called to return to his estate near Moscow, where he inherited 4000 acres of land and 350 serfs. There Tolstoy built a school for his serfs, and acted as a teacher. He briefly went to a Medical School in Moscow, but lost a fortune in gambling, and was pulled out by his brother. He took military training, became an Army officer, and moved to the Caucasus, where he lived a simple life for three years with Cossacs. There he wrote his first novel - "Childhood" (1852), it became a success. With writing "Boyhood" (1854) and "Youth" (1857) he concluded the autobiographical trilogy. In the Crimean War (1854-55) Tolstoy served as artillery commander in the Battle of Sevastopol, and was decorated for his courage. Between the battles he wrote three stories titled "Sevastopol Sketches", that won him wide attention, and a complement from the Czar Aleksandr II.
After the war, Tolstoy returned to St. Petersburg, where he enjoyed the friendship of Ivan Turgenev, Nikolai A. Nekrasov, Ivan Goncharov, and other writers. On his trips to Europe, he had discussions with Gertsen in London, and attended Darwin's lectures. In Brussels he had meetings with philosophers Prudhon and Lelewel. Tolstoy undertook a research of schools in Europe, and later he built and organized over 20 schools for poor people in Russia. At that time the secret police began surveillance, and searched his home. In 1862 he married Sofia Andreevna Bers, and fathered 13 children with his wife. Four of their babies died, and the couple raised the remaining nine children. His wife was also his literary secretary, and also contributed to his best works, "War and Peace" (1863-69) and "Anna Karenina" (1873-77). In his "Confession" (1879) Tolstoy revealed his own version of Christianity, blended with socialism, that won him many followers. Tolstoyan communities sprang up in America and Europe, and he assisted the Russian non-Orthodox Christians (Dukhobors) in migrating to USA and Canada. He split from aristocratic class and developed an ascetic lifestyle, becoming a vegetarian, and a farmer. He sponsored and organized free meals for the poor. He transfered his copyright on all of his writings after 1880 to public domain. In his later age Tolstoy was pursuing the path of a wandering ascetic. He corresponded with Mohandas K. Gandhi, who was directly influenced by Tolstoy's "The Kingdom of God is Within You" (1894), which was praised by many nonviolent movements.
In 1900 Tolstoy criticized the Tsar's government in a series of publications, calling for separation of Chuch and State. Tsar Nicholas II retaliated through the Church, by expulsion of Tolstoy from Orthodox Cristianity as a "heretic". He fell ill, and suffered from a severe depression; he was suicidal and even had to eliminate all hunting guns from his home, because of his suicidal mode. He was treated by the famous doctor Dahl, and was visited by composer Sergei Rachmaninoff and basso Feodor Chaliapin Sr., who performed for Tolstoy on many occasions. Later he went to convalesce in Yalta, in Crimea, where he spent time with Anton Chekhov and Maxim Gorky. Tolstoy was an obvious candidate for the Nobel Prize in Literature, but was initially omitted by the Nobel Committee for his views. The omission caused a strong response from a group of Swedish writers and artists. They sent an address to Tolstoy, but the writer answered by declining any future prize nomination.
In 1902 Tolstoy wrote a letter to the Tsar, calling for social justice, to prevent a civil war, and in 1904, during the Russo-Japanese War, Tolstoy wrote a condemnation of war. The Tsar replied by increasing police surveillance on Tolstoy. In November of 1910 he left his estate, probably taking the path of a wandering ascetic, which he had been pursuing for decades. He left home without explanations and took a train, in which he caught pneumonia, and died at a remote station of Astapovo. He was laid to rest in his estate of Yasnaya Polyana, which was made a Tolstoy National Museum.
His youngest daughter, named Alexandra Tolstoy, was the director of the Tolstoy Museum, and was arrested by the Communists five times. She emigrated from Russia to the United States, where she founded the Tolstoy Foundation. She helped many prominent Russian intellectuals, such as Vladimir Nabokov and Sergei Rachmaninoff among many others.- Actor
- Writer
- Director
Aleksey German was born on 20 July 1938 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]. He was an actor and writer, known for Khrustalyov, My Car! (1998), Hard to Be a God (2013) and Moy drug Ivan Lapshin (1985). He was married to Svetlana Karmalita. He died on 21 February 2013 in St. Petersburg, Russia.- Actor
- Writer
Innokenti Smoktunovsky (birth name Smoktunovich) was born in Siberian village of Tatianovka near Tomsk in 1925. There were some speculations that his ancestors were of Polish nobility or of Jewish ethnicity and that they were exiled to Siberia for participating in the January Uprising of 1863. But, according to Smoktunovsky's own words, his ancestors were Belarusian peasants who were sent to Siberia after his grand-grandfather - a guard in the Bialowieza Forest - shot a wisent without permission. His father was killed in WWII. Smoktunovsky was drafted in the Red Army during WWII and was seized by the Nazis as a POW. He was on the road to a concentration camp, but managed to escape from the Nazis. He joined the partisans and served until the end of WWII. After the war he was under suspicion as a former POW and his career was limited to Siberia.
He studied acting for one year at the drama-studio of the Krasnoyarsk Drama Theater (1946). He found employment at the Norilsk Zapolyarny Drama Theater, where his friend and partner was Georgi Zhzhyonov, among other exiled actors. Both friends later starred in 'Beregis avtomobilya (1966)', directed by Eldar Ryazanov. But his film career started with director Mikhail Romm in 'Ubiystvo na ulitse Dante (1956), and in 'Soldaty (1956)' with director 'Aleksandr Ivanov'.
Smoktunovsky was praised by Laurence Olivier for the leading role in 'Hamlet (1964)', a B&W screen version directed by Grigoriy Kozintsev. Leading roles in Tchaikovsky (1969), 'Uncle Vanya (1970)', were among the highlights in film career of this great Russian actor. He worked with Georgi Tovstonogov from 1957-72 on stage of the Bolshoi Drama Theater (BDT) in Leningrad. He later moved to Moscow, where he worked at the Maly Theater and at the Moscow Art Theater (MKHAT). Smoktunovsky wrote an autobiographical book titled "They left me alive", in which he described his survival in Siberia, in WWII, and back again in Siberia, where he started his brilliant acting career.- Gregory Rasputin was one of Russia's most controversial and mysterious figures who posed as a "holy man" and destroyed the political image and reputation of Russia's Emperor Tsar Nicholas II and his family through a series of political manipulations, disgusting scandals and treachery, provoking a huge wave of public anger and helping the communists to prepare the disastrous Russian revolution. His mysterious activity is still disputed by historians and religious authors, mostly because he left no papers or documents with the exception of a few messages, while acting behind-the-scenes inside the Palaces of the Russian Tsars, and he remained inaccessible to public because of the heavy security that surrounded the Russian Imperial family.
He was born Gregory Efimovich Rasputin in 1869 into a Russian peasant family in Pokrovskoye village, Tobolsk province in Siberia. He was the only surviving child of Efim Yakovlevich Rasputin and Anna Vasilevna Rasputina--their four previous children died before he was born. The family name, Rasputin, has a negative connotation, similar to "ill-behaved" or "ill-aimed". His mother died when Rasputin was young and his father was imprisoned for some time. Gregory had very little schooling and was unable to read or write. At age 16 he was arrested for theft, and the citizens of Pokrovskoe appealed to the authorities to excommunicate and exile him. Rasputin was sentenced to three months in prison, which was later commuted to serving his term at Verkhoturye Monastery in Siberia. Rasputin settled with the lonely monk Makariy, who lived in a rugged hut and practiced rituals akin to ancient shamanic and tribal traditions of the Siberian people. Rasputin mentioned that Makariy had cured him of a severe sleep disorder and trained him to practice hypnotism and a vegetarian lifestyle, which included some alcohol and also the use of various weeds and drugs for "spiritual transformation" according to ancient shamanic rituals.
Rasputin stated later that he modeled himself after Makariy. At that time he became interested in manipulating people through their weaknesses and beliefs, including use of their personal and social habits as well as their politics and religion. He was also introduced to the banned mystical sect of Khlysty (flagellants), whose had a strong sexual content among other exotic practices. Rasputin evolved into a cynical and ruthless manipulator who practiced his principle that "any sin shall make me a holy man" and was spreading his beliefs around. In 1889 Rasputin married Praskovia Feodorovna and had three children, but left his family in Siberia and became a wanderer. He walked across Russia on foot from Siberia to Kiev and back several times during the 1890s, then made a pilgrimage on foot to Greece and Jerusalem during 1901, walking back to Russia and staying in Kazan with a local priest who gave him a letter of recommendation to St. Peterburg, the Russian capital. He arrived in the city in 1903, and solicited money to build a church in his home village of Pokrovskoe. In St. Petersburg Rasputin was accommodated by none other than Father Sergiy (who later, in 1942, was appointed by Joseph Stalin the Head of Orthodox Christianity in the Soviet Union), who was at that time Director of St. Petersburg Holy Academy and Seminary and also was a clandestine political opponent of Tsar Nicholas II. At several reception parties staged by Father Sergiy, Rasputin stunned St. Petersburg society by his forecasts that Russia would be defeated in the Russo-Japanese war of 1904, and that the Russian navy "would sink down", which was exactly what happened next.
Soon the Ober-Procurator of Russia, Pobedonostsev, issued a ban on public appearances of Father Sergiy and Rasputin, declaring that Rasputin was hiding his manipulative traits under the cover of "holyness" and illegally declared himself an Orthodox Christian mystic. Rasputin, however, ignored that ban and continued posing as a "prophet" and healer. He continued his wanderings as a self-proclaimed "holy man", often using lies and hypnotism to intimidate people into submission and then used them for his own goals. He made loose affiliations with various monasteries, then appointed himself a religious "elder" in St. Petersburg. At that time mystical interpretations of Christianity were in vogue, and official Orthodox Christianity was losing its control over people amidst the proliferation of disastrous wars and civil unrest, including revolutions. After the failure of several "religious advisers" to bring peace into the seriously dysfunctional Russian royal family of Tsar Nicholas II, Rasputin was summoned by Anna Vyrubova and the famous ascetic mystic, Father Theofan, the religious adviser to the royal family. In October of 1905 Father Sergiy and Father Theofan arranged Rasputin's introduction to the royal household through some relatives of reigning Romanov family. Rasputin instantly found a way to use the weaknesses and insecurities of Crown Prince Aleksey Nikolaeyvitch Romanov, whose incurable illness--he was a hemophiliac, having inherited the disease from his grandmother, Britain's Queen Victoria--was the main concern of the royal family. Rasputin convinced the Empress, Tsarina Alexandra, that he could improve the health of young Crown Prince Aleksey. Both Tsar Nicholas II and his wife were devastated and demoralized by their son's illness, and their anxiety and desperation was used by Rasputin, and the people behind him, in a crafty way to achieve goals that suited their political agenda.
At the same time Tsar Nicholas was warned by his loyal prime minister, Count Stolypin, that Rasputin was a dangerous fraud who could become a threat to the royal family and to Russia. However, at Tsar Nicholas' insistence, Stolypin had a private meeting with Rasputin. Not long afterward Stolypin was assassinated by a hired terrorist, and the resulting investigation by the authorities was stopped order of the Emperor. Stolypin's records revealed that he had an argument with Rasputin, but he was stopped and intimidated by the hypnotic stare of Rasputin's piercing eyes. Stolypin and many other political figures of that time had documented that Rasputin had "satanic eyes" and he was possessed of a powerful and hypnotic glare that he used to intimidate and cow his enemies. Rasputin also often used verbal abuse and intimidation, including the most foul profanities--a practice considered shocking in the rarefied air of the Russian court--to intimidate and manipulate people into submission. At the height of his political influence, Rasputin was constantly guarded by six agents provided by the Russian security service by order of Tsarina Alexandra. Also by the Imperial order Rasputin was given a new name, Novykh, meaning the "new man", an exclamation attributed to the suffering boy, Crown Prince Aleksey.
Rasputin apparently persuaded both the Empress and her ailing son to ensure that he kept a permanent presence in the tsar's palaces, and he was appointed to an official court position as "personal healer" to Crown Prince Aleksey Nikolaeyvitch Romanov. Rasputin may had some limited beneficial effect on Prince Aleksey's condition through hypnotism, but it apparently was enough to convince both the Empress and the Prince to depend more and more on Rasputin's presence and his hypnotic abilities. Rasputin also insisted that real medical doctors should be kept away from Alexey, constantly telling the family, "Don't let the doctors bother him, let him rest." On the occasions when Aleksey's health had actually improved, Rasputin used the opportunity to take personal credit for the Prince's "improvement", thereby solidifying his control over access to the royal family.
The Empress became a patron of Rasputin, who soon established himself as an extremely powerful figure within the Russian court. The Emperor was calling Rasputin a "holy man" and referred to him as "our friend". Rasputin referred to the Emperor and the Empress only as "papa" and "mama" and always used a frank and "sincere" tone in conversations with the royal family. Meanwhile, government security sources reported about wild orgies at the many parties and gatherings at Rasputin's residence, located just a few blocks away from the Tsar's palace and paid for out of the Russian Treasury. Rasputin's drinking binges were reported as "massive and wild" that often degenerated into drunken and violent sex orgies, designed to entangle politicians and other guests who could prove useful to Rasputin's ambitions. He aggressively indoctrinated his victims by using, among other methods, his motto "Sin that you may obtain forgiveness!", which was in line with the views he learned from the sect of Khlysty.
Soon Rasputin and people behind him succeeded in using his influence to entangle many politicians in scandals, including dirty manipulations involving their wives, drinking parties, promiscuity, and massive embezzlement of the government funds during the First World War, by diverting money to special interests through insiders within the Treasury of Russia. Rasputin also manipulated the Empress Tsarina Alexandra to make controversial political appointments, which led to a bitter divide within all classes of the Russian society, causing a blow to the public image of the Imperial House of the Romanovs. Rasputin's manipulative activities provoked many conflicts within the Russian government and the Russian military command during the First World War. Rasputin was using his position inside the Tsar's Palace to directly interfere with Tsar's communications with the government and media, thus undermining the Tsar's public image. At several times Rasputin was able to interfere with the Tsar's schedule of meetings with political figures as well as military commanders during the war.
In 1914, while visiting a church in Siberian city of Tobolsk, Rasputin was attacked by his former prostitute-friend, Khionia Guseva, who then turned a religious disciple of monk Iliodor. Ms. Guseva approached Rasputin with a knife and wounded him in the stomach, but he recovered from the wound and soon gained an even stronger influence on the Empress Tsarina Alexandra. Later Ms. Guseva said to the Grand Jury that she acted in clear mind and full understanding that "Rasputin is the Antichrist harmful to the people of Russia." However she was declared insane and was forcefully placed in an asylum in Siberia. Rasputin's most destructive actions were committed in 1916, when he convinced the Tsar Nicholas II to move from the Russian capital, St. Petersburg, to the front-lines in Belarus, leaving the Empress Alexandra alone under his influence and in charge of internal politics of the country. In absence of the Tsar, St. Petersburg was surreptitiously over-taken by the revolutionary communists, who penetrated into many regiments of the Army, the Navy, as well as into the local political circles in the capital of Russia, thus preparing for the Communist Revolution of 1917. The decade of Rasputin's destructive manipulations led to irreparable political and economic damage and caused a bitter divide within the government and military command, as well as within all social layers of Russia. At that time the French ambassador Maurice Paléologue made a record that the "Russian Empress is mystically devoted to Rasputin."
Communist leader Vladimir Lenin wrote, "monstrous Rasputin is pushing the Tsar's regime to a disaster", which was helping the communist revolution. According to historians Rasputin was used by a secret group behind the communist revolutionaries, which acted to destroy the Romanov dynasty and the monarchy, and eventually fulfilled their plans and came to power through revolution. That explained how and why Rasputin was manipulated to discredit the royal family and personally the Tsar Nicholas II. Rasputin's main handler was a St. Petersburg's underworld drug lord, named Dr. Badmayev, who controlled Rasputin through his drug addiction and often instructed Rasputin about his political moves. Rasputin often stayed overnight after having a fix at Dr. Badmayev's home in St. Petersburg. At the same time, Rasputin's hypnotic influence over the Empress Alexandra and the Crown Prince Alexey remained very strong, allowing him to make political, ecclesiastical and military appointments for those who served his interests. Rasputin created and used public scandals and rumors about his sexual and alcoholic excesses, and designed crafty entrapments for many members of the Russian political establishment into orgies and scandals for immediate blackmail and exploitation. He polarized the society by using his political influence in securing the appointments and dismissals of several military commanders and government ministers during the First World War. Rasputin's abuse of power and his notorious debauchery was used by the communist propaganda to depict Rasputin with the Empress Alexandra in numerous pornographic comics, drawings and provocative publications as part of a massive negative publicity campaign against the House of Romanovs and the Russian monarchy. In the communist propaganda Rasputin was shown as a peasant who turned the Russian Tsar into a wimp, so the country was in "bad hands" and "proletarians must join with peasants to overthrow the monarchy and take power", so declared the communist leader Vladimir Lenin, who in turn was secretly financed by the German military.
In 1916, during the most difficult time in the First World War, brothers of Tsar Nicholas II obtained evidence that Rasputin was secretly negotiating a peace treaty with Germany while Russia's position in the war was not good. Rasputin said on record that "too many peasants were dead because of the war", indicating his agenda to settle "peace at any cost" which was also in line with the communist propaganda, and helped the German Armies. Peasants deserted from the Russian Army by hundreds of thousands, then armed peasants came to St. Petersburg and joined the communist revolutionary brigades. Rasputin's secret activity and his contacts with the Germans became a political scandal. Tsar's cousin, Grand Prince Nicholas, announced that he wants to hang Rasputin for treachery as a spy in German employ, albeit Rasputin was under the protection of the Empress Tsarina Alexandra, who herself was German. That led to a plot by a group of aristocrats, led by Prince Feliks Yusupov, a relative of the Tsar, to assassinate him, but Rasputin was officially guarded by six agents from the Russian Imperial Security under constant supervision of specially assigned officers who lived in Rasputin's house in St. Petersburg.
In November of 1916, Prince Yusupov pretended that he had chest pains and obtained a high recommendation to become a patient of Rasputin. Prince Feliks Yusupov made several visits to Rasputin as a patient and soon he made friends with Rasputin and presented him a picture of his wife, beautiful Princess Irene Yusupov, niece of the Emperor Tsar Nicholas II. Rasputin immediately became horny and expressed his desire to meet the beauty. On December 16, 1916, Prince Yusupov and his fellow officers designed a plan centered on using the beautiful Princess Irina Yusupov, as a bait. On December 29, 1916, Prince Feliks Yusupov personally invited Rasputin to a dinner and drove him to Yusupov's Moika Palace in St. Petersburg. There Rasputin was waiting for the appearance of the Princess Irina Yusupov, but she never showed up. Meanwhile, Rasputin was plied with wine and food that had been laced with cyanide, albeit the plotters were oblivious to the fact of chemistry that cyanide is often neutralized by some ingredients in food, as it turns into a harmless salt in most desserts and wines. Rasputin also had a condition with hyper-acidity and post-surgical stomach problems which caused him to minimize his intake of sugar and alcohol. When the poison had no apparent effect on Rasputin, Prince Feliks Yusupov pulled out his gun and fired, but Rasputin's life was saved because the first bullet was reflected by the hard metal button on his coat, he was wounded, but still managed to jump up and tried to escape out of the Moika Palace. Then Prince Yusupov and Count Vladimir Purishkevich together with their friend, British intelligence officer Oswald Rayner, pulled out their guns and fired at Rasputin, then, noticing that he was still trying to get up, they clubbed him into submission. In the early morning of December 30, 1916, members of the plot wrapped Rasputin and dragged him into the icy waters until he finally drowned in the Neva River.
Even after his death, Rasputin still remained dangerous and could be used as a destructive and divisive tool, because he left a wild and threatening message to Emperor Tsar Nicholas II and Alexandra, predicting their death and disaster for Russia. Crown Prince Alexey remained gravely ill and was heavily dependent and conditioned to Rasputin's hypnotic influence. Rasputin's body was buried upon Empress Alexandra's and Prince Alexey's request at the location in the park of Tsarkoe Selo, near the Summer Palace of the Russian Tsars. Two months after Rasputin's assassination, Emperor Tsar Nicholas II abdicated, then was arrested as citizen Romanov who was obediently sweeping snow from roads while waiting for his sentence under supervision of communist revolutionaries. Soon both Nicholas and Alexandra became increasingly paranoid about having Rasputin's grave next to his Summer Palace. Ironically, Tsar Nicholas II was under the house arrest in that same palace during the year of 1917, and both Empress Alexandra and Prince Alexey were not allowed to make visits to Rasputin's grave, which was vandalized by revolutionaries in search for valuables. By that time, Rasputin's body was removed upon the order from Aleksandr Kerensky, the head of the Russian provisional government, who previously was a student at the same school and at the same time with the future communist leader Vladimir Lenin. Initially Kerensky ordered to remove Rasputin's body to a remote cemetery, but during the move, Rasputin's body, masked as a piano in a wooden box, was destroyed in the fire started by a group of revolutionaries. Shortly after the Communist Revolution, the entire family of Tsar Tsar Nicholas II with his wife and five children were executed, then Tsar's Palaces were vandalized by the revolutionary communists and Rasputin's grave was again burglarized by poor proletarians in search for jewelery.
Later, while in emigration outside of the Communist Russia (then Soviet Union), both accounts by Prince Feliks Yusupov (who lived through the 1960s) and Count Vladimir Purishkevich (who died in the 1920s) were published in their respectful books of memoirs about their plot and assassination of Rasputin in the context of their participation in the historic events. Prince Yusupov compared Rasputin's cynical and manipulative treatment of the Tsar's family to the Communist Party's ruthless methods of control over innocent people of Russia. Rasputin's own "religious" speeches were interpreted and recorded by his enchanted admirers and titled "holy wanderings" and "holy thoughts" when first published in Russia in 1907 and in 1915. In 1942, Soviet dictator Joseph Stalin appointed the notorious St. Petersburg Bishop Sergiy the Patriarch of Orthodix Christianity in the Soviet Union. Then Patriarch Sergiy brought back the name of Gregory Rasputin from oblivion. At the same time some sectarian monks organized rumors about possible canonization of Gregory Rasputin as a "martyr and saint" who was assassinated by the family of the "bad" tsar.
Rasputin's daughter, Matrena Solovyova-Rasputina, and her husband, Boris Solovyov, who secretly collaborated with the Communist regime, took money and jewelery from Empress Tsarina Alexandra in exchange for a promise of assist the Tsar Nicholas II and his family to escape from the Communist regime. They betrayed the Tsar and his family and left them to be killed by the communists, while themselves escaped to France. There Rasputin's daughter, who was money hungry, read the memoirs of Prince Feliks Yusupov, and filed several law suits against Prince Yusupov, who gave accounts of Rasputin's death under oath in 1934 and 1965. Eventually Rasputin's daughter ended up working for a circus as a tiger tamer, then she moved to Los Angeles, and died there in 1977. - Igor Klass was born on 26 November 1939 in Russian SFSR, USSR. He was an actor, known for The Last Soviet Movie (2003), Daleko ot Sankt-Peterburga (1992) and Treasure Island (1972). He died on 13 March 2022 in Russia.
- Mikhail A. Bulgakov was a Russian writer and medical doctor known for big screen adaptations of his books, such as Beg (1971) and Master i Margarita (2006).
He was born Mikhail Afanasievich Bulgakov on May 15, 1891, in Kiev, Russia (now Kiev, Ukraine). He was the first of six children in the family of a theology professor. His family belonged to the intellectual elite of Kiev. Bulgakov with his brothers took part in the demonstration commemorating the death of Lev Tolstoy. Bulgakov graduated with honors from the Medical School of Kiev University in 1915. He married his classmate Tatiana Lippa, who became his assistant at surgeries and in his Doctor's office. He practiced medicine, specializing in venereal and other infectious diseases from 1915 to 1919.
Bulgakov wrote about his experiences as a doctor in his early works "Notes of a Young Doctor." In 1917-1919, he suffered from an infection that caused him an unbearable painful itch requiring him to take morphine; which he became addicted to, but he managed to overcome the dependency and quit. He joined the anti-communist White Army in the Russian Civil War. After the Civil War, he tried to emigrate from Russia, to reunite with his brother in Paris. But he became trapped in Soviet Russia. Several times he was almost killed by opposing forces on both sides of the Russian Civil War, but soldiers needed doctors, so Bulgakov was left alive. He provided medical help to the Chehchens, Caucasians, Cossacs, Russians, the Whites, the Reds... Bulgakov was the Doctor to all the sick people.
In 1921, Bulgakov moved to Moscow. There he became a writer and made friends with Valentin Kataev, Yuriy Olesha, Ilya Ilf, Yevgeni Petrov, and Konstantin Paustovsky. Later, he met Mikhail Zoschenko, Anna Akhmatova, Viktor Ardov, Sergey Mikhalkov, and Korney Ivanovich Chukovskiy. Bulgakov's plays at the Moscow Art Theatre were directed by Konstantin Stanislavski and Vladimir Nemirovich-Danchenko. "Days of the Turbins," about the demise of the White Army, was performed more than 200 times at the Moscow Art Theatre, and also at other Soviet theatres until it was banned.
The play was later restored to the repertoire and at least fifteen performances of this play were attended by Joseph Stalin. Stalin liked the play and later, in his official speeches, he used some of the well-written lines that were spoken from the stage by the Bulgakov's characters. In 1941, after the Nazi invasion in Russia during the Second World War, Joseph Stalin started his first radio address to the people of the Soviet Union with Bulgakov's words from the play, "Brothers and Sisters..."
Bulgakov's political independence was expressed in his article on the death of the first Soviet dictator Vladimir Lenin, "He killed a river of people..." wrote Bulgakov in 1924.
Bugakov's own way of life and his witty criticism of the ugly realities of life in the Soviet Union caused him much trouble. In 1925 he released 'Heart of a Dog', a bitter satire about the loss of civilized values in Russia under the Soviet system. Soon after, Bulgakov was interrogated by the Soviet secret service, OGPU. After interrogations, his personal diary and several unfinished works were confiscated by the secret service.
His plays were banned in all theaters, which terminated his income. Being financially broke, he wrote to his brother in Paris about his terrible life and poverty in Moscow. Bulgakov distanced himself from the Proletariat Writer's Union because he refused to write about the peasants and proletariat. He made adaptation of the "Dead Souls" by Nikolay Gogol for the stage; it became a success but was abruptly banned.
He took a risk and wrote a letter to Joseph Stalin with an ultimatum: "Let me out of the Soviet Union, or restore my work at the theaters." On the 18th of April of 1930, Bulgakov received a telephone call from Joseph Stalin. The dictator told the writer to fill an employment application at the Moscow Art Theater. Gradually, Bulgakov's plays were back in the repertoire of the Moscow Art Theatre. But most other theatres were in fear and did not stage any of the Bulgakov's plays for many years.
Joseph Stalin, who was increasingly paranoid, ordered massive extermination of intellectuals during the repressions known as the "Great Terror" (aka.. Great Purge). Many of Bulgakov's friends and colleagues, like Vladimir Mayakovsky, Osip Mandelstam, Vsevolod Meyerhold, Anna Akhmatova, Mikhail Zoschenko and many others were censored, banned, prosecuted, exiled, imprisoned, executed, found dead, or just disappeared without a trace.
At that time Bulgakov started his masterpiece - "Master and Margarita." It was slowly evolving from the series of chapters, initially titled "The Black Magician" in 1929. That was changed to "The Prince of Darkness" in 1930. Then it was changed again to "The Great Chancellor" in 1934. Finally, the novel was titled as "Master and Margarita" in 1934 and was rewritten and updated constantly until the writer's death in 1940.
While writing the novel, Bulgakov met Elena Sergeevna Shilovskaya, who became his wife. She was, in part, the model for Margarita in the novel. Secret service agents were spying on Bulgakov and learned about his new novel. Bulgakov was interrogated again and was ordered to destroy the manuscript under the threat from the government agents. He had to be very cautious. Bulgakov split the manuscript in two parts and destroyed one half in a fire.
Soon, he restored the missing part from memory and continued writing the novel. He was writing the novel in secrecy, hiding its manuscript for many years until his death in 1940. The main character in the novel, Voland, alludes to Stalin, or Beria, or any dictator who plays a semi-god. Voland was modeled after Satan in "Faust" by Johann Wolfgang von Goethe. The novel has many parallels with the Bible and the "Divine Comedy" by Dante Alighieri. The characters and events in "Master and Margarita" are alluding to Bulgakov's experiences in Moscow under the dictatorship of Joseph Stalin.
Five days before his death, Bulgakov accepted an unusual promise from his loving wife. She swore to live a humble life and wait as long as it would take for Bulgakov's masterpiece to be published. The original manuscript of "The Master and Margarita" was preserved by Bulgakov's wife, Elena Sergeevna, until its first publication in 1966. It is a Menippean satire, a cross-genre comedy, drama, and fantasy, regarded by many as the best of the 20th century Russian novels.
Mikhail Bulgakov died of a kidney failure, on March 10, 1940, in Moscow. He was laid to rest in the Novodevichy Monastery Cemetery, next to other Russian cultural luminaries. - Actor
- Additional Crew
Vasili Lanovoy was a notable Russian actor best known as Captain Grey in Alye parusa (1961) and as Anatol Kuragin in War and Peace (1965).
He was born Vasili Semenovich Lanovoy on January 16, 1934, in Moscow, Russia, USSR. His parents were Ukrainian peasants from Odessa region. They escaped from death in the famine of 1931 and survived by moving to Moscow. At the age of 7, Lanovoy went to visit his relatives near Odessa, but there he was caught by the advancing Nazi Armies during the Second World War. Young Lanovoy was abused by the Nazis who fired machine guns above his head to scare him, so he stammered for several years as a consequence. However, he had a dream of being an actor, regardless of his stammer and his heavy Ukrainian accent. He attended the acting class of Sergei Lvovich Stein at Moscow ZIL club, and made his stage debut in a play by Lev Kassil.
Young Lanovoy was torn between two professions, acting and journalism, and entered to study both. In 1953, at age 18, while a Journalism student of Moscow University, he was cast in Problem Child (1954), making his film debut. From 1953 - 1957 he studied acting at Shchukin Theatrical School of Vakhtangov Theatre in Moscow. There his classmate was Tatyana Samoylova, and they married in 1955, and later became co-stars in Anna Karenina (1967) by director Aleksandr Zarkhi. He also appeared as Anatol Kuragin in War and Peace (1965) by director Sergey Bondarchuk.
Since 1957 Vasili Lanovoy has been member of Vakhtangov Theatre in Moscow. There his stage partners were such actors as Mikhail Ulyanov, Ruben Simonov, Boris Zakhava, Mikhail Astangov, Varvara Popova, Irina Kupchenko, Natalya Tenyakova, Yuliya Borisova, Lyudmila Maksakova, Lyudmila Tselikovskaya, Marianna Vertinskaya, Nina Ruslanova, Nikolai Plotnikov, Yuriy Yakovlev, Vladimir Etush, Vyacheslav Shalevich, Andrei Abrikosov, Grigori Abrikosov, Boris Babochkin, Nikolai Gritsenko, Nikolai Timofeyev, Aleksandr Grave, Evgeniy Karelskikh, Sergey Makovetskiy, and Ruben Simonov, among others. His most memorable stage performances were as Protasov in 'Deti Solntsa' (1968), as Oktavian in 'Antony and Cleopatra' (1975), and the title role in 'Kasanova' (1985). Since taking the role as Prince Calaf in 1963, Lanovoy has been delivering acclaimed performances in the legendary Vakhtangov's production of Carlo Gozzi's comedy 'Princess Turandot'.
Vasili Lanovoy was designated People's Actor of the USSR, was awarded Lenin's Prize (1980), and received numerous awards and decorations for his works on stage and in film. Outside of his acting profession Lanovoy was fond of classical music and Ukrainian songs together with his friends and family. In his 70s and 80s, he was maintaining a good physical form through sports and pesco-vegetarian diet. He was married three times, and had two sons with actress Irina Kupchenko. Lanovoy was prominent member of the Communist Party of USSR and Russia, he also supported president Putin and Moscow mayor Sobyanin in their re-elections. He died of Covid-19 complications 12 days after his 87th birthday, on the 28th of January 2021 in Moscow, Russia.- Actor
- Director
- Second Unit Director or Assistant Director
Oleg Tabakov was a renown Russian actor, director, and public figure, who played over 100 roles in film and on TV. He is best known for his roles as Count Nikita Rostov in War and Peace (1965) by Sergey Bondarchuk, and as Oblomov in the eponymous film by Nikita Mikhalkov.
He was born Oleg Pavlovich Tabakov on August 17, 1935, in Saratov, Russia, USSR. His father, Pavel Kondratevich Tabakov, and his mother, Maria Andreevna Berezovskaya, were medical doctors in Saratov. His parents separated during the Second World War, and young Tabakov was brought up by his single mother and grandmother. He attended the all-boys school in Saratov, and was active in the drama class. From 1950-1953 he studied acting at the Saratov House of Pioneers under the legendary acting coach Natalia Iosifivna Sukhostav.
In 1953, Tabakov moved to Moscow and entered the Moscow Art Theatre (MKhAT) School of Acting. He attended the class of Vasili Toporkov, graduating in 1957 as an actor. He made his film debut as Sasha in Sasha vstupayet v zhizn (1957) by director Mikhail Shvejtser, in 1956. That same year he became the youngest of the six founding members of Sovremennik Theatre under the directorship of Oleg Efremov. From 1957 - 1983, he was member of Sovremennik. There he played leading roles in such productions as 'Goly Korol' (aka.. Naked King), 'Tri Zhelaniya' (aka.. Three Wishes), 'Obyknovennaya istoriya' (aka.. Ordinary story) and other contemporary Russian plays. From 1970 - 1976 Tabakov was General Manager of Sovremennik, he promoted Galina Volchek to Principal Director of the company.
Since 1970s Tabakov had been teaching young actors at his master-class. Many of his students became successful professionals on stage as well as in film industry. His teaching credentials included workshops and productions at the Paris Conservatoire, the British American Drama Academy, Akademie Der Künst in Hamburg, the Max Reinhardt Seminar in Vienna, Carnegie Mellon, The Juilliard School, New York University, Florida State University, The University of Delaware, and Harvard University.
In 1978 Tabakov and his students opened the "Tabakerka" Theatre in downtown Moscow. There Tabakov produced and directed several successful plays, such as 'Vesnoi ya vernus k tebe' (aka.. I'll be back in Spring), 'Proschay Maugli' (aka.. farewell to Maugli), and 'Belosnezhka i sem gnomov' (aka.. Snowhite and seven dwarfs). However, regardless of success with public and steady critical acclaim, the Soviet officials did not authorize Tabakov's new theatre, and his company dissolved by 1982. At that time Tabakov was depressed and transferred to MKhAT. There he played one of his best stage roles, Salieri, in the popular play 'Amadeus' under directorship of Oleg Efremov. Over the course of his acting career Tabakov appeared in about 150 roles, he also directed over 30 international stage productions.
During the 1990s, Oleg Tabakov was a strong supporter of democratic reforms and freedom in the new Russia. He made public speeches and was involved in many public events facilitating the cultural transformation of arts and theatres in Russia. Having himself experienced the Soviet control and suppression during his creative career, Tabakov became one of the leading proponents of cultural reforms in Russia. His efforts came to fruition in the revival of the Moscow Art Theatre under his leadership, as well as his participation in numerous cultural and political events in Russia. Over the course of his life and career, Oleg Tabakov rose to become one of the living symbols of artistic freedom in Russia. However, during the last years of life, Tabakov had shown public support of the ruling regime of Russia, supposedly out of the desire to help his students and the actors of his theatre.
Since 2000, after the death of his friend Oleg Efremov, Tabakov had been Artistic Director of Moscow Art Theatre named after A. Chekhov. He was also the Artistic Director of "Tabakerka" Theatre, and the leading actor in both companies. He was awarded the USSR State Prize for the Arts, the Russian State Prize for the Arts, and other national and international awards and decorations from Hungary, France, Poland, and the USSR. Oleg Tabakov was designated People's Actor of the USSR and Russia (1980s), and was decorated with the Order of Merit of Fatherland II degree, by the Russian president Vladimir Putin (2005).
Oleg Tabakov has been married twice. His first son, Anton Tabakov, is an actor and also a successful night-club owner in Moscow. Since 1996, Oleg Tabakov had been married to actress Marina Zudina and the couple had two children, son, Pavel (b. 1996), and daughter, Maria (b. 2006). Oleg Tabakov was hospitalized in the late November of 2017. His condition worsened gradually, ending in his death on 12th of March, 2018.