After having responded to her son's numerous letters in the guise of his father, a woman hires a stranger to pose as his dad when meeting him.After having responded to her son's numerous letters in the guise of his father, a woman hires a stranger to pose as his dad when meeting him.After having responded to her son's numerous letters in the guise of his father, a woman hires a stranger to pose as his dad when meeting him.
- Nominated for 1 BAFTA Award
- 9 wins & 8 nominations total
- Librarian
- (as Elaine Mackenzie Ellis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJack McElhone (Frankie) is not deaf but worked with a speech coach so that his one spoken line would sound correct.
- GoofsWhen Lizzie is reading the last letter, it says "Thanks for the book" twice, but it is only read once.
- Quotes
Lizzie: I had a good time tonight.
The Stranger: Don't sound so surprised.
[pause]
The Stranger: He's got your eyes. They... pull you right in.
Lizzie: Don't know what to say to that
The Stranger: You don't have to say anything.
Lizzie: You don't have to say nice things to me. I'm not paying you for that.
The Stranger: So why don't you want to hear them?
- Crazy creditsSpecial thanks to ... all at Deaf Connections, ... all at Sigma Films, ... Esther and Harvey ...
- SoundtracksEveryone Will Have Their Day
Written by Michael Clarke & Martin Terefe
Published by (Copyright Control) Sony/ATV Music Publishing, Ltd.
Performed by Michael Clarke (as Clarksville)
© 2003 Wildstar Records, Ltd.
We are swept into both sides of an unusual epistolary relationship -- one between a mother and son, as each takes on alternative identities to communicate, and we get to hear their adopted voices as well.
The son is an isolated deaf kid who won't talk but pours out his heart in letters, while his fiercely protective mother pretends to be his fictional seagoing dad in response. We are drawn into their parallel stories from each perspective, as their defensively claustrophobic relationship has an outlet in this fictional geography as they gradually start dealing with the real world.
Emily Mortimer combines strength and naked vulnerability, as she did in "About Adam" and "Lovely and Amazing," while the son is captivating in an almost mimed role without being as treacly as the kid playing Peter in "Finding Neverland." Debut director Shona Auerbach keeps the movie tethered to reality with evocative use of Glasgow and its active port. We are anchored in a working class bloke territory that becomes a rocky shore for an untethered single mom living with her mother and her kid. This is tellingly symbolized when Mortimer braves a rough waterfront bar.
And then re-emphasized in a hotel tea parlor whose atmosphere electrically changes the minute rugged Gerard Butler pops up on screen. Epitomizing that cinematic manliness that is so talked about as lacking from most American actors these days, Butler's absolutely authentic masculinity instantly telescopes what this mother and child have been missing, and not just his sexual gravitas. Butler movingly demonstrates how a guy's guy plays paternal through such simple things as football, skipping stones, eating and of course dancing.
I don't know if I missed the clues to the concluding twists, but Hollywood would never let these lovely mysteries be, let alone as an achingly long look into each's eyes.
It's nice to see faces from Scottish TV shows in atypical roles, Sharon Small deservedly having a steady boyfriend on screen for a change, and Cal Macaninch, the nice guy from "Rockface" as the not nice guy here.
The Scots accents are thick and I did miss some punch lines in the dialog here and there.
The song selections are lovely, including a Damien Rice track that hasn't been overused yet.
- noralee
- Mar 12, 2005
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Natural History
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $18,025
- Opening weekend US & Canada
- $37,542
- Mar 6, 2005
- Gross worldwide
- $1,656,829
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1