A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.
- Nominated for 2 Oscars
- 7 wins & 10 nominations total
Catherine Allégret
- Catherine
- (as Catherine Allegret)
Marie-Hélène Breillat
- Monique
- (as Marie-Helene Breillat)
Jean-Pierre Léaud
- Tom - un cinéaste, le fiancé de Jeanne
- (as Jean-Pierre Leaud)
Storyline
Did you know
- TriviaBoth Marlon Brando and Maria Schneider admitted that they felt raped by this film and refused to speak with director Bernardo Bertolucci ever again. Yet in his autobiography, Brando says that Bertolucci was one of the three best directors he ever worked with.
- GoofsAs the camera pulls away from the balcony at the end, a crew member and a lighting array can be seen reflected in the glass panel of the right balcony door.
- Alternate versionsFor its original UK cinema release the BBFC suggested cuts to dialogue during the scissors scene and a heavy reduction of the infamous sodomy scene, though the former was rescinded when it was decided that the cuts would be difficult to make without ruining the scene. Instead a proposed cut of 20 secs was required to the sodomy scene to remove shots of Paul smearing butter on Jeanne's buttocks and some overhead shots of sexual thrusting. The latter was also waived following an appeal from the director and instead a mere 10 sec cut was made to the butter smearing. When the OPA (Obscene Publications Act) was extended to cover films a few years later BBFC censor James Ferman waived the cinema cut, and all post-1978 releases (including TV showings) have been the fully uncut version.
- ConnectionsEdited into Destricted (2006)
Featured review
Brando's most personal film
Widely denounced as obscene upon its release and unjustifiably notorious for two of its scenes, Bernardo Bertolucci's 'Last Tango in Paris' is a savage story of lust and sexual debasement.
Marlon Brando delivers a ferocious performance as Paul, a middle-aged American expatriate tormented by his wife, Rosa's recent suicide, her infidelities and his failure to understand their relationship. In meeting a 20 year old girl, Jeanne, played by Maria Schneider, in an empty apartment, Paul hopes to form a relationship purely on his own terms and at his own pace, i.e. one he can understand fully. He insists on a new form of relationship, so basic that even their names were kept secret from each other, where she submitted to his every desire, where he could punish himself and relieve his despair and anger towards his wife by punishing Jeanne. Paul's only other interest is in Marcel (Massimo Girotti), Rosa's lover, for whom he has a curious respect and maybe a desire to obtain through him a better understanding of his own wife.
Despite his overpowering talent, Marlon Brando has often shown poor judgement in his choice of projects and has frequently trudged through films with no apparent effort or interest. In 'Last Tango in Paris' he gives everything and produces a performance of unrivalled force. Unfortunately the obvious improvisation in the film prevents the character of Paul from staying within check as he gradually becomes too much like Marlon Brando in the second half of the film. Nonetheless, when Brando is off-screen the film becomes hollow in comparison and is replaced by Jeanne's relationship with her fiance, an annoyingly pretentious TV director (Jean-Pierre Leaud).
This is a truly unique film and Bertolucci successfully highlights the romance in an affair that is fundamentally destructive. Brando's performance is remarkably powerful and intense, eclipsing every other player and dominating the entire film.
Marlon Brando delivers a ferocious performance as Paul, a middle-aged American expatriate tormented by his wife, Rosa's recent suicide, her infidelities and his failure to understand their relationship. In meeting a 20 year old girl, Jeanne, played by Maria Schneider, in an empty apartment, Paul hopes to form a relationship purely on his own terms and at his own pace, i.e. one he can understand fully. He insists on a new form of relationship, so basic that even their names were kept secret from each other, where she submitted to his every desire, where he could punish himself and relieve his despair and anger towards his wife by punishing Jeanne. Paul's only other interest is in Marcel (Massimo Girotti), Rosa's lover, for whom he has a curious respect and maybe a desire to obtain through him a better understanding of his own wife.
Despite his overpowering talent, Marlon Brando has often shown poor judgement in his choice of projects and has frequently trudged through films with no apparent effort or interest. In 'Last Tango in Paris' he gives everything and produces a performance of unrivalled force. Unfortunately the obvious improvisation in the film prevents the character of Paul from staying within check as he gradually becomes too much like Marlon Brando in the second half of the film. Nonetheless, when Brando is off-screen the film becomes hollow in comparison and is replaced by Jeanne's relationship with her fiance, an annoyingly pretentious TV director (Jean-Pierre Leaud).
This is a truly unique film and Bertolucci successfully highlights the romance in an affair that is fundamentally destructive. Brando's performance is remarkably powerful and intense, eclipsing every other player and dominating the entire film.
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- DC1977
- Jan 26, 2000
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Der letzte Tango in Paris
- Filming locations
- 1 Rue de l'Alboni, Passy, Paris 16, Paris, France(apartment: tryst)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,250,000 (estimated)
- Gross US & Canada
- $36,144,000
- Gross worldwide
- $36,182,408
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