The late Satoshi Kon was amongst the most prominent Japanese animators, with his works transcending the world of anime and manga, thus creating a modern division of the genre, which chiefly addressed a more mature audience. However, he did not accomplish that via sex and violence, but through the profundity of his themes and a complex style of presentation. The former becomes evident in his nightmarish worlds of terror that are based on concepts like fixation, publicity and the perspective of reality and personal identity, while the latter is clear through the mixture of fantasy and reality in the surrealistic environments of his movies. Additionally, he was equally elaborative as a designer and animator; hence, his works amount to masterpieces, both visually and in content.
Satoshi Kon was born on October 12, 1963 in Kushiro, Hokkaido. Early on, he became a fan of anime and manga, chiefly “Mobile Suit Gundam” and “Space Battleship Yamato...
Satoshi Kon was born on October 12, 1963 in Kushiro, Hokkaido. Early on, he became a fan of anime and manga, chiefly “Mobile Suit Gundam” and “Space Battleship Yamato...
- 1/30/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Odd List Ryan Lambie Simon Brew 24 Oct 2013 - 06:46
Another 25 unsung greats come under the spotlight, as we provide our pick of the underappreciated films of 1995...
The year covered in this week's underrated movie rundown was significant for a number of reasons. It was the year that saw the release of Toy Story - the groundbreaking movie that would cement Pixar's reputation as an animation studio, and set the tempo for CG family movies for the next 18 years and counting. It was the year that saw James Bond (played by Pierce Brosnan for the first time) emerge for GoldenEye after a six-year break. It was also the year of Michael Mann's Heat, Dogme 95, and the moment where Terry Gilliam scored a much-deserved hit with 12 Monkeys.
As ever, we're focusing on a few of the lesser-known films from this particular year, and we've had to think carefully about what's made the cut and what hasn't.
Another 25 unsung greats come under the spotlight, as we provide our pick of the underappreciated films of 1995...
The year covered in this week's underrated movie rundown was significant for a number of reasons. It was the year that saw the release of Toy Story - the groundbreaking movie that would cement Pixar's reputation as an animation studio, and set the tempo for CG family movies for the next 18 years and counting. It was the year that saw James Bond (played by Pierce Brosnan for the first time) emerge for GoldenEye after a six-year break. It was also the year of Michael Mann's Heat, Dogme 95, and the moment where Terry Gilliam scored a much-deserved hit with 12 Monkeys.
As ever, we're focusing on a few of the lesser-known films from this particular year, and we've had to think carefully about what's made the cut and what hasn't.
- 10/22/2013
- by ryanlambie
- Den of Geek
The North American licensing company Maiden Japan announced on Tuesday that it acquired the original video anime Black Magic M-66. The company will release the anime in conjunction with home video distributor Section23 Films on English-subtitled DVD on July 9th, 2013 and in digital formats. Manga creator Masamune Shirow (Ghost in the Shell) co-directed and wrote the screenplay for the two-episode video anime based on his own manga. Hiroyuki Kitakubo (Roujin Z, Blood: The Last Vampire) co-directed with Shirow, and also adapted the character designs for animation. The series, originally released in 1987, revolves around a journalist named Sybil who gets entangled in a battle...
Click to continue reading Maiden Japan Licenses Black Magic M-66 Anime on | FilmoFilia
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Click to continue reading Maiden Japan Licenses Black Magic M-66 Anime on | FilmoFilia
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- 3/30/2013
- by Vesna Sunrider
- Filmofilia
Japanese director of playful animation combining realistic drama with fantasy
Satoshi Kon, who has died of pancreatic cancer aged 46, was one of the boldest and most distinctive film-makers to specialise in animation. His main body of work – four completed feature films and an acclaimed television mini-series – was playful, sophisticated and adult. Tired of the cliches of mass-produced Japanese animation – "robots and beautiful little girls," as he once put it – Kon sought to make animation that used ambitious and often disorientating editing, intercutting and scene-shifting.
"In animation, only what is intended to be communicated is there," he once said. "If I had a chance to edit live-action, it would be too fast for audiences to follow." Kon made only sparing use of CGI in his mostly drawn films, relying on such superb animators as Shinji Otsuka and Toshiyuki Inoue.
Much of Kon's animation combines realistic drama (usually set in present-day Tokyo) with dreams and fantasy.
Satoshi Kon, who has died of pancreatic cancer aged 46, was one of the boldest and most distinctive film-makers to specialise in animation. His main body of work – four completed feature films and an acclaimed television mini-series – was playful, sophisticated and adult. Tired of the cliches of mass-produced Japanese animation – "robots and beautiful little girls," as he once put it – Kon sought to make animation that used ambitious and often disorientating editing, intercutting and scene-shifting.
"In animation, only what is intended to be communicated is there," he once said. "If I had a chance to edit live-action, it would be too fast for audiences to follow." Kon made only sparing use of CGI in his mostly drawn films, relying on such superb animators as Shinji Otsuka and Toshiyuki Inoue.
Much of Kon's animation combines realistic drama (usually set in present-day Tokyo) with dreams and fantasy.
- 8/26/2010
- by Andrew Osmond
- The Guardian - Film News
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