At the 27th Academy Awards, Oscar helped Edmond O’Brien win an Oscar.
O’Brien played sleazy show biz publicist Oscar Muldoon in 1954’s “The Barefoot Contessa,” which starred Humphrey Bogart and Ava Gardner. Bogart had been crowned Best Actor of 1951 for “The African Queen,” and had also contended for the same award for 1943’s Best Picture, “Casablanca.” Gardner was coming off of her first and only nomination, for Best Actress in 1953’s “Mogambo.” “The Barefoot Contessa” was written and directed by Academy favorite Joseph L. Mankiewicz, who had won back-to-back Best Director and Best Adapted Screenplay Oscars for 1949’s “A Letter to Three Wives” and 1950’s Best Picture, “All About Eve.”
”The Barefoot Contessa” didn’t fare quite as well at the Oscars as “Letter” or “Eve.” Neither Bogart or Gardner received nominations, though Bogart was cited for his role in that same year’s Best Picture entry “The Caine Mutiny.
O’Brien played sleazy show biz publicist Oscar Muldoon in 1954’s “The Barefoot Contessa,” which starred Humphrey Bogart and Ava Gardner. Bogart had been crowned Best Actor of 1951 for “The African Queen,” and had also contended for the same award for 1943’s Best Picture, “Casablanca.” Gardner was coming off of her first and only nomination, for Best Actress in 1953’s “Mogambo.” “The Barefoot Contessa” was written and directed by Academy favorite Joseph L. Mankiewicz, who had won back-to-back Best Director and Best Adapted Screenplay Oscars for 1949’s “A Letter to Three Wives” and 1950’s Best Picture, “All About Eve.”
”The Barefoot Contessa” didn’t fare quite as well at the Oscars as “Letter” or “Eve.” Neither Bogart or Gardner received nominations, though Bogart was cited for his role in that same year’s Best Picture entry “The Caine Mutiny.
- 6/4/2024
- by Tariq Khan
- Gold Derby
I am a sucker for movies about Broadway and those who spend their lives in the theatre. Of course the crown jewel of the genre is the Oscar-winning All About Eve, but there are so many others including 1933’s Morning Glory which won a young Katherine Hepburn her first Academy Award, as well as its rarely seen remake, 1958’s underrated Stage Struck. Ginger Rogers did a good one, too: Forever Female. The list goes on and on and now includes a stellar new entry, The Great Lillian Hall which gives the great Jessica Lange a challenging role worth her talents.
Premiering on HBO May 31, just barely under the wire for Emmy consideration, Lange’s performance as a stage legend facing dementia should send chills down the spine of any other contenders for Lead Actress in a Limited Series or Movie this season. This veteran star simply knocks it out of the park.
Premiering on HBO May 31, just barely under the wire for Emmy consideration, Lange’s performance as a stage legend facing dementia should send chills down the spine of any other contenders for Lead Actress in a Limited Series or Movie this season. This veteran star simply knocks it out of the park.
- 5/30/2024
- by Pete Hammond
- Deadline Film + TV
Before Simon (Théodore Pellerin) struts out on stage every night in his drag regalia, he prepares backstage by lip-syncing to Chaka Khan’s “I’m Every Woman.” His persona, Glory Gore, isn’t fully formed at this point — she’s only been half-painted into existence — but when Chaka belts out the lyrics to her signature anthem, something physically shifts within Simon as he begins to inhabit the words and the woman inside him alike. Although the other drag queens roll their eyes and tease Simon for always playing the same song each night, it’s not long before everyone joins him for a communal singalong that speaks to the uniquely queer connection these queens have bonded through.
Yet “Solo” isn’t so much about belonging as it is the desperate need to belong, and it’s this pain that Simon is forced to work through when his life twists into...
Yet “Solo” isn’t so much about belonging as it is the desperate need to belong, and it’s this pain that Simon is forced to work through when his life twists into...
- 5/28/2024
- by David Opie
- Indiewire
The 2024 Cannes Film Festival concluded on Saturday, May 25 following two weeks packed with screenings, stars, press and parties. With the prizes having been handed out for the festival’s 77th anniversary, we can now start looking at what contenders might be in the best spot to get into the upcoming Oscar race. Let’s examine the winners from this year’s festival and see the history that each category has when it comes to the Oscars.
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
- 5/25/2024
- by Charles Bright
- Gold Derby
Marilyn Monroe‘s star burned brightly and briefly before her untimely death in 1962 at age 36. Yet she managed to enter the pop culture lexicon with just a handful of films, becoming Hollywood’s most memorable sex symbol. In honor of her birthday, let’s take a look back at 15 of her greatest films, ranked worst to best.
Born in 1926, Monroe started off as a model before moving into acting with a series of bit parts, most notably in “All About Eve” and “The Asphalt Jungle,” both released in 1950. She became a leading lady with a trio of 1953 titles: the noir “Niagara,” the musical “Gentlemen Prefer Blondes” and the romantic comedy “How to Marry a Millionaire.”
She became iconic thanks to Billy Wilder‘s “The Seven Year Itch” (1955), in which she played a young woman tantalizing her married neighbor (Tom Ewell). Her image was forever burned into our memories thanks to...
Born in 1926, Monroe started off as a model before moving into acting with a series of bit parts, most notably in “All About Eve” and “The Asphalt Jungle,” both released in 1950. She became a leading lady with a trio of 1953 titles: the noir “Niagara,” the musical “Gentlemen Prefer Blondes” and the romantic comedy “How to Marry a Millionaire.”
She became iconic thanks to Billy Wilder‘s “The Seven Year Itch” (1955), in which she played a young woman tantalizing her married neighbor (Tom Ewell). Her image was forever burned into our memories thanks to...
- 5/24/2024
- by Zach Laws and Chris Beachum
- Gold Derby
The 1962 war epic "The Longest Day" starred the infamously brusque John Wayne as Lieutenant Colonel Benjamin H. Vandervoort, a real-life American soldier who was present for the titular "day," aka D-Day. Wayne was 55 at the time of filming, however, making him a full 28 years older than Vandervoort was on June 6, 1944. Wayne was still a major star, though, so the filmmakers simply had to ignore the massive age gap.
The studios also had to begrudgingly pay Wayne a massive $250,000 for his work, which was 10 times larger than most of the film's other stars. It seems that Wayne sought such a high salary not because of greed or ego, but out of spite. Wayne, you see, had a beef with 20th Century Fox executive Daryl F. Zanuck, and the actor wanted to actively butt heads with the CEO. It wasn't that Wayne wanted the money, he just wanted to make sure that Zanuck didn't have it.
The studios also had to begrudgingly pay Wayne a massive $250,000 for his work, which was 10 times larger than most of the film's other stars. It seems that Wayne sought such a high salary not because of greed or ego, but out of spite. Wayne, you see, had a beef with 20th Century Fox executive Daryl F. Zanuck, and the actor wanted to actively butt heads with the CEO. It wasn't that Wayne wanted the money, he just wanted to make sure that Zanuck didn't have it.
- 5/24/2024
- by Witney Seibold
- Slash Film
Demi Moore is using her juiciest leading role in years to make a statement against the sexism of Hollywood.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
- 5/20/2024
- by Samantha Bergeson
- Indiewire
An immensely, unstoppably, ecstatically demented fairy tale about female self-hatred, Coralie Fargeat’s “The Substance” will stop at nothing — and I mean nothing — to explode the ruthless beauty standards that society has inflicted upon women for thousands of years, a burden this camp-adjacent instant classic aspires to cast off with some of the most spectacularly disgusting body horror this side of “The Fly” or the final minutes of “Akira.”
If the “Revenge” director’s immaculately crafted debut tried to dismantle male toxicity with a shotgun blast square to the balls, Fargeat’s Cannes-approved follow-up turns that same attention inwards, allowing her to take aim at both the pointlessness she’s been conditioned to feel as a forty-something woman, and also at the resentment she’s been conditioned to feel toward her younger self. Squelching with fury at how a woman’s “fuckability” is used as the ultimate measure of her worth,...
If the “Revenge” director’s immaculately crafted debut tried to dismantle male toxicity with a shotgun blast square to the balls, Fargeat’s Cannes-approved follow-up turns that same attention inwards, allowing her to take aim at both the pointlessness she’s been conditioned to feel as a forty-something woman, and also at the resentment she’s been conditioned to feel toward her younger self. Squelching with fury at how a woman’s “fuckability” is used as the ultimate measure of her worth,...
- 5/19/2024
- by David Ehrlich
- Indiewire
Superstar Marilyn Monroe passed away in 1962, but her legacy lives on in the form of several classic movies that still hold up today. The actor and model appeared in plenty of great films across her lifetime, including several that have only grown in public estimation since their release. Among the best: crowd pleasers like "Gentlemen Prefer Blondes," "The Seven Year Itch," and "How To Marry A Millionaire," plus stone-cold classics "Some Like It Hot" and "All About Eve."
Surprisingly, though, Monroe's most popular and obviously beloved movies aren't actually her most acclaimed –- at least according to one major metric. Only one of the films she appeared in during her too-short lifetime has a perfect critical score on review aggregate site Rotten Tomatoes, and it's not any of the titles listed above. Instead, that coveted 100% score goes to "Don't Bother To Knock," a comparatively underseen thriller Monroe starred in...
Surprisingly, though, Monroe's most popular and obviously beloved movies aren't actually her most acclaimed –- at least according to one major metric. Only one of the films she appeared in during her too-short lifetime has a perfect critical score on review aggregate site Rotten Tomatoes, and it's not any of the titles listed above. Instead, that coveted 100% score goes to "Don't Bother To Knock," a comparatively underseen thriller Monroe starred in...
- 5/18/2024
- by Valerie Ettenhofer
- Slash Film
Pixar director Kelsey Mann pitched “Inside Out 2” (in theaters June 14) as a hostile takeover of Riley’s (Kensington Tallman) emotions during the onslaught of puberty, led by Anxiety (Maya Hawke) and cohorts Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos), and Embarrassment (Paul Walter Hauser).
“What if this version is like them going: ‘[Joy], you’re wonderful, but you need to get out of here,'” Mann said at a recent Pixar press junket. “And so I always pitched it as a takeover movie.” But there’s nothing sinister about Anxiety leading the revolt. Like Joy (Amy Poehler), she merely wants to protect Riley, but believe she’s more qualified to handle her teen angst now that she’s turned 13.
In fact, Mann found it analogous to “All About Eve,” with Anxiety as the emotional ingenue willing at first to support Joy and learn from her. That is, until she realizes that...
“What if this version is like them going: ‘[Joy], you’re wonderful, but you need to get out of here,'” Mann said at a recent Pixar press junket. “And so I always pitched it as a takeover movie.” But there’s nothing sinister about Anxiety leading the revolt. Like Joy (Amy Poehler), she merely wants to protect Riley, but believe she’s more qualified to handle her teen angst now that she’s turned 13.
In fact, Mann found it analogous to “All About Eve,” with Anxiety as the emotional ingenue willing at first to support Joy and learn from her. That is, until she realizes that...
- 5/14/2024
- by Bill Desowitz
- Indiewire
City of stars, there’s so much that I can’t see…But unfortunately for Ryan Gosling, there’s one thing he can’t unsee from La La Land: his hand. No matter how much 2016’s La La Land did for Gosling’s reputation and awards prestige, he is forever embarrassed by one frame from the near-Best Picture winner; and unfortunately, that image became the most famous from the movie, even being selected for the poster.
As Ryan Gosling recently revealed, his hand positioning in the “A Lovely Night” sequence – in which Sebastian (Gosling) and Mia (Emma Stone) dance at the Griffith Observatory in an enchanting single shot – has haunted him ever since the movie’s marketing campaign. “There’s a moment that haunts me where we’re dancing, Emma and I. I didn’t know this would become the poster for the movie. But I thought we were...
As Ryan Gosling recently revealed, his hand positioning in the “A Lovely Night” sequence – in which Sebastian (Gosling) and Mia (Emma Stone) dance at the Griffith Observatory in an enchanting single shot – has haunted him ever since the movie’s marketing campaign. “There’s a moment that haunts me where we’re dancing, Emma and I. I didn’t know this would become the poster for the movie. But I thought we were...
- 5/5/2024
- by Mathew Plale
- JoBlo.com
Exclusive: CAA has signed Tony and Olivier-Award winning director Ivo van Hove in all areas.
Belgian-born van Hove has built a reputation for experimental revisions of Hollywood and Broadway classics including Broadway revival productions of Arthur Miller’s A View from the Bridge, for which he received a Tony Award and a Laurence Olivier Award, and The Crucible as well as Lee Hall’s Network (starring Bryan Cranston and Tatiana Maslany), All About Eve (with Gillian Anderson in the Bette Davis role) and Stephen Sondheim’s West Side Story.
Last year, van Hove teamed with John Wells to develop Doll at Warner Bros. Television. The project is described as a psychological thriller series set in the ruthless world of a modern music conservatory. The former’s artistic collaborator, Jan Versweyveld, was set to serve as production and lighting designer on the project, which marks the duo’s first foray into scripted television.
Belgian-born van Hove has built a reputation for experimental revisions of Hollywood and Broadway classics including Broadway revival productions of Arthur Miller’s A View from the Bridge, for which he received a Tony Award and a Laurence Olivier Award, and The Crucible as well as Lee Hall’s Network (starring Bryan Cranston and Tatiana Maslany), All About Eve (with Gillian Anderson in the Bette Davis role) and Stephen Sondheim’s West Side Story.
Last year, van Hove teamed with John Wells to develop Doll at Warner Bros. Television. The project is described as a psychological thriller series set in the ruthless world of a modern music conservatory. The former’s artistic collaborator, Jan Versweyveld, was set to serve as production and lighting designer on the project, which marks the duo’s first foray into scripted television.
- 4/29/2024
- by The Deadline Team
- Deadline Film + TV
When Disney purchased the 20th Century Fox library in 2019, it caused some consternation among cineastes. The Fox catalog was vast and impressive, containing tons of indelible classics and even more titles waiting deep inside the studio's archive. 20th Century Fox was formed in 1935 and quickly became one of the "big five" studios that dominated the film industry for decades. Fox hadn't seen a shake-up this dramatic since 1985 when ultra-conservative media mogul Rubert Murdoch bought a controlling share of the company from Marvin Davis.
When Disney made its purchase, many film fans wondered if Fox's old classics would be made more widely available through the about-to-launch Disney+. When the streaming service debuted with a paltry 500 titles, cineastes were aghast. Why buy all those Fox titles if you're not going to distribute them?
That, however, was merely the end of the road for Fox. For its 83-year life, the studio went through many massive,...
When Disney made its purchase, many film fans wondered if Fox's old classics would be made more widely available through the about-to-launch Disney+. When the streaming service debuted with a paltry 500 titles, cineastes were aghast. Why buy all those Fox titles if you're not going to distribute them?
That, however, was merely the end of the road for Fox. For its 83-year life, the studio went through many massive,...
- 4/21/2024
- by Witney Seibold
- Slash Film
I never liked Tom Ripley but I keep meeting him.
I’ve “met” Ripley in five films, and he’s now the protagonist of a somber eight-part Netflix series. So filmmakers clearly find his character intriguing. Even though he has no character.
That, in itself, reminds me that Hollywood is suffering the same problem as Washington: an absence of vital young protagonists. Voters are confronted by an election that’s really a rerun, likely opened by a debate no one wants to witness.
In filmmaking, the worldwide success of Oppenheimer told us that a complex story becomes more interesting if it’s also about someone interesting. Yet movies with vibrant young protagonists seem to be losing their moment.
Dan Lin, the new chief of film at Netflix, confides a desire — since rebutted by Ted Sarandos on Thursday’s Q1 earnings call — to steer away from mindless mega-budget action films like...
I’ve “met” Ripley in five films, and he’s now the protagonist of a somber eight-part Netflix series. So filmmakers clearly find his character intriguing. Even though he has no character.
That, in itself, reminds me that Hollywood is suffering the same problem as Washington: an absence of vital young protagonists. Voters are confronted by an election that’s really a rerun, likely opened by a debate no one wants to witness.
In filmmaking, the worldwide success of Oppenheimer told us that a complex story becomes more interesting if it’s also about someone interesting. Yet movies with vibrant young protagonists seem to be losing their moment.
Dan Lin, the new chief of film at Netflix, confides a desire — since rebutted by Ted Sarandos on Thursday’s Q1 earnings call — to steer away from mindless mega-budget action films like...
- 4/19/2024
- by Peter Bart
- Deadline Film + TV
At the 95th Academy Awards (honoring the cinematic achievements of 2022), there were two notable surprises in the technical categories. The first occurred when “Black Panther: Wakanda Forever” nabbed the Oscar for Best Costume Design, beating out the the heavily favored “Elvis” as well as “Babylon.” The second occurred when “All Quiet on the Western Front” claimed the prize for Best Production Design, defeating Gold Derby odds leader “Babylon” in addition to both “Elvis” and “Avatar: The Way of Water.” Anyone who predicted either of those two upsets outsmarted the vast majority of Gold Derby users.
At last month’s 96th Academy Awards, we didn’t see any similar out-of-left-field choices in any of the tech categories. The closest thing to a curveball was arguably “The Zone of Interest” winning the Oscar for Best Sound, overcoming the night’s eventual Best Picture champion, “Oppenheimer.” So how did “Zone” do it? Here are five reasons why.
At last month’s 96th Academy Awards, we didn’t see any similar out-of-left-field choices in any of the tech categories. The closest thing to a curveball was arguably “The Zone of Interest” winning the Oscar for Best Sound, overcoming the night’s eventual Best Picture champion, “Oppenheimer.” So how did “Zone” do it? Here are five reasons why.
- 4/16/2024
- by Tariq Khan
- Gold Derby
Once a punchline, now a classic, Paul Verhoeven’s lusty Las Vegas spin on “All About Eve” was destroyed by critics at its release in 1995. But how many movies from that same period can boast a 1,200-seat sell-out at the Academy Museum’s Geffen Theater all these years later?
According to The Hollywood Reporter, the film’s star (and that year’s Razzie-winner) Elizabeth Berkley received no less than three standing ovations during her introduction on Wednesday.
She told the crowd that the property was so hot at the time that she asked her agent if it could mean an Academy Award nomination. “Every girl in Hollywood had fought for this role,” she said.
While recognizing now that was a bit of wishful thinking she did salute the audience that “got” the movie from day one.
“[‘Showgirls’] really pushed the boundaries at that time that now have been embraced — not misunderstood but truly embraced.
According to The Hollywood Reporter, the film’s star (and that year’s Razzie-winner) Elizabeth Berkley received no less than three standing ovations during her introduction on Wednesday.
She told the crowd that the property was so hot at the time that she asked her agent if it could mean an Academy Award nomination. “Every girl in Hollywood had fought for this role,” she said.
While recognizing now that was a bit of wishful thinking she did salute the audience that “got” the movie from day one.
“[‘Showgirls’] really pushed the boundaries at that time that now have been embraced — not misunderstood but truly embraced.
- 3/21/2024
- by Jordan Hoffman
- Gold Derby
It’s a rare type of cinephile who wasn’t introduced to the idea of film as more than just idle entertainment by the ritual of the Academy Awards. And it’s an even rarer type of cinephile who didn’t soon thereafter vehemently reject the Oscar as the ultimate barometer of a film’s artistic worth. Those of us who started off with The Godfather, Schindler’s List, All About Eve, or Casablanca all eventually got around to Out of Africa, Around the World in 80 Days, The Greatest Show on Earth, Cimarron, and Cavalcade. First loves being first loves, we still find ourselves regressing if for only one night a year, succumbing to the allure of instant canonization even as it comes in the form of repeated slap-in-the-face reminders of Oscar’s bracing wrongness: Gladiator, Braveheart, Chicago, Crash. In that sense, consider this project part cathartic exorcism and part...
- 3/17/2024
- by Slant Staff
- Slant Magazine
Heading into Sunday's ceremony, it was clear that the Academy of Motion Picture Arts and Sciences' membership was quite fond of Christopher Nolan's "Oppenheimer." The three-hour biopic fell one nod short of tying "Titanic," "La La Land," and "All About Eve" for the most Oscar nominations ever received by a single film.
With its numerous wins, let there be no mistake: A huge chunk of the Academy found Nolan's achievement undeniable at just about every artistic and technical level. As for what this says about the state of the Academy in 2024, that's a trickier assessment.
For years, AMPAS was rightly criticized for its deplorable lack of diversity in its membership and seeming disinterest in doing anything to rectify the situation. This changed (albeit slowly) after a 2012 Los Angeles Times study showed that the Academy was 94% white and 77% male. That no one was terribly surprised by these numbers only compounded the embarrassment.
With its numerous wins, let there be no mistake: A huge chunk of the Academy found Nolan's achievement undeniable at just about every artistic and technical level. As for what this says about the state of the Academy in 2024, that's a trickier assessment.
For years, AMPAS was rightly criticized for its deplorable lack of diversity in its membership and seeming disinterest in doing anything to rectify the situation. This changed (albeit slowly) after a 2012 Los Angeles Times study showed that the Academy was 94% white and 77% male. That no one was terribly surprised by these numbers only compounded the embarrassment.
- 3/11/2024
- by Jeremy Smith
- Slash Film
“Oppenheimer” is the most nominated film at this year’s Oscars with 13 nominations. That’s one shy of the all-time record of 14 nominations so it missed out on Oscars history in the nomination phase.
However, Universal’s movie could match Academy Awards history in the awards phase by equalling the record of 11 Oscar wins overall. So far, three films have won 11 Academy Awards. They were “Ben-Hur” in 1960, “Titanic” in 1998, and “The Lord of the Rings: The Return of the King” in 2004. Here’s the breakdown of what awards they won.
“Ben-Hur”
Best Picture — Sam Zimbalist Best Director — William Wyler Best Actor — Charlton Heston Best Supporting Actor — Hugh Griffith Best Film Editing Best Cinematography (Color) Best Music (Scoring of a Dramatic or Comedy Picture) Best Costume Design (Color) Best Art Direction-Set Decoration (Color) Best Sound Recording Best Visual Effects
*”Ben-Hur” was also nominated for Best Adapted Screenplay for Karl Tunberg...
However, Universal’s movie could match Academy Awards history in the awards phase by equalling the record of 11 Oscar wins overall. So far, three films have won 11 Academy Awards. They were “Ben-Hur” in 1960, “Titanic” in 1998, and “The Lord of the Rings: The Return of the King” in 2004. Here’s the breakdown of what awards they won.
“Ben-Hur”
Best Picture — Sam Zimbalist Best Director — William Wyler Best Actor — Charlton Heston Best Supporting Actor — Hugh Griffith Best Film Editing Best Cinematography (Color) Best Music (Scoring of a Dramatic or Comedy Picture) Best Costume Design (Color) Best Art Direction-Set Decoration (Color) Best Sound Recording Best Visual Effects
*”Ben-Hur” was also nominated for Best Adapted Screenplay for Karl Tunberg...
- 3/8/2024
- by Jacob Sarkisian
- Gold Derby
The 96th Academy Awards will be presented on Sunday, Mar. 10, celebrating the best films of 2023 in 23 different categories. Scroll down for our official odds with our projected winners highlighted in gold.
Christopher Nolan‘s “Oppenheimer” heads into the ceremony with the most nominations of the year with a lucky 13, which means the film ranks as one of the most nominated movies of all time. Although it did not tie the record 14 held by “All About Eve,” “Titanic” and “La La Land,” it is tied with an impressive list of films that also scored 13 bids, including “Gone with the Wind,” “From Here to Eternity,” “Mary Poppins,” “Who’s Afraid of Virginia Woolf?,” “Forrest Gump,” “Shakespeare in Love,” “The Lord of the Rings: The Fellowship of the Ring,” “Chicago,” “The Curious Case of Benjamin Button” and “The Shape of Water.” Our experts, editors and users expect it to win 8 Oscars, which would make...
Christopher Nolan‘s “Oppenheimer” heads into the ceremony with the most nominations of the year with a lucky 13, which means the film ranks as one of the most nominated movies of all time. Although it did not tie the record 14 held by “All About Eve,” “Titanic” and “La La Land,” it is tied with an impressive list of films that also scored 13 bids, including “Gone with the Wind,” “From Here to Eternity,” “Mary Poppins,” “Who’s Afraid of Virginia Woolf?,” “Forrest Gump,” “Shakespeare in Love,” “The Lord of the Rings: The Fellowship of the Ring,” “Chicago,” “The Curious Case of Benjamin Button” and “The Shape of Water.” Our experts, editors and users expect it to win 8 Oscars, which would make...
- 3/7/2024
- by David Buchanan
- Gold Derby
As the expectation of an “Oppenheimer” steamroller at the Academy Awards this coming Sunday rises seemingly by the day, it’s worth looking at some of the Oscar juggernauts of the past and guessing where the film will fall in terms of number of victories. It’s possible the movie could even score a double-digit total, and if it does, that would elevate it into some very rarified air.
While it could conceivably win as many as 13 statuettes based on its 13 nominations, “Oppenheimer” is obviously highly unlikely to sweep every category. It probably won’t, for instance, take home the trophies for costume design or for makeup and hairstyling. When you think of the Father of the Atomic Bomb, after all, you don’t necessarily envision what a sharp dresser he was or how perfectly coiffed. I’m also predicting the film will lose at least one other of the...
While it could conceivably win as many as 13 statuettes based on its 13 nominations, “Oppenheimer” is obviously highly unlikely to sweep every category. It probably won’t, for instance, take home the trophies for costume design or for makeup and hairstyling. When you think of the Father of the Atomic Bomb, after all, you don’t necessarily envision what a sharp dresser he was or how perfectly coiffed. I’m also predicting the film will lose at least one other of the...
- 3/4/2024
- by Ray Richmond
- Gold Derby
Upon securing a spot in the 2024 Best Supporting Actress Oscar lineup, Jodie Foster (“Nyad”) officially shattered the Academy Awards record for longest span between fourth and fifth acting nominations. Following her two Best Actress wins for “The Accused” (1989) and “The Silence of the Lambs” (1992), she had last been recognized in that category for “Nell” (1995), making for a general nomination gap of 29 years. Coincidentally, she took this particular distinction from fellow “Silence of the Lambs” winner Anthony Hopkins, who waited 22 years between his supporting bids for “Amistad” (1998) and “The Two Popes” (2020).
Previously, the female record for longest wait for a fifth nomination was 12 years, as shared by Julianne Moore and Frances McDormand. Considering gaps between any two consecutive acting nominations, Foster ranks well behind overall record holder Judd Hirsch, whose first and second career notices for “Ordinary People” (1981) and “The Fabelmans” (2023) came 42 years apart. His female counterpart is Helen Hayes (39 years...
Previously, the female record for longest wait for a fifth nomination was 12 years, as shared by Julianne Moore and Frances McDormand. Considering gaps between any two consecutive acting nominations, Foster ranks well behind overall record holder Judd Hirsch, whose first and second career notices for “Ordinary People” (1981) and “The Fabelmans” (2023) came 42 years apart. His female counterpart is Helen Hayes (39 years...
- 2/6/2024
- by Matthew Stewart
- Gold Derby
Oscars 2024: 3 Records Set For The First Time In The 96-Year-Old History, Martin Scorsese Achieves A Milestone At 81 & Women Directed-Films Owning The Stage! (Photo Credit –Instagram/IMDb)
Oscars 2024 nominations are here, and a lot is happening apart from the disappointing Barbie snub. There are a few records that this year’s noms have set, and we’re here to take a look at the best three of them all. Oppenheimer, with its 13 nominations, remained just one nod away from sharing a record of highest noms for a single film shared by All About Eve, Titanic, and La La Land (14).
The 81-year-old genius!
But, there are three special records that broke at Oscars 2024, which happened for the first time in the 96-year-old history of the Academy Awards. To start with, we had Martin Scorsese becoming the first living director to surpass Steven Spielberg’s record of being the most nominated director at the Oscars.
Oscars 2024 nominations are here, and a lot is happening apart from the disappointing Barbie snub. There are a few records that this year’s noms have set, and we’re here to take a look at the best three of them all. Oppenheimer, with its 13 nominations, remained just one nod away from sharing a record of highest noms for a single film shared by All About Eve, Titanic, and La La Land (14).
The 81-year-old genius!
But, there are three special records that broke at Oscars 2024, which happened for the first time in the 96-year-old history of the Academy Awards. To start with, we had Martin Scorsese becoming the first living director to surpass Steven Spielberg’s record of being the most nominated director at the Oscars.
- 1/23/2024
- by Umesh Punwani
- KoiMoi
Three films scored a double-digit number of Oscar nominations on Tuesday morning — Universal’s Oppenheimer (13, one shy of the all-time record shared by All About Eve, Titanic and La La Land), Searchlight’s Poor Things (11) and Apple’s Killers of the Flower Moon (10) — a rare feat. But for many, those impressive showings were overshadowed by the lack of directing and lead actress nominations for Greta Gerwig and Margot Robbie, respectively, of Warner Bros.’ Barbie.
Though those categories reflect the preferences of only the directors branch (less than 6 percent of the full Academy) and the actors branch (just over 13 percent), and though Gerwig and Robbie are nominated in other categories (for writing and producing), and though Barbie did receive eight nominations (including best picture), the optics of excluding the women most responsible for a critically acclaimed film that became the biggest blockbuster of 2023 from the directing and lead actress categories are not good.
Though those categories reflect the preferences of only the directors branch (less than 6 percent of the full Academy) and the actors branch (just over 13 percent), and though Gerwig and Robbie are nominated in other categories (for writing and producing), and though Barbie did receive eight nominations (including best picture), the optics of excluding the women most responsible for a critically acclaimed film that became the biggest blockbuster of 2023 from the directing and lead actress categories are not good.
- 1/23/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Christopher Nolan’s “Oppenheimer” earned the most Oscar nominations of any film at the 2024 Academy Awards with 13, falling short by one of the record for most noms in a single year of 14 that was set by “All About Eve,” “La La Land” and “Titanic.” Its tally includes citations for Best Picture, Director, three for acting and a host of below-the-line categories. See below for a complete list of 2024 Oscar nominations by film.
Nipping at its heels is “Poor Things” with an impressive 11 nominations. The Yorgos Lanthimos film earned nominations in the top categories of Picture, Director, Actress for Emma Stone, Supporting Actor for Mark Ruffalo but missed out on a second supporting bid for Willem Dafoe. The only other movie that broke double digits is “Killers of the Flower Moon” which scored 10, just like director Martin Scorsese’s recent outing “The Irishman.” Even though it missed out on a Screenplay nomination,...
Nipping at its heels is “Poor Things” with an impressive 11 nominations. The Yorgos Lanthimos film earned nominations in the top categories of Picture, Director, Actress for Emma Stone, Supporting Actor for Mark Ruffalo but missed out on a second supporting bid for Willem Dafoe. The only other movie that broke double digits is “Killers of the Flower Moon” which scored 10, just like director Martin Scorsese’s recent outing “The Irishman.” Even though it missed out on a Screenplay nomination,...
- 1/23/2024
- by David Buchanan
- Gold Derby
Who says you can’t laugh and win Oscars, too?
In a stunning year for cinema, the candidates for the coveted best picture category are overflowing with prime comedic endeavors that surpass their dramatic counterparts. From a toy doll to an author with a triumphant “Black book” to a reverse Frankenstein tale that shows a whole lot of sex, the Academy has an opportunity to invite the softer side of cinema to its ceremony.
This year, it’s hard to imagine an Oscar picture lineup that won’t include four of this year’s Globe nominees: “American Fiction” (MGM), “Barbie” (Warner Bros.), “The Holdovers” (Focus Features) and “Poor Things” (Searchlight Pictures).
When it comes to “Barbie,” when analyzing the competitive field, there’s a real possibility for Greta Gerwig’s meta-comedy about the beloved toy doll to rake in upwards of 14 Oscar nominations, which would tie for the most in...
In a stunning year for cinema, the candidates for the coveted best picture category are overflowing with prime comedic endeavors that surpass their dramatic counterparts. From a toy doll to an author with a triumphant “Black book” to a reverse Frankenstein tale that shows a whole lot of sex, the Academy has an opportunity to invite the softer side of cinema to its ceremony.
This year, it’s hard to imagine an Oscar picture lineup that won’t include four of this year’s Globe nominees: “American Fiction” (MGM), “Barbie” (Warner Bros.), “The Holdovers” (Focus Features) and “Poor Things” (Searchlight Pictures).
When it comes to “Barbie,” when analyzing the competitive field, there’s a real possibility for Greta Gerwig’s meta-comedy about the beloved toy doll to rake in upwards of 14 Oscar nominations, which would tie for the most in...
- 12/22/2023
- by Clayton Davis
- Variety Film + TV
Rod Serling was famous for a lot of things. He was one of the most acclaimed television writers of the mid-20th century, the creator of the genre-defining anthology series "The Twilight Zone," he co-wrote the screenplay to the original "Planet of the Apes," and he even helped give Steven Spielberg his big break. But even though he's famous for a lot of things, he was a prolific writer and even some of his best and most fascinating projects have been largely forgotten by the public over time. Like, for example, an adaptation of one of the most popular Christmas stories ever told, transformed into one of the most politically charged Christmas movies ever filmed.
Serling was no stranger to Christmas stories. After all, he wrote the classic yuletide episode "Night of the Meek," a hopeful story about an alcoholic department store Santa who stumbles across a magical sack that...
Serling was no stranger to Christmas stories. After all, he wrote the classic yuletide episode "Night of the Meek," a hopeful story about an alcoholic department store Santa who stumbles across a magical sack that...
- 12/22/2023
- by William Bibbiani
- Slash Film
Ethan Hunt is about to join the DC Universe (or what is left of it). Top Gun pilot Pete “Maverick” Mitchell could find himself flying wingman to Harry Potter. Get ready for Batman v Transformers! The jokes wrote themselves Wednesday evening as late holiday season news broke: Warner Bros. Discovery CEO David Zaslav met with Paramount Global CEO Bob Bakish earlier this week to discuss a potential merger of their respective media companies. Yet any attempt at humor is of the strictly gallows variety (particularly since it is difficult to imagine someone like Tom Cruise working for David Zaslav).
That’s because the idea of a Wbd and Paramount merger is bleak unless you own significant stock in either media company. That’s who these deals are designed for—not the filmmakers, artists, and certainly not the consumers. As the media landscape contracts ever further atop itself, and conglomerates complete...
That’s because the idea of a Wbd and Paramount merger is bleak unless you own significant stock in either media company. That’s who these deals are designed for—not the filmmakers, artists, and certainly not the consumers. As the media landscape contracts ever further atop itself, and conglomerates complete...
- 12/21/2023
- by David Crow
- Den of Geek
Clockwise from top left: Batman Returns (Warner Bros.), A Good Person (MGM/United Artists), Evil Dead Rise (Warner Bros.)Image: The A.V. Club
It’s almost Thanksgiving, which means streaming services are starting to add holiday-themed movies—or just movies set on or around Christmas—to their libraries. Prime Video...
It’s almost Thanksgiving, which means streaming services are starting to add holiday-themed movies—or just movies set on or around Christmas—to their libraries. Prime Video...
- 10/30/2023
- by Robert DeSalvo
- avclub.com
In the four years since the Walt Disney Company bought 20th Century Fox and Fox Searchlight, the core studio — now known as 20th Century Studios — has become for the most part a content mill for its streaming services.
Some key IP — like next summer’s “Kingdom of the Planet of the Apes” — are still deemed worthy of theaters but most 20th Century Studios films, like the true-crime thriller “Boston Strangler” and “Vacation Friends 2,” are streaming-bound.
Insiders differ on whether this is a temporary situation caused by Covid variables, a Wall Street-driven rush to streaming and an uncertain theatrical marketplace playing their parts. Will the formally theatrically-focused powerhouse fade into Disney-backed irrelevancy or might an improved theatrical marketplace offer the former titan a chance to be more than just a streaming supply arm for the Walt Disney Company?
In March of 2019, the Walt Disney Company paid $71 billion for Fox Studios.
Some key IP — like next summer’s “Kingdom of the Planet of the Apes” — are still deemed worthy of theaters but most 20th Century Studios films, like the true-crime thriller “Boston Strangler” and “Vacation Friends 2,” are streaming-bound.
Insiders differ on whether this is a temporary situation caused by Covid variables, a Wall Street-driven rush to streaming and an uncertain theatrical marketplace playing their parts. Will the formally theatrically-focused powerhouse fade into Disney-backed irrelevancy or might an improved theatrical marketplace offer the former titan a chance to be more than just a streaming supply arm for the Walt Disney Company?
In March of 2019, the Walt Disney Company paid $71 billion for Fox Studios.
- 9/29/2023
- by Scott Mendelson
- The Wrap
What’s better than a May-December romance? One with a salacious national scandal attached to it.
Todd Haynes’s 10th feature film “May December” stars Julianne Moore as a predatory woman who seduced an adolescent boy two decades prior; now, Natalie Portman is bringing her story to the big screen, causing personal mayhem for Moore’s secluded suburban lifestyle.
“May December” is set 20 years after their notorious tabloid romance gripped the nation, [as] a married couple (Moore and Charles Melton) buckles under the pressure when actress Elizabeth Berry (Portman) arrives to do research for a film about their past. Meanwhile, Joe, having never fully processed what happened in his youth, starts to confront the reality of life as an empty-nester at 36.
The cast is rounded out by Piper Curda, Elizabeth Yu, and Gabriel Chung, who play Moore and Melton’s onscreen children.
“May December” premiered at Cannes and will open the...
Todd Haynes’s 10th feature film “May December” stars Julianne Moore as a predatory woman who seduced an adolescent boy two decades prior; now, Natalie Portman is bringing her story to the big screen, causing personal mayhem for Moore’s secluded suburban lifestyle.
“May December” is set 20 years after their notorious tabloid romance gripped the nation, [as] a married couple (Moore and Charles Melton) buckles under the pressure when actress Elizabeth Berry (Portman) arrives to do research for a film about their past. Meanwhile, Joe, having never fully processed what happened in his youth, starts to confront the reality of life as an empty-nester at 36.
The cast is rounded out by Piper Curda, Elizabeth Yu, and Gabriel Chung, who play Moore and Melton’s onscreen children.
“May December” premiered at Cannes and will open the...
- 9/26/2023
- by Samantha Bergeson
- Indiewire
Joseph L. Mankiewicz’s All About Eve has ably demonstrated that a catty feud between theater critics and actresses is crackling subject matter for witty, adult entertainment. Anand Tucker’s The Critic follows a similar premise and, auspiciously, recruited playwright Patrick Marber––a well-known luminary of the British theater scene––to pen a script packed with sharp, acerbic dialog. This, still, is not half-enough. In its quest to surprise audiences, The Critic jumps down too many rabbit holes, progressively losing all semblance of plausibility or insight it might’ve otherwise yielded.
The film is being billed as an adaptation of Anthony Quinn’s well-regarded novel Curtain Call, though one glance at the book summary indicates that significant liberties have been taken––notably, a murder-mystery strand has been entirely jettisoned. What we have instead is an interpersonal drama between several personalities either directly or tangentially related to the theater. Chief among...
The film is being billed as an adaptation of Anthony Quinn’s well-regarded novel Curtain Call, though one glance at the book summary indicates that significant liberties have been taken––notably, a murder-mystery strand has been entirely jettisoned. What we have instead is an interpersonal drama between several personalities either directly or tangentially related to the theater. Chief among...
- 9/22/2023
- by Ankit Jhunjhunwala
- The Film Stage
Now, this is a couple worth obsessing over…
Todd Haynes’ tenth feature film, “May December,” reunites the director with his longtime collaborator and star Julianne Moore, who leads the film as former teacher Gracie Atherton-Yoo, who tumbled into the public eye when she wed husband Joe Yoo (played in his later years by Charles Melton) after a salacious, tabloid-gripping romance starting when he was just 13. Natalie Portman plays an actress who is tasked with portraying Gracie in an upcoming biopic about the shocking story.
Per the film’s official synopsis, “May December” is set “twenty years after their notorious tabloid romance gripped the nation, [as] a married couple (Julianne Moore and Charles Melton) buckles under the pressure when an actress (Natalie Portman) arrives to do research for a film about their past.” When Hollywood actress Elizabeth Berry (Portman) comes to spend time with the family, which also includes Gracie and Joe’s teenaged twins,...
Todd Haynes’ tenth feature film, “May December,” reunites the director with his longtime collaborator and star Julianne Moore, who leads the film as former teacher Gracie Atherton-Yoo, who tumbled into the public eye when she wed husband Joe Yoo (played in his later years by Charles Melton) after a salacious, tabloid-gripping romance starting when he was just 13. Natalie Portman plays an actress who is tasked with portraying Gracie in an upcoming biopic about the shocking story.
Per the film’s official synopsis, “May December” is set “twenty years after their notorious tabloid romance gripped the nation, [as] a married couple (Julianne Moore and Charles Melton) buckles under the pressure when an actress (Natalie Portman) arrives to do research for a film about their past.” When Hollywood actress Elizabeth Berry (Portman) comes to spend time with the family, which also includes Gracie and Joe’s teenaged twins,...
- 9/5/2023
- by Samantha Bergeson
- Indiewire
To briefly remind readers of the saga:
Back in June of 2023, it was announced that the leadership behind Turner Classic Movies, a long-beloved curator of cinema from Hollywood's Golden Age and beyond, would be laid off. VP of enterprises and strategic partnerships Genevieve McGillicuddy, senior VP of programming and content strategy Charles Tabesh, executive vice president and general manager Pola Changnon, marketing VP Dexter Fedor, and VP of studio production Anne Wilson all lost their jobs. The future of TCM was suddenly up in the air. This not only outraged fans of classic cinema but threw some of Hollywood's most beloved filmmakers into a panic. Was David Zaslav, the CEO of the beleaguered Warner Bros. Discovery nixing the entire TCM brand the same way he did with so much of the films and TV shows on HBO Max? Perhaps Zaslav, having already accrued a horrendous reputation for a long series of consumer-hostile business decisions,...
Back in June of 2023, it was announced that the leadership behind Turner Classic Movies, a long-beloved curator of cinema from Hollywood's Golden Age and beyond, would be laid off. VP of enterprises and strategic partnerships Genevieve McGillicuddy, senior VP of programming and content strategy Charles Tabesh, executive vice president and general manager Pola Changnon, marketing VP Dexter Fedor, and VP of studio production Anne Wilson all lost their jobs. The future of TCM was suddenly up in the air. This not only outraged fans of classic cinema but threw some of Hollywood's most beloved filmmakers into a panic. Was David Zaslav, the CEO of the beleaguered Warner Bros. Discovery nixing the entire TCM brand the same way he did with so much of the films and TV shows on HBO Max? Perhaps Zaslav, having already accrued a horrendous reputation for a long series of consumer-hostile business decisions,...
- 9/1/2023
- by Witney Seibold
- Slash Film
If “Barbie” tells us anything, it’s that a movie doesn’t have to be gay to be, well, gay. So what makes a movie gay if it isn’t explicitly? Cast a few top-shelf gay icons in there — your Bette Middlers, your Joan Crawfords, your Faye Dunaways playing Joan Crawford — and especially have them reparteeing bitchy lines tearing each other to pieces, and have an aesthetic that’s outre and unironically camp, and you’ve got the winning-formula starter-pack for something deliciously fabulous and queer, even if not by intentional design.
Some films have gotten swept up into the queer canon by virtue of their unintentional awfulness or arguable quality while others actually push forward the cinematic medium to create something that stands the tests of time and the weathers of queer folks and their mercurial tastes. Robert Zemeckis’ Oscar-winning “Death Becomes Her” boasts the double whammy of Meryl Streep...
Some films have gotten swept up into the queer canon by virtue of their unintentional awfulness or arguable quality while others actually push forward the cinematic medium to create something that stands the tests of time and the weathers of queer folks and their mercurial tastes. Robert Zemeckis’ Oscar-winning “Death Becomes Her” boasts the double whammy of Meryl Streep...
- 7/24/2023
- by Alison Foreman, Ryan Lattanzio and Jude Dry
- Indiewire
(Welcome to Did They Get It Right?, a series where we look at an Oscars category from yesteryear and examine whether the Academy's winner stands the test of time.)
Every year, one or several films racks up an impressive haul of nominations. 14 is currently the record, shared amongst "All About Eve," "La La Land," and "Titanic," but routinely, you'll see eight, nine, or double-digit nominations for movies. This past year, "Everything Everywhere All at Once" had 11, while "All Quiet on the Western Front" and "The Banshees of Inisherin" managed nine apiece.
Most of the time, however, the Academy likes to spread the wealth. Take last year's movies. Even with "Everything Everywhere" doing abnormally well, it only won seven of those 11. "All Quiet" just won four, and "Banshees" went home empty-handed. A nomination domination does not necessarily set you up to do a massive clean sweep of the Oscars. Even "Titanic,...
Every year, one or several films racks up an impressive haul of nominations. 14 is currently the record, shared amongst "All About Eve," "La La Land," and "Titanic," but routinely, you'll see eight, nine, or double-digit nominations for movies. This past year, "Everything Everywhere All at Once" had 11, while "All Quiet on the Western Front" and "The Banshees of Inisherin" managed nine apiece.
Most of the time, however, the Academy likes to spread the wealth. Take last year's movies. Even with "Everything Everywhere" doing abnormally well, it only won seven of those 11. "All Quiet" just won four, and "Banshees" went home empty-handed. A nomination domination does not necessarily set you up to do a massive clean sweep of the Oscars. Even "Titanic,...
- 7/23/2023
- by Mike Shutt
- Slash Film
Tony Bennett's first record, "Because of You" was released in 1952 and it instantly codified the entertainer as one of the music world's great crooners. In 1962, his 15th record, "I Left My Heart in San Francisco" was certified platinum by the RIAA, but that was after he had already established himself with Count Basie and his Orchestra and as a great fan of songwriter Harold Arlen. All told, he released 61 records in his decades-long career, not including his eight albums of collaborations and duets. He sang with Frank Sinatra, Barbra Streisand, Ray Charles, Carrie Underwood, Stevie Wonder, Natalie Cole, Mariah Carey, Bono, Sting, Paul McCartney, Diana Krall, and many others. Most recently, he released two collaborations with Lady Gaga in 2018 and 2021. Bennett passed away on July 21, 2023 at the age of 96. He will be deeply missed.
Naturally, a talent of Bennett's stature couldn't be ignored by Hollywood, and he would appear...
Naturally, a talent of Bennett's stature couldn't be ignored by Hollywood, and he would appear...
- 7/21/2023
- by Witney Seibold
- Slash Film
“Guillermo del Toro: Crafting Pinocchio,” the roving, ever-expanding, 8,000-square-foot exhibit dedicated to the art of making Guillermo del Toro and co-director Mark Gustafson’s meticulous Oscar-winning stop-motion film, has made its way from New York’s Museum of Modern Art to the Portland Art Museum in Oregon.
This past weekend, the three-time Academy Award winner came in person to the Rose City to accept a Cinema Unbound award from Pam Cut (the Portland Art Museum’s new-media-focused Center for an Untold Tomorrow) and later sit down for a relaxed chat with Pam Cut’s curator Amy Dotson. As usual, the director sounded off unguardedly about a range of topics, from struggling to get even his own passion projects greenlit to his commitment to animation and the threat of artificial intelligence looming over the creative community.
“Since I was a kid, all I wanted to do was monsters and stop-motion animation,...
This past weekend, the three-time Academy Award winner came in person to the Rose City to accept a Cinema Unbound award from Pam Cut (the Portland Art Museum’s new-media-focused Center for an Untold Tomorrow) and later sit down for a relaxed chat with Pam Cut’s curator Amy Dotson. As usual, the director sounded off unguardedly about a range of topics, from struggling to get even his own passion projects greenlit to his commitment to animation and the threat of artificial intelligence looming over the creative community.
“Since I was a kid, all I wanted to do was monsters and stop-motion animation,...
- 6/27/2023
- by Ryan Lattanzio
- Indiewire
Joseph L. Mankiewicz’ “Cleopatra,” which opened in New York on June 12, 1963 and in Los Angeles a week later, was not a flop. In fact, the 243-minute film was a box office champ making $26 million at the box office, $6 million more than the Cinerama epic “How the West was Won.” But being the most expensive movie of its time — the budget ended up being around $44 million which would be around $429.5 million in 2023 — it took a long time to recoup its staggering costs. The film was such a drain on Twentieth Century Fox, the studio ended up having to sell nearly 300 acres of its backlot. That acreage was transformed into Century City.
The budgets started to soar when the original production with Elizabeth Taylor, who asked for and received $1 million for her services, Peter Finch as Julius Caesar, Stephen Boyd as Marc Antony and veteran filmmaker Rouben Mamoulian as director, stopped production...
The budgets started to soar when the original production with Elizabeth Taylor, who asked for and received $1 million for her services, Peter Finch as Julius Caesar, Stephen Boyd as Marc Antony and veteran filmmaker Rouben Mamoulian as director, stopped production...
- 6/19/2023
- by Susan King
- Gold Derby
Exclusive: Kristin Scott Thomas and Lily James are joining forces to star in a scorching new play by Penelope Skinner, directed by Ian Rickson, that will open in London’s West End in the fall.
Pretty hot names to have atop a theater marquee, that’s for sure.
The drama, called Lyonesse, will open at the Harold Pinter Theatre in late September or early October. Official dates are being determined.
In this new work, Skinner — who won the George Devine Award for most promising playwright in 2011 for The Village Bike — focuses on Elaine (Scott Thomas), a reclusive and brilliant actress who disappeared from public view under mysterious circumstances.
Elaine summons Kate (James), a young film executive, to her remote Cornish estate to facilitate “her glorious comeback,” according to a production source who copped me a premise of the play.
“But who really controls the stories we tell and how we get to tell them?...
Pretty hot names to have atop a theater marquee, that’s for sure.
The drama, called Lyonesse, will open at the Harold Pinter Theatre in late September or early October. Official dates are being determined.
In this new work, Skinner — who won the George Devine Award for most promising playwright in 2011 for The Village Bike — focuses on Elaine (Scott Thomas), a reclusive and brilliant actress who disappeared from public view under mysterious circumstances.
Elaine summons Kate (James), a young film executive, to her remote Cornish estate to facilitate “her glorious comeback,” according to a production source who copped me a premise of the play.
“But who really controls the stories we tell and how we get to tell them?...
- 6/2/2023
- by Baz Bamigboye
- Deadline Film + TV
The 76th edition of the Cannes Film Festival came to a close on Saturday, May 27 after two weeks of films, celebrities, parties and interviews in the small city on the French Riviera. Now that the prizes have been given out, we can start looking at what could be top contenders for next year’s Oscars. Let’s analyze the results from this year’s festival and see this history that each category has when it comes to the Academy Awards.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
- 5/28/2023
- by Charles Bright
- Gold Derby
Sometimes in Cannes it’s fun just to hover at the fringes of a party to observe the interactions, the body language, the eye-rolling, who’s drinking what and who isn’t.
The shindig for HBO’s The Idol, which screened this week, was at the Palm Beach, with its interior shaped like an amphitheatre so that one could view the comings and goings as if it were a gladiatorial combat with participants in sequinned gowns and tuxedos. Lily-Rose Depp is The Idol‘s undoubted star, no matter what The Weeknd thinks, and victory was hers as she was ushered into the VIP section. The Weeknd — aka Abel Tesfaye — may see it otherwise as he and his entourage arrived to stake their claim well ahead of Ms. Depp and her posse.
But Depp’s the heat source in The Idol. She’s immensely watchable in all the ways that a...
The shindig for HBO’s The Idol, which screened this week, was at the Palm Beach, with its interior shaped like an amphitheatre so that one could view the comings and goings as if it were a gladiatorial combat with participants in sequinned gowns and tuxedos. Lily-Rose Depp is The Idol‘s undoubted star, no matter what The Weeknd thinks, and victory was hers as she was ushered into the VIP section. The Weeknd — aka Abel Tesfaye — may see it otherwise as he and his entourage arrived to stake their claim well ahead of Ms. Depp and her posse.
But Depp’s the heat source in The Idol. She’s immensely watchable in all the ways that a...
- 5/23/2023
- by Baz Bamigboye
- Deadline Film + TV
What The Weeknd wants, The Weeknd gets in “The Idol,” a skintastic, dark-side-of-showbiz fable that perpetuates the myth that pop stars are corporate puppets with no say in their own image-making, even as it allows hit-maker The Weeknd to call the shots.
Picture “Blonde” as Joe Eszterhas might have written it, but with better music.
After making a toe-dip cameo as himself in A24’s “Uncut Gems,” the R&b phenom-turned-tv producer plunges head-first into acting here, teaming with “Euphoria” creator Sam Levinson to imagine a shady super-predator just looking to corrupt an unsuspecting young pop singer. The edgy, high-gloss HBO series, which premiered the first two of its five episodes at the Cannes Film Festival, demands a lot of star Lily-Rose Depp. She plays “rags-to-riches, trailers-to-mansions” Jocelyn, a mono-monikered Britney or Miley type who seems empowered one moment, impressionable the next.
Embracing scandal from the outset, “The Idol” opens with Jocelyn mid-photo shoot,...
Picture “Blonde” as Joe Eszterhas might have written it, but with better music.
After making a toe-dip cameo as himself in A24’s “Uncut Gems,” the R&b phenom-turned-tv producer plunges head-first into acting here, teaming with “Euphoria” creator Sam Levinson to imagine a shady super-predator just looking to corrupt an unsuspecting young pop singer. The edgy, high-gloss HBO series, which premiered the first two of its five episodes at the Cannes Film Festival, demands a lot of star Lily-Rose Depp. She plays “rags-to-riches, trailers-to-mansions” Jocelyn, a mono-monikered Britney or Miley type who seems empowered one moment, impressionable the next.
Embracing scandal from the outset, “The Idol” opens with Jocelyn mid-photo shoot,...
- 5/23/2023
- by Peter Debruge
- Variety Film + TV
Just in time for Succession‘s end, let’s look at method acting. The Criterion Channel are highlighting the controversial practice in a 27-film series centered on Brando, Newman, Nicholson, and many other’s embodiment of “an intensely personal, internalized, and naturalistic approach to performance.” That series makes mention of Marilyn Monroe, who gets her own, 11-title highlight––the iconic commingling with deeper cuts.
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
- 5/22/2023
- by Nick Newman
- The Film Stage
Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday.
Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.
Add the excitement of Moore acting opposite Natalie Portman; how can this not be a winning recipe for success? With a whip-smart script from feature debut screenwriter Samy Burch (and a “story by” credit by Alex Mechanik), as well as a surprising standout turn from heartthrob Charles Melton,...
Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons away from taking in the Haynes movie. And not just because the movie reunites the director with his muse Julianne Moore, who he worked wonders with on “Safe” (1995) and “Far from Heaven” (2002), the latter which earned an Oscar nomination for Moore’s performance and one for Haynes’ script.
Add the excitement of Moore acting opposite Natalie Portman; how can this not be a winning recipe for success? With a whip-smart script from feature debut screenwriter Samy Burch (and a “story by” credit by Alex Mechanik), as well as a surprising standout turn from heartthrob Charles Melton,...
- 5/21/2023
- by Clayton Davis
- Variety Film + TV
Editor’s note: This review was originally published at the 2023 Cannes Film Festival. Netflix releases the film in select theaters on Friday, November 17, with a streaming release to follow on Friday, December 1.
A heartbreakingly sincere piece of high camp that teases real human drama from the stuff of tabloid sensationalism, Todd Haynes’ delicious “May December” continues the director’s tradition of making films that rely upon the self-awareness that seems to elude their characters — especially the ones played by Julianne Moore.
Here, the actress reteams with her “Safe” director to play Gracie Atherton-Yoo, who became a household name back in 1992 when she left her ex-husband for her 13-year-old fellow pet shop employee. Now it’s 2015, the situation has normalized somewhat, and Gracie and Joe (a dad bod Charles Melton) have been together long enough that their youngest children are about to graduate high school. The occasional package full of poop...
A heartbreakingly sincere piece of high camp that teases real human drama from the stuff of tabloid sensationalism, Todd Haynes’ delicious “May December” continues the director’s tradition of making films that rely upon the self-awareness that seems to elude their characters — especially the ones played by Julianne Moore.
Here, the actress reteams with her “Safe” director to play Gracie Atherton-Yoo, who became a household name back in 1992 when she left her ex-husband for her 13-year-old fellow pet shop employee. Now it’s 2015, the situation has normalized somewhat, and Gracie and Joe (a dad bod Charles Melton) have been together long enough that their youngest children are about to graduate high school. The occasional package full of poop...
- 5/20/2023
- by David Ehrlich
- Indiewire
You can probably list the names of a plethora of fashion designers off the top of your head. Christian Dior, Coco Chanel, Tom Ford, Marc Jacobs, Ralph Lauren, etc. They not only designed beautiful clothes people crave to wear, but they became figureheads in their industry. You could put them on the cover of a magazine and know exactly who they are. Costume designers, however, don't get the same kind of popularity, even though they are in a similar profession. You may be able to think of a few names — Ann Roth, Sandy Powell, or Ruth E. Carter — but I would suspect it would be difficult for you to pick them out of a crowd.
Then there is Edith Head. With her unmistakable short black hair and Coke bottle glasses, Head was the crème de la crème of Hollywood costume design from the late 1920s through the 1970s. She holds...
Then there is Edith Head. With her unmistakable short black hair and Coke bottle glasses, Head was the crème de la crème of Hollywood costume design from the late 1920s through the 1970s. She holds...
- 4/22/2023
- by Mike Shutt
- Slash Film
Let’s be clear about one thing: Owen Wilson is not playing Bob Ross. He’s just a guy named Carl Nargle, who hosts a popular PBS painting show called Paint with Carl Nargle, filmed in a small American town — Burlington, Vt., not Muncie, In. — that has made him a celebrity. The fact that he has a luscious perm, just like the Joy of Painting creator? Totally a coincidence. And that his program is little more than him instructing viewers how to paint pictureseque landscapes of tranquil lakes and friendly trees,...
- 4/5/2023
- by David Fear
- Rollingstone.com
(Welcome to Did They Get It Right?, a series where we take a look at an Oscars category from yesteryear and examine whether the Academy's winner stands the test of time.)
In any given year, you're lucky to have even one performance by an actor that is genuinely considered to be iconic. I know that is a word that gets thrown around enough nowadays that it means almost nothing, but every so often, that is really the only word you can use. These are the performances that you would show to an alien as the benchmarks of cinema. I'm talking about Marlon Brando in "The Godfather" or Judy Garland in "The Wizard of Oz"-level stuff. Well, 1950 produced three. All of them are women, all three played actors, and they all competed against each other in the Best Actress category at the Academy Awards. You have Bette Davis and Anne Baxter...
In any given year, you're lucky to have even one performance by an actor that is genuinely considered to be iconic. I know that is a word that gets thrown around enough nowadays that it means almost nothing, but every so often, that is really the only word you can use. These are the performances that you would show to an alien as the benchmarks of cinema. I'm talking about Marlon Brando in "The Godfather" or Judy Garland in "The Wizard of Oz"-level stuff. Well, 1950 produced three. All of them are women, all three played actors, and they all competed against each other in the Best Actress category at the Academy Awards. You have Bette Davis and Anne Baxter...
- 4/2/2023
- by Mike Shutt
- Slash Film
Turner Classic Movies (TCM) offers a wide assortment of movies from the past that strikes nostalgia. However, there are also plenty of gems that allow audiences to discover other oldies to fill in their cinematic blindspots. Looking for something to watch this weekend between March 24-26? Here’s a look at the upcoming programming.
Friday, March 24 Jean-Pierre Léaud as Antoine Doinel | John Springer Collection/Corbis/Corbis via Getty Images
Starting just after midnight Eastern Standard Time, the TCM movies officially kick off the ending of the week in a big way. Ranging from the Oscar-nominated Mutiny on the Bounty from 1962 to the four-time Oscar-winning Network, there’s a little something for all viewers.
The notable standouts here are The 400 Blows, Diner, Dr. Strangelove, and Network.
The 400 Blows (1959) – 12:30 a.m. Est Diner (1982) – 2:30 a.m. Est Metropolitan (1990) – 4:30 a.m. Est The Sea Wolf (1941) – 6:15 a.m.
Friday, March 24 Jean-Pierre Léaud as Antoine Doinel | John Springer Collection/Corbis/Corbis via Getty Images
Starting just after midnight Eastern Standard Time, the TCM movies officially kick off the ending of the week in a big way. Ranging from the Oscar-nominated Mutiny on the Bounty from 1962 to the four-time Oscar-winning Network, there’s a little something for all viewers.
The notable standouts here are The 400 Blows, Diner, Dr. Strangelove, and Network.
The 400 Blows (1959) – 12:30 a.m. Est Diner (1982) – 2:30 a.m. Est Metropolitan (1990) – 4:30 a.m. Est The Sea Wolf (1941) – 6:15 a.m.
- 3/23/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.