Despite its subject matter, 'Gerontophilia' could mark Bruce La Bruce's entry into polite film-making society: in contrast to his earlier works such as 'Raspberry Reich' and 'Skin Gang' it is possibly his most accessible work to date.
Lake (no really), a young man in his late teens/early twenties, gets a job in an old people's home. This is close to being all his Christmases rolled into one, because Lake is turned on by the elderly. He becomes especially close - in more ways than one - to 81 year-old Melvyn (when a nurse describes Melvyn as being 'a very sick man' one might think as this is a La Bruce film that's to be expected, but she actually means he is very ill. I think.) Melvyn wants to see the Pacific Ocean one last time before he dies, and Lake tries to make his dream come true. But how will Melvyn fare outside the controlled environment of the home?
In terms of storyline, this is an interesting film, told in a linear, non-confusing fashion. And the acting is acceptable: if Pier-Gabriel Lajoie, as Lake, is a little stilted when speaking in English he's a lot more natural in his (I assume native) French; and Walter Borden, as the elderly homosexual, keeps the queeniness on a subtle, unembarrassing level. But let's be honest: what attracts a lot of people to La Bruce films is the promise of nudity: although a lot of it is cinema of the grotesque, there'll usually be some young, firm flesh on display. But there's precious little of it in this film: the very handsome Lajoie provides just one quick shot of his bare backside (and it seems unlikely the full-frontal shots of Borden will excite anyone except, y'know, gerontophiles). So while this may bring La Bruce to the attention of a whole new audience, his old fans may miss the chaotic nature of his previous films, as well as the flesh.
Lake (no really), a young man in his late teens/early twenties, gets a job in an old people's home. This is close to being all his Christmases rolled into one, because Lake is turned on by the elderly. He becomes especially close - in more ways than one - to 81 year-old Melvyn (when a nurse describes Melvyn as being 'a very sick man' one might think as this is a La Bruce film that's to be expected, but she actually means he is very ill. I think.) Melvyn wants to see the Pacific Ocean one last time before he dies, and Lake tries to make his dream come true. But how will Melvyn fare outside the controlled environment of the home?
In terms of storyline, this is an interesting film, told in a linear, non-confusing fashion. And the acting is acceptable: if Pier-Gabriel Lajoie, as Lake, is a little stilted when speaking in English he's a lot more natural in his (I assume native) French; and Walter Borden, as the elderly homosexual, keeps the queeniness on a subtle, unembarrassing level. But let's be honest: what attracts a lot of people to La Bruce films is the promise of nudity: although a lot of it is cinema of the grotesque, there'll usually be some young, firm flesh on display. But there's precious little of it in this film: the very handsome Lajoie provides just one quick shot of his bare backside (and it seems unlikely the full-frontal shots of Borden will excite anyone except, y'know, gerontophiles). So while this may bring La Bruce to the attention of a whole new audience, his old fans may miss the chaotic nature of his previous films, as well as the flesh.
