Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife's murder.Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife's murder.Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife's murder.
- Awards
- 2 wins & 1 nomination
Stephen Coit
- Detective Farmer
- (as Steve Coit)
Vincent Palmieri
- Vince
- (as Vince Palmieri)
Pancho Córdova
- Doctor
- (as Pancho Cordoba)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaRobert Altman decided that the camera should never stop moving, and put it on a dolly. However, the camera movements would counter the actions of the characters so that the audience would feel like a voyeur.
- GoofsMarlowe's initial line following Dr. Verringer's demand of $4400 from Roger Wade (in the hospital) appears to be dubbed. Marlowe lights a cigarette and does not move his mouth as the line is heard.
- Quotes
Philip Marlowe: Nobody cares but me.
Terry Lennox: Well that's you, Marlowe. You'll never learn, you're a born loser.
Philip Marlowe: Yeah, I even lost my cat.
- ConnectionsEdited into El adios largos (2013)
- SoundtracksThe Long Goodbye
by John Williams and Johnny Mercer
Performed by The Dave Grusin Trio, Jack Sheldon, Clydie King, Jack Riley, Morgan Ames, Aluminum Band, The Tepoztlan Municipal Band
Featured review
Unfocussed but ultimately quite interesting and entertaining.
Private investigator Philip Marlowe is approached by a friend, Terry Lennox, who is in a bit of a jam. Marlowe helps him get to Mexico but the next day his friend's wife turns up dead. The police hold Marlowe but then release him once Terry Lennox is found dead in Mexico - suicide. To the cops it is an open-and-shut case of murder-suicide but Marlowe doesn't believe that to be the case. Marlowe then is hired by the wife of wealthy author Roger Wade to find her husband. The Wades were neighbours of the Lennoxes. A powerful mob boss also leans on him to find the large sum of money Terry Lennox was transporting for him. Could all these events be connected?
Robert Altman directs a movie based on a Raymond Chandler novel, and it's a mixed bag.
Starts off very well with some humorous scenes and dialogue and a fair amount of intrigue. The middle-to-end sections lack focus, however, and, while it is never dull, the movie feels like it is drifting to a lacklustre conclusion. The intrigue just seems to get sucked out of the movie in that segment. In addition, the theme song gets played in just about every situation and in various forms - it gets very irritating, very quickly.
Ends well though, with a good twist and a powerful conclusion.
A new take on Philip Marlowe from Elliott Gould - he is hardly Humphrey Bogart and he's not trying to be. Altman's Philip Marlowe is the dishevelled, anti-social chain-smoking anti-hero rather than the suave, confident hero that Bogart portrayed. For the most part, it works, though at times I wished for the coolness and wise-cracks of Bogie.
Supporting cast are fine. Sterling Hayden is great as the larger-than-life, Ernest Hemingway/John Huston-esque Roger Wade.
Not the Philip Marlowe of the Bogart movies, but it'll do.
Robert Altman directs a movie based on a Raymond Chandler novel, and it's a mixed bag.
Starts off very well with some humorous scenes and dialogue and a fair amount of intrigue. The middle-to-end sections lack focus, however, and, while it is never dull, the movie feels like it is drifting to a lacklustre conclusion. The intrigue just seems to get sucked out of the movie in that segment. In addition, the theme song gets played in just about every situation and in various forms - it gets very irritating, very quickly.
Ends well though, with a good twist and a powerful conclusion.
A new take on Philip Marlowe from Elliott Gould - he is hardly Humphrey Bogart and he's not trying to be. Altman's Philip Marlowe is the dishevelled, anti-social chain-smoking anti-hero rather than the suave, confident hero that Bogart portrayed. For the most part, it works, though at times I wished for the coolness and wise-cracks of Bogie.
Supporting cast are fine. Sterling Hayden is great as the larger-than-life, Ernest Hemingway/John Huston-esque Roger Wade.
Not the Philip Marlowe of the Bogart movies, but it'll do.
helpful•324
- grantss
- Jul 22, 2018
Details
- Release date
- Country of origin
- Languages
- Also known as
- Der Tod kennt keine Wiederkehr
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,700,000 (estimated)
- Gross worldwide
- $23,191
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