Directed by
Lucky McKee |
Writing Credits
Jared Butler | ... | (written by) & |
Lars Norberg | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Ellar Coltrane | ... | Victor | |
Willa Fitzgerald | ... | Lynn | |
Jacob Artist | ... | Jeff | |
John Cusack | ... | Miller | |
Ned Bellamy | ... | Ranger | |
Antonio J Bell | ... | Kayaker | |
Johanna McGinley | ... | Drunk Girl |
Produced by
Pete Abrahams | ... | executive producer |
Shanan Becker | ... | executive producer |
Bill Bromiley | ... | executive producer |
David Buelow | ... | producer |
Peter Filardi | ... | associate producer |
D.J. Hall | ... | associate producer |
Peter Letz | ... | executive producer (as Pete Letz) |
Wendy Kay Moore | ... | executive producer |
Lee Nelson | ... | producer |
Jonathan Saba | ... | executive producer |
Kelly Socha | ... | executive producer |
David Tish | ... | producer |
Music by
Matt Gates |
Cinematography by
Alex Vendler |
Editing by
Zach Passero |
Casting By
Kellie Roy |
Production Design by
Mark Hofeling |
Art Direction by
Mark Dillon | ... | (art direction) |
Makeup Department
Randi Owens Arroyo | ... | makeup department head |
Priscilla Green | ... | hair department head / hair stylist |
Sarah Lawless Emmett | ... | key makeup artist (as Sarah Lawless) |
Misfourtune | ... | makeup department head |
Toby Sells | ... | prosthetics |
Production Management
Nancy Valle | ... | post-production supervisor |
Devin Ward | ... | unit production manager |
Second Unit Director or Assistant Director
Craig Borden | ... | first assistant director |
Mark E. Brown | ... | second second assistant director |
Michael Hofstein | ... | second unit director |
Aaron Walters | ... | key second assistant director |
Art Department
Kyle Coleman | ... | property master |
Mark Dillon | ... | set designer |
Kiersten Sonja Good | ... | art department production assistant |
Mark Hofeling | ... | production designer |
Eitan Sonnenberg | ... | on set dresser |
Sound Department
Westley Moore | ... | boom operator |
Andrew Smetek | ... | re-recording mixer / sound designer |
Kevin Strahm | ... | sound mixer |
Mark Wilkening | ... | adr mixer |
Special Effects by
Ilya Churinov | ... | special effects |
Michael Hauck | ... | special effects |
Visual Effects by
Brandon F. Ottenbacher | ... | visual effects compositor |
Stunts
Tennison Barry | ... | Stunt Double: Jacob Artist |
Jason Benjamin | ... | stunt rigger / water safety |
Stephen Conroy | ... | aerial coordinator / stunt double: John Cusack |
Greg Dela Riva | ... | water safety |
Gordon Dillard Jr. | ... | stunt performer |
Trent Fogleman | ... | stunt double: John Cusack |
Alessandro Folchitto | ... | stunt double: Ned Bellamy |
Cody Hesse | ... | stunt double: Ellar Coltrane |
Steven Legate | ... | utility stunts |
Michael R. Long | ... | stunt coordinator |
David Paul Lord | ... | water safety/marine coordinator |
Maddie Miller | ... | stunt double: Willa Fitzgerald (as Madeline Miller) |
Shelby Swatek | ... | assistant stunt coordinator / stunt coordinator: second unit |
Rudolf Weber | ... | key stunt rigger / stunt rigger |
Christopher Zmuda | ... | utility stunts |
Camera and Electrical Department
Michael Cervero | ... | rigging gaffer |
Geran Costdaniello | ... | first assistant camera day player (as Geran Daniels) |
Alex Dubois | ... | additional second assistant camera |
Jacob Hinson | ... | lighting technician |
Robert Hoelen | ... | grip |
Michael Hofstein | ... | second unit: director of photography |
Daniel Irons | ... | second assistant: b camera - additional photography |
Ryan McCoy | ... | gaffer |
Bo McKenzie | ... | grip |
Justin Moskos | ... | electrician |
Mark Nguyen | ... | camera operator: ronin operator |
Tam C. Phan | ... | ronin gimbal tech |
Will Sredzienski | ... | electrician |
Alexander Talley | ... | camera loader |
Wade Whitley | ... | first assistant "a" camera |
Sterling Wiggins | ... | second assistant camera: "a" camera |
Casting Department
Chad Darnell | ... | casting: Georgia |
Morgan Robbins | ... | casting associate |
Costume and Wardrobe Department
Whitney Delaney | ... | costume supervisor |
Brittany Gilliam | ... | key costumer |
Lydia A. McGee | ... | set costumer |
Editorial Department
Alex Brownley | ... | dailies producer |
Jen Hazen | ... | post-production coordinator |
Chris A. Peterson | ... | editorial consultant |
Aidan Stanford | ... | senior digital colorist |
Location Management
Cayman Eby | ... | location manager |
Ariana Jones | ... | locations production assistant |
Reyshan Parker | ... | assistant location manager |
Dre Smith | ... | location assistant/scout / location scout |
Script and Continuity Department
D.J. Barton | ... | script supervisor |
Transportation Department
D.J. Hall | ... | picture car coordinator / transportation coordinator |
Additional Crew
Zack Annesty | ... | production assistant |
Tanner Askren | ... | river crew |
Malika R. Cohen | ... | production coordinator: Mr. Cusack |
Charley Coleman | ... | armorer |
Emily Croke | ... | production coordinator |
Ryan Dale | ... | river crew |
Rich Lane Disco | ... | photo double / stand-in |
Minnie Duerr | ... | production accountant |
Steven Foy | ... | rafting guide |
Rich Gilberto | ... | first assistant accountant |
Jake Heineke | ... | key set production assistant |
Grant Henley | ... | stand-in: John Cusack/Utility |
Scott Christopher Kelly | ... | stand-in: Ellar Coltrane / stand-in: Jacob Artist |
William McClure | ... | production assistant |
Johanna McGinley | ... | base camp production assistant |
Eric Neff | ... | river crew |
Mallory O'Cain | ... | craft service (as Mallory Taylor) |
Grant Prater | ... | office production assistant |
Zach Stipe | ... | river crew |
Misty Wilson | ... | assistant: John Cusack |
Thanks
Damian Apunte | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible (as Damian J. Apunte) |
Gavin Barclay | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Joe Bessacini | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Remington Chase | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Louis D'Agostino | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Russell Davis | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Bill DeRonde | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Brennen Dicker | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
D.J. Hall | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Stephanie Johnson | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Michael R. Long | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible (as Michael Long) |
Vaughan Risher | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Beverly Safier | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |
Kyle Van Slyke | ... | The producers gratefully acknowledge the special contributions made by the individuals and companies below, without whom this film would not have been possible |