Mariano finds out that after the tragedy at Arancibia's house, the corpse is taken to a very curious place: the Rialto cinema. The cinema, as it turns out, is connected to a man with ties to a Koenig; Cifuentes takes Mariano to see the Colonel, but he isn't the man he once was. 1955: Koenig entrusts the body to Astorga, Rialto's projectionist who has a backstory with Evita.