Experiment to graphically chart a montage episode [Opyt graficeskoj zapisi smontirovannogo epizoda] (reproduced in the book “Film Today”, dedicated to Kulesov, Vertov and Eisenstein) 1925.
Reference to the diagram of the sequence showing the raising of the Pioneer’s flag in Kinoglaz (reproduced for the first time in: Aleksandr Belenson, Kino—segodnja. Ocerki sovetskogo kinoiskusstva, Moskva 1925)—cf. V 39.
***
(Note by Daniel Kasman: I believe this scene is the one in the clip below)
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Text and images generously provided by the Austrian Film Museum from Dziga Vertov: The Vertov Collection at the Austrian Film Museum; Vienna: FilmmuseumSynemaPublikationen Vol. 4, 2006; edited by the Austrian Film Museum, Thomas Tode and Barbara Wurm.
The book is available for purchase for European readers here and for American readers here. More resources on Dziga Vertov from the Austrian Film Museum can be found at their Online Vertov Collection resource, here.
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From April 15 - June 4, 2011 New York's Museum of Modern Art is showing...
Reference to the diagram of the sequence showing the raising of the Pioneer’s flag in Kinoglaz (reproduced for the first time in: Aleksandr Belenson, Kino—segodnja. Ocerki sovetskogo kinoiskusstva, Moskva 1925)—cf. V 39.
***
(Note by Daniel Kasman: I believe this scene is the one in the clip below)
***
Text and images generously provided by the Austrian Film Museum from Dziga Vertov: The Vertov Collection at the Austrian Film Museum; Vienna: FilmmuseumSynemaPublikationen Vol. 4, 2006; edited by the Austrian Film Museum, Thomas Tode and Barbara Wurm.
The book is available for purchase for European readers here and for American readers here. More resources on Dziga Vertov from the Austrian Film Museum can be found at their Online Vertov Collection resource, here.
***
From April 15 - June 4, 2011 New York's Museum of Modern Art is showing...
- 5/7/2011
- MUBI
First the history, then the list:
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
- 5/3/2010
- by Mike Everleth
- Underground Film Journal
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