You’d be forgiven for not having seen every Hong Sangsoo movie. The South Korean director, known for films like “On the Beach at Night Alone,” “Claire’s Camera,” and “The Novelist’s Film” has released 29 features, and often more than one in the same year. So was the case for 2023, which saw the festival circuit premieres of “In Water” and “In Our Day.” And as of writing, Hong already has another movie that premiered at the Berlinale, “A Traveller’s Needs.” A new Hong movie is always a pleasure to celebrate, and so IndieWire shares the exclusive trailer for “In Our Day” ahead of the upcoming release from Cinema Guild. Watch below.
Here’s the synopsis for the film:
Sangwon (Kim Minhee), an actress recently returned to South Korea, is temporarily staying with her friend, Jungsoo (Song Sunmi), and her cat, Us. Elsewhere in the city, the aging poet Hong Uiju (Ki Joobong) lives alone,...
Here’s the synopsis for the film:
Sangwon (Kim Minhee), an actress recently returned to South Korea, is temporarily staying with her friend, Jungsoo (Song Sunmi), and her cat, Us. Elsewhere in the city, the aging poet Hong Uiju (Ki Joobong) lives alone,...
- 4/15/2024
- by Ryan Lattanzio
- Indiewire
Like makgeolli — Korea’s unique fizzy, fermented, cloudy-white rice wine — the films of director Hong Sang-soo are an acquired taste. Fortunately for him, many film programmers at repertory houses and festivals beyond South Korea love the peculiar handmade, improvisational flavor of his work, with its complicated emotional entanglements and near primitive levels of craftsmanship. The last feature of his to premiere at the Berlinale, In Water, wasn’t even in focus, although Hong insists that was deliberate, to reflect the fuzziness of its creatively blocked film director protagonist.
Thankfully, his latest, A Traveler’s Needs, a competitor for the Golden Bear this year, is not only in focus, it’s also rather watchable, even for diehard Hong-skeptics. Partly that’s thanks to the presence of Isabelle Huppert in the lead role (her third collaboration with Hong, after In Another Country and Claire’s Camera), playing Iris, a mysterious Frenchwoman with eccentric habits.
Thankfully, his latest, A Traveler’s Needs, a competitor for the Golden Bear this year, is not only in focus, it’s also rather watchable, even for diehard Hong-skeptics. Partly that’s thanks to the presence of Isabelle Huppert in the lead role (her third collaboration with Hong, after In Another Country and Claire’s Camera), playing Iris, a mysterious Frenchwoman with eccentric habits.
- 2/22/2024
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Leading Korean rights sales firm Finecut is to handle the international distribution of “A Traveler’s Needs,” which on Monday was confirmed as debuting in the main competition section of next month’s Berlinale. Remarkably, it is director Hong Sang-soo’s sixth selection for Berlin since 2020.
The picture is also the third time that French acting icon Isabelle Huppert stars in a film by the Korean veteran director, following their previous joint efforts “Claire’s Camera” and “In Another Country.”
A synopsis provided reads: “She came from France. She was playing a child’s recorder in a park. With no means of supporting herself she was advised to teach French. She became a teacher to two women. She likes to lie down on rocks and rely on makkeolli [Korean rice wine] for comfort.” Dialog is a mix of Korean, English and French.
Hong is known for his micro-budget, minimalist drama films that are long on conversation,...
The picture is also the third time that French acting icon Isabelle Huppert stars in a film by the Korean veteran director, following their previous joint efforts “Claire’s Camera” and “In Another Country.”
A synopsis provided reads: “She came from France. She was playing a child’s recorder in a park. With no means of supporting herself she was advised to teach French. She became a teacher to two women. She likes to lie down on rocks and rely on makkeolli [Korean rice wine] for comfort.” Dialog is a mix of Korean, English and French.
Hong is known for his micro-budget, minimalist drama films that are long on conversation,...
- 1/22/2024
- by Patrick Frater
- Variety Film + TV
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
There was much to be thankful for in 2023. Besides new works by several legendary directors, there were personal opportunities that allowed me to spread a larger net and take stock of the cinema landscape from a more privileged vantage point. I got to attend the Cannes and Toronto film festivals for the first time and also became a voter for some key year-end awards. The experience of thus watching films, before most of my cinephile brethren, allowed me to contemplate how much campaigns and narratives can alter a film’s reception and trajectory.
What has come into sharper relief, and what is evident from the list below too, is that Cannes has the lock on much of the best product of the year––at least anything not...
There was much to be thankful for in 2023. Besides new works by several legendary directors, there were personal opportunities that allowed me to spread a larger net and take stock of the cinema landscape from a more privileged vantage point. I got to attend the Cannes and Toronto film festivals for the first time and also became a voter for some key year-end awards. The experience of thus watching films, before most of my cinephile brethren, allowed me to contemplate how much campaigns and narratives can alter a film’s reception and trajectory.
What has come into sharper relief, and what is evident from the list below too, is that Cannes has the lock on much of the best product of the year––at least anything not...
- 12/27/2023
- by Ankit Jhunjhunwala
- The Film Stage
2023 was a year of seemingly seismic change for the film industry, as superhero movies (especially Marvel) lost their grip on the box office while more auteur-led efforts such as Oppenheimer and Barbie made serious bank. Audiences seem hungry for a return to thoughtful and engaging efforts, voting for their wallets against a decade of cape-clad hegenomy in favour of more challenging (and visually interesting) cinema. But as with the majority of contemporary film analysis, these are mostly concerns for Hollywood. The international arthouse scene plugs away as usual, providing a diverse range of exciting visions that once again expand the very possibilities of the cinematic form. I went back and forth on this list several times, only coming to a final top ten this very morning. With courtroom drama, oddball romance, epic character study and even outright horror, this year’s selection subverted and expanded genre norms, showing that great cinema,...
- 12/26/2023
- by Redmond Bacon
- Directors Notes
Each winter, we invite Notebook contributors to take part in our unique twist on the year-end poll. Rather than tally their favorite new releases from the year, they’re asked to creatively pair a new release with an older film they watched for the first time that year: a “fantasy double feature.” We’re delighted by the range of responses this year; this year’s doubles offer up inspired combinations of moving-image art that might otherwise slip through the cracks.We invite you to plunge into this collective viewing scrapbook, which captures our writers at their most imaginative, adventurous, and thoughtful—maybe it'll motivate you to test some of these out (or come up with your own) over the holidays.We hope you enjoy the read, and find our sixteenth year appropriately sweet!{{notebook_form}}Paul AttardNEW: Skinamarink + Old: Room Film 1973Homebound horror films shrouded in darkness, ones that transform...
- 12/23/2023
- MUBI
Although the Korean movie industry recently announced that the local box office recovered to 70% of Pre-pandemic Level, largely due to the success of “12.12: The Day” which was released on November 22nd and has earned 7,729,273 admissions by December 14, the situation with local cinema is not exactly hopeful, as a number of key figures and specialists mention. Particularly the fact that the majority of talent, including movie stars and filmmakers seem to move towards the rather more popular dramas, the gap left in the movie industry is felt more than ever. At the same time, though, not everything is all bad, since the mainstream movies still find ways out in festivals, streaming and distribution, while a number of intense social dramas remind of the second reason Korean cinema reached the heights it holds now (apart from crime thrillers).
In any case, here are the best South Korean films of 2023, in reverse order.
In any case, here are the best South Korean films of 2023, in reverse order.
- 12/16/2023
- by AMP Group
- AsianMoviePulse
Exclusive: Cinema Guild has acquired U.S. distribution rights to Deborah Stratman’s well-received latest Last Things, which premiered in the New Frontiers section at this year’s Sundance Film Festival.
The film will open theatrically in New York at Anthology Film Archives on January 12 on a 35mm print before expanding across the country. The film’s broad synopsis reads: Last Things looks at evolution and extinction from the perspective of the rocks and minerals that came before humanity and will outlast us. With scientists and thinkers like Lynn Margulis and Marcia Bjørnerud as guides and quoting from the proto-Sci-fi texts of J.H. Rosny, Deborah Stratman offers a stunning array of images, from microscopic forms to vast landscapes, and seeks a picture of evolution without humans at the center.
After Sundance, Last Things went on to play Berlin and NYFF and picked up prizes at Dokufest Kosovo and Berwick Film and Media Arts Festival.
The film will open theatrically in New York at Anthology Film Archives on January 12 on a 35mm print before expanding across the country. The film’s broad synopsis reads: Last Things looks at evolution and extinction from the perspective of the rocks and minerals that came before humanity and will outlast us. With scientists and thinkers like Lynn Margulis and Marcia Bjørnerud as guides and quoting from the proto-Sci-fi texts of J.H. Rosny, Deborah Stratman offers a stunning array of images, from microscopic forms to vast landscapes, and seeks a picture of evolution without humans at the center.
After Sundance, Last Things went on to play Berlin and NYFF and picked up prizes at Dokufest Kosovo and Berwick Film and Media Arts Festival.
- 11/16/2023
- by Zac Ntim and Andreas Wiseman
- Deadline Film + TV
While we all know that making a film is quite an undertaking, this is even more true when we are talking about the feature you direct. Many directors often become quite critical and even embarrassed at times talking about their first time in the directing chair, focusing on the issues which define this very first effort, which above all tells the story of someone who still had a lot to learn. If we ignore the nostalgia for a moment, it is also a decisive step, often linked to many fears and truths which we are not ready for, especially regarding the future we have planned for ourselves. In his latest endeavour “In Water”, South Korean auteur Hong Sang-soo tells a story dealing with these issues, about a group of young people trying to make their first movie, which is also about a tale about the purpose of art, for ourselves...
- 11/11/2023
- by Rouven Linnarz
- AsianMoviePulse
It seems that Sri Lankan cinema is having a great year in 2023, with films like “Paradise” by Prasanna Vithanage and “Whispering Mountains”by Jagath Manuwarna. Visakesa Chandrasekaram follows in the same path with his latest feature, “Sand”, a movie that deals with the intense wound the war has left in the country.
In Water is screening at San Diego Asian Film Festival
Five years after the Sri Lankan war, Rudran, a young man, is facing trial as an ex-Tamil Tiger militant, but is released on bail due to a debilitating leg injury. He returns to his village in the North Province with his mother, an aging soothsayer. While she spends her days in the spiritual realm, attempting to locate the whereabouts of those who have disappeared for a village community deeply bereaved, he spends his searching for his old girlfriend Vaani, in rehabilitation, and in the court for his trial.
In Water is screening at San Diego Asian Film Festival
Five years after the Sri Lankan war, Rudran, a young man, is facing trial as an ex-Tamil Tiger militant, but is released on bail due to a debilitating leg injury. He returns to his village in the North Province with his mother, an aging soothsayer. While she spends her days in the spiritual realm, attempting to locate the whereabouts of those who have disappeared for a village community deeply bereaved, he spends his searching for his old girlfriend Vaani, in rehabilitation, and in the court for his trial.
- 11/10/2023
- by Panos Kotzathanasis
- AsianMoviePulse
When we spoke last week, Pedro Costa described his latest project The Daughters of Fire with a clarity, conviction, and care that wouldn’t suggest his film runs, sans credits, just seven minutes and mostly consists of three shots spread across a wide frame. But nothing less should be afforded a work that yields so much each time through: new textures in its seemingly rigid design, new resonances in musical arrangement, and perpetual surprise when it cuts, in the final moments, to archival images shot by Portuguese historian Orlando Ribeiro.
That footage––which Costa described as the necessary closing “breather”––is the locus of Daughters‘ official trailer, which he’s personally edited and we’re honored to debut ahead of the short’s theatrical premiere (at Metrograph) on December 1. Cinema Guild will screen it with Hong Sangsoo’s In Water as part of the “Fire+Water” double-bill, a pairing Costa approves by telling me,...
That footage––which Costa described as the necessary closing “breather”––is the locus of Daughters‘ official trailer, which he’s personally edited and we’re honored to debut ahead of the short’s theatrical premiere (at Metrograph) on December 1. Cinema Guild will screen it with Hong Sangsoo’s In Water as part of the “Fire+Water” double-bill, a pairing Costa approves by telling me,...
- 11/6/2023
- by Nick Newman
- The Film Stage
2023’s second Hong Sangsoo release (third if The Novelist’s Film came your way a bit late) is In Water, his shortest-ever feature at 61 minutes and wildest formal gambit: the entire film is out-of-focus, hardly aswim with plot to begin with. A unique sell that Cinema Guild will heroically make by pairing In Water with Pedro Costa’s fantastic short The Daughters of Fire for a “Fire+Water” double-bill that begins its run at Metrograph on December 1. With exactly one month between now and then, there is a trailer.
As Rory O’Connor said in his review out of Berlin, “Narratively it’s nothing if not succinct, and whatever In Water lacks for plot it more than makes up for in mood and ideas, as well as a kind of raw artistic honesty––regarding his work, yes, but also his sense of mortality. All of which only makes you wonder: might...
As Rory O’Connor said in his review out of Berlin, “Narratively it’s nothing if not succinct, and whatever In Water lacks for plot it more than makes up for in mood and ideas, as well as a kind of raw artistic honesty––regarding his work, yes, but also his sense of mortality. All of which only makes you wonder: might...
- 11/1/2023
- by Nick Newman
- The Film Stage
U.S.-based distributor Cinema Guild has acquired North American rights to the newly-restored 4K version of Somai Shinji’s 1993 classic “Moving” from French sales agent MK2 Films.
The Japanese coming-of-age drama won the best restored film award, the top prize in Venice Classics, when it premiered at the Biennale in September.
Cinema Guild, which also released restorations of Somai’s “Typhoon Club” (1985) and “P.P. Rider” (1983) earlier this year, will open the film in theaters in the U.S. and Canada in 2024.
When her parents split and her father Kenichi moves out of their family home, Renko (Tabata Tomoko), a bright and energetic 6th grade girl, is left alone with her mother, Nazuna, in Kyoto. As Nazuna sets out new rules for their life together, Renko makes plans of her own, and sees to it that any changes happening in her family happen on her terms.
Since its premiere...
The Japanese coming-of-age drama won the best restored film award, the top prize in Venice Classics, when it premiered at the Biennale in September.
Cinema Guild, which also released restorations of Somai’s “Typhoon Club” (1985) and “P.P. Rider” (1983) earlier this year, will open the film in theaters in the U.S. and Canada in 2024.
When her parents split and her father Kenichi moves out of their family home, Renko (Tabata Tomoko), a bright and energetic 6th grade girl, is left alone with her mother, Nazuna, in Kyoto. As Nazuna sets out new rules for their life together, Renko makes plans of her own, and sees to it that any changes happening in her family happen on her terms.
Since its premiere...
- 10/24/2023
- by Patrick Frater
- Variety Film + TV
Marks the second feature of ‘Red Carpet’ director Park Beom-su.
South Korean sales agency Finecut has boarded international sales of high school drama Victory and will launch the title at the Asian Contents & Film Market (Acfm) in Busan this week.
It marks the latest feature of Korean director Park Beom-su, known for his 2014 debut Red Carpet, and stars Lee Hye-ri (aka Hyeri) of K-pop group Girl’s Day and Park Se-wan of 2022 feature Life Is Beautiful.
They play two high school girls who create a cheerleading club to pursue their love for dance but soon find themselves cheering for an...
South Korean sales agency Finecut has boarded international sales of high school drama Victory and will launch the title at the Asian Contents & Film Market (Acfm) in Busan this week.
It marks the latest feature of Korean director Park Beom-su, known for his 2014 debut Red Carpet, and stars Lee Hye-ri (aka Hyeri) of K-pop group Girl’s Day and Park Se-wan of 2022 feature Life Is Beautiful.
They play two high school girls who create a cheerleading club to pursue their love for dance but soon find themselves cheering for an...
- 10/5/2023
- by Michael Rosser
- ScreenDaily
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” said Dennis Lim, the New York Film Festival’s director of programing and chair of the main slate selection committee, in a statement last month accompanying the announcement of the titles that will screen as part of the 61st edition of the esteemed festival. From Hollywood’s double strike chaos, to worries about artificial intelligence, to the ongoing threat that streaming poses to the theatrical model—if there was ever a time when we needed that reminder, it’s now.
While all the features in the main slate this year enjoyed their world premiere earlier in the year at Sundance, Berlinale, Cannes, Toronto, and beyond, many will have...
While all the features in the main slate this year enjoyed their world premiere earlier in the year at Sundance, Berlinale, Cannes, Toronto, and beyond, many will have...
- 9/27/2023
- by Slant Staff
- Slant Magazine
The festival will open with ‘Because I Hate Korea’ and close with ‘The Movie Emperor’.
The Busan International Film Festival has revealed the full line-up for its 2023 edition and announced that Hong Kong star Chow Yun-fat will receive the Asian Filmmaker of the Year award.
The festival in South Korea will open with the world premiere of Jang Kun-jae’s Because I Hate Korea and close with Ning Hao’s Chinese film industry satire The Movie Emperor, starring Andy Lau, following its debut at Toronto.
At an online press conference today, organisers also revealed that Hong Kong star Chow Yun-fat...
The Busan International Film Festival has revealed the full line-up for its 2023 edition and announced that Hong Kong star Chow Yun-fat will receive the Asian Filmmaker of the Year award.
The festival in South Korea will open with the world premiere of Jang Kun-jae’s Because I Hate Korea and close with Ning Hao’s Chinese film industry satire The Movie Emperor, starring Andy Lau, following its debut at Toronto.
At an online press conference today, organisers also revealed that Hong Kong star Chow Yun-fat...
- 9/5/2023
- by Michael Rosser
- ScreenDaily
The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites.
“The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference.
International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”).
Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award. The Korean Cinema Award will presented to the late Yun Jung-hee, the actress who starred in “The General’s Mustache” and Lee Chang-dong’s 2010 drama “Poetry.
“The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference.
International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”).
Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award. The Korean Cinema Award will presented to the late Yun Jung-hee, the actress who starred in “The General’s Mustache” and Lee Chang-dong’s 2010 drama “Poetry.
- 9/5/2023
- by Patrick Frater
- Variety Film + TV
Andrew Scott and Paul Mescal in ‘All of Us Strangers’
The 61st New York Film Festival will feature 32 films in its Main Slate, with the chosen slate of films representing 18 countries. The lineup includes Cannes winners Anatomy of a Fall, The Zone Interest, Fallen Leaves, About Dry Grasses, and Perfect Days.
The 2023 festival runs September 29th through October 15th.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” stated Dennis Lim, Artistic Director of the New York Film Festival. “The filmmakers in this year’s Main Slate are grappling with eternal questions—about how movies relate to the world, about what it means to make art from life, about the most interesting ways to approach the contemporary...
The 61st New York Film Festival will feature 32 films in its Main Slate, with the chosen slate of films representing 18 countries. The lineup includes Cannes winners Anatomy of a Fall, The Zone Interest, Fallen Leaves, About Dry Grasses, and Perfect Days.
The 2023 festival runs September 29th through October 15th.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” stated Dennis Lim, Artistic Director of the New York Film Festival. “The filmmakers in this year’s Main Slate are grappling with eternal questions—about how movies relate to the world, about what it means to make art from life, about the most interesting ways to approach the contemporary...
- 8/8/2023
- by Rebecca Murray
- Showbiz Junkies
The Zone Of Interest, Poor Things and Last Summer among the new additions.
The New York Film Festival (NYFF) has unveiled another 29 films – including new projects from Catherine Breillat, Jonathan Glazer and Andrew Haigh – for the main slate of its sixty-first edition, set to run from September 29 to October 15.
In all, the main slate will comprise 32 features from 18 countries.
A special addition to this year’s main slate is the North American premiere of a newly unearthed and restored short directed by Agnès Varda and featuring Pier Paolo Pasolini while both were in New York for the 1966 NYFF.
The new...
The New York Film Festival (NYFF) has unveiled another 29 films – including new projects from Catherine Breillat, Jonathan Glazer and Andrew Haigh – for the main slate of its sixty-first edition, set to run from September 29 to October 15.
In all, the main slate will comprise 32 features from 18 countries.
A special addition to this year’s main slate is the North American premiere of a newly unearthed and restored short directed by Agnès Varda and featuring Pier Paolo Pasolini while both were in New York for the 1966 NYFF.
The new...
- 8/8/2023
- by John Hazelton
- ScreenDaily
The New York Film Festival’s Main Slate of films will consists of almost three dozen films from a lineup of international directors that includes Justine Triet, Nuri Bilge Ceylan, Alice Rohrwacher, Ryûsuke Hamaguchi, Aki Kaurismaki, Wim Wenders, Yorgos Lathimos and Jonathan Glazer. Film at Lincoln Center announced the lineup on Tuesday morning.
Among the 32 films are three special presentations that NYFF had already announced. The opening-night film will be Todd Haynes’ “May December,” its centerpiece screening will be Sofia Coppola’s “Priscilla” and its closing-night movie will be Michael Mann’s “Ferrari.”
The rest of the Main Slate lineup includes 12 films that premiered at the Cannes Film Festival this year, including the prize winners “Anatomy of a Fall” from Triet, “The Zone of Interest” from Glazer, “About Dry Grasses” from Ceylan, “Perfect Days” from Wenders and “Fallen Leaves” from Kaurismaki.
Others films include “Do Not Expect Too Much From the End of the World...
Among the 32 films are three special presentations that NYFF had already announced. The opening-night film will be Todd Haynes’ “May December,” its centerpiece screening will be Sofia Coppola’s “Priscilla” and its closing-night movie will be Michael Mann’s “Ferrari.”
The rest of the Main Slate lineup includes 12 films that premiered at the Cannes Film Festival this year, including the prize winners “Anatomy of a Fall” from Triet, “The Zone of Interest” from Glazer, “About Dry Grasses” from Ceylan, “Perfect Days” from Wenders and “Fallen Leaves” from Kaurismaki.
Others films include “Do Not Expect Too Much From the End of the World...
- 8/8/2023
- by Steve Pond
- The Wrap
Film at Lincoln Center has set the 32 features from 18 countries making up the Main Slate of the New York Film Festival, from Cannes prize-winners Anatomy Of A Fall by Justine Triet (Palme d’Or) and Zone Of Interest by Jonathan Glazer (Grand Prix), to the latest by Ryûsuke Hamaguchi, Wim Wenders, Agnieszka Holland, Hong Sangsoo, Radu Jude, Yorgos Lanthimos and Alice Rohrwacher.
Wenders’ Perfect Days saw a Best Actor for Kōji Yakusho in Cannes, Nuri Bilge Ceylan’s About Dry Grasses a Best Actress for Merve Dizdar. Aki Kaurismäki’s Fallen Leaves received the Grand Jury Prize. Hailing from Berlin, Angela Schanelec’s Music, Silver Bear winner for Best Screenplay.
The lineup includes films from Lisandro Alonso, Marco Bellocchio, Bertrand Bonello, Catherine Breillat, Bas Devos, Víctor Erice, Kleber Mendonça Filho and Martín Rejtman. Appearing in the Main Slate for the first time: Annie Baker, Devos, Felipe Gálvez, Glazer, Andrew Haigh,...
Wenders’ Perfect Days saw a Best Actor for Kōji Yakusho in Cannes, Nuri Bilge Ceylan’s About Dry Grasses a Best Actress for Merve Dizdar. Aki Kaurismäki’s Fallen Leaves received the Grand Jury Prize. Hailing from Berlin, Angela Schanelec’s Music, Silver Bear winner for Best Screenplay.
The lineup includes films from Lisandro Alonso, Marco Bellocchio, Bertrand Bonello, Catherine Breillat, Bas Devos, Víctor Erice, Kleber Mendonça Filho and Martín Rejtman. Appearing in the Main Slate for the first time: Annie Baker, Devos, Felipe Gálvez, Glazer, Andrew Haigh,...
- 8/8/2023
- by Jill Goldsmith
- Deadline Film + TV
The 2023 New York Film Festival Main Slate lineup has officially been revealed.
Presented by Film at Lincoln Center, this year’s NYFF Main Slate boasts the latest films from Wim Wenders, Yorgos Lanthimos, and Jonathan Glazer. As previously announced, the festival will open September 29 with Todd Haynes’ “May December,” followed by Sofia Coppola’s “Priscilla” as the Centerpiece screening. The festival will conclude with Closing Night selection “Ferrari” by Michael Mann, debuting October 15.
The 61st NYFF includes Cannes winners “The Zone of Interest,” helmed by Glazer, “Anatomy of a Fall” directed by Justine Triet, and Wenders’ “Perfect Days,” as well as Nuri Bilge Ceylan’s “About Dry Grasses” and Aki Kaurismäki’s “Fallen Leaves.” Berlinale Silver Bear winner “Music” will also screen.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history,...
Presented by Film at Lincoln Center, this year’s NYFF Main Slate boasts the latest films from Wim Wenders, Yorgos Lanthimos, and Jonathan Glazer. As previously announced, the festival will open September 29 with Todd Haynes’ “May December,” followed by Sofia Coppola’s “Priscilla” as the Centerpiece screening. The festival will conclude with Closing Night selection “Ferrari” by Michael Mann, debuting October 15.
The 61st NYFF includes Cannes winners “The Zone of Interest,” helmed by Glazer, “Anatomy of a Fall” directed by Justine Triet, and Wenders’ “Perfect Days,” as well as Nuri Bilge Ceylan’s “About Dry Grasses” and Aki Kaurismäki’s “Fallen Leaves.” Berlinale Silver Bear winner “Music” will also screen.
“The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history,...
- 8/8/2023
- by Samantha Bergeson
- Indiewire
Ask any short-film director and they’ll tell you the same thing: finding distribution for short films absolutely sucks. Ask any distributor and they’ll tell you the same thing: we want to release more short films but properly distributing them absolutely sucks.
Due credit to Cinema Guild for engineering a neat workaround: they’ve acquired Pedro Costa’s nine-minute short The Daughters of Fire off its Cannes premiere and will pair it with Hong Sangsoo’s 61-minute In Water––naturally branding the experience Fire+Water, at last giving Barbenheimer its reckoning. As Cinema Guild’s Peter Kelly noted, “There are too few opportunities for short films to play theatrically, but no recent short is more demanding of a theatrical experience than Pedro Costa’s monumental new work.” Apologies to everyone hoping they might watch the latest from one of our great imagemakers on their 13-inch MacBook Air. [Deadline]
The Daughters of Fire,...
Due credit to Cinema Guild for engineering a neat workaround: they’ve acquired Pedro Costa’s nine-minute short The Daughters of Fire off its Cannes premiere and will pair it with Hong Sangsoo’s 61-minute In Water––naturally branding the experience Fire+Water, at last giving Barbenheimer its reckoning. As Cinema Guild’s Peter Kelly noted, “There are too few opportunities for short films to play theatrically, but no recent short is more demanding of a theatrical experience than Pedro Costa’s monumental new work.” Apologies to everyone hoping they might watch the latest from one of our great imagemakers on their 13-inch MacBook Air. [Deadline]
The Daughters of Fire,...
- 7/25/2023
- by Leonard Pearce
- The Film Stage
Exclusive: Cinema Guild has acquired North American distribution rights for Portuguese director Pedro Costa’s short film The Daughters of Fire, following its buzzy world premiere in Cannes this year.
Set against the backdrop of Costa’s stomping ground of the Atlantic Ocean island of Cape Verde, the film follows three sisters who are separated by the eruption of the local Fogo Volcano.
They remain bound in spirit, singing the same words: one day, we will know why we live and why we suffer.
The Daughters of Fire received an enthusiastic reception in Cannes when it played as Special Screening Jean-Luc Godard’s Trailer of the Film that Will Never Exist: “Phony Wars” and Wang Bing’s 2023 Palme d’Or contender Man in Black.
For its North American theatrical release in late 2023 or early 2024, Cinema Guild is planning to play the short alongside Korean director Hong Sangsoo’s Berlinale 2023 Encounters title In water,...
Set against the backdrop of Costa’s stomping ground of the Atlantic Ocean island of Cape Verde, the film follows three sisters who are separated by the eruption of the local Fogo Volcano.
They remain bound in spirit, singing the same words: one day, we will know why we live and why we suffer.
The Daughters of Fire received an enthusiastic reception in Cannes when it played as Special Screening Jean-Luc Godard’s Trailer of the Film that Will Never Exist: “Phony Wars” and Wang Bing’s 2023 Palme d’Or contender Man in Black.
For its North American theatrical release in late 2023 or early 2024, Cinema Guild is planning to play the short alongside Korean director Hong Sangsoo’s Berlinale 2023 Encounters title In water,...
- 7/25/2023
- by Melanie Goodfellow
- Deadline Film + TV
After teaming on In Another Country (2012) and Claire’s Camera (2017) we’ve learned via a key internet sleuth that the two workhorses of actress Isabelle Huppert and Hong Sang-soo are teaming again for their third collaboration. Hong Sang-soo hit Berlinale and Cannes this year with In Water and In Our Day, while Huppert has a load of works that’ll pepper feature A-list fests with the next being Venice/TIFF. It’s next to impossible to keep tabs on the filmmaker but we’ll try our best.
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- 6/30/2023
- by Eric Lavallée
- IONCINEMA.com
Seoul-based sales outfit Finecut has inked a batch of deals for the most recent films from South Korea’s most prolific auteur, Hong Sangsoo. Hong’s latest, In Our Day, which will premiere as the closing title of Cannes’ Directors’ Fortnight section on May 25, has sold to France (Capricci), Spain (L’Atalante Cinema) and Greece (Ama Films). The film follows a woman in her 40s, temporarily living at the home of a friend, and a man in his 70s living alone, who both have visitors with serious questions to ask.
Hong’s second most recent feature, In Water, which premiered at the Berlin International Film Festival in February, also has done brisk business at Cannes’ Marche du Film. The movie has sold to France (Arizona Films Distribution), Spain (L’Atalante Cinema) and Taiwan (Cola Films), following its earlier sale to The Cinema Guild for North America.
Finecut has also closed...
Hong’s second most recent feature, In Water, which premiered at the Berlin International Film Festival in February, also has done brisk business at Cannes’ Marche du Film. The movie has sold to France (Arizona Films Distribution), Spain (L’Atalante Cinema) and Taiwan (Cola Films), following its earlier sale to The Cinema Guild for North America.
Finecut has also closed...
- 5/23/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Seoul-based sales agent Finecut has sold Hong Sangsoo’s In Our Day to France’s Capricci, Spain’s L’Atalante Cinema and Ama Films for Greece.
The film, which premieres in Directors Fortnight on May 25, follow a woman in her 40s, temporarily living at the home of a friend, and a man in his 70s living alone, who both have visitors with serious questions to ask.
Hong’s previous film, In Water, which premiered at this year’s Berlin Film Festival, is also selling to multiple territories, including France (Arizona Films Distribution), Spain (L’Atalante Cinema) and Taiwan (Cola Films). The film previously sold to The Cinema Guild for North America.
Finecut has also done brisk business on three titles from young female directors – July Jung’s Next Sohee, Lee Sol-hui’s Greenhouse and Lee Ji-eun’s The Hill of Secrets.
Next Sohee, which premiered in Cannes Critics Week last year,...
The film, which premieres in Directors Fortnight on May 25, follow a woman in her 40s, temporarily living at the home of a friend, and a man in his 70s living alone, who both have visitors with serious questions to ask.
Hong’s previous film, In Water, which premiered at this year’s Berlin Film Festival, is also selling to multiple territories, including France (Arizona Films Distribution), Spain (L’Atalante Cinema) and Taiwan (Cola Films). The film previously sold to The Cinema Guild for North America.
Finecut has also done brisk business on three titles from young female directors – July Jung’s Next Sohee, Lee Sol-hui’s Greenhouse and Lee Ji-eun’s The Hill of Secrets.
Next Sohee, which premiered in Cannes Critics Week last year,...
- 5/22/2023
- by Liz Shackleton
- Deadline Film + TV
Further sales made of Hong’s Berlinale title ‘in water’ and others.
South Korea’s Finecut has closed deals on several titles led by auteur Hong Sangsoo’s In Our Day, which is set to close Directors’ Fortnight in Cannes, and his recent Berlinale title in water.
In Our Day sold to France (Capricci), Spain (L’Atalante Cinema) and Greece (Ama Films) ahead of its premiere on May 25. The feature follows an actress and old poet who each host a visitor and dodge questions posed by their guests using food, drink and games.
The prolific filmmaker’s first feature of this year was in water,...
South Korea’s Finecut has closed deals on several titles led by auteur Hong Sangsoo’s In Our Day, which is set to close Directors’ Fortnight in Cannes, and his recent Berlinale title in water.
In Our Day sold to France (Capricci), Spain (L’Atalante Cinema) and Greece (Ama Films) ahead of its premiere on May 25. The feature follows an actress and old poet who each host a visitor and dodge questions posed by their guests using food, drink and games.
The prolific filmmaker’s first feature of this year was in water,...
- 5/22/2023
- by Jean Noh
- ScreenDaily
“In Our Day,” the film by South Korean auteur Hong Sang-soo which closes the Directors’ Fortnight section of the Cannes film festival, has seen distributors in multiple territories move early to strike rights deals.
French rights were picked up by Capricci), Spanish rights by L’Atalante Cinema and Greek rights by Ama Films. The film has its official premiere on May 25.
Seoul-based Finecut has long been the sales agent for Hong’s plentiful output. In addition to the deals on “In Our Day,” Finecut signed agreements with L’Atalante, with France’s Ariona Films and Taiwan’s Cola Films for “In Water,” Hong’s first film of 2023 which premiered in the Encounters section in Berlin in February. The film was previously sold to Cinema Guild for North America.
Finecut continues to do business on “Next Sohee,” the Jung July film which played at Cannes last year as the closing film of the Critics’Week section.
French rights were picked up by Capricci), Spanish rights by L’Atalante Cinema and Greek rights by Ama Films. The film has its official premiere on May 25.
Seoul-based Finecut has long been the sales agent for Hong’s plentiful output. In addition to the deals on “In Our Day,” Finecut signed agreements with L’Atalante, with France’s Ariona Films and Taiwan’s Cola Films for “In Water,” Hong’s first film of 2023 which premiered in the Encounters section in Berlin in February. The film was previously sold to Cinema Guild for North America.
Finecut continues to do business on “Next Sohee,” the Jung July film which played at Cannes last year as the closing film of the Critics’Week section.
- 5/21/2023
- by Patrick Frater
- Variety Film + TV
Hong Sang-soo shows no signs of slowing down, does he? After two feature films a year for the past two years, the South Korean director will do it again in 2023, with his 30th film, “In Our Day,” ready to close the Directors’ Fortnight at the Cannes Film Festival on May 25. Hong’s latest comes after “In Water” premiered at the Berlinale in February to universal acclaim.
Continue reading ‘In Our Day’ Trailer: Hong Sang-soo’s 30th Feature Film Closes Cannes’ Directors’ Fortnight On May 25 at The Playlist.
Continue reading ‘In Our Day’ Trailer: Hong Sang-soo’s 30th Feature Film Closes Cannes’ Directors’ Fortnight On May 25 at The Playlist.
- 5/19/2023
- by Ned Booth
- The Playlist
While it certainly wasn’t a surprise in the lineup, one of our most-anticipated films premiering at Cannes––specifically at Directors’ Fortnight––is the 30th feature film from Hong Sangsoo. Following the radical formal gamble of In Water at Berlinale earlier this year, In Our Day seems to return the prolific South Korean director to a more familiar mode. Starring Ki Joobong, Kim Minhee, Song Sunmi, Park Miso, Ha Seongguk, Kim Seungyun, the film clocks in at 84 minutes and ahead of a premiere on May 25, the first festival trailer has now arrived.
Here’s the synopsis from the festival website: “In Seoul, two alternating conversations: an actress is solicited by an amateur; an old poet hosts a fan. The two stars dodge the existential questions of their guests with food, alcohol, guitar playing and naps, games with a cat and rock, paper, scissors. The actress is thinking of giving up...
Here’s the synopsis from the festival website: “In Seoul, two alternating conversations: an actress is solicited by an amateur; an old poet hosts a fan. The two stars dodge the existential questions of their guests with food, alcohol, guitar playing and naps, games with a cat and rock, paper, scissors. The actress is thinking of giving up...
- 5/16/2023
- by Leonard Pearce
- The Film Stage
Leading indie sales agent Finecut has picked up international rights to “In Our Day” by idiosyncratic South Korean director Hong Sang-soo. The film is set as the closing title of the Directors’ Fortnight sidebar of the Cannes festival.
Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February
His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.
Finecut pitches the synopsis as: “A woman in her early 40s, is temporarily living at the home of a friend, who is raising a cat.
Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February
His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.
Finecut pitches the synopsis as: “A woman in her early 40s, is temporarily living at the home of a friend, who is raising a cat.
- 4/18/2023
- by Patrick Frater
- Variety Film + TV
Cannes Directors’ Fortnight has announced the selection for its 55th edition, running May 17 to 26.
The once renegade Cannes parallel section – launched in 1969 and overseen ever since by the French Directors Guild (Société des Réalisateurs de Films) – will present 20 features and 10 shorts this year. Scroll down for the full list.
The selection is the inaugural line-up of incoming Delegate General Julien Rejl, who was announced as predecessor Paolo Moretti’s replacement last June.
This edition also marks the section’s first outing under the new French name of Quinzaine des Cinéastes.
The name change from Quinzaine des Réalisateurs was announced back in June as a move to make its French-language banner title more gender-inclusive. This year, seven of the 21 filmmakers in the 20-title feature selection are women.
Rejl and his new selection team have pulled together an eclectic line-up mixing confirmed directors, buzzed-about newcomers and a handful of off-the-radar titles.
French...
The once renegade Cannes parallel section – launched in 1969 and overseen ever since by the French Directors Guild (Société des Réalisateurs de Films) – will present 20 features and 10 shorts this year. Scroll down for the full list.
The selection is the inaugural line-up of incoming Delegate General Julien Rejl, who was announced as predecessor Paolo Moretti’s replacement last June.
This edition also marks the section’s first outing under the new French name of Quinzaine des Cinéastes.
The name change from Quinzaine des Réalisateurs was announced back in June as a move to make its French-language banner title more gender-inclusive. This year, seven of the 21 filmmakers in the 20-title feature selection are women.
Rejl and his new selection team have pulled together an eclectic line-up mixing confirmed directors, buzzed-about newcomers and a handful of off-the-radar titles.
French...
- 4/18/2023
- by Melanie Goodfellow
- Deadline Film + TV
As years pass by and films rack up, it’s only natural to associate directors with certain things. And none more so than Hong Sangsoo, for whom a new release usually guarantees a hit of the old. That the South Korean’s latest strips away some––if not all––of those associations is thus some kind of radical act. Premiering in Berlinale Encounters, In Water follows a director, Seoung-mo (Shin Seok-ho), his cameraman, Sang-guk (Ha Seong-guk), and actress, Nam-hee (Kim Seung-yun), as they scout locations in a seaside town. There is no Kim Min-hee, there is hardly any soju, and for the first time since Woman is the Future of Man, there isn’t a single camera zoom.
Hong’s work has never shied from self-reflection––his cinema is populated by artists and filmmakers––but with In Water he digs a little deeper. As Seoung-mo and crew look for places...
Hong’s work has never shied from self-reflection––his cinema is populated by artists and filmmakers––but with In Water he digs a little deeper. As Seoung-mo and crew look for places...
- 3/16/2023
- by Rory O'Connor
- The Film Stage
Korean auteur Hong Sang-soo’s latest film, “In Water,” has been bought by Cinema Guild for North American distribution on the heels of its world premiere at the Berlin Film Festival.
The film played in the Encounters section and is expected to have its North American premiere at a festival later this year. Cinema Guild will be releasing “In Water” theatrically, despite a below-standard run time of just 61-minutes.
Described by Cinema Guild as Hong’s “most overtly experimental work to date,” “In Water” follows Seongmo (Shin Seokho), a young man who recently gave up acting and has decided to make a film with his own money. He and his two friends venture to the rocky shores of a large island to shoot the movie together. His former classmate, Sangguk (Ha Seongguk), will operate the camera and Namhee (Kim Seungyun) will act in it. The only problem is that Seongmo...
The film played in the Encounters section and is expected to have its North American premiere at a festival later this year. Cinema Guild will be releasing “In Water” theatrically, despite a below-standard run time of just 61-minutes.
Described by Cinema Guild as Hong’s “most overtly experimental work to date,” “In Water” follows Seongmo (Shin Seokho), a young man who recently gave up acting and has decided to make a film with his own money. He and his two friends venture to the rocky shores of a large island to shoot the movie together. His former classmate, Sangguk (Ha Seongguk), will operate the camera and Namhee (Kim Seungyun) will act in it. The only problem is that Seongmo...
- 2/22/2023
- by Elsa Keslassy and Patrick Frater
- Variety Film + TV
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