A sci-fi road trip steeped unevenly in grief, “We’re All Gonna Die” introduces its concept in exciting fashion before pushing it far into the background. Its lead performances are occasionally powerful, but writer-directors Freddie Wong and Matthew Arnold — of web-based studio RocketJump — struggle to keep their subject matter sincere, resulting in tonal oddities.
An enormous alien “spike” crashes down on Earth and begins teleporting between locations, a premise the movie establishes deftly through news and social media clips. Twelve years and nearly 1500 “jumps” later — setting the movie somewhere in 2036, though technology has seemingly come to a standstill — mass death and casualty have run so rampant that they’ve become entirely commonplace.
As beekeeper Thalia (Ashly Burch) goes about her day, her parents and in-laws gather to mourn her departed husband and daughter, a loss she seems to ignore, letting the weeds around their tombstones run wild with neglect. As the...
An enormous alien “spike” crashes down on Earth and begins teleporting between locations, a premise the movie establishes deftly through news and social media clips. Twelve years and nearly 1500 “jumps” later — setting the movie somewhere in 2036, though technology has seemingly come to a standstill — mass death and casualty have run so rampant that they’ve become entirely commonplace.
As beekeeper Thalia (Ashly Burch) goes about her day, her parents and in-laws gather to mourn her departed husband and daughter, a loss she seems to ignore, letting the weeds around their tombstones run wild with neglect. As the...
- 3/10/2024
- by Siddhant Adlakha
- Variety Film + TV
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