"Law & Order: Criminal Intent" The Posthumous Collection (TV Episode 2004) Poster

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8/10
"Art demands no explanation"
TheLittleSongbird2 September 2020
The premise for "The Posthumous Collection" sounded really interesting on paper, strange and not typical for 'Law and Order: Criminal Intent' (a great show in its prime, for me the earlier seasons are better) but it did interest me and also sounded quite creepy. Which was fine, as 'Criminal Intent' proved numerous times before and since "The Posthumous Collection" that it could do creepy very well indeed. There was a good deal of promise here.

Which was lived up to on the most part. "The Posthumous Collection" is not one of my favourite episodes of Season 4, a slight disappointment too after the previous episode, or of 'Criminal Intent' in general. Much of it is still very good with some great little character moments and it was equally great that Eames, like her very much as a character just to say and she and Goren are the best lead pairing of the show, had some great lines here.

It does start off on the routine side, the murderer is not that much of a surprise here, and other episodes have more tension and emotion.

So much works in "The Posthumous Collection's" favour though. The episode is slick-looking and visually doesn't try to do anything too fancy or indulgent while also not being too safe. The music is not too dramatic and to me doesn't over-emphasise. The direction is not breakneck pace but it doesn't plod in my opinion either. The story is strange (especially that twisted motive) but very diverting on the whole, with a great ending and a quite chilling and suitably over-confident killer (including questioning in a taunting way what Foren knows about art).

Furthermore, the script is a good mix of entertaining and thought-probing. Some of the best lines come from Eames this time, such as her quip at Goren's not being able to identify a smell (which is surprising for Goren as he is so observant and so knowledgeable, able to pick up upon things that the other characters don't, this is not meant in a bad way but is an interest point). But hearing how Doris talks about her brother the way she does is as shocking to the viewer as it is to Goren, one of the most shocking things a sister has said about her brother anywhere from personal experience.

Goren doesn't shine in a psychological sense as much as in other episodes but is still a joy. All the acting is very good indeed, leads and supporting.

Concluding, very well done but could have been even better. 8/10
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8/10
Nasty Females Made Him Do It
ccthemovieman-111 June 2008
Warning: Spoilers
This was a typical "Law And Order: Criminal Indent" episode in that it had a untypical type of story about a guy getting back at all the sadistic women in his family and had a famous photographer help him.

It was also typical in that, at the last minute under the psychological games Goren and Eames like to play, he confesses. Gee, like the old Perry Mason TV programs, it's refreshing when the killer does NOT confess in this show. But, that rarely happens thanks to our genius detective "Robert Goren" (Vincent D'Onofrio) who always knows the right buttons to press and get the suspect to go temporarily insane.

Another thing that was in this episode that Hollywood has been doing for almost 60 years: anyone with a German accent is a "bad guy." Whether it's movies or TV, if you have a German character, count on him to be the villain. In this episode, the photographer, "Gerhardt Heltman: (Sam Tsoutsouvas) was a German. The real villain, though, was the young artist "Spenser Farnell" (Glenn Fitzgerald).

When you hear what the females in his family did to him as a kid you almost feel sorry for him. Caroline Lagerfelt, the woman who played Heltman's wife, I thought was extremely interesting in a minor role.

Why this program has been so slow to put these seasons on DVD, I don't know. It's been a continuing problem. It took years to get Season 2 put on disc. I have stopped waiting for this fourth season to come out, so I'm catching these shows as repeats on either the USA Network or Bravo, and put up with the commercials.
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8/10
family matters
Mrpalli7711 September 2017
Warning: Spoilers
This episode made me guessing about the family value. It's hard to grow up when the whole family is teasing you. OK, sisters could make fun of you by hiding things or throwing mud at you, but when they play bad nurse tying you in the bed or they set your hair on fire it's different. And what about grandma cruelty? Just let it go. However it doesn't mean you are legitimate to kill girls who resemble them. At last but not least, it's the first time Goren's smell didn't recognize something and Eames immediately pointed it out.
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5/10
Issues
bkoganbing25 October 2016
Warning: Spoilers
The case that Vincent D'Onofrio and Kathryn Erbe catch involves the murder of a noted artist and concentration camp survivor. That fact has colored all the work of Sam Tsoutsouvas, he pretty much distances himself from wife and son.

But the murderer in this case is street artist Glenn Fitzgerald who brought Tsoutsouvas a most unusual project. When the victim discovered exactly the nature of the project he was killed.

Again the eclectic mind of Robert Goren goes to work. Fitzgerald's got some bad secrets hidden in his past. One interview scene with his sister in prison tells you all you need to know.

I agree wholeheartedly with the other reviewer. Goren's modus operandi is to find which buttons to press and press them he does. Boy does this perpetrator have issues.
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