When you’re an independent filmmaker, there are a few different ways of working within the TV/streaming space. You could be a TV repairman (of any gender!) or work for the cable company. Those are pretty good. But! If you’re reading this blog, chances are your ambitions run a little more toward creating the content actually populating these devices and platforms. In that case, you could A) create a brand-new series and become its ruthless, dictatorial showrunner, or B) step into an already-existing series as the director of an individual episode.
For the former, there’s always our Episodic Lab. But for the latter, there’s the Film Independent Episodic Directing Intensive–where in just three whirlwind days, a diverse cross-section of veteran directors, showrunners, actors, executives and cinematographers provide a heavy-duty brain dump to six up-and-coming filmmakers, sharing their experiences and knowledge of the episodic directing landscape.
For the former, there’s always our Episodic Lab. But for the latter, there’s the Film Independent Episodic Directing Intensive–where in just three whirlwind days, a diverse cross-section of veteran directors, showrunners, actors, executives and cinematographers provide a heavy-duty brain dump to six up-and-coming filmmakers, sharing their experiences and knowledge of the episodic directing landscape.
- 5/22/2024
- by Film Independent
- Film Independent News & More
Exclusive: Film Independent has named the six filmmakers selected for its third annual Episodic Directing Intensive: John Gutierrez, Lorena Lourenço, Alfonso Morgan-Terrero, Huriyyah Muhammad, Kelsey Taylor and So Young Shelly Yo.
A three-day program, the Intensive welcomes veteran directors, showrunners, actors, cinematographers and executives to share their experiences and knowledge of the episodic directing landscape. Notables set to appear this time around include Kyle Patrick Alvarez, Johnson Cheng, Gloria Fan, Georgina Gonzalez, Liz Kelly, Shari Page, Jeremy Podeswa, Alysia Reiner, Beth Schacter, Nancy Schreiber, ASC, Yira Vilaro, Rina Varughese and Daniel Willis, among others.
“In this ever-changing landscape, we are thrilled to support these talented directors and equip them with the knowledge to launch and sustain careers in episodic directing,” said Dea Vazquez, Associate Director of Fiction Programs.
Read more about this year’s Intensive participants below.
John Gutierrez
John Gutierrez is an award-winning Latine writer/director from California. He...
A three-day program, the Intensive welcomes veteran directors, showrunners, actors, cinematographers and executives to share their experiences and knowledge of the episodic directing landscape. Notables set to appear this time around include Kyle Patrick Alvarez, Johnson Cheng, Gloria Fan, Georgina Gonzalez, Liz Kelly, Shari Page, Jeremy Podeswa, Alysia Reiner, Beth Schacter, Nancy Schreiber, ASC, Yira Vilaro, Rina Varughese and Daniel Willis, among others.
“In this ever-changing landscape, we are thrilled to support these talented directors and equip them with the knowledge to launch and sustain careers in episodic directing,” said Dea Vazquez, Associate Director of Fiction Programs.
Read more about this year’s Intensive participants below.
John Gutierrez
John Gutierrez is an award-winning Latine writer/director from California. He...
- 5/22/2024
- by Matt Grobar
- Deadline Film + TV
The year that gave us Gremlins, Ghostbusters and The Temple Of Doom also gave us these 20 underappreciated movies...
It's been said that 1984 was a vintage year for movies, and looking back, it's easy to see why. The likes of Ghostbusters and Gremlins served up comedy, action and the macabre in equal measure. James Cameron's The Terminator cemented Arnold Schwarzenegger's star status and gave us one of the greatest sci-fi action movies of the decade.
This was also the year where the Coen brothers made their screen debut with the stunning thriller Blood Simple, and when the Zucker brothers followed up Airplane! with the equally hilarious Top Secret! And we still haven't even mentioned Beverly Hills Cop, This Is Spinal Tap, The Karate Kid, Indiana Jones And The Temple Of Doom and the unexpectedly successful romantic comedy, Splash. Then there was Milos Forman's sumptuous period drama Amadeus, which...
It's been said that 1984 was a vintage year for movies, and looking back, it's easy to see why. The likes of Ghostbusters and Gremlins served up comedy, action and the macabre in equal measure. James Cameron's The Terminator cemented Arnold Schwarzenegger's star status and gave us one of the greatest sci-fi action movies of the decade.
This was also the year where the Coen brothers made their screen debut with the stunning thriller Blood Simple, and when the Zucker brothers followed up Airplane! with the equally hilarious Top Secret! And we still haven't even mentioned Beverly Hills Cop, This Is Spinal Tap, The Karate Kid, Indiana Jones And The Temple Of Doom and the unexpectedly successful romantic comedy, Splash. Then there was Milos Forman's sumptuous period drama Amadeus, which...
- 9/8/2015
- by ryanlambie
- Den of Geek
As Jurassic World bites a hole in our multiplexes, we compares its events to John Sayles' Jurassic Park IV script from a decade ago...
Nb: the following contains spoilers for Jurassic World.
For Universal, the success of Jurassic World is the $500m pay-off to a story which began well over a decade ago. Work on a third Jurassic Park sequel originally began after the release of Joe Johnston’s coolly-received Jurassic Park III way back in 2001, yet the film languished in a pre-production quagmire as writer after writer seemingly struggled to crack the story.
William Monahan (The Departed, Kingdom Of Heaven) was the first screenwriter to step up to the plate, announced at a time when Keira Knightley was reportedly in the running for a major role. Around that time, Jeff Goldblum and Richard Attenborough were also thought to be returning to their respective roles of Ian Malcom and John Hammond.
Nb: the following contains spoilers for Jurassic World.
For Universal, the success of Jurassic World is the $500m pay-off to a story which began well over a decade ago. Work on a third Jurassic Park sequel originally began after the release of Joe Johnston’s coolly-received Jurassic Park III way back in 2001, yet the film languished in a pre-production quagmire as writer after writer seemingly struggled to crack the story.
William Monahan (The Departed, Kingdom Of Heaven) was the first screenwriter to step up to the plate, announced at a time when Keira Knightley was reportedly in the running for a major role. Around that time, Jeff Goldblum and Richard Attenborough were also thought to be returning to their respective roles of Ian Malcom and John Hammond.
- 6/15/2015
- by ryanlambie
- Den of Geek
Our look at underappreciated films of the 80s continues, as we head back to 1988...
Either in terms of ticket sales or critical acclaim, 1988 was dominated by the likes of Rain Man, Who Framed Roger Rabbit and Coming To America. It was the year Bruce Willis made the jump from TV to action star with Die Hard, and became a star in the process.
It was the year Leslie Nielsen made his own jump from the small to silver screen with Police Squad spin-off The Naked Gun, which sparked a hugely popular franchise of its own. Elsewhere, the eccentric Tim Burton scored one of the biggest hits of the year with Beetlejuice, the success of which would result in the birth of Batman a year later. And then there was Tom Cruise, who managed to make a drama about a student-turned-barman into a $170m hit, back when $170m was still an...
Either in terms of ticket sales or critical acclaim, 1988 was dominated by the likes of Rain Man, Who Framed Roger Rabbit and Coming To America. It was the year Bruce Willis made the jump from TV to action star with Die Hard, and became a star in the process.
It was the year Leslie Nielsen made his own jump from the small to silver screen with Police Squad spin-off The Naked Gun, which sparked a hugely popular franchise of its own. Elsewhere, the eccentric Tim Burton scored one of the biggest hits of the year with Beetlejuice, the success of which would result in the birth of Batman a year later. And then there was Tom Cruise, who managed to make a drama about a student-turned-barman into a $170m hit, back when $170m was still an...
- 5/6/2015
- by ryanlambie
- Den of Geek
Hemdale became one of the largest indie studios of the 80s with films like The Terminator and Platoon. Ryan charts its turbulent history...
When Platoon won four Oscars in 1987, it marked not only a new chapter in Oliver Stone's career as a filmmaker, but also the end of a decade-long battle. Since the 1970s, Stone had been struggling to make his harrowing account of the horrors he'd seen firsthand as a soldier in the Vietnam conflict, but was famously turned down by every major studio in Hollywood.
Platoon, and Stone, finally found sanctuary at a small independent studio with a grand-sounding name: the Hemdale Film Corporation. It was Hemdale, and its co-founder John Daly, that had taken a chance on Stone, and when Platoon came out in 1986, the gamble proved to be a shrewd one: its $6m investment was covered by the first month's ticket sales, and the film...
When Platoon won four Oscars in 1987, it marked not only a new chapter in Oliver Stone's career as a filmmaker, but also the end of a decade-long battle. Since the 1970s, Stone had been struggling to make his harrowing account of the horrors he'd seen firsthand as a soldier in the Vietnam conflict, but was famously turned down by every major studio in Hollywood.
Platoon, and Stone, finally found sanctuary at a small independent studio with a grand-sounding name: the Hemdale Film Corporation. It was Hemdale, and its co-founder John Daly, that had taken a chance on Stone, and when Platoon came out in 1986, the gamble proved to be a shrewd one: its $6m investment was covered by the first month's ticket sales, and the film...
- 4/2/2015
- by ryanlambie
- Den of Geek
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