"The Idol" kicks off with its first episode, titled "Pop Tarts & Rat Tales," but expectedly fails to live up to its potential. Set in blistering heat and uncomfortably overexposed lighting at the mansion of a pop star, Jocelyn, fresh out of the mental hospital attempting to get back in the game. The episode follows Jocelyn's management team as they navigate the aftermath of a humiliating photo leak on social media. Regrettably, the banter between the characters falls flat, leaving viewers with insufferably annoying individuals who fail to entertain in any meaningful way.
One of the show's strengths should have been the cast, featuring talented actors like Dan Levy and Rachel Sennot, known for their comedic prowess. However, their performances suffer due to the lackluster material they are given. With no compelling characters to root for or view the drama through, the episode feels like a never-ending trainwreck that fails to engage the audience.
Additionally, The Weekend's involvement in the series is disappointing. Rather than attempting to act, he simply appears as himself, lacking vocal inflections, body language, or facial expressions that would indicate any effort to portray a character. His aimless wandering around the set leaves much to be desired, especially for fans expecting to see his talent extend beyond his music.
The second half of the episode takes an unpleasant turn, shifting the setting to Tedros' supposedly depraved nightclub. The strobing lights and poor lighting make it difficult to discern details, adding to the overall unpleasant viewing experience. Furthermore, a peculiarly long scene featuring Jocelyn engaging in self-pleasure seems more fetishistic and creepy than empowering, lacking the intended impact and instead veering into uncomfortable territory.
It becomes clear that "The Idol" lacks self-awareness, as evident in a later scene where Rachel Sennot's character comments on Tedros' "rapey-vibe," and Jocelyn surprisingly responds positively to it. This unfortunate dialogue choice raises questions about the show's writing quality and the decision-making process behind such an awful script. Every attempt at satire such as this falls flat on the floor, or perhaps beneath ground level to become exactly what it attempts to satirize. Sleazy, gratuitous, and pretentious.
Jocelyn's insecurity over her first pop-song single soon to be released is her main relatable aspect. Her conversation with Tedros in which she plays part of the song shows promise of character development. Unfortunately it is immediately followed by an awkward and out of place BDSM scene. It is frankly embarrassing that they referenced Basic Instinct, which is infinitely more provocative.
The first episode of "The Idol" fails to impress. With uninteresting characters, a lack of humor, questionable choices in visual presentation, and poorly written dialogue, the series struggles to find its footing. Despite the talented cast involved, their efforts are hindered by the subpar material they have to work with. Maybe future episodes will address these shortcomings and offer a more engaging and thoughtfully executed viewing experience. But I won't hold my breath.