Oscar nominee Steve James (Hoop Dreams) has been set to direct Mind vs. Machine, a new docuseries on the lightning rod topic of artificial intelligence from Oscar winner Alex Gibney’s Jigsaw Productions, Closer Media, Anonymous Content, and Emmy-winning producers Alyssa Fedele & Zachary Fink of Collective Hunch.
Gibney comes to the project after working with Closer Media and Anonymous Content on the forthcoming documentary Musk, to be distributed by HBO/Universal. Within the last year, his Jigsaw has also teamed with the companies on the MGM+ acquired documentary In Restless Dreams: The Music of Paul Simon and the Raoul Peck-helmed Orwell on 1984 author George Orwell, to be distributed by Neon.
As artificial intelligence bursts onto the world stage – and into our lives – it may seem like a radical new life form has suddenly been created. But as Mind vs. Machine illustrates,...
Gibney comes to the project after working with Closer Media and Anonymous Content on the forthcoming documentary Musk, to be distributed by HBO/Universal. Within the last year, his Jigsaw has also teamed with the companies on the MGM+ acquired documentary In Restless Dreams: The Music of Paul Simon and the Raoul Peck-helmed Orwell on 1984 author George Orwell, to be distributed by Neon.
As artificial intelligence bursts onto the world stage – and into our lives – it may seem like a radical new life form has suddenly been created. But as Mind vs. Machine illustrates,...
- 2/1/2024
- by Matt Grobar
- Deadline Film + TV
Liberated Syndication Inc. (“Libsyn” or the “Company”), the leading all-in-one podcasting platform for creators and advertisers, today announced that it was named the winner of a Bronze Stevie® Award in the product innovation category in The 21st Annual American Business Awards®.
The American Business Awards are the U.S.A.’s premier business awards program. More than 3,700 nominations from organizations of all sizes and in virtually every industry were submitted this year for consideration in a wide range of categories. Libsyn was recognized for Achievement in the Product Innovation category for its evolution from a podcasting pioneer with the best hosting solutions to a one-stop destination for all podcasting services and a leading podcast advertising marketplace — achieved through investments in product innovation and expanded partnerships.
Libsyn has established itself as the premier, all-encompassing platform for creators and advertisers by executing on its platform strategy and robust product roadmap. The company...
The American Business Awards are the U.S.A.’s premier business awards program. More than 3,700 nominations from organizations of all sizes and in virtually every industry were submitted this year for consideration in a wide range of categories. Libsyn was recognized for Achievement in the Product Innovation category for its evolution from a podcasting pioneer with the best hosting solutions to a one-stop destination for all podcasting services and a leading podcast advertising marketplace — achieved through investments in product innovation and expanded partnerships.
Libsyn has established itself as the premier, all-encompassing platform for creators and advertisers by executing on its platform strategy and robust product roadmap. The company...
- 4/28/2023
- Podnews.net
Lindsey Buckingham is largely responsible for Fleetwood Mac’s Tusk, and the guitar player has since said that the 1979 record could be considered his “first solo album.” Here’s what Buckingham said about Tusk and the new solo album he’s working on in 2023.
Lindsey Buckingham | Stephen J. Cohen/Getty Images Lindsay Buckingham said ‘Tusk’ was Fleetwood Mac’s most underappreciated album
In a 2021 interview with Vulture, Fleetwood Mac guitarist Lindsey Buckingham was asked what he thought was the band’s most underappreciated song.
“It wasn’t so much about the song than it was the whole album Tusk and the fact that everyone was expecting Rumours II,” he responded. “We gave them something totally different. When Tusk came out with the song and the album, people either got why we did it and appreciated the departure we’d made, or it alienated them.”
Buckingham said Tusk gained more appreciation over the years,...
Lindsey Buckingham | Stephen J. Cohen/Getty Images Lindsay Buckingham said ‘Tusk’ was Fleetwood Mac’s most underappreciated album
In a 2021 interview with Vulture, Fleetwood Mac guitarist Lindsey Buckingham was asked what he thought was the band’s most underappreciated song.
“It wasn’t so much about the song than it was the whole album Tusk and the fact that everyone was expecting Rumours II,” he responded. “We gave them something totally different. When Tusk came out with the song and the album, people either got why we did it and appreciated the departure we’d made, or it alienated them.”
Buckingham said Tusk gained more appreciation over the years,...
- 2/11/2023
- by Grace Turney
- Showbiz Cheat Sheet
Multi-faceted filmmaker Mark Duplass discusses the movies he wishes more people knew about with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Duck Butter (2018)
The Puffy Chair (2005)
Prince Of Broadway (2008)
Tangerine (2015)
The Florida Project (2017) – Dennis Cozzalio’s review
Red Rocket (2021)
Starlet (2012)
Take Out (2004)
Mack & Rita (Tbd)
Old Joy (2006)
First Cow (2020)
Wendy And Lucy (2008) – Dennis Cozzalio’s favorite movie of 2020
Henry Fool (1997)
Trust (1990)
Amateur (1994)
Medicine For Melancholy (2008)
Shang-Chi (2021)
Your Sister’s Sister (2011)
My Effortless Brilliance (2008)
What the Funny (2008)
Humpday (2009)
True Adolescents (2009)
Man Push Cart (2005)
The White Tiger (2021)
Baghead (2008)
The Do-Deca-Pentathlon (2012)
Language Lessons (2021)
Stevie (2002)
Hoop Dreams (1994)
American Movie (1999)
What Happened Was… (1994) – Ti West’s trailer commentary
Manhunter (1986) – Josh Olson’s trailer commentary
My Dinner With Andre (1981)
Creep (2014)
Grown-Ups (1980)
Abigail’s Party (1977)
Nuts In May (1976)
Secrets And Lies (1996) – Glenn Erickson’s Criterion Blu-ray review
Naked (1993)
Parallel Mothers (2021)
The Freebie (2010)
East Of Eden (1955) – Larry Cohen’s trailer commentary
Strange...
Show Notes: Movies Referenced In This Episode
Duck Butter (2018)
The Puffy Chair (2005)
Prince Of Broadway (2008)
Tangerine (2015)
The Florida Project (2017) – Dennis Cozzalio’s review
Red Rocket (2021)
Starlet (2012)
Take Out (2004)
Mack & Rita (Tbd)
Old Joy (2006)
First Cow (2020)
Wendy And Lucy (2008) – Dennis Cozzalio’s favorite movie of 2020
Henry Fool (1997)
Trust (1990)
Amateur (1994)
Medicine For Melancholy (2008)
Shang-Chi (2021)
Your Sister’s Sister (2011)
My Effortless Brilliance (2008)
What the Funny (2008)
Humpday (2009)
True Adolescents (2009)
Man Push Cart (2005)
The White Tiger (2021)
Baghead (2008)
The Do-Deca-Pentathlon (2012)
Language Lessons (2021)
Stevie (2002)
Hoop Dreams (1994)
American Movie (1999)
What Happened Was… (1994) – Ti West’s trailer commentary
Manhunter (1986) – Josh Olson’s trailer commentary
My Dinner With Andre (1981)
Creep (2014)
Grown-Ups (1980)
Abigail’s Party (1977)
Nuts In May (1976)
Secrets And Lies (1996) – Glenn Erickson’s Criterion Blu-ray review
Naked (1993)
Parallel Mothers (2021)
The Freebie (2010)
East Of Eden (1955) – Larry Cohen’s trailer commentary
Strange...
- 12/21/2021
- by Kris Millsap
- Trailers from Hell
Did your invite to Stevie and Dmitri’s wedding get lost in the mail? Have no fear: We’ve gathered all of the highlights of Madam Secretary‘s series finale — which included the nuptials of the First Daughter and her soulmate — in a final (sniff!) recap.
The episode, “Leaving the Station,” takes place nine months after the events of the previous installment, and we pick up two days before Stevie’s wedding. She and Dmitri are planning to hold it at a gorgeously bucolic venue. They’re particularly taken with the site’s hand-hewn wooden beams and such… which will...
The episode, “Leaving the Station,” takes place nine months after the events of the previous installment, and we pick up two days before Stevie’s wedding. She and Dmitri are planning to hold it at a gorgeously bucolic venue. They’re particularly taken with the site’s hand-hewn wooden beams and such… which will...
- 12/9/2019
- TVLine.com
The following contains spoilers from the Dec. 6 episode of CBS’ Hawaii Five-0.
This Friday on Hawaii Five-0, Adam Noshimuri made some brash decisions that may have forever altered his future — both on the task force, if not beyond.
More from TVLineRatings: CBS Dramas Slip as ABC's College Football Dominates FridayPerformer of the Week: Freddie HighmoreMadam Secretary Series Finale: Téa Leoni & Co. Tee Up Stevie's Wedding, a Political Throwdown and a Lot More
After Tamiko was kidnapped by Yakuza rivals, Adam defied Masuda — and lied to Five-0, taking a “sick” day — by getting involved in the hunt for those responsible.
This Friday on Hawaii Five-0, Adam Noshimuri made some brash decisions that may have forever altered his future — both on the task force, if not beyond.
More from TVLineRatings: CBS Dramas Slip as ABC's College Football Dominates FridayPerformer of the Week: Freddie HighmoreMadam Secretary Series Finale: Téa Leoni & Co. Tee Up Stevie's Wedding, a Political Throwdown and a Lot More
After Tamiko was kidnapped by Yakuza rivals, Adam defied Masuda — and lied to Five-0, taking a “sick” day — by getting involved in the hunt for those responsible.
- 12/7/2019
- TVLine.com
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress — at the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
The Rising
Logline: Hundreds of thousands of people were exposed to the risk of chemical illness when the U.S. government and Bp sprayed millions of gallons of toxic dispersants in the Bp Horizon Disaster ‘clean-up’ operations.
Elevator Pitch:
An acclaimed filmmaker turns his lens to the frontlines of the Bp Horizon disaster and the large scale cover-up of the tragic health effects following the infamous spill in 2010, in an upcoming documentary called “The Rising.” The film exposes the true health effects for tens of thousands of people and the ramifications of unregulated corporate power and government collusion to our nation.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
The Rising
Logline: Hundreds of thousands of people were exposed to the risk of chemical illness when the U.S. government and Bp sprayed millions of gallons of toxic dispersants in the Bp Horizon Disaster ‘clean-up’ operations.
Elevator Pitch:
An acclaimed filmmaker turns his lens to the frontlines of the Bp Horizon disaster and the large scale cover-up of the tragic health effects following the infamous spill in 2010, in an upcoming documentary called “The Rising.” The film exposes the true health effects for tens of thousands of people and the ramifications of unregulated corporate power and government collusion to our nation.
- 8/9/2016
- by Steve Greene
- Indiewire
Chicago – It has been 22 years since one of the greatest documentaries in film history was released, and it was created right here in Chicago by Kartemquin Films. “Hoop Dreams,” produced by Gordon Quinn (among others) and directed by Steve James, was a turning point for Kartemquin, which had at the time been making socially focused docs for over 30 years. As part of the film company’s 50th anniversary, Gordon Quinn revisits the groundbreaking film.
“Hoop Dreams” (1994) was the story of high schoolers William Gates and Arthur Agee, as they and their families experience the ups and downs of their path to basketball glory. Filmed as a fly-on-the-wall series of events, the documentary is a fascinating and emotional narrative on the levels of fulfillment in sports and in life. Snubbed at the Academy Awards for Best Documentary (it did get a nomination for Best Editing), the film earned a status as...
“Hoop Dreams” (1994) was the story of high schoolers William Gates and Arthur Agee, as they and their families experience the ups and downs of their path to basketball glory. Filmed as a fly-on-the-wall series of events, the documentary is a fascinating and emotional narrative on the levels of fulfillment in sports and in life. Snubbed at the Academy Awards for Best Documentary (it did get a nomination for Best Editing), the film earned a status as...
- 6/22/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – Two months ago, producer/director/cinematographer/editor Gordon Quinn received the Baadasssss Award from the 2016 Cimm Fest, for his longtime contributions to the cinema scene in Chicago through Kartemquin Films. The famous production house, known for their documentaries, is celebrating their 50th anniversary.
Kartemquin began in 1966 when three newly minted University of Chicago grads partnered to create socially conscious films, and took part of their names – Stan KARter, Jerry TEManer and Gordon QUINn – to form Kartemquin Films. Towards the end of the 1960s, Karter and Temaner had moved on, and the late Jerry Blumenthal stepped in to become the de facto fourth founder. It is Gordon Quinn that remains after 50 years, and he is the standard bearer for a film company that seeks to be a home for independent filmmakers who develop documentaries that deepen our understanding of society through everyday human drama – focusing on people whose lives are...
Kartemquin began in 1966 when three newly minted University of Chicago grads partnered to create socially conscious films, and took part of their names – Stan KARter, Jerry TEManer and Gordon QUINn – to form Kartemquin Films. Towards the end of the 1960s, Karter and Temaner had moved on, and the late Jerry Blumenthal stepped in to become the de facto fourth founder. It is Gordon Quinn that remains after 50 years, and he is the standard bearer for a film company that seeks to be a home for independent filmmakers who develop documentaries that deepen our understanding of society through everyday human drama – focusing on people whose lives are...
- 6/21/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Recently, ABC served up the new,official synopsis/spoilers for their upcoming "Revenge" series finale episode 23 of season 4. The episode is entitled, "Two Graves," and it turns out that we're going to see some very intriguing and dramatic stuff as Emily comes clean about the crimes she's committed, and more! In the new, 23rd episode press release: Emily Confesses To Her Crimes, On The Series Finale Of ABC's "Revenge." Press release number 2: Backed into a corner, Emily is going to be forced to admit her guilt, but she'll have to decide how far she'll go before admitting defeat, on the series finale of "Revenge." Guest stars feature: Christa B. Allen as Charlotte Clarke, Courtney Love as White Gold, Alyvia Alyn Lind as Young Amanda, Gail O'Grady as Stevie Grayson, Adrienne Barbeau as Marion Harper, Jensen Leflore as Young Man, Allen Warchol as Detective Yamada, John Barbolla as Chief Nelson,...
- 5/3/2015
- by Derek
- OnTheFlix
Daft Punk, Lorde, Bruno Mars, Kacey Musgraves and Macklemore & Ryan Lewis were just a few of the big winners during the 56th annual Grammy Awards telecast, hosted by LL Cool J and broadcast live from the Staples Center in Los Angeles. LL declared that "music has the power to bring us together like nothing else in this world" before he urged everyone to "make some beautiful noise!" Read on for the recap!
For the List of Winners Click Here.
The Winners
The Grammys are all about the music, with most awards handed out before the event. During the telecast, Daft Punk's Random Access Memories won Album of the Year, while the Robot Duo's Get Lucky featuring Pharrell Williams and Nile Rodgers nabbed Record of the Year and Best Pop Duo/Group Performance. Macklemore & Ryan Lewis were named Best New Artist; the 17-year-old Lorde landed Song of the Year and Best Pop Solo Performance for Royals; Unorthodox...
For the List of Winners Click Here.
The Winners
The Grammys are all about the music, with most awards handed out before the event. During the telecast, Daft Punk's Random Access Memories won Album of the Year, while the Robot Duo's Get Lucky featuring Pharrell Williams and Nile Rodgers nabbed Record of the Year and Best Pop Duo/Group Performance. Macklemore & Ryan Lewis were named Best New Artist; the 17-year-old Lorde landed Song of the Year and Best Pop Solo Performance for Royals; Unorthodox...
- 1/27/2014
- Entertainment Tonight
by Brett White
ABC's upfront presentation has already produced news about "Marvel's Agents of S.H.I.E.L.D.," most notably that the show is going to be great. Access Hollywood and IGN caught up with actors Clark Gregg (Agent Coulson), Ming-Na Wen (Agent May) and Elizabeth Henstridge (Agent Simmons), as well as producer Jeffrey Bell ("Angel"). The actors were all tight-lipped about the series, of course, but the video is still worth watching if only to see just how excited these actors are to enlist with S.H.I.E.L.D. Ming-Na's even busted out her boxing equipment!
The real juicy bit of information comes from producer Jeffrey Bell, who addressed the rumors that J. August Richards is playing either Luke Cage or Rage.
"[J. August Richards] killed it! He's so good. He's so good, because we were looking for this character M-- I almost said his name. It's not the one people are talking about..."
"I'm going to...
ABC's upfront presentation has already produced news about "Marvel's Agents of S.H.I.E.L.D.," most notably that the show is going to be great. Access Hollywood and IGN caught up with actors Clark Gregg (Agent Coulson), Ming-Na Wen (Agent May) and Elizabeth Henstridge (Agent Simmons), as well as producer Jeffrey Bell ("Angel"). The actors were all tight-lipped about the series, of course, but the video is still worth watching if only to see just how excited these actors are to enlist with S.H.I.E.L.D. Ming-Na's even busted out her boxing equipment!
The real juicy bit of information comes from producer Jeffrey Bell, who addressed the rumors that J. August Richards is playing either Luke Cage or Rage.
"[J. August Richards] killed it! He's so good. He's so good, because we were looking for this character M-- I almost said his name. It's not the one people are talking about..."
"I'm going to...
- 5/15/2013
- by Splash Page Team
- MTV Splash Page
Although Ari Folman's "Waltz With Bashir" did not make the shortlist of 15 films under consideration for the best documentary Oscar, it is among the nominees for the DGA's doc award, announced Friday.
"Waltz" will compete with Gonzalo Arijon's "Stranded: I've Come From a Plane that Crashed on the Mountains," in which survivors of a 1972 Andes plane crash tell their story; Elizabeth Farnsworth and Patricio Lanfranco's "The Judge and the General," a look back at the investigation into the regime of Chilean dictator Augusto Pinochet; Peter Gilbert & Stevie James' "At the Death House Door," an examination of the wrongful conviction of a Texas man executed for murder; and James Marsh's "Man on Wire," a study of tight-rope walker Philippe Petit.
All the nominees are first-time DGA nominees, with the exception of Gilbert (who won the DGA's doc award in 1998 for "Vietnam: Long Time Coming" and was...
"Waltz" will compete with Gonzalo Arijon's "Stranded: I've Come From a Plane that Crashed on the Mountains," in which survivors of a 1972 Andes plane crash tell their story; Elizabeth Farnsworth and Patricio Lanfranco's "The Judge and the General," a look back at the investigation into the regime of Chilean dictator Augusto Pinochet; Peter Gilbert & Stevie James' "At the Death House Door," an examination of the wrongful conviction of a Texas man executed for murder; and James Marsh's "Man on Wire," a study of tight-rope walker Philippe Petit.
All the nominees are first-time DGA nominees, with the exception of Gilbert (who won the DGA's doc award in 1998 for "Vietnam: Long Time Coming" and was...
- 1/9/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Here I was all set to go Elitist on the country singer Lee Greenwood, and I pulled the rug out from under myself. I shared Rachel Maddow's incredulity that the limping duck George W. Bush had appointed Greenwood to the National Council of the Arts. I even had my first two sentences written in my head: "Remember how the Bush takeover squad at the White House complained the Clintonites had unplugged all the PCs on their way out the door? As he steadfastly marches toward his own sunset, it is Bush himself who seems unplugged."
Zing! Totally unfair, but snappy, Bush had two vacancies to fill on the Nca, one for three years, one for six. Greenwood got the six-year term. He'll be the gift that keeps on giving every day during Obama's first term. The Council's job is to advise the National Endowment for the Arts on how to spend its money.
Zing! Totally unfair, but snappy, Bush had two vacancies to fill on the Nca, one for three years, one for six. Greenwood got the six-year term. He'll be the gift that keeps on giving every day during Obama's first term. The Council's job is to advise the National Endowment for the Arts on how to spend its money.
- 11/11/2008
- by Roger Ebert
- blogs.suntimes.com/ebert
By Steve James
We're in a Golden Age of documentary filmmaking right now. Having been on the festival circuit recently with our film, "At the Death House Door," Peter Gilbert and I have been seeing firsthand the wealth and variety of accomplished documentary films being made here and abroad. And according to programmers, these festival films are being selected from hundreds and even thousands of submissions. Yet I don't see a commensurate growth in the number of "longitudinal documentaries" . ones like "Hoop Dreams" or "Stevie" or Barbara Kopple's "American Dream" (which Peter shot) that track people's lives and stories over several years. For me, longitudinal docs are the most deeply satisfying form. Spending years following a story is the ultimate act of filmmaking discovery, because you don't know where the journey is leading, no matter how perceptive you think you are. Indeed, you hope and pray you'll be surprised,...
We're in a Golden Age of documentary filmmaking right now. Having been on the festival circuit recently with our film, "At the Death House Door," Peter Gilbert and I have been seeing firsthand the wealth and variety of accomplished documentary films being made here and abroad. And according to programmers, these festival films are being selected from hundreds and even thousands of submissions. Yet I don't see a commensurate growth in the number of "longitudinal documentaries" . ones like "Hoop Dreams" or "Stevie" or Barbara Kopple's "American Dream" (which Peter shot) that track people's lives and stories over several years. For me, longitudinal docs are the most deeply satisfying form. Spending years following a story is the ultimate act of filmmaking discovery, because you don't know where the journey is leading, no matter how perceptive you think you are. Indeed, you hope and pray you'll be surprised,...
- 5/28/2008
- by Steve James
- ifc.com
South by Southwest
AUSTIN -- The documentary makers behind Hoop Dreams and Stevie turn their lens on capital punishment in At the Death House Door, an involving film with fresh perspectives that should ensure appeal on the activist and festival circuits.
Basically a conversion story, it centers on Carroll Pickett, a proud and righteous jailhouse chaplain in Huntsville, Texas, who sticks with a troubling job -- in almost 100 executions, he has sat with condemned men during their final hours -- despite a growing conviction that the death penalty should be abolished.
Pickett's self-administered therapy through the years has been an audio diary: cases full of audiocassettes that he makes after each execution. As he picks through the tapes, Pickett recalls details that stirringly drive home his unique perspective.
The filmmakers alternate Pickett's tale with that of a man executed on his watch: Carlos De Luna, who seems now almost certainly innocent of the crime for which he was condemned.
The investigation into his wrongful conviction (conducted by Chicago Tribune reporters) has blood-boiling dramatic potential, but the filmmakers play this angle down, using it mainly to bolster Pickett's recent anti-death-penalty activism.
The result is a picture whose appeal might not be as broad as some of the team's earlier work (or of Errol Morris' The Thin Blue Line) but is strong enough in its content that it could sway fence-sitters on the issue.
AT THE DEATH HOUSE DOOR
Independent Film Channel
Kartemquin Films
Credits:
Director-producers: Steve James, Peter Gilbert
Executive producers: Gordon Quinn, Christine Lubrano, Debbie Demontreux, Evan Shapiro, Alison Bourke
Director of photography: Peter Gilbert
Music: Leo Sidran
Co-producer: Zak Piper
Editors: Steve James, Aaron Wickenden
Running time -- 98 minutes
No MPAA rating...
AUSTIN -- The documentary makers behind Hoop Dreams and Stevie turn their lens on capital punishment in At the Death House Door, an involving film with fresh perspectives that should ensure appeal on the activist and festival circuits.
Basically a conversion story, it centers on Carroll Pickett, a proud and righteous jailhouse chaplain in Huntsville, Texas, who sticks with a troubling job -- in almost 100 executions, he has sat with condemned men during their final hours -- despite a growing conviction that the death penalty should be abolished.
Pickett's self-administered therapy through the years has been an audio diary: cases full of audiocassettes that he makes after each execution. As he picks through the tapes, Pickett recalls details that stirringly drive home his unique perspective.
The filmmakers alternate Pickett's tale with that of a man executed on his watch: Carlos De Luna, who seems now almost certainly innocent of the crime for which he was condemned.
The investigation into his wrongful conviction (conducted by Chicago Tribune reporters) has blood-boiling dramatic potential, but the filmmakers play this angle down, using it mainly to bolster Pickett's recent anti-death-penalty activism.
The result is a picture whose appeal might not be as broad as some of the team's earlier work (or of Errol Morris' The Thin Blue Line) but is strong enough in its content that it could sway fence-sitters on the issue.
AT THE DEATH HOUSE DOOR
Independent Film Channel
Kartemquin Films
Credits:
Director-producers: Steve James, Peter Gilbert
Executive producers: Gordon Quinn, Christine Lubrano, Debbie Demontreux, Evan Shapiro, Alison Bourke
Director of photography: Peter Gilbert
Music: Leo Sidran
Co-producer: Zak Piper
Editors: Steve James, Aaron Wickenden
Running time -- 98 minutes
No MPAA rating...
- 3/10/2008
- The Hollywood Reporter - Movie News
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