Directed by
Savvas D. Michael |
Writing Credits (in alphabetical order)
Savvas D. Michael |
Cast (in credits order)
Produced by
Andrew Downer | ... | executive producer |
Andrew Georgiou | ... | executive producer |
Costas Georgiou | ... | executive producer |
Katerina Georgiou | ... | executive producer |
Benjamin Ross Lyerly | ... | associate producer |
Savvas D. Michael | ... | producer |
Lara Minassian | ... | executive producer |
Andrew Neophytou | ... | producer |
Steven Paul | ... | executive producer |
John Pavlakos | ... | producer |
Helen Stafford | ... | associate producer |
Pat Wintersgill | ... | executive producer |
Cinematography by
Oli Williams |
Editing by
Kant Pan |
Casting By
Helen Stafford |
Art Direction by
Matthew Scipio |
Makeup Department
Jodie Al-Saiegh | ... | assistant makeup artist |
Alexandra Ellison | ... | makeup department head |
Valerie Oladeinde | ... | assistant makeup artist |
Maria Stafford | ... | assistant makeup artist |
Production Management
Stephanie Grace | ... | production manager |
Second Unit Director or Assistant Director
Umi Gilbert | ... | second assistant director |
Benjamin Ross Lyerly | ... | first assistant director |
Rhys Wilson Plant | ... | third assistant director |
Art Department
Geraint Humphries | ... | set dresser |
Demetrios Michael | ... | construction coordinator |
Sound Department
Jono Cary | ... | sound recordist |
Nickolas Cooks | ... | dialogue editor |
Dan De Pasquale | ... | supervising sound editor |
Ben Hossle | ... | boom operator |
Russ James | ... | boom operator |
William King | ... | sound trainee |
Frederick Roche | ... | boom operator |
Visual Effects by
Jonathan Abbas-Klahr | ... | visual effects supervisor |
Scott Leicester Boyce | ... | rotoscoping artist (as Scott Leicester-Royce) |
Liam Capper-Starr | ... | rotoscoping artist |
Monica Laita | ... | matte painting artist |
Andrew MacLeod | ... | visual effects artist |
Dan Pryor | ... | visual effects artist |
Berta Valverde | ... | visual effects artist |
Camera and Electrical Department
Pete Blakemore | ... | first assistant camera |
Siobhán Cox | ... | second assistant camera |
Callum Crisell | ... | camera intern |
James Ian Gray | ... | digital imaging technician |
Oliver Hadlow-Martin | ... | digital imaging technician |
Rory Harborne | ... | gaffer |
Alix Milan | ... | digital imaging technician |
Bianca Pierre | ... | still photographer |
Blaine Rennicks | ... | second assistant camera |
Graham Smout | ... | camera trainee |
Animation Department
Yu Knifeson | ... | key animator |
Editorial Department
Berta Valverde | ... | on-line editor |
Pat Wintersgill | ... | colorist |
Script and Continuity Department
Sam Hulme | ... | continuity (as Sammy The Bull) |
Nassim Rahmane | ... | script supervisor |
Additional Crew
William Daniels | ... | production assistant |
Angela Georgiou | ... | caterer |
Izbel Ozkolaci | ... | production assistant |
Sarah Pender | ... | production assistant |
Gustavo Restrepo | ... | head runner |
Nico J. Socratous | ... | production assistant |
Matthew Strange | ... | armourer (as Mathew Strange) |
Sheniz Suleiman | ... | assistant to the director / turkish translator |
Tulay Suleiman | ... | turkish translator |
Jaroslav Svoboda | ... | production assistant |
Cameron Taylor | ... | assistant armourer |
Riley Wong | ... | production assistant |
Thanks
Stephen Dixon | ... | thanks to: Metropolitan Police Film Unit |
Max O'Neill | ... | the producers wish to thank: For letting us borrow his dad on the day he was born |