In the year 200,000 the Doctor discovers that a satellite with a dark secret is controlling humanity and slowing its development.In the year 200,000 the Doctor discovers that a satellite with a dark secret is controlling humanity and slowing its development.In the year 200,000 the Doctor discovers that a satellite with a dark secret is controlling humanity and slowing its development.
Anna Maxwell Martin
- Suki Macrae Cantrell
- (as Anna Maxwell-Martin)
Aaron Fisher
- Satellite Five Patient
- (uncredited)
Kevin Hudson
- Cyberman
- (uncredited)
Samantha E. Hunt
- Floor 500 Drone
- (uncredited)
Lisa Osmond
- Alien
- (uncredited)
- Director
- Writers
- Russell T. Davies(showrunner)
- Sydney Newman(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSimon Pegg had great difficulty saying "the Mighty Jagrafess of the Holy Hadrojassic Maxarodenfoe". The scene in the episode features the best take he could do, with the monster growling over the bits he got wrong.
- Goofs(About 14 minutes in) when Suki is leaving the lift on floor 500 her bag is by her side in shots from the front but over her backside in the reverse shots.
- Quotes
The Editor: Now there's an interesting point. Is a slave a slave if he doesn't know he's enslaved?
The Doctor: Yes.
The Editor: Aw. I was hoping for a philosophical debate, is that all I'm gonna get: "yes"?
The Doctor: Yes.
The Editor: You're no fun.
The Doctor: Let me out of these manacles and I'll show you how much fun I am.
The Editor: Ooh, he's tough, isn't he?
- ConnectionsFeatured in Doctor Who Confidential: I Get a Side-Kick Out of You (2005)
- SoundtracksDoctor Who Theme
(uncredited)
Written by Ron Grainer
Arranged by Murray Gold
Performed by BBC National Orchestra of Wales
Featured review
The weak link in Season One's chain
In an ironic twist of fate, the best episode of Doctor Who's first season, Dalek, is followed by the weakest, The Long Game. Adding to the crushing sense of disappointment is the fact that the incriminated 45 minutes are written by none other than Russell T. Davies, the man responsible for bringing back the Doctor in the first place.
This time, it all takes place in the year 200,000. The specific location is Satellite Five, the heart of the Fourth and Bountiful Human Empire, an ideal place for Rose's first "date" with new companion Adam (Bruno Langley), who joined our time travelers in the TARDIS after the Van Statten incident. It all looks perfect, which means it obviously isn't: something or someone is blocking every kind of human evolution, effectively enslaving and entire race. The prime suspect is the malevolent Editor (Simon Pegg), but the increasingly deteriorating situation indicates something more serious than one man's machinations have to be behind this. And it's up to the Doctor to save the day. Again.
Normally, Davies' stories are among the best of each season because they're (usually) part of a more complex mythology arc, similar to what Chris Carter conjured on The X-Files. But whereas Carter never wrote an X-Files episode that couldn't be enjoyed without considering the bigger picture, Davies has managed to come up with a story that makes little sense on its own and seems to exist solely to set up a more important story later on in the season. The consequence is that most of The Long Game passes by without leaving anything memorable behind. Only Eccleston, always a gas no matter how silly things get, and Pegg (a huge fan of the show), reversing his slacker image with an OTT but utterly enjoyable villainous turn, save the episode from being a throwaway experience.
6,5/10
This time, it all takes place in the year 200,000. The specific location is Satellite Five, the heart of the Fourth and Bountiful Human Empire, an ideal place for Rose's first "date" with new companion Adam (Bruno Langley), who joined our time travelers in the TARDIS after the Van Statten incident. It all looks perfect, which means it obviously isn't: something or someone is blocking every kind of human evolution, effectively enslaving and entire race. The prime suspect is the malevolent Editor (Simon Pegg), but the increasingly deteriorating situation indicates something more serious than one man's machinations have to be behind this. And it's up to the Doctor to save the day. Again.
Normally, Davies' stories are among the best of each season because they're (usually) part of a more complex mythology arc, similar to what Chris Carter conjured on The X-Files. But whereas Carter never wrote an X-Files episode that couldn't be enjoyed without considering the bigger picture, Davies has managed to come up with a story that makes little sense on its own and seems to exist solely to set up a more important story later on in the season. The consequence is that most of The Long Game passes by without leaving anything memorable behind. Only Eccleston, always a gas no matter how silly things get, and Pegg (a huge fan of the show), reversing his slacker image with an OTT but utterly enjoyable villainous turn, save the episode from being a throwaway experience.
6,5/10
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- MaxBorg89
- Feb 14, 2009
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- Runtime45 minutes
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