Series Directed by
| Charles Sturridge | ||
Series Writing Credits
| Dava Sobel | ... | (book) |
| Charles Sturridge | ||
Series Cast
Series Produced by
| Pippa Cross | ... | executive producer |
| Delia Fine | ... | executive producer: A&E |
| Catriona McKenzie | ... | commissioning editor |
| Selwyn Roberts | ... | producer |
| Antony Root | ... | executive producer |
| Kris Slava | ... | supervising producer: A&E |
Series Music by
| Geoffrey Burgon | ||
Series Cinematography by
| Peter Hannan | ||
Series Editing by
| Peter Coulson | ||
Series Casting By
| Celestia Fox | ||
Series Production Design by
| Eileen Diss | ||
| Chris Lowe | ||
Series Costume Design by
| Shirley Russell | ||
Series Makeup Department
| Helen Barrett | ... | makeup artist |
| Christine Beveridge | ... | chief hair stylist (as Chrissie Beveridge) / key makeup artist (as Chrissie Beveridge) |
| Demelza Rogers | ... | hair stylist / makeup artist |
| Loulia Sheppard | ... | hair stylist / wig stylist |
| Gemma Waugh | ... | make-up artist: dailies |
| Jeremy Woodhead | ... | makeup artist |
Series Production Management
| J. Rainey | ... | production manager: Antigua unit |
Series Second Unit Director or Assistant Director
| John Duthie | ... | first assistant director |
| Mike Hanley | ... | third assistant director |
| Candy Marlowe | ... | crowd second assistant director |
| Selwyn Roberts | ... | second unit director |
| Beni Turkson | ... | second assistant director |
Series Art Department
| Robert Brown | ... | construction manager |
| Kelvin Cook | ... | props |
| Colin Ellis | ... | dressing prop |
| James Fennessy | ... | painter |
| James Foster | ... | assistant art director |
| John Greaves | ... | storyboard artist |
| Philippa Hart | ... | set dresser |
| Dougie Lankston | ... | props |
| Graham Mitchell | ... | carpenter |
| Mitch Niclas | ... | stand-by props |
| Allen J. Polley | ... | property master (as Allen Polley) |
| Mark Rimmell | ... | production buyer |
| Matthew Robinson | ... | assistant art director |
| Remo Tozzi | ... | set designer |
| Paul Turner | ... | stand-by props |
| Stuart Watson | ... | construction manager |
| Howard Weaver | ... | scenic artist |
Series Sound Department
| Julie Ankerson | ... | foley artist |
| Philip Barnes | ... | digital sound editor (as Phil Barnes) |
| Orin Beaton | ... | boom operator |
| Ben Brazier | ... | sound editor |
| Kevin Brazier | ... | digital sound editor |
| Robert Brazier | ... | additional foley mixer |
| Kent Gibson | ... | sound designer / sound supervisor |
| Paul Golding | ... | sound recording engineer |
| Stephen Griffiths | ... | digital sound editor |
| Dave Humphries | ... | re-recording mixer |
| John Rodda | ... | sound recordist |
| Alan Sallabank | ... | re-recording mixer |
| Trevor Swanscott | ... | adr mixer / foley mixer |
Series Special Effects by
| Liz Barron | ... | special effects technician |
| Ben Broadbridge | ... | special effects crew |
| Mark Holt | ... | special effects supervisor |
| Garth Inns | ... | special effects senior technician |
| Jem Lovett | ... | special effects senior technician: model unit (as Jeremy Lovett) |
| Mark Roberts | ... | special effects technician: model unit |
| Jody Taylor | ... | special effects technician |
| Peter Treece | ... | special effects technician |
| Alexander Gunn | ... | senior special effects technician (uncredited) |
Series Visual Effects by
| William Bartlett | ... | visual effects supervisor |
| Roy Field | ... | director of photography: model unit |
| Martin Gutteridge | ... | model effects supervisor |
| Sharon Lock | ... | digital effects artist |
Series Camera and Electrical Department
| David Broadfoot | ... | standby rigger |
| Eddie Collins | ... | director of photography: second unit |
| Danny Espey | ... | practical electrician |
| Mark 'Rocky' Evans | ... | gaffer: second unit (as Mark Evans) |
| John Ferguson | ... | focus puller |
| Gary Hymns | ... | grip |
| Peter Lamb | ... | rigging gaffer |
| Adam Lee | ... | electrician |
| Oliver Loncraine | ... | clapper loader |
| Brian Martin | ... | best boy |
| Simon Mein | ... | still photographer |
| David Norris | ... | camera operator: Wescam camera |
| Chris Pinnock | ... | director of photography: second unit |
| Sean Savage | ... | camera operator |
| Simon Werry | ... | aerial cameraman |
| Glyn Williams | ... | assistant camera: second unit (as J. Glyn Williams) |
| Micky Wilson | ... | electrical gaffer |
Series Casting Department
| Alex Johnson | ... | casting assistant |
Series Costume and Wardrobe Department
| Allan Hay | ... | costumer |
| Rosemary Lis | ... | costume assistant |
| Gerald Moulin | ... | wardrobe assistant |
| Richard Pointing | ... | costume supervisor |
| Pat Williamson | ... | costume assistant |
Series Editorial Department
| Matthew Briggs | ... | assembly editor |
| Adam Green | ... | first assistant editor |
Series Location Management
| Bill Darby | ... | location manager |
| Teresa Darby | ... | location manager (as Teresa Hidalgo) |
Series Music Department
| Geoffrey Burgon | ... | conductor |
| Paul Golding | ... | music scoring engineer |
| Lewis Jones | ... | assistant music engineer |
Series Script and Continuity Department
| Kathy Hughes | ... | script supervisor |
| Clare Saxby | ... | script editor |
Series Additional Crew
| Tessa Beazley | ... | production secretary |
| Jonathan Betts | ... | advisor: Rupert Gould |
| R.H. Davies | ... | marine coordinator (as Robin Davies) |
| John Edger | ... | advisor: watches and clocks |
| Philippa Hart | ... | researcher |
| Andrew King | ... | advisor: Harrison clock |
| Andrew MacLean | ... | assistant accountant |
| Stuart Marshall | ... | additional crew |
| Jon Miller | ... | assistant accountant |
| Tony Miller | ... | production accountant |
| Bill Shephard | ... | producer: Antigua |
| Nathalie Tanner | ... | production coordinator |
| Steve Morphew | ... | stand-in (uncredited) |
