Directed by
Brian Welsh |
Writing Credits (in alphabetical order)
Mark Chappell | ||
Alan Connor | ||
Shaun Pye |
Cast (in credits order)
Produced by
Shane Allen | ... | executive producer |
Leo Daniels | ... | executive producer |
Peter Holmes | ... | executive producer |
Victoria Jaye | ... | executive producer |
Daniel Kilroy | ... | archive producer |
Emma Pike | ... | line producer |
Barney Reisz | ... | producer |
Gregor Sharp | ... | executive producer |
Cinematography by
Zac Nicholson | ... | director of photography |
Editing by
Ben Yeates |
Casting By
Rosalie Clayton |
Production Design by
Víctor Molero |
Art Direction by
Julian Luxton | ||
Tim Stevenson |
Set Decoration by
Tamsin Clarke |
Costume Design by
Edward K. Gibbon |
Makeup Department
Polly Campbell | ... | makeup artist: crowd |
Nathaniel De'Lineadeus | ... | dental effects designer |
Nicola Iles | ... | hair & make-up assistant |
Dana Kalder | ... | hair & make up supervisor |
Chris Lyons | ... | special effects teeth |
Catherine Scoble | ... | makeup designer |
Production Management
Phil Brown | ... | post-production supervisor |
Eric Creel | ... | production manager |
Second Unit Director or Assistant Director
Lydia Currie | ... | first assistant director |
Emlyn Pool | ... | second assistant director |
Gareth Webb | ... | third assistant director |
Max Webborn | ... | assistant director |
Art Department
Caroline Bailey | ... | graphic designer |
Amanda June Boucher | ... | graphic artist |
Jayne Davies | ... | props |
Alexa Galea | ... | lead graphic designer |
Cecily Gatacre | ... | Assistant Set Decorator: Production Buyer |
Hattie Gent | ... | assistant art director |
Freya Haak | ... | production buyer (as Freya Closs) |
Mair Jones | ... | production buyer: wales |
Medard Mankos | ... | studio chargehand |
Sarah Notley | ... | draughtsperson |
Scott 'Will' Williams | ... | stand by rigger (as Scott Williams) |
Joseph Wynne | ... | stand-by props |
Sound Department
Fraser Barber | ... | production sound mixer |
Lilly Blazewicz | ... | foley editor |
Linda Brenon | ... | dialogue editor |
Barney Brookes | ... | second assistant sound |
Peter Burgis | ... | foley artist |
Matt Davies | ... | dialogue editor |
Zoe Freed | ... | foley artist |
Glen Gathard | ... | supervising sound editor |
Arthur Graley | ... | sound designer |
Peter Hanson | ... | sound designer |
Matt Jones | ... | second assistant sound |
Jemma Riley-Tolch | ... | foley mixer |
James Sawyer | ... | second assistant sound/playback operator |
Andy Stallabrass | ... | adr mixer |
Jason Swanscott | ... | foley artist |
Michael Lee Taylor | ... | first assistant sound |
Sam Walsh | ... | assistant sound editor / sound effects editor |
Steve Whetman | ... | sound designer |
Adam Bourne | ... | foley editor (uncredited) |
Special Effects by
Danny Hargreaves | ... | special effects supervisor: Real SFX |
Dave Kneath | ... | special effects foreman |
Jade Poole | ... | assistant special effects coordinator: Real SFX |
Visual Effects by
Daniel Cullen | ... | digital compositor |
Sally Goldberg | ... | cg supervisor |
John Hardwick | ... | visual effects supervisor |
Justin Hutchinson-Chatburn | ... | visual effects supervisor |
Ivor Middleton | ... | visual effects artist |
Camera and Electrical Department
Andrew Bailey | ... | gaffer |
Ben Brown | ... | focus puller |
Alex Finlayson | ... | second assistant camera: "a" camera |
Ross Grimshaw | ... | electrician |
Jac Hopkins | ... | grip |
Peter Robertson | ... | camera operator and steadicam operator |
Casting Department
Becca Toogood | ... | casting associate |
Costume and Wardrobe Department
Paula Hey | ... | costume supervisor |
Claire Polydorou | ... | costume assistant / principal costume standby |
Sidonie Roberts | ... | additional wardrobe |
Editorial Department
Anna Broke | ... | post-production coordinator |
David Chisholm | ... | on-line editor |
Stuart Fyvie | ... | digital colourist |
Charlie Morton | ... | assistant editor |
Location Management
Nick Dymond | ... | location security |
Tom Guy | ... | location manager |
Script and Continuity Department
Jane Jackson | ... | script supervisor |
Additional Crew
Annabel Bennett | ... | assistant production coordinator |
Tony Chappel | ... | consultant: snooker consultant |
Penny Dyer | ... | dialect coach |
Michael Fussell | ... | production accountant |
Daniel Kilroy | ... | archive producer |
Roger Lee | ... | archivist: snooker archivist |
Rick Manning | ... | saftey advisor |
Dave Mills | ... | consultant: snooker consultant |
David Muscroft | ... | archive material: supplied by |
Joseph Scantlebury | ... | researcher |
Scott Williams | ... | standby rigger |
Thanks
Tom Warren Campbell | ... | special thanks |
Stephen Dixon | ... | very special thanks |
Gregory Graham | ... | special thanks |