Lil Nas X’s concert documentary that captured his first global tour is coming to HBO.
Lil Nas X: Long Live Montero will debut on the network on Jan. 27 at 8 p.m. Et; it will also stream on Max. The film had its world premiere at last year’s Toronto Film Festival.
The documentary follows the Grammy-winning rapper, born Montero Hill, over 60 days as he performs on his Long Live Montero tour, which supported Montero, his full-length 2021 debut album. In the diary film, Lil Nas X discusses his career and his place in the pop world as a Black and queer performer.
Lil Nas X: Long Live Montero is directed by Zac Manuel and Carlos López Estrada, the Oscar-nominated filmmaker whose credits include Blindspotting, Summertime and Raya and the Last Dragon; he has also directed music videos for Billie Eilish, Katy Perry and Carly Rae Jepsen. Manuel’s cinematography and directing credits include Alone,...
Lil Nas X: Long Live Montero will debut on the network on Jan. 27 at 8 p.m. Et; it will also stream on Max. The film had its world premiere at last year’s Toronto Film Festival.
The documentary follows the Grammy-winning rapper, born Montero Hill, over 60 days as he performs on his Long Live Montero tour, which supported Montero, his full-length 2021 debut album. In the diary film, Lil Nas X discusses his career and his place in the pop world as a Black and queer performer.
Lil Nas X: Long Live Montero is directed by Zac Manuel and Carlos López Estrada, the Oscar-nominated filmmaker whose credits include Blindspotting, Summertime and Raya and the Last Dragon; he has also directed music videos for Billie Eilish, Katy Perry and Carly Rae Jepsen. Manuel’s cinematography and directing credits include Alone,...
- 1/4/2024
- by Mesfin Fekadu
- The Hollywood Reporter - Movie News
Another CW star is signing on for the network’s upcoming “Walker, Texas Ranger” reboot. Variety has learned exclusively that “The 100’s” Lindsey Morgan has signed on for a lead role in “Walker,” which has received a series order at the broadcaster for the 2020-2021 season.
Morgan joins previously announced series lead Jared Padalecki, best known for his role on The CW’s long-running drama “Supernatural.” The casting keeps both Morgan and Padalecki in business with The CW, as both “Supernatural” and “The 100” are set to end during their current seasons on the network.
Padalecki stars as Cordell Walker, a widower and father of two with his own moral code, who returns home to Austin after being undercover for two years, only to discover there’s harder work to be done at home. He’ll attempt to reconnect with his children, navigate clashes with his family, and find unexpected...
Morgan joins previously announced series lead Jared Padalecki, best known for his role on The CW’s long-running drama “Supernatural.” The casting keeps both Morgan and Padalecki in business with The CW, as both “Supernatural” and “The 100” are set to end during their current seasons on the network.
Padalecki stars as Cordell Walker, a widower and father of two with his own moral code, who returns home to Austin after being undercover for two years, only to discover there’s harder work to be done at home. He’ll attempt to reconnect with his children, navigate clashes with his family, and find unexpected...
- 2/6/2020
- by Joe Otterson
- Variety Film + TV
Andy Samberg time-loop comedy “Palm Springs” broke sales records (by the cheeky sum of 69¢), and “Taylor Swift: Miss Americana” inspired a mini mob scene at an otherwise star-starved Sundance. But in the end, the film that defined the 2020 edition of America’s most important indie-movie showcase was a #MeToo revenge thriller called “Promising Young Woman.”
If every film festival falls somewhere along a spectrum that ranges from progressive to staunchly stuck-in-its-ways, Sundance stands for positive change, especially on the representation and inclusion front. Perhaps it’s easier for the Utah-based fest to champion relatively marginalized talents, since the program favors new voices over established auteurs, but Sundance outdid itself this year, filling out one of its strongest lineups in memory with a diversity of voices, approaches and characters.
While Swift was sucking up most of the oxygen on opening night, half a dozen other films demonstrated what the 11-day...
If every film festival falls somewhere along a spectrum that ranges from progressive to staunchly stuck-in-its-ways, Sundance stands for positive change, especially on the representation and inclusion front. Perhaps it’s easier for the Utah-based fest to champion relatively marginalized talents, since the program favors new voices over established auteurs, but Sundance outdid itself this year, filling out one of its strongest lineups in memory with a diversity of voices, approaches and characters.
While Swift was sucking up most of the oxygen on opening night, half a dozen other films demonstrated what the 11-day...
- 2/4/2020
- by Peter Debruge
- Variety Film + TV
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