72
Metascore
9 reviews · Provided by Metacritic.com
- 80The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisFateful and funny, haunting and magical.
- An eloquent and audacious lament.
- 80EmpireDavid ParkinsonEmpireDavid ParkinsonAn unflinching and affecting depiction of the region’s tragic lunacies.
- 75New York PostV.A. MusettoNew York PostV.A. MusettoBy terms moving and funny, the story reaches its apex when Half Moon, a beautiful young woman played by Golshifteh Farahani, makes her appearance from out of nowhere. Is she real, or perhaps an angel? You'll have fun trying to come up with an answer.
- 70Chicago ReaderAndrea GronvallChicago ReaderAndrea GronvallThe suspicion and contempt the band encounters along the way symbolize the Kurds' historical sufferings, but the movie has many comic moments courtesy of the eager bus driver, who keeps putting his foot in his mouth. The nonprofessional cast is highly persuasive under the sure hand of director Bahman Ghobadi (A Time for Drunken Horses).
- 70The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttGhobadi always uses non-pro actors but you would never know. In fact, professionals wouldn't do theses roles justice since the recruited performers are partly playing themselves and partly playing people Ghobadi has known since he was a boy.
- 70Village VoiceVillage VoiceWriter-director Bahman Ghobadi's picturesque road trip is less about preserving a musical heritage than accepting one's fate, a mythic trek that's both heartrending and boisterous--often as hauntingly absurdist as a Kusturica carnival.
- 70L.A. WeeklyScott FoundasL.A. WeeklyScott FoundasIn a boom time for movies about the scars of the battlefield, Half Moon reminds that the unending strife and religious fundamentalism of the Middle East kills not just people but culture too.
- 70Wall Street JournalJoe MorgensternWall Street JournalJoe MorgensternThis is a road movie unlike any other, the comical and mystical odyssey of old Mamo (an extraordinary performance by Ismail Ghaffari), a venerated musician who heads for Iraq from exile in Kurdish Iran with a busload of his musician sons to give a concert after Saddam's fall.