The premiere in Umeå gets a standing ovation, but the next day the atmosphere is different. The question of how to put two National Socialists on stage echoes in the media. The prisoners retreat and what just felt positive has suddenly turned into its opposite. Isa wants to end the tour, but neither Lars nor the correctional service want to stop the performances. Isa is left alone with a frustrated theater group and an increasingly untenable situation.
—SVT