In the midst of the alternative comedy revolution of the '80's, along came Victoria Wood with this B.B.C.-2 series. I have to admit to not being the world's biggest fan of Ms.Wood. I well remember her early television work such as 'That's Life!' in which she ( badly ) performed over-twee songs about acne and unrequited teenage love. My view of her changed, however, when she wrote and appeared in a television play with Julie Walters called 'Talent'. I did not care for the songs but there were good one-liners. Next up was a short-lived sketch show for Granada called 'Wood & Walters'. Though it boasted some witty items it was hampered by a patently obvious laugh track.
'As Seen On T.V.' opened with a cringe-inducing title sequence featuring a 'Camberwick Green'-style version of Wood, whose arm falls off in the middle of her stand-up routine, backed up by a theme tune that sounded like the jingle to a '50's commercial for cocoa, and comic sound effects. It took a superhuman effort on my part not to switch off.
I am glad I did not because then I would have missed what I regard as the best soap opera parody of them all - 'Acorn Antiques'. Obviously based on A.T.V.'s long running 'Crossroads', it skillfully ridiculed all the clichés - the wobbly sets, bad dialogue, actors not knowing their lines properly, cameras coming into shot etc. Even the closing credits in which the actors' names could be seen sliding diagonally into view was mercilessly sent up. So effective was 'Acorn Antiques' that the real 'Crossroads' tried to change its image radically by introducing a new title sequence in which a car was seen driving up to the motel entrance. Wood spoofed that too! I do not know whether 'Acorn Antiques' was instrumental in bringing 'Crossroads' down ( it ended three years after this series debuted ) but its hard to believe it played no part in hastening its demise.
Other good sketches included some spoof documentaries ( one in which Wood played a naive young woman who wanted to swim the Channel turned out not only to be funny but also moving ), and a sharp parody of daytime television.
Wood's supporting cast included Duncan Preston, Celia Imrie, Patricia Routledge ( whose 'Kitty' was the prototype for 'Hyacinth Bucket' ), Susie Blake as a snooty continuity announcer ( how I miss continuity announcers on I.T.V.! ), and of course the priceless Julie Walters. Jim Broadbent and the late Hugh Lloyd made occasional appearances.
Some of the sketches fell flat but there were enough good ones to make this worthwhile. Amongst the hits was a hilarious 'Coronation Street' spoof with Wood as the legendary 'Ena Sharples'.
When 'As Seen On T.V.' debuted on B.B.C.-2, it looked doomed initially. Its main competitor on I.T.V. was an inexplicably popular crime show called 'Dempsey & Makepeace'. Wood's show was trounced in the ratings for the first few weeks, but then an amazing thing happened. As word got out about 'A.S.O.T.', so 'Woopsey & Dingbat' ( as T.V. critic Nina Myskow referred to it ) began to lose viewers. I.T.V. panicked, and it was later moved to a safe Saturday night slot.
In an era where more and more comedians were resorting to swear words and body function jokes to get laughs, 'A.S.O.T.' stood out like a sore thumb. It was funny without being offensive. Not to everyone's taste perhaps, but an enjoyable series all the same.
'As Seen On T.V.' opened with a cringe-inducing title sequence featuring a 'Camberwick Green'-style version of Wood, whose arm falls off in the middle of her stand-up routine, backed up by a theme tune that sounded like the jingle to a '50's commercial for cocoa, and comic sound effects. It took a superhuman effort on my part not to switch off.
I am glad I did not because then I would have missed what I regard as the best soap opera parody of them all - 'Acorn Antiques'. Obviously based on A.T.V.'s long running 'Crossroads', it skillfully ridiculed all the clichés - the wobbly sets, bad dialogue, actors not knowing their lines properly, cameras coming into shot etc. Even the closing credits in which the actors' names could be seen sliding diagonally into view was mercilessly sent up. So effective was 'Acorn Antiques' that the real 'Crossroads' tried to change its image radically by introducing a new title sequence in which a car was seen driving up to the motel entrance. Wood spoofed that too! I do not know whether 'Acorn Antiques' was instrumental in bringing 'Crossroads' down ( it ended three years after this series debuted ) but its hard to believe it played no part in hastening its demise.
Other good sketches included some spoof documentaries ( one in which Wood played a naive young woman who wanted to swim the Channel turned out not only to be funny but also moving ), and a sharp parody of daytime television.
Wood's supporting cast included Duncan Preston, Celia Imrie, Patricia Routledge ( whose 'Kitty' was the prototype for 'Hyacinth Bucket' ), Susie Blake as a snooty continuity announcer ( how I miss continuity announcers on I.T.V.! ), and of course the priceless Julie Walters. Jim Broadbent and the late Hugh Lloyd made occasional appearances.
Some of the sketches fell flat but there were enough good ones to make this worthwhile. Amongst the hits was a hilarious 'Coronation Street' spoof with Wood as the legendary 'Ena Sharples'.
When 'As Seen On T.V.' debuted on B.B.C.-2, it looked doomed initially. Its main competitor on I.T.V. was an inexplicably popular crime show called 'Dempsey & Makepeace'. Wood's show was trounced in the ratings for the first few weeks, but then an amazing thing happened. As word got out about 'A.S.O.T.', so 'Woopsey & Dingbat' ( as T.V. critic Nina Myskow referred to it ) began to lose viewers. I.T.V. panicked, and it was later moved to a safe Saturday night slot.
In an era where more and more comedians were resorting to swear words and body function jokes to get laughs, 'A.S.O.T.' stood out like a sore thumb. It was funny without being offensive. Not to everyone's taste perhaps, but an enjoyable series all the same.