Directed by
| Vahid Keshavarz | ||
Writing Credits (in alphabetical order)
| Vahid Keshavarz | ||
Cast
 |
Dorothea Facchini | ... | Emily |
Produced by
| Hoda Abazari | ... | executive producer |
| Vahid Keshavarz | ... | producer |
| Hady Lotfabady | ... | executive producer |
Music by
| Trifon Koutsourelis | ||
Cinematography by
| Jonny Boomer | ||
Editing by
| Vahid Keshavarz | ||
Art Direction by
| John Jason Bucknall | ||
Costume Design by
| Andrea Fiquitiva | ||
Makeup Department
| Abigail Harcourt-Smith | ... | special makeup effects artist |
| Lydia Karagiannopoulou | ... | makeup artist |
Production Management
| Hady Lotfabady | ... | production manager |
Second Unit Director or Assistant Director
| Vanessa Thomas | ... | second assistant director |
| Hubert Wieckowski | ... | first assistant director |
Art Department
| John Jason Bucknall | ... | poster and graphics designer |
Sound Department
| Michel Brun | ... | sound recordist |
| Trifon Koutsourelis | ... | sound designer/mixer |
| Kostas Voukelatos | ... | sound recordist |
Camera and Electrical Department
| Lea Aubigne | ... | second assistant camera |
| Matt Bohun | ... | gaffer |
| John Jason Bucknall | ... | still photographer |
| Cameron Campbell | ... | second assistant camera |
| Luke Greenan | ... | first assistant camera/focus puller |
| Isabella Hewlett | ... | second unit camera assistant/behind the scenes |
| Mira Pharaon | ... | second unit camera assistant/behind the scenes |
| Yassin Soudan | ... | second unit cinematographer |
| Billy Tymon | ... | spark |
Editorial Department
| Ned Al-Astrabadi | ... | colorist |
| Adam Eddy | ... | assistant editor |
| Mosa Mati | ... | assistant editor |
Additional Crew
| Ihsan Alnasrawi | ... | film marketing consultant / titles artist |
Thanks
| Olivia Baiden | ... | special thanks |
| Nelson Douglas | ... | special thanks |
| Mostafa Mehraban | ... | special thanks |
| Foroutan Parand | ... | special thanks |
| Mohsen Shadnoosh | ... | special thanks |
| Rohi Shiranporn | ... | special thanks |
| Marlen Vasilopoulou | ... | special thanks |