Directed by
Arthur Joffé |
Writing Credits (in alphabetical order)
Jean-Louis Benoît | ... | (writer) |
Laurent Jaoui | ... | (writer) |
Arthur Joffé | ... | (story and screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Patrick Batteux | ... | executive producer: Los Angeles |
Claudie Ossard | ... | producer |
André Szöts | ... | executive producer: Hungary |
Music by
Angélique Nachon | ||
Jean-Claude Nachon |
Cinematography by
Philippe Welt |
Editing by
Marie Castro | ... | (as Marie Castro-Vasquez) |
Casting By
Pierre Amzallag |
Production Design by
Nikos Meletopoulos |
Costume Design by
Madeline Fontaine |
Production Management
Jean-Marc Duez | ... | production manager |
András Herczeg | ... | production manager: Hungary |
Eric Hubert | ... | production manager |
Bruno Morin | ... | unit production manager |
Clément Sentilhes | ... | unit manager |
Second Unit Director or Assistant Director
Tamás Császár | ... | assistant director: Hungary |
Dylan Gray | ... | first assistant director: Hungary |
Thierry Mauvoisin | ... | first assistant director |
Alain Peyrollaz | ... | second unit director |
Olivier Thery Lapiney | ... | assistant director (as Olivier Théry-Lapiney) |
Art Department
Attila Kiss | ... | property master |
Éva Martin | ... | assistant construction manager: Hungary |
Gábor Nagy | ... | property master: Hungary |
Sándor Nagy | ... | on-set props: Hungary |
Sound Department
Vincent Arnardi | ... | re-recording mixer |
Bernard Chaumeil | ... | boom operator |
Edouard d'Heucqueville | ... | sound mix technician |
Jacques Descomps | ... | sound mix technician |
Pierre Gamet | ... | sound recordist |
Vincent Guillon | ... | supervising sound editor |
Gérard Hardy | ... | sound editor |
Thierry Lebon | ... | re-recording mixer |
Marion Lorthioir | ... | post-synchronisation |
Special Effects by
Ferenc Deák | ... | special effects / special effects: Hungary |
Jacques Gastineau | ... | special effects supervisor |
Visual Effects by
Agnès Berger Sébenne | ... | visual effects coordinator (as Agnès Sébenne) |
Myriam Catrin | ... | digital artist |
Pascal Charpentier | ... | visual effects supervisor |
Fabrice Delapierre | ... | lighting artist |
Christian Foucher | ... | digital artist |
Nicolas Popravka | ... | software development: Ex Machina |
Johann Quéré | ... | visual effects |
Guillaume Terrien | ... | compositor: Ex-Machina |
Veronique Zylberfain | ... | digital artist |
Camera and Electrical Department
Victor Abadia | ... | electrician |
Gil Fontbonne | ... | key grip |
Jean-Yves Freess | ... | best boy grip |
Patrice Guillain | ... | grip |
Miklós Hajdu | ... | gaffer: Hungary |
Eric Thurot | ... | electrician |
Animation Department
Pierre Biecher | ... | digital artist |
Script and Continuity Department
Laurence Weisbrot | ... | continuity |
Additional Crew
Beatrix Csöbör | ... | accounting |
Donna Farmer | ... | production accountant |
Emese Hunyadi | ... | production coordinator: Hungary |
Monika Neuner | ... | accounting |
Édith Pavageau | ... | production accountant |
Leslie Jean Porter | ... | director of acquisitions |
Csilla Szabo | ... | production secretary: Hungary |