Cliff Richard and the Shadows were Pathé's perfect poster boys for pop when it decided to boost its coverage in the early 60s
In the early 60s, Pathé ramped up its pop coverage. Once the Age of the Teenager had been established, youth became worthy of coverage and even traditional news sources followed suit. As we've seen, Pathé had some youth culture reportage during the second half of the 50s but from 1961 on, the trickle turned to a flood. And who better to represent this shift than the biggest homegrown star of the period?
Cliff Richard and the Shadows ruled British pop from spring 1959 to spring 1963. During that period they had, separately and together, 27 top 10 singles – including 12 No 1s. There were also two massively successful films, The Young Ones and Summer Holiday, with their associated soundtracks: in both cases the lead-off singles and the albums went to No 1.
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In the early 60s, Pathé ramped up its pop coverage. Once the Age of the Teenager had been established, youth became worthy of coverage and even traditional news sources followed suit. As we've seen, Pathé had some youth culture reportage during the second half of the 50s but from 1961 on, the trickle turned to a flood. And who better to represent this shift than the biggest homegrown star of the period?
Cliff Richard and the Shadows ruled British pop from spring 1959 to spring 1963. During that period they had, separately and together, 27 top 10 singles – including 12 No 1s. There were also two massively successful films, The Young Ones and Summer Holiday, with their associated soundtracks: in both cases the lead-off singles and the albums went to No 1.
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- 8/23/2012
- by Jon Savage
- The Guardian - Film News
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