"Taggart" Angel Eyes Part One (TV Episode 1996) Poster

(TV Series)

(1996)

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8/10
Top Taggart
pbn31 March 2006
This story from the Taggart series, usually shown in three installments, is among the best of the period after Taggart's death when Mike Jardine is chief inspector. Set against the backdrop of a growing gay scene in Glasgow, the plot has Jardine and his team investigating a series of grueling murders of gay men sought out in the local clubs and bars. The images of the dead bodies, stripped down and washed before being abandoned, are haunting and stuck with me from the first time I saw the story years ago until I was able to catch it again in the past few days.

The plot is carried out in persuasive manner, with enough characters to let us doubt the identity of the murderer, and enough false clues for us to feel convinced of the wrong conclusions. Most of all, though, it was the engaging character drama of the story that impressed me. Mike Jardine has obvious problems accepting homosexuality and jeopardizes the investigation because of it. Young cop Stuart Fraser is gay, but hides it at work, indicating the prejudice still existing in certain strata of society. Detective Jackie Reed becomes a highlight of the story as she navigates the local gay community while negotiating the tempers of her male co-workers. Particularly poignant is the family drama of the first murdered man, who leaves behind his lover of 40 years and an angry daughter, who does not accept her father's life choices.

At the end, the plot goes perhaps a little too sensational for my liking, but I must admit it is quite effective. Despite the drama, the story does not omit the sense of humour which is a popular part of the British crime fiction. Like the series in general, these episodes have good acting performances, with special mention to Blythe Duff and to the young woman who played the dead man's daughter, whose name I can't find.
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9/10
Death in the gay community
TheLittleSongbird27 October 2018
Have always adored detective dramas/mystery series. This has been apparent from an early age, half my life even, when getting into Agatha Christie through Joan Hickson's Miss Marple and David Suchet's Poirot and into 'Inspector Morse'.

Whether it's the more complex ones like 'Inspector Morse' (and its prequel series 'Endeavour') and anything Agatha Christie. Whether it's the grittier ones like 'A Touch of Frost' (though that is balanced brilliantly with comedy too). And whether it's the light-hearted ones like 'Murder She Wrote'. 'Taggart' is one of the biggest examples of the grittier ones, especially the Mark McManus years and the earlier James MacPherson episodes.

"Angel Eyes" is a great episode, one of the stronger episodes overall and for me it is definitely one of the standout episodes of the Jardine-era.

Still wasn't sure at this point about the character of Stuart and his actor Colin McCredie, they were not particularly interesting or straight away settled at this very early stage of his appearances, a bit bland though that we learn more about him here is good. The ending is intriguing and clever, if a bit over-the-top perhaps.

Enough that of what made 'Taggart' such a good show however when it was in its prime is evident and almost everything works here.

Really like the slick, gritty look and Glasgow is like an ominous character on its own. The music matches the show's tone and has a good amount of atmosphere while the theme song/tune is one that stays in the memory for a long time. The relationship between Jardine and Reid was always blossoming nicely and had blossomed by this point and then accentuated with Jackie further blossoming it, showing why it was one of the best things about this period of 'Taggart'.

As to be expected, "Angel Eyes" is thoughtfully scripted mostly with nothing ridiculous happening and things being taken seriously without being too morose. The personal life subplots are intriguing and add to the characters rather than distracting, some daring topics explored with tact, and the family drama is touching. The story is involving in its complexity and intricacy with nothing being what it seems, making the most of the long length (have generally found the 2000s episodes too short and rushed) without padding anything out. Some parts are not for the faint hearted with some elaborately staged and disturbing murders, but nothing feels gratuitous and the investigations are compelling (Jackie's prominent role is a highlight) and with enough twists to stop it from being obvious.

James MacPherson continues to fill Mark McManus' big shoes with aplomb and Blythe Duff is terrific, have always liked her. The supporting cast are solid, the acting for the daughter agreed stands out, and Robert Robertson as ever steals every scene he's in.

In summation, excellent episode. 9/10 Bethany Cox
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