Series Directed by
Charles Sturridge |
Series Writing Credits
Dava Sobel | ... | (book) |
Charles Sturridge |
Series Cast
Series Produced by
Pippa Cross | ... | executive producer |
Delia Fine | ... | executive producer: A&E |
Catriona McKenzie | ... | commissioning editor |
Selwyn Roberts | ... | producer |
Antony Root | ... | executive producer |
Kris Slava | ... | supervising producer: A&E |
Series Music by
Geoffrey Burgon |
Series Cinematography by
Peter Hannan |
Series Editing by
Peter Coulson |
Series Casting By
Celestia Fox |
Series Production Design by
Eileen Diss | ||
Chris Lowe |
Series Costume Design by
Shirley Russell |
Series Makeup Department
Helen Barrett | ... | makeup artist |
Christine Beveridge | ... | chief hair stylist (as Chrissie Beveridge) / key makeup artist (as Chrissie Beveridge) |
Demelza Rogers | ... | hair stylist / makeup artist |
Loulia Sheppard | ... | hair stylist / wig stylist |
Gemma Waugh | ... | make-up artist: dailies |
Jeremy Woodhead | ... | makeup artist |
Series Production Management
J. Rainey | ... | production manager: Antigua unit |
Series Second Unit Director or Assistant Director
John Duthie | ... | first assistant director |
Mike Hanley | ... | third assistant director |
Candy Marlowe | ... | crowd second assistant director |
Selwyn Roberts | ... | second unit director |
Beni Turkson | ... | second assistant director |
Series Art Department
Robert Brown | ... | construction manager |
Kelvin Cook | ... | props |
Colin Ellis | ... | dressing prop |
James Fennessy | ... | painter |
James Foster | ... | assistant art director |
John Greaves | ... | storyboard artist |
Philippa Hart | ... | set dresser |
Dougie Lankston | ... | props |
Graham Mitchell | ... | carpenter |
Mitch Niclas | ... | stand-by props |
Allen J. Polley | ... | property master (as Allen Polley) |
Mark Rimmell | ... | production buyer |
Matthew Robinson | ... | assistant art director |
Remo Tozzi | ... | set designer |
Paul Turner | ... | stand-by props |
Stuart Watson | ... | construction manager |
Howard Weaver | ... | scenic artist |
Series Sound Department
Julie Ankerson | ... | foley artist |
Philip Barnes | ... | digital sound editor (as Phil Barnes) |
Orin Beaton | ... | boom operator |
Ben Brazier | ... | sound editor |
Kevin Brazier | ... | digital sound editor |
Robert Brazier | ... | additional foley mixer |
Kent Gibson | ... | sound designer / sound supervisor |
Paul Golding | ... | sound recording engineer |
Stephen Griffiths | ... | digital sound editor |
Dave Humphries | ... | re-recording mixer |
John Rodda | ... | sound recordist |
Alan Sallabank | ... | re-recording mixer |
Trevor Swanscott | ... | adr mixer / foley mixer |
Series Special Effects by
Liz Barron | ... | special effects technician |
Ben Broadbridge | ... | special effects crew |
Mark Holt | ... | special effects supervisor |
Garth Inns | ... | special effects senior technician |
Jem Lovett | ... | special effects senior technician: model unit (as Jeremy Lovett) |
Mark Roberts | ... | special effects technician: model unit |
Jody Taylor | ... | special effects technician |
Peter Treece | ... | special effects technician |
Alexander Gunn | ... | senior special effects technician (uncredited) |
Series Visual Effects by
William Bartlett | ... | visual effects supervisor |
Roy Field | ... | director of photography: model unit |
Martin Gutteridge | ... | model effects supervisor |
Sharon Lock | ... | digital effects artist |
Series Camera and Electrical Department
David Broadfoot | ... | standby rigger |
Eddie Collins | ... | director of photography: second unit |
Danny Espey | ... | practical electrician |
Mark 'Rocky' Evans | ... | gaffer: second unit (as Mark Evans) |
John Ferguson | ... | focus puller |
Gary Hymns | ... | grip |
Peter Lamb | ... | rigging gaffer |
Adam Lee | ... | electrician |
Oliver Loncraine | ... | clapper loader |
Brian Martin | ... | best boy |
Simon Mein | ... | still photographer |
David Norris | ... | camera operator: Wescam camera |
Chris Pinnock | ... | director of photography: second unit |
Sean Savage | ... | camera operator |
Simon Werry | ... | aerial cameraman |
Glyn Williams | ... | assistant camera: second unit (as J. Glyn Williams) |
Micky Wilson | ... | electrical gaffer |
Series Casting Department
Alex Johnson | ... | casting assistant |
Series Costume and Wardrobe Department
Allan Hay | ... | costumer |
Rosemary Lis | ... | costume assistant |
Gerald Moulin | ... | wardrobe assistant |
Richard Pointing | ... | costume supervisor |
Pat Williamson | ... | costume assistant |
Series Editorial Department
Matthew Briggs | ... | assembly editor |
Adam Green | ... | first assistant editor |
Series Location Management
Bill Darby | ... | location manager |
Teresa Darby | ... | location manager (as Teresa Hidalgo) |
Series Music Department
Geoffrey Burgon | ... | conductor |
Paul Golding | ... | music scoring engineer |
Lewis Jones | ... | assistant music engineer |
Series Script and Continuity Department
Kathy Hughes | ... | script supervisor |
Clare Saxby | ... | script editor |
Series Additional Crew
Tessa Beazley | ... | production secretary |
Jonathan Betts | ... | advisor: Rupert Gould |
R.H. Davies | ... | marine coordinator (as Robin Davies) |
John Edger | ... | advisor: watches and clocks |
Philippa Hart | ... | researcher |
Andrew King | ... | advisor: Harrison clock |
Andrew MacLean | ... | assistant accountant |
Stuart Marshall | ... | additional crew |
Jon Miller | ... | assistant accountant |
Tony Miller | ... | production accountant |
Bill Shephard | ... | producer: Antigua |
Nathalie Tanner | ... | production coordinator |
Steve Morphew | ... | stand-in (uncredited) |