The Seed Of The Sacred Fig from Iranian filmmaker Mohammad Rasoulof has swooped to a late victory on Screen’s 2024 Cannes jury grid with an average score of 3.4.
See the final jury grid below.
The Seed Of The Sacred Fig and Michel Hazanavicius’ The Most Precious Of Cargoes were the final two titles to land on the grid, with the latter scoring 1.2, the lowest score this year.
Rasoulof attended last night’s (May 24) Cannes premiere after fleeing his country following an eight-year prison sentence from Iranian authorities. The family drama follows a judge in Tehran’s Revolutionary Court grappling...
See the final jury grid below.
The Seed Of The Sacred Fig and Michel Hazanavicius’ The Most Precious Of Cargoes were the final two titles to land on the grid, with the latter scoring 1.2, the lowest score this year.
Rasoulof attended last night’s (May 24) Cannes premiere after fleeing his country following an eight-year prison sentence from Iranian authorities. The family drama follows a judge in Tehran’s Revolutionary Court grappling...
- 5/25/2024
- ScreenDaily
Kelly Rowland stole many red carpet headlines from this year’s Cannes Film Festival, with a visible confrontation with a female security officer as she made her way up the famous steps and into the Palais.
Deadline previously reported Rowland giving her side of the bust-up. Saying she felt the French security rushed her time on the red carpet at Cannes, leading to the widely circulated confrontation.
Now, the UK’s Daily Mail newspaper reports that colleagues of the usher have defended her, saying she was “only doing her job.”
The paper quotes a colleague of the woman, who has not been named, saying:
“She was an usher working under a lot of pressure to keep people on the carpet moving, so as to stop crowds building up. There was no pushing or shoving, or scolding. Security and safety are the priorities, along with keeping to strict timetables set according...
Deadline previously reported Rowland giving her side of the bust-up. Saying she felt the French security rushed her time on the red carpet at Cannes, leading to the widely circulated confrontation.
Now, the UK’s Daily Mail newspaper reports that colleagues of the usher have defended her, saying she was “only doing her job.”
The paper quotes a colleague of the woman, who has not been named, saying:
“She was an usher working under a lot of pressure to keep people on the carpet moving, so as to stop crowds building up. There was no pushing or shoving, or scolding. Security and safety are the priorities, along with keeping to strict timetables set according...
- 5/25/2024
- by Caroline Frost
- Deadline Film + TV
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
Kelly Rowland feels the French security rushed her time on the red carpet at Cannes, leading to a widely circulated confrontation.
The incident happened Tuesday as Rowland walked into the premiere of the French film Marcello Mio. There were words exchanged and Rowland raised her finger to emphasize her point.
“The woman knows what happened, I know what happened,” Rowland told the AP at the amfAR Cannes Gala on Thursday. “I have a boundary and I stand by those boundaries, and that is it. And there were other women that attended that carpet who did not quite look like me, and they didn’t get that scolding, or pushed off, or told to get off. I stood my ground, and she felt like she had to stand hers. But I stood my ground.”
Rowland reportedly was angered by being rushed along by ushers. One of the ushers stepped on her...
The incident happened Tuesday as Rowland walked into the premiere of the French film Marcello Mio. There were words exchanged and Rowland raised her finger to emphasize her point.
“The woman knows what happened, I know what happened,” Rowland told the AP at the amfAR Cannes Gala on Thursday. “I have a boundary and I stand by those boundaries, and that is it. And there were other women that attended that carpet who did not quite look like me, and they didn’t get that scolding, or pushed off, or told to get off. I stood my ground, and she felt like she had to stand hers. But I stood my ground.”
Rowland reportedly was angered by being rushed along by ushers. One of the ushers stepped on her...
- 5/24/2024
- by Bruce Haring
- Deadline Film + TV
Kelly Rowland is speaking out about being “scolded” by an usher on the Cannes Film Festival red carpet. The “Destiny’s Child” alum made headlines out of Cannes earlier this week when she appeared to clash with a red carpet usher at the premiere of “Marcello Mio.” Speaking to the Associated Press at the amfAR gala a couple days later, Rowland confirmed she was “told to get off” the carpet.
“The woman knows what happened. I know what happened. I have a boundary and I stand by those boundaries and that is it,” Rowland said about the incident. “And there were other women that attended that carpet who did not quite look like me and they didn’t get scolded or pushed off or told to get off. I stood my ground and she felt like she had to stand hers. But I stood my ground.”
A video of the...
“The woman knows what happened. I know what happened. I have a boundary and I stand by those boundaries and that is it,” Rowland said about the incident. “And there were other women that attended that carpet who did not quite look like me and they didn’t get scolded or pushed off or told to get off. I stood my ground and she felt like she had to stand hers. But I stood my ground.”
A video of the...
- 5/23/2024
- by Zack Sharf
- Variety Film + TV
In a now-viral video from Cannes, Kelly Rowland was filmed having what appeared to be a tense exchange with an usher at the premiere of Marcello Mio on Tuesday evening.
In the clip that circulated on social media, the singer navigated the red carpet, posing for photos and waving to onlooking fans. An usher directed her to ascend the steps of the Palais des Festivals, curtailing her time in front of the cameras. As she made her way up the staircase, a group of ushers signaled for her to walk on the right side. One usher, a woman in a black suit, appeared to rush the Destiny’s Child alum, touching her arm. The usher then accidentally stepped on the singer’s gown.
Rowland then appeared to tell the usher to not worry, smiling. However, the usher persistently kept touching the singer’s arm and said something that appeared to upset the artist.
In the clip that circulated on social media, the singer navigated the red carpet, posing for photos and waving to onlooking fans. An usher directed her to ascend the steps of the Palais des Festivals, curtailing her time in front of the cameras. As she made her way up the staircase, a group of ushers signaled for her to walk on the right side. One usher, a woman in a black suit, appeared to rush the Destiny’s Child alum, touching her arm. The usher then accidentally stepped on the singer’s gown.
Rowland then appeared to tell the usher to not worry, smiling. However, the usher persistently kept touching the singer’s arm and said something that appeared to upset the artist.
- 5/22/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
Cannes – The term “Nepo baby” gets thrown around a lot these days for reasons both justifiably good and bad. It’s one thing to be the daughter of a successful Hollywood actress and a popular comedy film director. It’s arguably even tougher to be the daughter of one of America’s greatest living actors. Now imagine you were the daughter of two of global cinema’s greatest acting legends. Effectively, if both Meryl Streep were your mother and father.
Continue reading ‘Marcello Mio’ Review: Chiara Mastroianni Stars In A Meta Love Letter To Her Father [Cannes] at The Playlist.
Continue reading ‘Marcello Mio’ Review: Chiara Mastroianni Stars In A Meta Love Letter To Her Father [Cannes] at The Playlist.
- 5/22/2024
- by Gregory Ellwood
- The Playlist
Kelly Rowland appeared to admonish an usher on the Cannes red carpet on Tuesday evening after being rushed up the stairs by staff at the festival.
Rowland was at the premiere of “Marcello Mio,” which is in competition at the festival, where she made her way up the red carpet, stopping for the phalanx of photographers who were snapping her picture.
A video shows one usher twice beckoning towards Rowland, apparently indicating for her to start walking up the stairs at the Palais des Festivals. As the Destiny’s Child star ascends the stairs, a trio of other ushers, all clad in black, materialize around her, forming a barrier on one side that forces her to the right of the staircase. At one point, as Rowland turns to wave at somebody in the crowd behind her, two more ushers appear behind the singer with their hands out to block her...
Rowland was at the premiere of “Marcello Mio,” which is in competition at the festival, where she made her way up the red carpet, stopping for the phalanx of photographers who were snapping her picture.
A video shows one usher twice beckoning towards Rowland, apparently indicating for her to start walking up the stairs at the Palais des Festivals. As the Destiny’s Child star ascends the stairs, a trio of other ushers, all clad in black, materialize around her, forming a barrier on one side that forces her to the right of the staircase. At one point, as Rowland turns to wave at somebody in the crowd behind her, two more ushers appear behind the singer with their hands out to block her...
- 5/22/2024
- by K.J. Yossman
- Variety Film + TV
In the Name of the Father: Honore Pays Homage via Identity Crisis
“I only exist when I am working on a film,” Marcello Mastroianni once said, who is, of course, resurrected through the prism of his daughter Chiara Mastorianni in Marcello Mio, the latest feature from Christophe Honoré. Having passed away in 1996, well before the daughter he had with Catherine Deneuve found her own success as an actor, (thanks in part to being a muse for Honoré during the early part of his career in the 2000s), this approach provides a novel experience for the whole family to be together, in a sense.…...
“I only exist when I am working on a film,” Marcello Mastroianni once said, who is, of course, resurrected through the prism of his daughter Chiara Mastorianni in Marcello Mio, the latest feature from Christophe Honoré. Having passed away in 1996, well before the daughter he had with Catherine Deneuve found her own success as an actor, (thanks in part to being a muse for Honoré during the early part of his career in the 2000s), this approach provides a novel experience for the whole family to be together, in a sense.…...
- 5/22/2024
- by Nicholas Bell
- IONCINEMA.com
Celebrities: they’re not just like us, exactly, but they’re human just the same. Which is why some of the current discourse around “nepo babies” must be a little wounding for showbiz scions nursing their own insecurities about their talent, their reputation and their place in the world — even if the prudent thing to do, from a PR perspective, is to openly check your privilege and move on. Yet whatever degree of sympathy one might feel for actor Chiara Mastroianni — the daughter of Catherine Deneuve and Marcello Mastroianni, a dazzling legacy to bear but perhaps not an easy one — largely evaporates by the end of “Marcello Mio,” a vastly indulgent but gossamer-weight bit of frippery from French writer-director Christophe Honoré, in which Mastroianni channels her late father to increasingly contrived comic effect.
So wink-wink it can barely see straight, so inside-baseball it’s practically buried under the pitcher’s mound,...
So wink-wink it can barely see straight, so inside-baseball it’s practically buried under the pitcher’s mound,...
- 5/21/2024
- by Guy Lodge
- Variety Film + TV
Talk about an identity crisis!
In a wonderfully funny and completely original comedy, French star Chiara Mastroianni in a bit of an existential crisis mode decides one day to morph into her very famous father, the late great Marcello Mastroianni. In a search for her own identity she discovers more about herself, her father, even her equally famous mother Catherine Deneuve who surprisingly consented to play herself and discover truths about her relationship with her ex-finacé (he died in 1996) that had never been made public.
Playing tonight in the official competition of the Cannes Film Festival, where the entire family has appeared many times as fictional characters, this time it hits close to home, but always with a light touch as Chiara drops her own persona and hits the town as if it were Marcello Mastroianni back in Fellini’s 8 1/2. Black suit, hat, moustache, large glasses — she’s all in.
In a wonderfully funny and completely original comedy, French star Chiara Mastroianni in a bit of an existential crisis mode decides one day to morph into her very famous father, the late great Marcello Mastroianni. In a search for her own identity she discovers more about herself, her father, even her equally famous mother Catherine Deneuve who surprisingly consented to play herself and discover truths about her relationship with her ex-finacé (he died in 1996) that had never been made public.
Playing tonight in the official competition of the Cannes Film Festival, where the entire family has appeared many times as fictional characters, this time it hits close to home, but always with a light touch as Chiara drops her own persona and hits the town as if it were Marcello Mastroianni back in Fellini’s 8 1/2. Black suit, hat, moustache, large glasses — she’s all in.
- 5/21/2024
- by Pete Hammond
- Deadline Film + TV
In this instalment of Screen’s Cannes Close-Up interview series, Beatrice Bauwens - studio head for Paris’ Mpc and co-chair of France VFX - talks Jacques Audiard, France’s VFX tax credit and why a good pair of shoes is the key to surviving Cannes.
Bauwens is at the festival with several films including Audiard’s Emilia Perez and Christophe Honoré’s Marcello Mio but is also hoping to highlight the country’s booming VFX industry.
“[Cannes] is a great opportunity to show what France is capable of in terms of VFX,” Bauwens says. “It’s a good thing to be here and say ’Ok,...
Bauwens is at the festival with several films including Audiard’s Emilia Perez and Christophe Honoré’s Marcello Mio but is also hoping to highlight the country’s booming VFX industry.
“[Cannes] is a great opportunity to show what France is capable of in terms of VFX,” Bauwens says. “It’s a good thing to be here and say ’Ok,...
- 5/21/2024
- ScreenDaily
These auteurs are ready for their close-up.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
- 5/14/2024
- by Gregg Goldstein
- Variety Film + TV
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
Sydney Film Festival (June 5-16) has unveiled the 12 titles that will play in competition at its 71st edition, including six features that are set to premiere at Cannes this month.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
- 5/7/2024
- ScreenDaily
Admissions to French cinemas plummeted by 35.5% in April 2024 compared to the same month the year before, according to figures from the Cnc. Ticket sales year on year from January through April were down 17% compared to the same period in 2023.
Universal’s Kung Fu Panda 4 was the top film of the month, followed by Warner Bros’ Godzilla x Kong: The New Empire, Ugc Distribution’s local family franchise film Ducobu Passe au Vert!, Sony’s Ghostbusters: The Frozen Empire, and French comedy drama Meet the Leroys, released by Apollo Films.
The dip is not unexpected, owing to a lack of...
Universal’s Kung Fu Panda 4 was the top film of the month, followed by Warner Bros’ Godzilla x Kong: The New Empire, Ugc Distribution’s local family franchise film Ducobu Passe au Vert!, Sony’s Ghostbusters: The Frozen Empire, and French comedy drama Meet the Leroys, released by Apollo Films.
The dip is not unexpected, owing to a lack of...
- 5/3/2024
- ScreenDaily
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
“Beating Hearts” (“L’amour ouf”), an epic crime romance directed by Gilles Lellouche and slated to compete at the Cannes Film Festival, has lured major distributors in key markets ahead of its world premiere.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
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