Well, taking cue from RGV's "Darna...." series (and Tarantino/ Rodriguez), Dutt Baba conceives Dus Kahaniyaan on similar lines. At the very outset, it seems all the segments are crammed thereby leaving with ""Bang-Bang Thank You Ma'am" feeling. Perhaps more time was warranted for the characters to take shape and the plot to sink in.
Matrimony:: The plot is a straight lift from one of the email forwards. Arbaaz looks suave and Mandira quite convincing.
High on the Highway:: Very contrived of the entire lot. Jimmy's performance is at its worst and somebody please give him a truth serum of his awful hair color.
Puranmaashi:: Probably owing to time constraint the plot seems extremely lame. Coming from Meghna, my expectations were riding high owing to Gulzar genes.
Stranger in the night:: Again, not one of the brightest crayons in the box. In short the plot is "Looking London - Going Tokyo", if you know what I mean.
Zahir:: Again a downer plot, topped up with great performance by the two. Also perhaps Dia would have been a ideal choice in High on the High on the Highway segment.
Lovedale:: Seemed straight out of Yashraj camp - too coincidental.
Sex on the beach:: Plot is copied from Darna series. No great shakes in there.
Gubbare:: My vote for the Number One segment. Short, crisp and effective. The conversation of Nana to his wife should have been edited for creative impact.
Rice Plate:: Number Two vote. Thought the plot seems to be copied from one of the email forwards, its the Shabana and Naseer who make up with the top-notch performance.
Rise and Fall:: The plot needed more space. Also the non-linear format confuses. The background score is loud. Otherwise a meaty plot.
Watch it if you have nothing to do on a rainy Sunday afternoon.