Starts out as such a deliciously savage satire of TV kiddie shows that it's a shame it swerves out of control and over the top, sliding into tedium before pulling together for a clever, if protracted, finish.
50
New York PostLou Lumenick
New York PostLou Lumenick
So off-the-wall that it may well ultimately acquire the cult status of Resnick's earlier Chris Elliot vehicle, "Cabin Boy."
40
Rolling StonePeter Travers
Rolling StonePeter Travers
This black-comic assault on family entertainment is going to set a lot of teeth on edge -- If only his (De Vito's) material were better this time.