Renowned for his contributions to art-house cinema, Phuttiphong Aroonpheng has garnered acclaim as a screenwriter and cinematographer. Additionally, its directorial efforts, such as the short film “Ferris Wheel” (2015), which received Special Mention at Sgiff, and “Manta Ray” (2018), which earned the prestigious Best Film Award in the Orizzonti section at Venice, are celebrated for their profound depth and intricate layers. “Morrison” is no exception. With echoes of David Lynch's aesthetics, it takes viewers on an enigmatic journey through the trauma of war from a unique perspective.
Jimmy, the son of a Thai singer and an unknown American soldier, returns to the hotel where his parents first met. Nestled in the forest, the once-flamboyant establishment has fallen into disrepair, its narrow corridors now host spectral figures, remnants of its glory days. All characters intersect and interact, seemingly imprisoned in this timeless liminal space. Who are they? What is this place? As...
Jimmy, the son of a Thai singer and an unknown American soldier, returns to the hotel where his parents first met. Nestled in the forest, the once-flamboyant establishment has fallen into disrepair, its narrow corridors now host spectral figures, remnants of its glory days. All characters intersect and interact, seemingly imprisoned in this timeless liminal space. Who are they? What is this place? As...
- 3/29/2024
- by Hugo Hamon
- AsianMoviePulse
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