Italy’s Intramovies has acquired global rights outside of Israel and France on Israeli director Dani Rosenberg’s Gaza-Strip conflict drama “The Vanishing Soldier.”
“Vanishing Soldier” is Rosenberg’s second feature after “The Death of Cinema and My Father Too,” which was in the official selection in Cannes 202O and won the Jerusalem Film Festival’s top prize.
The film is about an 18-year-old Israeli soldier who flees the Gaza battlefield and heads back to his girlfriend in Tel Aviv only to discover that the military elite is convinced he was kidnapped in the fog of war. What ensues is a tragicomic journey and takes place over a period of 24 hours on the streets of Tel Aviv.
“Vanishing Soldier,” which stars Ido Tako, Mika Reiss, and Israeli singer Efrat Ben Tzur, is produced by Chilik Micheali, Avraham Pirchi, Itamar Pirchi for United Channels Movies (Ucm). The film has been financed by The Israel Film Fund.
“Vanishing Soldier” is Rosenberg’s second feature after “The Death of Cinema and My Father Too,” which was in the official selection in Cannes 202O and won the Jerusalem Film Festival’s top prize.
The film is about an 18-year-old Israeli soldier who flees the Gaza battlefield and heads back to his girlfriend in Tel Aviv only to discover that the military elite is convinced he was kidnapped in the fog of war. What ensues is a tragicomic journey and takes place over a period of 24 hours on the streets of Tel Aviv.
“Vanishing Soldier,” which stars Ido Tako, Mika Reiss, and Israeli singer Efrat Ben Tzur, is produced by Chilik Micheali, Avraham Pirchi, Itamar Pirchi for United Channels Movies (Ucm). The film has been financed by The Israel Film Fund.
- 5/21/2023
- by Nick Vivarelli
- Variety Film + TV
Sometimes the plans we have come up with are thwarted by events in our lives out of our control and while trying to cope with the situation as well as its consequences, we may discover a much bigger narrative than we have anticipated, one which involves ourselves and how we live and our relationships to others. When director Dani Rosenberg was in pre-production for a project titled “The Night Escape”, his main cast member, his father Natan Rosenberg was diagnosed with terminal cancer and his health deteriorated quickly, making it impossible for him to even shoot one scene. Rather than abandoning the project altogether, the camera became Rosenberg’s companion, recording the conversations, at times heated arguments he had with his parents, resulting in “The Death of Cinema and My Father Too”, a blend of family drama and meta-film.
“The Death of Cinema and My Father Too” is screening at...
“The Death of Cinema and My Father Too” is screening at...
- 11/18/2020
- by Rouven Linnarz
- AsianMoviePulse
Past participants have included ‘Son Of Saul’, ‘The Death Of Cinema and My Father Too’ and ‘Beginning’.
The Jerusalem Sam Spiegel International Film Lab (Jsfl) has unveiled the 12 projects selected for its 9th edition, which is running online for now due to the Covid-19 pandemic.
Founded in 2011 under the auspices of the Jerusalem Sam Spiegel Film School (Jsfs), the lab traditionally selects six international and six Israeli projects.
The lab usually combines residential workshops and remote support but this year most of the programme is expected to take place online.
The first writing session will take place in December, followed...
The Jerusalem Sam Spiegel International Film Lab (Jsfl) has unveiled the 12 projects selected for its 9th edition, which is running online for now due to the Covid-19 pandemic.
Founded in 2011 under the auspices of the Jerusalem Sam Spiegel Film School (Jsfs), the lab traditionally selects six international and six Israeli projects.
The lab usually combines residential workshops and remote support but this year most of the programme is expected to take place online.
The first writing session will take place in December, followed...
- 11/16/2020
- by Melanie Goodfellow
- ScreenDaily
Past participants have included ‘Son Of Saul’, ‘The Death Of Cinema and My Father Too’ and ‘Beginning’.
The Jerusalem Sam Spiegel International Film Lab (Jsfl) has unveiled the 12 projects selected for its 9th edition, which is running online for now due to the Covid-19 pandemic.
Founded in 2011 under the auspices of the Jerusalem Sam Spiegel Film School (Jsfs), the lab traditionally selects six international and six Israeli projects.
The lab usually combines residential workshops and remote support but this year most of the programme is expected to take place online.
Participants include UK director Claire Oakley with English Animals, her...
The Jerusalem Sam Spiegel International Film Lab (Jsfl) has unveiled the 12 projects selected for its 9th edition, which is running online for now due to the Covid-19 pandemic.
Founded in 2011 under the auspices of the Jerusalem Sam Spiegel Film School (Jsfs), the lab traditionally selects six international and six Israeli projects.
The lab usually combines residential workshops and remote support but this year most of the programme is expected to take place online.
Participants include UK director Claire Oakley with English Animals, her...
- 11/16/2020
- by Melanie Goodfellow
- ScreenDaily
The 69th International Filmfestival Mannheim-Heidelberg (Iffmh) promises to be an ambitious celebration of cinema despite its move online due to the ongoing pandemic, with new sections showcasing visionary and innovative works from around the globe as well as classic titles from yesteryear.
Sascha Keilholz, the fest’s new artistic and commercial director, and his team, including new head of program Frédéric Jaeger, had well thought out plans for this year’s edition that would have seen screenings in all theaters and multiplexes across the cities of Mannheim and Heidelberg before rising coronavirus cases in Germany led to a second lockdown in November.
“In this very peculiar year we have all had to change plans, adapt and improvise most of the time,” says Keilholz, who previously headed the Heimspiel Film Festival in Regensburg from 2009 to 2019. “One cannot rely on established structures, processes and reflexes. As a result, planning an event of this magnitude seems quite paradoxical.
Sascha Keilholz, the fest’s new artistic and commercial director, and his team, including new head of program Frédéric Jaeger, had well thought out plans for this year’s edition that would have seen screenings in all theaters and multiplexes across the cities of Mannheim and Heidelberg before rising coronavirus cases in Germany led to a second lockdown in November.
“In this very peculiar year we have all had to change plans, adapt and improvise most of the time,” says Keilholz, who previously headed the Heimspiel Film Festival in Regensburg from 2009 to 2019. “One cannot rely on established structures, processes and reflexes. As a result, planning an event of this magnitude seems quite paradoxical.
- 11/9/2020
- by Ed Meza
- Variety Film + TV
The 61st Thessaloniki International Film Festival Goes Online. Here the Asian Films in the Programme
Cinema no matter what, festival no matter what. The 61st Thessaloniki International Film Festival is back in online business, from 5 to 15 November 2020, with indie cinema from all over the world, the best movies of the recent Greek film production, breathtaking tributes, and subversive films that will carry us to the four corners of the horizon, amidst these unforeseeable and unprecedented days we’re living in.
Welcome at www.filmfestival.gr, where 177 movies are in store for you to watch. We have picked all the Asian Titles in the programme for you:
International Competition
Main programme
Ghosts – Azra Deniz Okyay, Turkey-France-Qatar, 2020 (Pictured)
Prophecies From Another World: Ski-fi And Cli-fi (1950-1990)
King Kong Vs. Godzilla – Ishiro HŌNDA, Japan, 1962
Yongari, Monster From The Deep – Kim Kee-duk, South Korea, 1967
Meet The Neighbors
Main programme
200 Meters – Ameen Nayfeh, Palestine-Jordan-Qatar-Italy-Sweden, 2020
The Death Of Cinema And My Father Too – Dani Rosenberg, Israel, 2020
Out of Competition
Asia – Ruthy Pribar,...
Welcome at www.filmfestival.gr, where 177 movies are in store for you to watch. We have picked all the Asian Titles in the programme for you:
International Competition
Main programme
Ghosts – Azra Deniz Okyay, Turkey-France-Qatar, 2020 (Pictured)
Prophecies From Another World: Ski-fi And Cli-fi (1950-1990)
King Kong Vs. Godzilla – Ishiro HŌNDA, Japan, 1962
Yongari, Monster From The Deep – Kim Kee-duk, South Korea, 1967
Meet The Neighbors
Main programme
200 Meters – Ameen Nayfeh, Palestine-Jordan-Qatar-Italy-Sweden, 2020
The Death Of Cinema And My Father Too – Dani Rosenberg, Israel, 2020
Out of Competition
Asia – Ruthy Pribar,...
- 11/4/2020
- by Adriana Rosati
- AsianMoviePulse
Quelle surprise. The Cannes 2020 label anoints two Israeli films from male directors, both about father-son relationships and grieving. The superior by a country mile is the seamlessly accomplished “Here We Are” from veteran helmer-writer Nir Bergman. And then there is the grandiosely titled “The Death of Cinema and My Father Too,” an ambitious, low-budget exercise from feature debutant Dani Rosenberg that offers a sometimes artful but more often self-indulgent mashup of fiction, reality and home movies. Although definitely not for all tastes, the Cannes designation may nudge this item into further fests and niche sales.
As we learn from watching, “The Death of Cinema” is the result of a complicated evolution. Earlier, Rosenberg, a Sam Spiegel Film School graduate, received a grant from the Israel Film Fund to make “The Night Escape,” a comic drama that would exploit both national and personal paranoias. He planned to cast his businessman father Natan in the lead.
As we learn from watching, “The Death of Cinema” is the result of a complicated evolution. Earlier, Rosenberg, a Sam Spiegel Film School graduate, received a grant from the Israel Film Fund to make “The Night Escape,” a comic drama that would exploit both national and personal paranoias. He planned to cast his businessman father Natan in the lead.
- 7/1/2020
- by Alissa Simon
- Variety Film + TV
Cannes 2020: Tick-tock, stop the clock! Just like Fats Domino, in his debut feature, Dani Rosenberg tries to freeze time. When a filmmaker already quotes Jorge Luis Borges in his director’s notes, one half-expects what’s in store – in short, anything but your typical, easy-to-follow narrative. Dani Rosenberg’s The Death of Cinema and My Father Too, granted the Cannes 2020 label, combines shaky archive footage with fictional scenes, VHS short films and a whole subplot involving an Iranian military attack on Tel Aviv. Oh, and “House of the Rising Sun”, blaring its tale of a father who was “a gamblin’ man down in New Orleans”. And yet, despite all that jazz, ultimately it’s an extremely intimate affair about a son who doesn’t want to let go of his withering father. That sounds simple enough, but it takes some proper digging to get to the core, and Cannes’ stamp of approval.
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