Directed by
Peter Sullivan |
Writing Credits
Jeffrey Schenck | ... | (story) and |
Peter Sullivan | ... | (story) |
Hanz Wasserburger | ... | (screenplay) |
Cast (in credits order)
Produced by
Barry Barnholtz | ... | executive producer |
Diane Healey | ... | associate producer |
Kimberly A. Ray | ... | line producer |
Jeffrey Schenck | ... | executive producer |
Peter Sullivan | ... | co-producer |
Music by
Matthew Janszen |
Cinematography by
Roberto Schein |
Editing by
Randy Carter |
Casting By
Dean E. Fronk | ||
Donald Paul Pemrick |
Production Design by
Vicky Chan |
Costume Design by
Hana Rausalova |
Makeup Department
Ashley Cordova | ... | makeup artist |
Kat Lieberkind | ... | key makeup artist |
Jessica Kate Sinclair | ... | makeup artist |
Production Management
Dylan Vox | ... | unit production manager |
Second Unit Director or Assistant Director
David Bear | ... | second assistant director |
Glenn Miller | ... | first assistant director |
Art Department
Alexx Bonovich | ... | property master |
Catch Henson | ... | set dresser |
Kyle Smith | ... | lead man |
Sound Department
Sam Aronson | ... | re-recording mixer |
Ben Forman | ... | sound mixer |
Visual Effects by
Bennique Blasini | ... | visual effects supervisor |
Steven M. Blasini | ... | visual effects supervisor |
Camera and Electrical Department
Benny Bailey | ... | second assistant camera |
Michael Bosman | ... | first assistant camera |
Neal Bryant | ... | first assistant camera: "b" camera |
Satir Gonzalez | ... | still photographer (as Satir González) |
Ed Joyce | ... | key grip |
Chris Kallemeyn | ... | gaffer |
Dmitry Khramov | ... | best boy grip |
Blaine Munro | ... | best boy electric |
Luke Rocheleau | ... | steadicam operator |
Philip Roxas | ... | best boy grip (as Phill Roxas) |
Tyler Sanderson | ... | grip |
Joseph M. Setele | ... | b camera operator |
Rick Sharf | ... | first assistant camera |
Jay Smith | ... | director: behind-the-scenes |
Marcos Valadez | ... | grip |
Costume and Wardrobe Department
Brittany Dier | ... | assistant costume designer |
Editorial Department
Sean Olson | ... | trailer editor |
Location Management
Darren Patrick Moloney | ... | location representative (as Darren Moloney) |
Script and Continuity Department
Susan Buliavac | ... | script supervisor |
Additional Crew
C. Neo Arboleda | ... | production assistant (as Cristy Arboleda) |
Marc Barnes | ... | production staff |
Veronica Hennessy | ... | set medic |
Stephen Kitaen | ... | production assistant |
Nicole LaBrucherie | ... | production assistant |
Jamie Moss | ... | dit |
Brian Nolan | ... | production coordinator |
Polina Pavlovsky | ... | executive assistant (as Polina Pavlovsky Herrera) |
Scott Thomas Reynolds | ... | production staff |
Tara Sattler | ... | production attorney |
Thanks
Anna Barnholtz | ... | special thanks |
Anna Cordova | ... | special thanks |
Nesha Davis | ... | special thanks |
Shannon Farar | ... | special thanks |
Anthony King | ... | special thanks |
Alan Kiwi | ... | special thanks |
Kirsten Kiwi | ... | special thanks |
Natalie Kiwi | ... | special thanks |
Tamara Kiwi | ... | special thanks |
Zelma Kiwi | ... | special thanks |
Allison Schenck | ... | special thanks |
George Schenck | ... | special thanks |
Ginna Schenck | ... | special thanks |
Kirk Schenck | ... | special thanks |
Marilyn Lee Sullivan | ... | special thanks |
Parker Sullivan | ... | special thanks |