The iconic Fantastic Four villain Galactus is back. Ralph Ineson is reportedly playing the powerful cosmic villain to give a hard time to the new Fantastic Four heroes. The superhero band will reportedly face more than one villain— one of them being his herald, the Silver Surfer.
Ralph Ineson in The First Omen
Ineson’s casting as Galactus, however, does not mark his MCU debut, the actor had a pretty forgettable appearance in James Gunn’s Guardians of the Galaxy which starred Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Bradley Cooper, and Vin Diesel in the primary roles.
Ralph Ineson’s MCU Role Before Galactus
Ralph Ineson in Guardians of the Galaxy
James Gunn (now Dcu boss) had a wonderful run in the MCU with his cosmic adventure hit Guardians of the Galaxy. While a roaster of talents joined the franchise, Ralph Ineson who recently joined Marvel Studios as...
Ralph Ineson in The First Omen
Ineson’s casting as Galactus, however, does not mark his MCU debut, the actor had a pretty forgettable appearance in James Gunn’s Guardians of the Galaxy which starred Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Bradley Cooper, and Vin Diesel in the primary roles.
Ralph Ineson’s MCU Role Before Galactus
Ralph Ineson in Guardians of the Galaxy
James Gunn (now Dcu boss) had a wonderful run in the MCU with his cosmic adventure hit Guardians of the Galaxy. While a roaster of talents joined the franchise, Ralph Ineson who recently joined Marvel Studios as...
- 5/10/2024
- by Lachit Roy
- FandomWire
Kang who? The Marvel Cinematic Universe has been searching for its next Thanos-level big bad for quite some time now and, while Plan A had to be thrown out the window following actor Jonathan Majors' allegations, Plan B appears to be rounding into form quite nicely. With Kevin Feige appearing to put all his eggs in the "Fantastic Four" basket, officially assembling a core cast made up of Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as Marvel's First Family, it was only a matter of time before word leaked out regarding which name-brand actor would step up to take on the physically imposing role of Galactus himself, the Devourer of Worlds.
That time has finally come, as first reported by The Hollywood Reporter. We now know that Ralph Ineson has answered the call to suit up as the Fantastic Four's biggest and baddest foe in the MCU reboot of the classic property.
That time has finally come, as first reported by The Hollywood Reporter. We now know that Ralph Ineson has answered the call to suit up as the Fantastic Four's biggest and baddest foe in the MCU reboot of the classic property.
- 5/9/2024
- by Jeremy Mathai
- Slash Film
Galactus is coming.
British actor Ralph Ineson is the latest addition to the cast of Marvel’s “The Fantastic Four,” as the world-devouring cosmic villain Galactus.
The superhero quartet known as Marvel’s First Family will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). The film will also feature Oscar nominee John Malkovich and Emmy winner Paul Walter Hauser, both in undisclosed roles, as well as Emmy winner Julia Garner as Shalla-Bal, a version of the Silver Surfer.
First introduced in a “Fantastic Four” issue from 1966, Galactus is a god-like entity who survives only by feeding on entire planets — and every living soul who inhabits it. He was designed by Stan Lee and Jack Kirby to stand apart from the standard,...
British actor Ralph Ineson is the latest addition to the cast of Marvel’s “The Fantastic Four,” as the world-devouring cosmic villain Galactus.
The superhero quartet known as Marvel’s First Family will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). The film will also feature Oscar nominee John Malkovich and Emmy winner Paul Walter Hauser, both in undisclosed roles, as well as Emmy winner Julia Garner as Shalla-Bal, a version of the Silver Surfer.
First introduced in a “Fantastic Four” issue from 1966, Galactus is a god-like entity who survives only by feeding on entire planets — and every living soul who inhabits it. He was designed by Stan Lee and Jack Kirby to stand apart from the standard,...
- 5/9/2024
- by Katcy Stephan, Angelique Jackson and Adam B. Vary
- Variety Film + TV
Marvel Studios has found its big bad for The Fantastic Four, as Deadline has confirmed that Ralph Ineson (The First Omen) has been tapped for the role of Galactus.
News of his casting follows our break from earlier today concerning John Malkovich joining in a mystery role. As previously announced, the core cast includes Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). Paul Walter Hauser is on in another undisclosed role, with Julia Garner set to play Shalla-Bal, a version of Silver Surfer.
A pivotal character in the Marvel Comics universe, Galactus originated from the creative minds of writer Stan Lee and artist Jack Kirby. Making his debut in Fantastic Four #48 in 1966, Galactus originated as Galan a humanoid inhabitant of the planet Taa.
News of his casting follows our break from earlier today concerning John Malkovich joining in a mystery role. As previously announced, the core cast includes Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing). Paul Walter Hauser is on in another undisclosed role, with Julia Garner set to play Shalla-Bal, a version of Silver Surfer.
A pivotal character in the Marvel Comics universe, Galactus originated from the creative minds of writer Stan Lee and artist Jack Kirby. Making his debut in Fantastic Four #48 in 1966, Galactus originated as Galan a humanoid inhabitant of the planet Taa.
- 5/9/2024
- by Matt Grobar
- Deadline Film + TV
The Fantastic Four, meet your villain.
Ralph Ineson, the British actor whose three-decade career ranges from the Harry Potter movies to recent horror prequel The First Omen, has landed the plum part of Galactus, the antagonist in Marvel Studios’ The Fantastic Four.
The high-profile, big-budget outing, the Fantastic Four’s first under the Marvel Cinematic Universe umbrella, has been casting up in recent weeks ahead of a planned mid-summer shoot in England.
On the call sheet are Perdro Pascal as scientist Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/Invisible Woman, Joseph Quinn as her hot-heated brother Johnny Storm/Human Torch, and Ebon Moss-Bachrach as Richards’ friend with body issues, Ben Grimm/The Thing. Also cast are Julia Garner as a female Silver Surfer and Paul Walter Hauser in an undisclosed role, which some have theorized could be Mole Man or the robot H.E.R.B.I.E.
Ralph Ineson, the British actor whose three-decade career ranges from the Harry Potter movies to recent horror prequel The First Omen, has landed the plum part of Galactus, the antagonist in Marvel Studios’ The Fantastic Four.
The high-profile, big-budget outing, the Fantastic Four’s first under the Marvel Cinematic Universe umbrella, has been casting up in recent weeks ahead of a planned mid-summer shoot in England.
On the call sheet are Perdro Pascal as scientist Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/Invisible Woman, Joseph Quinn as her hot-heated brother Johnny Storm/Human Torch, and Ebon Moss-Bachrach as Richards’ friend with body issues, Ben Grimm/The Thing. Also cast are Julia Garner as a female Silver Surfer and Paul Walter Hauser in an undisclosed role, which some have theorized could be Mole Man or the robot H.E.R.B.I.E.
- 5/9/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: the haunting genre-bender "The Beast," the farcical indie "Hundreds of Beavers," and HBO's "The Sympathizer" all stand out as clear highlights.)
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
- 5/8/2024
- by Jeremy Mathai
- Slash Film
Sony’s Screen Gems brought horror back to the box office with the Tarot card-themed movie Tarot (formerly titled Horrorscope) over the weekend. The film debuted in theaters nationwide on Thursday, May 2, but how did it stack up against other new releases for the genre this year?
Directed by Spenser Cohen & Anna Halberg, Tarot debuted in the #4 spot on the domestic box office charts, scaring up $6.5 million and giving it the third lowest opening for a wide release horror movie at the box office here in 2024 so far. For the sake of comparison, here are the domestic opening weekend numbers for this year’s big screen horror offerings…
Night Swim – $11.7 million Abigail – $10.2 million Imaginary – $9.9 million The First Omen – $8.3 million Tarot – $6.5 million Immaculate – $5.3 million Lisa Frankenstein – $3.6 million
Worldwide, Tarot‘s box office total sits at $10.2 million. The good news for Screen Gems is that the horror movie’s reported production budget was just $8 million,...
Directed by Spenser Cohen & Anna Halberg, Tarot debuted in the #4 spot on the domestic box office charts, scaring up $6.5 million and giving it the third lowest opening for a wide release horror movie at the box office here in 2024 so far. For the sake of comparison, here are the domestic opening weekend numbers for this year’s big screen horror offerings…
Night Swim – $11.7 million Abigail – $10.2 million Imaginary – $9.9 million The First Omen – $8.3 million Tarot – $6.5 million Immaculate – $5.3 million Lisa Frankenstein – $3.6 million
Worldwide, Tarot‘s box office total sits at $10.2 million. The good news for Screen Gems is that the horror movie’s reported production budget was just $8 million,...
- 5/6/2024
- by John Squires
- bloody-disgusting.com
From the team behind Flickering Myth comes the gothic horror film The Baby In The Basket. First look and more details below.
I’ve said it before and I’ll say it again: 2024 has been a proper rollercoaster ride for horror fans. After a slow start, we’ve since been treated to the excellent Immaculate and The First Omen and the riotously fun Abigail and we’re not too far off from the release of Renny Harlin’s The Strangers: Chapter 1.
We’ve now got word of another horror film heading our way, hopefully sooner rather than later. The Baby In The Basket is directed by Nathan Shepka and Andy Crane from a script by Tom Jolliffe.
The Baby In The Basket is “set in 1942 where, as World War II rages on as the nuns of isolated Scottish monastery St. Augustine’s prepare for an incoming storm front. During the night,...
I’ve said it before and I’ll say it again: 2024 has been a proper rollercoaster ride for horror fans. After a slow start, we’ve since been treated to the excellent Immaculate and The First Omen and the riotously fun Abigail and we’re not too far off from the release of Renny Harlin’s The Strangers: Chapter 1.
We’ve now got word of another horror film heading our way, hopefully sooner rather than later. The Baby In The Basket is directed by Nathan Shepka and Andy Crane from a script by Tom Jolliffe.
The Baby In The Basket is “set in 1942 where, as World War II rages on as the nuns of isolated Scottish monastery St. Augustine’s prepare for an incoming storm front. During the night,...
- 5/2/2024
- by Maria Lattila
- Film Stories
In the wake of Immaculate and The First Omen, more church-based baby horror is on the way with The Baby in the Basket, and Bloody Disgusting has been provided with a sneak peek.
For starters, Strive Global Media has secured the worldwide sales rights on the gothic horror film starring Amber Doig-Thorne (Winnie-the-Pooh: Blood and Honey), Michaela Longden (How to Kill Monsters), Elle O’Hara (When Darkness Falls), Lisa Riesner (Charlie’s Angels) and Nathan Shepka (Lock & Load) alongside veteran British talent Annabelle Lanyon (Legend), Maryam d’Abo (The Living Daylights) and Paul Barber (The Full Monty).
Produced by Shepka Productions and Flickering Myth, The Baby in the Basket is set in 1942 where, as World War II rages on as the nuns of isolated Scottish monastery St. Augustine’s prepare for an incoming storm front. During the night a baby in a basket is left on the doorstep and the sisters take...
For starters, Strive Global Media has secured the worldwide sales rights on the gothic horror film starring Amber Doig-Thorne (Winnie-the-Pooh: Blood and Honey), Michaela Longden (How to Kill Monsters), Elle O’Hara (When Darkness Falls), Lisa Riesner (Charlie’s Angels) and Nathan Shepka (Lock & Load) alongside veteran British talent Annabelle Lanyon (Legend), Maryam d’Abo (The Living Daylights) and Paul Barber (The Full Monty).
Produced by Shepka Productions and Flickering Myth, The Baby in the Basket is set in 1942 where, as World War II rages on as the nuns of isolated Scottish monastery St. Augustine’s prepare for an incoming storm front. During the night a baby in a basket is left on the doorstep and the sisters take...
- 5/1/2024
- by John Squires
- bloody-disgusting.com
Game Loop.
Trace and I inadvertently bookended our April discussions of John Landis’ An American Werewolf in London (listen) and Ciarán Foy’s Eli (listen) with Jude Law films. At the start of the month, we tackled Matt Damon’s Italian grifter in The Talented Mr. Ripley (listen) and now we’re closing out April with David Cronenberg‘s eXistenZ (1999).
The unofficial sequel to Videodrome (listen) and precursor to Crimes of the Future, eXistenZ takes place in the world of virtual reality and simulation. Game goddess Allegra Gellar (Jennifer Jason Leigh) is forced to go on the run with PR nerd Ted Pikul (Jude Law) through the Canadian backwoods when ‘Realist’ terrorists declare open season on her life.
Featuring no shortage of strange encounters and oddball characters, including Willem Dafoe‘s queer-coded Gas and Canadian film royalty like Don McKellar and Sarah Polley, Allegra and Ted must travel between the...
Trace and I inadvertently bookended our April discussions of John Landis’ An American Werewolf in London (listen) and Ciarán Foy’s Eli (listen) with Jude Law films. At the start of the month, we tackled Matt Damon’s Italian grifter in The Talented Mr. Ripley (listen) and now we’re closing out April with David Cronenberg‘s eXistenZ (1999).
The unofficial sequel to Videodrome (listen) and precursor to Crimes of the Future, eXistenZ takes place in the world of virtual reality and simulation. Game goddess Allegra Gellar (Jennifer Jason Leigh) is forced to go on the run with PR nerd Ted Pikul (Jude Law) through the Canadian backwoods when ‘Realist’ terrorists declare open season on her life.
Featuring no shortage of strange encounters and oddball characters, including Willem Dafoe‘s queer-coded Gas and Canadian film royalty like Don McKellar and Sarah Polley, Allegra and Ted must travel between the...
- 4/29/2024
- by Joe Lipsett
- bloody-disgusting.com
Rank Film (distributor) Three-day gross (Apr 26-28) Total gross to date Week 1. Challengers (Warner Bros) £1.5m £1.5m 1 2. Back To Black (Studiocanal) £1.4m £9m 3 3. Kung Fu Panda 4 (Universal) £948,033 £19.7m 5 4. Civil War (Entertainment Film Distributors) £755,426 £5.2m 3 5. Godzilla X Kong: The New Empire (Warner Bros) £597,522 £13.7m 5
Gbp to Usd conversion rate: 1.25
Luca Guadagnino’s tennis drama Challengers scored a number one ranking on its opening weekend at the UK-Ireland box office, with a £1.5m first session.
Warner Bros title Challengers took a £2,197 site average from over 700 cinemas, and has £1.6m including previews.
The figure is a new record opening in the territory for Guadagnino,...
Gbp to Usd conversion rate: 1.25
Luca Guadagnino’s tennis drama Challengers scored a number one ranking on its opening weekend at the UK-Ireland box office, with a £1.5m first session.
Warner Bros title Challengers took a £2,197 site average from over 700 cinemas, and has £1.6m including previews.
The figure is a new record opening in the territory for Guadagnino,...
- 4/29/2024
- ScreenDaily
After two weeks atop the box-office weekend, Civil War was pushed from the number one spot (and then some) and replaced by Challengers which took first place by a margin of $7.2 million.
In its first weekend of release, the United Artists Releasing product starring Zendaya, Challengers debuted in first place with a total of $15.0 million. This was enough to easily best second-place finisher Unsung Hero which debuted with a total of $7.8 million earned for Lionsgate Films. Meanwhile, Godzilla x Kong: The New Empire held its ground at number three where it added $7.2 million over its fifth weekend in release to bring its overall total for Warner Bros. to $181.7 million. All of this pushed last weekend’s top film, Civil War, to fourth place where it took in $7.0 million for A24, giving the film a three-week total of $56.2 million. Also falling three spots was Universal Pictures’ Abigail which dropped from second...
In its first weekend of release, the United Artists Releasing product starring Zendaya, Challengers debuted in first place with a total of $15.0 million. This was enough to easily best second-place finisher Unsung Hero which debuted with a total of $7.8 million earned for Lionsgate Films. Meanwhile, Godzilla x Kong: The New Empire held its ground at number three where it added $7.2 million over its fifth weekend in release to bring its overall total for Warner Bros. to $181.7 million. All of this pushed last weekend’s top film, Civil War, to fourth place where it took in $7.0 million for A24, giving the film a three-week total of $56.2 million. Also falling three spots was Universal Pictures’ Abigail which dropped from second...
- 4/29/2024
- by Mike Tyrkus
- CinemaNerdz
“Satan is his father and his name is Adrian!” shouts the coven leader Roman Castevet at the end of 1968’s. Rosemary’s Baby. “He shall overthrow the mighty and lay waste their temples. He shall redeem the despised and wreak vengeance in the name of the burned and the tortured.”
Even when making allowances for Roman’s (Sidney Blackmer) understandable delight at seeing his plan come to fruition, that’s a lot of expectation to put on a newborn, no matter who his father might be. Unfortunately, the sequels chronicling Adrian’s rise to power didn’t quite live up to those expectations. Neither the 1976 TV movie Look What’s Happened to Rosemary’s Baby, in which Patty Duke subs in for Mia Farrow, nor original author Ira Levin’s follow-up book Son of Rosemary (1997) manages to deliver what Roman promised.
But for the next film branching out of Rosemary’s Baby,...
Even when making allowances for Roman’s (Sidney Blackmer) understandable delight at seeing his plan come to fruition, that’s a lot of expectation to put on a newborn, no matter who his father might be. Unfortunately, the sequels chronicling Adrian’s rise to power didn’t quite live up to those expectations. Neither the 1976 TV movie Look What’s Happened to Rosemary’s Baby, in which Patty Duke subs in for Mia Farrow, nor original author Ira Levin’s follow-up book Son of Rosemary (1997) manages to deliver what Roman promised.
But for the next film branching out of Rosemary’s Baby,...
- 4/26/2024
- by Joe George
- Den of Geek
Gdh 559’s How To Make Millions Before Grandma Dies has become the biggest film at the Thai box office in 2024 to date ahead of a theatrical rollout across Asia.
Pat Boonnitipat’s family drama reached $8.1m (THB300m) on April 24 after topping the local box office chart for 21 consecutive days, surpassing US blockbusters Godzilla X Kong: The New Empire, Civil War, The First Omen and Ghostbusters: Frozen Empire.
After scoring the biggest opening weekend (April 4-7) for a Thai film this year, it continued to lead the box office across the four-day Songkran holidays from April 13-16.
“This Songkran box...
Pat Boonnitipat’s family drama reached $8.1m (THB300m) on April 24 after topping the local box office chart for 21 consecutive days, surpassing US blockbusters Godzilla X Kong: The New Empire, Civil War, The First Omen and Ghostbusters: Frozen Empire.
After scoring the biggest opening weekend (April 4-7) for a Thai film this year, it continued to lead the box office across the four-day Songkran holidays from April 13-16.
“This Songkran box...
- 4/25/2024
- ScreenDaily
Dan Stevens is having the time of his life as Godzilla x Kong: The New Empire has become a big hit for Warner Bros and Legendary. His latest release Abigail has also received great reviews from critics and audiences, with many praising his performance. His versatility in switching from a delightfully charming role to an intense individual in the two films is impressive, to say the least.
Dan Stevens as Frank in Abigail
He has yet another horror film later this year titled Cuckoo, where he stars alongside Hunter Schafer. The horror genre has seen a huge evolution over the years with the Conjuring films, along with Immaculate and The First Omen this year, Stevens is set to continue in the horror genre as he is set to team up with Al Pacino for a new exorcism film.
Dan Stevens and Al Pacino Set to Star in New Horror Film,...
Dan Stevens as Frank in Abigail
He has yet another horror film later this year titled Cuckoo, where he stars alongside Hunter Schafer. The horror genre has seen a huge evolution over the years with the Conjuring films, along with Immaculate and The First Omen this year, Stevens is set to continue in the horror genre as he is set to team up with Al Pacino for a new exorcism film.
Dan Stevens and Al Pacino Set to Star in New Horror Film,...
- 4/24/2024
- by Rahul Thokchom
- FandomWire
Dev Patel’s bone-crunching action film, Monkey Man, is swinging onto digital platforms faster than Atefeh Safaei can throw a punch. According to the film’s official Twitter account, Monkey Man comes to digital to rent or buy tomorrow, April 23rd! Despite underperforming at the box office with $28M+, Monkey Man is a hit with critics and fans. On Rotten Tomatoes, Patel’s directorial debut is 88% on the Tomatometer, with an 84% Fresh Audience Score.
Competition is fierce at the box office in 2024, with original films struggling to make a dent. Monkey Man opened alongside The First Omen, one of the horror genre’s most well-reviewed films in recent memory. Still, Monkey Man‘s most formidable opponent is Godzilla x Kong: The New Empire, which reigns supreme with $485M+. The New Empire opened one week ahead of Monkey Man, gobbling up most of the action-oriented box office. With Monkey Man coming to digital,...
Competition is fierce at the box office in 2024, with original films struggling to make a dent. Monkey Man opened alongside The First Omen, one of the horror genre’s most well-reviewed films in recent memory. Still, Monkey Man‘s most formidable opponent is Godzilla x Kong: The New Empire, which reigns supreme with $485M+. The New Empire opened one week ahead of Monkey Man, gobbling up most of the action-oriented box office. With Monkey Man coming to digital,...
- 4/22/2024
- by Steve Seigh
- JoBlo.com
Stars: Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, Will Catlett, Kevin Durand, Angus Cloud, Giancarlo Esposito | Written by Stephen Shields, Guy Busick | Directed by Matt Bettinelli-Olpin, Tyler Gillett
A ragtag crew of criminals and hackers is assembled by Lambert (Giancarlo Esposito), working for someone he isn’t allowed to name. The crew’s job is to kidnap a young girl (Alisha Weir) and bring her to a seemingly abandoned house, watching her for 24 hours until her father pays up a ransom. What they don’t realize is they are way in over their heads — and nothing is as it seems.
In a year of commercially mid releases, horror films are having a field day. Already wiping the competition with movies including The First Omen and Immaculate, the genre has turned to child ballerina gone wrong in order to execute the early 2024 trifecta. Out of the three, Abigail is easily...
A ragtag crew of criminals and hackers is assembled by Lambert (Giancarlo Esposito), working for someone he isn’t allowed to name. The crew’s job is to kidnap a young girl (Alisha Weir) and bring her to a seemingly abandoned house, watching her for 24 hours until her father pays up a ransom. What they don’t realize is they are way in over their heads — and nothing is as it seems.
In a year of commercially mid releases, horror films are having a field day. Already wiping the competition with movies including The First Omen and Immaculate, the genre has turned to child ballerina gone wrong in order to execute the early 2024 trifecta. Out of the three, Abigail is easily...
- 4/22/2024
- by Jasmine Valentine
- Nerdly
The Devil is in the Details.
After kicking off April with discussions of Matt Damon’s demon twink in The Talented Mr. Ripley (listen) and the perfect balance of horror and comedy in John Landis’ An American Werewolf in London (listen), we’re heading over to Netflix to look at Ciarán Foy‘s horror version of The Boy in the Plastic Bubble in the 2019 film Eli.
In the film, a young boy with a rare autoimmune disease named Eli (Charlie Shotwell) is brought by his parents (Kelly Reilly and Max Martini) to a private medical facility owned by Dr. Isabella Horn (Lili Taylor). After beginning an experimental medical procedure to cure him, Eli begins experiencing strange, seemingly threatening hallucinations of Dr. Horn’s past patients, and must figure out what’s really going on beore it’s too late.
Be sure to subscribe to the podcast to get a new episode every Wednesday.
After kicking off April with discussions of Matt Damon’s demon twink in The Talented Mr. Ripley (listen) and the perfect balance of horror and comedy in John Landis’ An American Werewolf in London (listen), we’re heading over to Netflix to look at Ciarán Foy‘s horror version of The Boy in the Plastic Bubble in the 2019 film Eli.
In the film, a young boy with a rare autoimmune disease named Eli (Charlie Shotwell) is brought by his parents (Kelly Reilly and Max Martini) to a private medical facility owned by Dr. Isabella Horn (Lili Taylor). After beginning an experimental medical procedure to cure him, Eli begins experiencing strange, seemingly threatening hallucinations of Dr. Horn’s past patients, and must figure out what’s really going on beore it’s too late.
Be sure to subscribe to the podcast to get a new episode every Wednesday.
- 4/22/2024
- by Trace Thurman
- bloody-disgusting.com
RankFilm (distributor)Three-day gross (Apr 19-21)Total gross to dateWeek 1. Back To Black (Studiocanal) £1.9m £6.4m 2 2. Civil War (Entertainment Film Distributors) £1.1m £3.8m 3 3. Kung Fu Panda 4 (Universal) £898,807 £18.6m 4 4. Godzilla X Kong: The New Empire (Warner Bros) £649,284 £12.9m 4 5. Ghostbusters: Frozen Empire (Sony) £594,971 £594,971 1
Gbp to Usd conversion rate: 1.23
Amy Winehouse biopic Back To Black topped the UK-Ireland box office chart for a second weekend; as horror Abigail started fifth on a weekend dominated by holdover titles.
Back To Black added £1.9m – a decent hold from its opening, falling just 30.1%. This is a better second-weekend hold than recent music biopics, including this...
Gbp to Usd conversion rate: 1.23
Amy Winehouse biopic Back To Black topped the UK-Ireland box office chart for a second weekend; as horror Abigail started fifth on a weekend dominated by holdover titles.
Back To Black added £1.9m – a decent hold from its opening, falling just 30.1%. This is a better second-weekend hold than recent music biopics, including this...
- 4/22/2024
- ScreenDaily
Worldwide box office April 19-21 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l) Territories 1. Godzilla X Kong: The New Empire (Warner Bros) $31.1m $485.2m $21.6m $313.6m 78 2. Civil War (A24) $21.4m $61.7m $10.3m $16.8m 40 3. Kung Fu Panda 4 (Universal) $19.9m $480.3m $15.3m $300.3m 83 4. Abigail (Universal) $15.2m $15.2m $5m $5m 63 5. Detective Conan: The Million Dollar Pentagram (Toho) $11.9m $42.5m $11.9m $42.5m 1 6. Ghostbusters: Frozen Empire (Sony) $11.1m $176.1m $6.7m $73.2m 60 7. The Ministry Of Ungentlemanly Warfare (Lionsgate) $9.8m $9.8m $767,300 $778,000 13 8. Dune: Part Two (Warner Bros) $7.1m $695.8m $4.2m $419.2m 75 9. Back To Black (Focus Features) $6.4m $16.9m $6.4m $16.9m 105 10. Spy...
- 4/22/2024
- ScreenDaily
‘Kung Fu Panda 4’ retained its lead at the top of the South Korean box office on what was the quietest cinema-going weekend in more than a year.
The animated franchise movie held up reasonably. It maintained a nearly 44% market share, dropped only 32% week-on-week and was untroubled by competition from new releases. The film earned $1.91 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After 12 days on release, “Kung Fu Panda 4” has a cumulative total of $8.48 million.
“Exhuma,” which had held the top spot for six weeks before losing it a week ago, remained in second spot. It earned $772,000 with a nearly 18% market share. Since releasing on Feb. 22, it has amassed a cumulative $82.7 million, earned from 11.8 million spectators.
While the top two films showed endurance, the overall box office market looked sickly. Across the nation’s roughly 2,500 cinemas,...
The animated franchise movie held up reasonably. It maintained a nearly 44% market share, dropped only 32% week-on-week and was untroubled by competition from new releases. The film earned $1.91 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After 12 days on release, “Kung Fu Panda 4” has a cumulative total of $8.48 million.
“Exhuma,” which had held the top spot for six weeks before losing it a week ago, remained in second spot. It earned $772,000 with a nearly 18% market share. Since releasing on Feb. 22, it has amassed a cumulative $82.7 million, earned from 11.8 million spectators.
While the top two films showed endurance, the overall box office market looked sickly. Across the nation’s roughly 2,500 cinemas,...
- 4/22/2024
- by Patrick Frater
- Variety Film + TV
For a second consecutive weekend, Civil War held the top spot of the box-office weekend, albeit by a mere margin of $0.9 million.
In its second week of release, A24’s Civil War brought in $11.1 million for the studio, to raise its overall total to $44.9 million. This proved just enough to best the Universal Pictures release Abigail which debuted in second place with $10.2 million over the weekend. Meanwhile, Godzilla x Kong: The New Empire was forced to third place where it added $9.5 million to lift its four-week total to $171.6 million for Warner Bros. Studios. The second debut of the weekend, The Ministry of Ungentlemanly Warfare landed in fourth place where it made $9.0 million for Lionsgate Films. The Crunchyroll release Spy x Family Code: White debuted in fifth place with $4.9 million.
Dropping two spots over the weekend to land in sixth place was Kung Fu Panda 4 which took in $4.6 million for...
In its second week of release, A24’s Civil War brought in $11.1 million for the studio, to raise its overall total to $44.9 million. This proved just enough to best the Universal Pictures release Abigail which debuted in second place with $10.2 million over the weekend. Meanwhile, Godzilla x Kong: The New Empire was forced to third place where it added $9.5 million to lift its four-week total to $171.6 million for Warner Bros. Studios. The second debut of the weekend, The Ministry of Ungentlemanly Warfare landed in fourth place where it made $9.0 million for Lionsgate Films. The Crunchyroll release Spy x Family Code: White debuted in fifth place with $4.9 million.
Dropping two spots over the weekend to land in sixth place was Kung Fu Panda 4 which took in $4.6 million for...
- 4/21/2024
- by Mike Tyrkus
- CinemaNerdz
One of the truisms in film calendar slating is that it’s a real plus to be the first new horror film released in a while. With the weak opening of Universal’s “Abigail” this weekend, the inverse also seems to hold.
The seventh wide release in the genre over the past eight weeks from a studio that has been quite reliable for sustaining horror success, from Blumhouse and elsewhere, fell short with only $10.1 million. That allowed “Civil War” (A24) to hold on to # 1 with $11.2 million despite a 56 percent drop.
With such a low gross at #1 and the rest doing less, the weekend struggled to reach close to $66 million. That’s the fifth sub-$70 million total out of 16 weekends so far this year. By comparison, pre-Covid 2019 — with ticket prices more than 15 percent lower than now — had none.
The weak performance, down nearly 50 percent from last year’s $127 million, brought the...
The seventh wide release in the genre over the past eight weeks from a studio that has been quite reliable for sustaining horror success, from Blumhouse and elsewhere, fell short with only $10.1 million. That allowed “Civil War” (A24) to hold on to # 1 with $11.2 million despite a 56 percent drop.
With such a low gross at #1 and the rest doing less, the weekend struggled to reach close to $66 million. That’s the fifth sub-$70 million total out of 16 weekends so far this year. By comparison, pre-Covid 2019 — with ticket prices more than 15 percent lower than now — had none.
The weak performance, down nearly 50 percent from last year’s $127 million, brought the...
- 4/21/2024
- by Tom Brueggemann
- Indiewire
The battle of the box office has been won by A24 and Alex Garland’s Civil War, which defied expectations (ours included) to take first place at the box office. Comscore is estimating an $11.1 million weekend for the controversial film, which posted a modest 56% decline at the box office, which is way better than anyone was expecting. Indeed, the film has a $44 million running total at the North American box office, which is great for a movie like this, especially considering how divisive it’s been.
However, Civil War’s good fortune means this week’s big new horror release, Abigail, seriously underperformed. Radio Silence’s well-reviewed vampire flick made a disappointing $10.2 million, which is a shame as it’s a nifty little movie. Potentially, word-of-mouth could give it a boost, but let’s face it – that doesn’t happen with horror movies. They’re always front-loaded, so the chances...
However, Civil War’s good fortune means this week’s big new horror release, Abigail, seriously underperformed. Radio Silence’s well-reviewed vampire flick made a disappointing $10.2 million, which is a shame as it’s a nifty little movie. Potentially, word-of-mouth could give it a boost, but let’s face it – that doesn’t happen with horror movies. They’re always front-loaded, so the chances...
- 4/21/2024
- by Chris Bumbray
- JoBlo.com
Ballerinas might look delicate, but there's a lot of strength behind those dance moves -- especially if the ballerina happens to be a vampire. "Abigail," the new horror flick from "Ready or Not" directors Matt Bettinelli-Olpin and Tyler Gillett, stars Alisha Weir ("Matilda the Musical") as a tiny dancer who turns on the criminal crew who were hired to kidnap her for ransom. Being an extremely gory cat-and-mouse game set in a grand mansion, "Abigail" shares a lot of DNA with "Ready or Not," and it's off to an even better start at the box office.
Variety reports that "Abigail" grossed $4 million on its opening day, including $1 million from Thursday night previews, and it's expected to make at least $10 million over its opening weekend. That's slightly behind earlier projections of a $12-15 million debut, but ahead of the $8 million that "Ready or Not" made over its first weekend. With Alex Garland...
Variety reports that "Abigail" grossed $4 million on its opening day, including $1 million from Thursday night previews, and it's expected to make at least $10 million over its opening weekend. That's slightly behind earlier projections of a $12-15 million debut, but ahead of the $8 million that "Ready or Not" made over its first weekend. With Alex Garland...
- 4/20/2024
- by Hannah Shaw-Williams
- Slash Film
On April 5th, 20th Century Studios gave a theatrical release to The First Omen, which serves as a prequel to the 1976 horror classic The Omen (watch it Here) – and the movie was surprisingly well-received, with JoBlo’s own Chris Bumbray giving it an 8/10 review and Tyler Nichols writing an article about why it works so well. The movie hasn’t been burning up the box office charts; made on a budget of $30 million, it has only pulled in $36 million so far. But if a sequel were to get the greenlight, director Arkasha Stevenson knows one subject she would want to cover in the follow-up: the mystery of the jackal.
In the original The Omen, we were told that the Antichrist was born of a jackal. The First Omen digs deeper into his parentage, letting us know that it wasn’t quite as simple (although very strange) as it appeared to be in the original movie,...
In the original The Omen, we were told that the Antichrist was born of a jackal. The First Omen digs deeper into his parentage, letting us know that it wasn’t quite as simple (although very strange) as it appeared to be in the original movie,...
- 4/18/2024
- by Cody Hamman
- JoBlo.com
“Godzilla” may be 70 years old, but it’s showing no signs of slowing down.
At the 96th Academy Awards last month, “Godzilla Minus One” became the first “Godzilla” movie to ever win an Oscar. The 37th entry in the franchise, the Japanese “Minus One” took home the trophy for Best Visual Effects. In fact, it was the first “Godzilla” film ever nominated by the academy in any category.
Talk about being overdue. The question now becomes … can “Godzilla” strike again next year?
As you’re reading this, “Godzilla x Kong: The New Empire” continues to destroy at the box office for Warner Bros. Its domestic receipts have passed $150 million. Worldwide, its grosses are well over $430 million and counting. The sequel to 2021’s “Godzilla vs. Kong,” its reviews have been somewhat mixed. Many critics have compared it negatively to last year’s acclaimed “Godzilla Minus One,” which scored an impressive 98% “Certified Fresh” rating on Rotten Tomatoes.
At the 96th Academy Awards last month, “Godzilla Minus One” became the first “Godzilla” movie to ever win an Oscar. The 37th entry in the franchise, the Japanese “Minus One” took home the trophy for Best Visual Effects. In fact, it was the first “Godzilla” film ever nominated by the academy in any category.
Talk about being overdue. The question now becomes … can “Godzilla” strike again next year?
As you’re reading this, “Godzilla x Kong: The New Empire” continues to destroy at the box office for Warner Bros. Its domestic receipts have passed $150 million. Worldwide, its grosses are well over $430 million and counting. The sequel to 2021’s “Godzilla vs. Kong,” its reviews have been somewhat mixed. Many critics have compared it negatively to last year’s acclaimed “Godzilla Minus One,” which scored an impressive 98% “Certified Fresh” rating on Rotten Tomatoes.
- 4/17/2024
- by Tariq Khan
- Gold Derby
Mike Hughes, Harvey Stevens, Alex Vincent, Paula E. Sheppard, Noah Wiseman, and Milly Shapiro
Screenshot: YouTube
There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
Screenshot: YouTube
There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
- 4/17/2024
- by Matt Schimkowitz, Saloni Gajjar, Tim Lowery, William Hughes, and Jen Lennon
- avclub.com
A few days ago, Fangoria ran an article on character actor Ralph Ineson, whose credits include The Witch, The First Omen, Brahms: The Boy II, The Creator, Willow, The Green Knight, and much more, naming him “a modern horror icon.” Ineson took to social media to thank Fangoria for their kind words – and in response to Ineson’s post, director Guillermo del Toro revealed that Ineson has a “pivotal cameo” in his latest film, Frankenstein! He added that Ineson is amazing and fun to work with.
Ineson responded to del Toro, saying, “Thank you Boss, your set is a joyous place to be.”
Del Toro’s Frankenstein, which is a long-awaited passion project for the filmmaker, might have the following logline: Set in Eastern Europe in the 19th Century, the story of Dr. Pretorius, who needs to track down Frankenstein’s monster- who is believed to have died in a...
Ineson responded to del Toro, saying, “Thank you Boss, your set is a joyous place to be.”
Del Toro’s Frankenstein, which is a long-awaited passion project for the filmmaker, might have the following logline: Set in Eastern Europe in the 19th Century, the story of Dr. Pretorius, who needs to track down Frankenstein’s monster- who is believed to have died in a...
- 4/16/2024
- by Cody Hamman
- JoBlo.com
Warning: The following contains major spoilers for Immaculate and The First Omen.
Horror has always served as a frightening mirror to reality. In his 1981 treatise on the genre Danse Macabre, author Stephen King writes, “we make up horrors to help us cope with the real ones”; it seems scary movies have been helping us do that since the earliest days of storytelling. Modern examples include The Texas Chain Saw Massacre (1974) now considered a reaction to the 1973 oil crisis, Dawn of the Dead (1978) which stands as a horrific condemnation of consumerism, and the explosion of the torture porn subgenre in the wake of 9/11. As the United States enters a new phase of fear, two films have converged in an exploration of horrific pregnancy caused by religious abuse. As reproduction becomes more dangerous, Michael Mohan’s Immaculate and Arkasha Stevenson’s The First Omen both follow nuns impregnated against their will and...
Horror has always served as a frightening mirror to reality. In his 1981 treatise on the genre Danse Macabre, author Stephen King writes, “we make up horrors to help us cope with the real ones”; it seems scary movies have been helping us do that since the earliest days of storytelling. Modern examples include The Texas Chain Saw Massacre (1974) now considered a reaction to the 1973 oil crisis, Dawn of the Dead (1978) which stands as a horrific condemnation of consumerism, and the explosion of the torture porn subgenre in the wake of 9/11. As the United States enters a new phase of fear, two films have converged in an exploration of horrific pregnancy caused by religious abuse. As reproduction becomes more dangerous, Michael Mohan’s Immaculate and Arkasha Stevenson’s The First Omen both follow nuns impregnated against their will and...
- 4/16/2024
- by Jenn Adams
- bloody-disgusting.com
This is the year of the nunsploitation renaissance and evil pregnancies. Before the best horror show on TV (aka "Evil") comes back for its final season in May, the battle of the nuns happened at the box office between "Immaculate" and "The First Omen." Both are very different yet thematically similar horror films with gruesome and striking takes on the religious horror genre.
"Immaculate" stars Sydney Sweeney as a devout woman who is preparing to take her vows as a nun when she's invited to join an Italian convent. Things get complicated when she discovers she is pregnant seemingly out of the blue, and the young woman slowly uncovers the horrific secrets that the convent is hiding. What ensues is a film with some stunningly shocking imagery, which works thanks to the power of Sydney Sweeney.
While "Immaculate" earned an enthusiastic reception following its premiere at SXSW earlier this year,...
"Immaculate" stars Sydney Sweeney as a devout woman who is preparing to take her vows as a nun when she's invited to join an Italian convent. Things get complicated when she discovers she is pregnant seemingly out of the blue, and the young woman slowly uncovers the horrific secrets that the convent is hiding. What ensues is a film with some stunningly shocking imagery, which works thanks to the power of Sydney Sweeney.
While "Immaculate" earned an enthusiastic reception following its premiere at SXSW earlier this year,...
- 4/16/2024
- by Rafael Motamayor
- Slash Film
The already impressive cast of Guillermo del Toro’s upcoming Frankenstein movie for Netflix continues to grow, with del Toro taking to Twitter this week to announce that Ralph Ineson will make a “pivotal cameo” appearance in the film.
“He is amazing and fun to work with,” del Toro added in the aforementioned tweet, which came in response to Fangoria celebrating Ralph Ineson as a “modern day horror icon.”
Ineson responded to del Toro’s tweet, “Thank you Boss, your set is a joyous place to be.”
Jacob Elordi will be playing Frankenstein’s monster in Guillermo del Toro’s adaptation of the classic Mary Shelley novel, alongside Mia Goth, Christoph Waltz, and Oscar Isaac.
Mary Shelley’s Frankenstein follows scientist Victor Frankenstein, who plays god and brings a monster to life. The story has of course been adapted countless times over the years in film, television and beyond, and...
“He is amazing and fun to work with,” del Toro added in the aforementioned tweet, which came in response to Fangoria celebrating Ralph Ineson as a “modern day horror icon.”
Ineson responded to del Toro’s tweet, “Thank you Boss, your set is a joyous place to be.”
Jacob Elordi will be playing Frankenstein’s monster in Guillermo del Toro’s adaptation of the classic Mary Shelley novel, alongside Mia Goth, Christoph Waltz, and Oscar Isaac.
Mary Shelley’s Frankenstein follows scientist Victor Frankenstein, who plays god and brings a monster to life. The story has of course been adapted countless times over the years in film, television and beyond, and...
- 4/15/2024
- by John Squires
- bloody-disgusting.com
After concluding March with Raja Gosnell’s Scooby-Doo 2: Monsters Unleashed (listen) and James Whale’s The Invisible Man (listen), we kicked off April with a discussion of Anthony Minghella’s The Talented Mr. Ripley (listen). Now we’re checking off another classic with John Landis‘ 1981 werewolf film, An American Werewolf in London. In the film, American best friends David (David Naughton) and Jack (Griffin Dunne) are horrifically attacked while backpacking through the UK Moors. Jack is killed and David spends a month recuperating in the hospital, where he befriends attractive nurse Alex (Jenny Agutter) and kindly Dr. Hirsch (John Woodvine). On the cusp of his release, the mangled corpse of Jack visits David, warning that on the full moon he will become a lycanthrope unless he kills himself. But David is unable to accept his fate and a series of terrible murders follow. As the bodies (and the comedy) pile up,...
- 4/15/2024
- by Joe Lipsett
- bloody-disgusting.com
Back in 1999, Joshua Leonard made his acting debut in the now-iconic found-footage film “The Blair Witch Project.” In the last 25 years he’s directed five of his own films and starred in dozens of others, but is still fighting to be taken seriously in Hollywood.
At last week’s CinemaCon, Lionsgate and Blumhouse announced the development of a”The Blair Witch Project” reboot. Leonard’s face was on the press release — but in an April 12 social media post, he said he knew nothing about the project.
“This is My face on a press release for a film being made by two major studios — both I’ve worked for, both I respect,” Leonard wrote on Facebook. “The Weird Part is that I didn’t know anything about it until a friend sent me a ‘congrats’ screenshot yesterday. My frustration is compounded b/c I’ve been trying to get @lionsgate to...
At last week’s CinemaCon, Lionsgate and Blumhouse announced the development of a”The Blair Witch Project” reboot. Leonard’s face was on the press release — but in an April 12 social media post, he said he knew nothing about the project.
“This is My face on a press release for a film being made by two major studios — both I’ve worked for, both I respect,” Leonard wrote on Facebook. “The Weird Part is that I didn’t know anything about it until a friend sent me a ‘congrats’ screenshot yesterday. My frustration is compounded b/c I’ve been trying to get @lionsgate to...
- 4/15/2024
- by Samantha Bergeson
- Indiewire
With Now Showing, your Halloweenies gather each month for a review on something new and something old in horror. This month, co-hosts Michael Roffman, Rachel Reeves, and Justin Gerber shoot the shit about all kinds of spooky stuff, specifically The First Omen, Late Night with the Devil, Stopmotion, Paranormal Activity, Life, and The Devils.
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, The Evil Dead, and Chucky. This year? Alien.
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries, one-off deep dives on your favorite rentals, and even topical spinoffs like this past summer’s greatest adventure Fortune & Glory: An Indiana Jones Podcast.
Facebook | Instagram | Twitter...
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, The Evil Dead, and Chucky. This year? Alien.
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries, one-off deep dives on your favorite rentals, and even topical spinoffs like this past summer’s greatest adventure Fortune & Glory: An Indiana Jones Podcast.
Facebook | Instagram | Twitter...
- 4/15/2024
- by Michael Roffman
- bloody-disgusting.com
Rank Film (distributor) Three-day gross (Apr 12-14) Total gross to date Week 1. Back To Black (Studiocanal) £2.7m £2.7m 1 2. Kung Fu Panda 4 (Universal) £1.8m £17.3m 3 3. Civil War (Entertainment Film) £1.6m £1.8m 2 4. Godzilla X Kong: The New Empire (Warner Bros) £1.2m £11.9m 3 5. Ghostbusters: Frozen Empire (Sony) £787,034 £14.1m 4
Gbp to Usd conversion rate: 1.26
Studiocanal’s Amy Winehouse biopic Back To Black led the UK and Ireland box office this weekend with a £2.7m debut.
Sam Taylor-Johnson’s feature, starring Marisa Abela as the late singer, opened in 719 cinemas – the widest of the year so far – making for a £3,853 location average.
It is...
Gbp to Usd conversion rate: 1.26
Studiocanal’s Amy Winehouse biopic Back To Black led the UK and Ireland box office this weekend with a £2.7m debut.
Sam Taylor-Johnson’s feature, starring Marisa Abela as the late singer, opened in 719 cinemas – the widest of the year so far – making for a £3,853 location average.
It is...
- 4/15/2024
- ScreenDaily
Refresh for latest…: As it crossed the $1B international box office milestone this past weekend, Warner Bros again owned the frame with Godzilla x Kong: The New Empire and its third session haul of $33.7M from 71 markets. That was good for a 47% drop from the previous weekend and lifts the overseas cume to $278.6M and global to $436.6M. Meanwhile, WB and Legendary’s other major title in the marketplace, Dune: Part Two, now has a shot at getting to $700M worldwide.
While 2024 may end up down on 2023, coming out of last week’s CinemaCon exhibition conference, it’s not all doom and gloom — something we heard in a refrain — as several titles continue to post solid numbers. There’s also plenty of local play doing great business, notably in Japan this frame where the 27th movie in the Case Closed series, Detective Conan: The Million-Dollar Pentagram, has opened to...
While 2024 may end up down on 2023, coming out of last week’s CinemaCon exhibition conference, it’s not all doom and gloom — something we heard in a refrain — as several titles continue to post solid numbers. There’s also plenty of local play doing great business, notably in Japan this frame where the 27th movie in the Case Closed series, Detective Conan: The Million-Dollar Pentagram, has opened to...
- 4/15/2024
- by Nancy Tartaglione
- Deadline Film + TV
Worldwide box office April 12-14 RankFilm (distributor)3-day (world) Cume (world)3-day (int’l)Cume (int’l)Territories 1. Godzilla X Kong: The New Empire (Warner Bros) $49.2m $436.5m $33.7m $278.6m 72 2. Kung Fu Panda 4 (Universal) $31.4m $452.6m $25.9m $279m 82 3. Civil War (A24) $30m $30m $4.3m $4.3m 18 4. Detective Conan: The Million Dollar Pentagram (Toho) $21.8m $21.8m $21.8m $21.8m 1 5. Ghostbusters: Frozen Empire (Sony) $16.6m $160m $10.8m $63m 59 6. The Boy And The Heron (various) $12.4m $294.2m $12.4m $247.4m 19 7. Dune: Part Two (Warner Bros) $11.5m $683.9m $7.2m $411.8m 77 8. The First Omen (Disney) $11.5m $35.4m $7.7m $20.8m 52 9. Suga - Agust D Tour ‘D-Day’ The Movie...
- 4/15/2024
- ScreenDaily
After two weeks atop the box office, Godzilla x Kong: The New Empire was bested by newcomer Civil War by $10.2 million to lose the box-office weekend crown.
In its first weekend of release, the A24 action/thriller Civil War from director Alex Garland debuted in first place with $25.7 million. This pushed two-time champion Godzilla x Kong: The New Empire to second place where it brought in $15.5 million for Warner Bros.. This gives the film a three-week total of $157.9 million. Meanwhile, GhostbustersL Frozen Empire held its ground to remain in third place where it added $5.8 million for Sone Pictures Releasing to lift its four-week total to $97.0 million. Climbing a spot from last weekend to land in fourth place was Kung Fun Panda 4 which took in $5.5 million to bring its six-week total to $173.7 million for Universal Pictures. Also climbing a spot from last weekend was Dune: Part Two which took fifth place with $4.3 million.
In its first weekend of release, the A24 action/thriller Civil War from director Alex Garland debuted in first place with $25.7 million. This pushed two-time champion Godzilla x Kong: The New Empire to second place where it brought in $15.5 million for Warner Bros.. This gives the film a three-week total of $157.9 million. Meanwhile, GhostbustersL Frozen Empire held its ground to remain in third place where it added $5.8 million for Sone Pictures Releasing to lift its four-week total to $97.0 million. Climbing a spot from last weekend to land in fourth place was Kung Fun Panda 4 which took in $5.5 million to bring its six-week total to $173.7 million for Universal Pictures. Also climbing a spot from last weekend was Dune: Part Two which took fifth place with $4.3 million.
- 4/15/2024
- by Mike Tyrkus
- CinemaNerdz
“Kung Fu Panda 4” took top spot at the South Korean box office becoming the film that finally pushed aside local champion “Exhuma,” which had dominated for seven consecutive weeks.
But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year.
“Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total.
“Exhuma” slipped to second place in its eight weekend of release. It earned $938,000 for a cumulative of $81.2 million since releasing on Feb. 22. Its cumulative total is more than three times the score of the next highest ranked film “Wonka,” with $24.5 million.
“The Last 10 Years,” a Japanese romance film which first played in Korea in May 2023, climbed to third place on its second weekend...
But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year.
“Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total.
“Exhuma” slipped to second place in its eight weekend of release. It earned $938,000 for a cumulative of $81.2 million since releasing on Feb. 22. Its cumulative total is more than three times the score of the next highest ranked film “Wonka,” with $24.5 million.
“The Last 10 Years,” a Japanese romance film which first played in Korea in May 2023, climbed to third place on its second weekend...
- 4/15/2024
- by Patrick Frater
- Variety Film + TV
Alex Garland’s dystopian thriller Civil War scored the biggest North American opening weekend in A24’s history and became the company’s first to debut at number one as it arrived on an estimated $25.7m.
Delivering A24’s biggest debut weekend since Hereditary arrived on $13.6m in 2,964 sites, the story of a journalist, played by Kirsten Dunst, who reports on an unfolding crisis in a divided America not only exceeded box office predictions of $20m, but overperformed in markets ranging from Los Angeles to El Paso in Texas.
Arriving on 3,838 theatres, the $50m production was also the company’s widest release from the outset.
Delivering A24’s biggest debut weekend since Hereditary arrived on $13.6m in 2,964 sites, the story of a journalist, played by Kirsten Dunst, who reports on an unfolding crisis in a divided America not only exceeded box office predictions of $20m, but overperformed in markets ranging from Los Angeles to El Paso in Texas.
Arriving on 3,838 theatres, the $50m production was also the company’s widest release from the outset.
- 4/14/2024
- ScreenDaily
Alex Garland’s dystopian thriller Civil War scored the biggest North American opening weekend in A24’s history and became the company’s first to debut at number one as it arrived on an estimated $25.7m.
Delivering A24’s biggest debut weekend since Hereditary arrived on $13.6m in 2,964 sites, the story of a journalist, played by Kirsten Dunst, who reports on an unfolding crisis in a divided America not only exceeded box office predictions of $20m, but overperformed in markets ranging from Los Angeles to El Paso in Texas.
Arriving on 3,838 theatres, the $50m production was also the company’s widest release from the outset.
Delivering A24’s biggest debut weekend since Hereditary arrived on $13.6m in 2,964 sites, the story of a journalist, played by Kirsten Dunst, who reports on an unfolding crisis in a divided America not only exceeded box office predictions of $20m, but overperformed in markets ranging from Los Angeles to El Paso in Texas.
Arriving on 3,838 theatres, the $50m production was also the company’s widest release from the outset.
- 4/14/2024
- ScreenDaily
Alex Garland’s “Civil War” opened to an estimated $25.7 million this weekend, nearly double the best wide opening for any previous A24 title. It’s also about $7 million more than the combined openings last weekend for “Monkey Man” (Universal) and “The First Omen” (Disney).
Despite its B- Cinemascore, the near-future domestic dystopia came in over 25 percent better than projections. The A24 brand, the indefatigable war theme, advance interest (including a widely covered SXSW premiere), topicality, originality, IMAX sales, and mostly positive reviews propelled it to success.
With a reported production cost of at least $50 million, and uncertainty about foreign interest (initial grosses incomplete), it will need to be more than an initial sensation. Even so, particularly with likely significant post-theatrical interest, it initially appears that A24’s risk will pay off.
An opening on this scale for a non-franchise independent title only adds to A24’s bona fides. In recent...
Despite its B- Cinemascore, the near-future domestic dystopia came in over 25 percent better than projections. The A24 brand, the indefatigable war theme, advance interest (including a widely covered SXSW premiere), topicality, originality, IMAX sales, and mostly positive reviews propelled it to success.
With a reported production cost of at least $50 million, and uncertainty about foreign interest (initial grosses incomplete), it will need to be more than an initial sensation. Even so, particularly with likely significant post-theatrical interest, it initially appears that A24’s risk will pay off.
An opening on this scale for a non-franchise independent title only adds to A24’s bona fides. In recent...
- 4/14/2024
- by Tom Brueggemann
- Indiewire
Alex Garland’s Civil War performed close to our expectations this weekend, grossing an estimated $25.7 million (via ComScore’s early numbers) to post what’s easily A24’s biggest opening weekend ever. In fact, it isn’t even close, with Alex Garland’s speculative film almost doubling the previous record holder, Hereditary, which opened with $13.6 million. This is quite a coup for what’s being billed as the studio’s biggest-budget movie ever, which is a still modest $50 million. Given the rave reviews and the fact that it will likely become a water-cooler film, one can expect the film to hold up relatively well over the next few weeks, with it is unlikely anything next weekend is going to over-index unless horror flick Abigail winds up becoming a smash.
Meanwhile, Godzilla x Kong: The New Empire dropped a relatively modest 50% in week two to post a $15.4 million weekend, for a $157.9 million total.
Meanwhile, Godzilla x Kong: The New Empire dropped a relatively modest 50% in week two to post a $15.4 million weekend, for a $157.9 million total.
- 4/14/2024
- by Chris Bumbray
- JoBlo.com
April has been a slower month compared to March, but if nothing else, this weekend saw a popular indie studio break a few personal records with what might have been a controversial release. Read on for the weekend box office report.
A24 released Alex Garland‘s fourth feature as a director, “Civil War,” starring Oscar nominee Kirsten Dunst, Cailee Spaeny, Wagner Maura, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons, into 3,838 theaters on Friday – the studio’s widest release ever. It came into the weekend with a reported production budget of $50 million – another record for the studio – and mostly decent reviews with 83% on Rotten Tomatoes, following a premiere at the SXSW Film and TV Festival.
It was able to make $2.9 million in Thursday and earlier previews, which were compiled into the movie’s $10.8 million opening day, and it then ended with an estimated $25.7 million to take first place on opening weekend.
A24 released Alex Garland‘s fourth feature as a director, “Civil War,” starring Oscar nominee Kirsten Dunst, Cailee Spaeny, Wagner Maura, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons, into 3,838 theaters on Friday – the studio’s widest release ever. It came into the weekend with a reported production budget of $50 million – another record for the studio – and mostly decent reviews with 83% on Rotten Tomatoes, following a premiere at the SXSW Film and TV Festival.
It was able to make $2.9 million in Thursday and earlier previews, which were compiled into the movie’s $10.8 million opening day, and it then ended with an estimated $25.7 million to take first place on opening weekend.
- 4/14/2024
- by Edward Douglas
- Gold Derby
Last week, we saw the release of The First Omen, which was universally praised. I agree with Chris Bumbray’s review where he said it was “quite provocative, with several images, including a gruesome birthing scene, pushing the limits of the R-rating in a way I didn’t expect from a movie bankrolled by Disney.” And what I was personally most impressed with is how much it creates its own identity. Because if there’s one thing horror franchises have had an issue with, it’s carving its own path.
I still remember when the first trailer came out, and I was shocked to see the response. I felt the teaser was really cool and a unique way to present a film, as each shot was presented in reverse. So, I didn’t understand the hate that was thrown at it. But thinking about it more, I realized it really...
I still remember when the first trailer came out, and I was shocked to see the response. I felt the teaser was really cool and a unique way to present a film, as each shot was presented in reverse. So, I didn’t understand the hate that was thrown at it. But thinking about it more, I realized it really...
- 4/13/2024
- by Tyler Nichols
- JoBlo.com
As we predicted earlier this week, Alex Garland’s speculative war flick, Civil War, is well on its way to becoming A24’s biggest opening ever. According to Deadline’s box office numbers, the film grossed $10 million on Thursday and Friday, with it now expected to make about $23 million. That’s a solid number for a hardcore, R-rated adult movie, but the studio behind it, A24, really has a knack for making their films an event for serious filmgoers. In fact, it’s one of the only studios I know of that has a legit following, with Deadline making the interesting point that A24 is like the HBO of movie companies. There’s a certain quality level you can always be sure of, and indeed, we gave Civil War a rave.
Otherwise, Godzilla x Kong: The New Empire is once again defying industry expectations, with it outpacing their estimates, on...
Otherwise, Godzilla x Kong: The New Empire is once again defying industry expectations, with it outpacing their estimates, on...
- 4/13/2024
- by Chris Bumbray
- JoBlo.com
Horror has been a real anchor for the box office in the pandemic era, with franchises like "Halloween" and originals like "M3GAN" managing to break through in a meaningful way. Now, Universal Pictures is looking to strike with something original while also playing in familiar territory with "Abigail." The upcoming horror film deals with vampires, something Universal has done dating back to the original "Dracula" more than 90 years ago. But this one comes with a pretty unique spin on the tried-and-true genre. The question is, will it be enough to motivate moviegoers to turn up for a vampire movie? Or will this be another unfortunate misfire for the studio?
Radio Silence, the team that includes Matt Bettinelli-Olpin and Tyler Gillett, directed the film. They've got a very good track record and Universal is hoping that they can work their magic once again. As it stands, things look pretty good. "Abigail...
Radio Silence, the team that includes Matt Bettinelli-Olpin and Tyler Gillett, directed the film. They've got a very good track record and Universal is hoping that they can work their magic once again. As it stands, things look pretty good. "Abigail...
- 4/12/2024
- by Ryan Scott
- Slash Film
If you thought babysitting was tough, try stopping the birth of the Antichrist. The First Omen sweeps you into a visually lush 1970s Rome, serving up a sumptuous feast for the eyes that’s as stylish as it is shadowy. Although you might find yourself guessing the twists before they unfurl, the film keeps its grip with a dark, rich portrayal of evil’s origins. It’s all for you, Damien.
“[The First Omen serves] up a sumptuous feast for the eyes that’s as stylish as it is shadowy.”
From the opening scenes, the film devilishly dazzles with a rich color palette that superbly captures the eerie 1970s Rome, replete with political unrest, religious skepticism and foreboding religious iconography. The grandeur of the Eternal City is captured in sweeping vistas, which, combined with a robust orchestral score, elevates the production value to a level that’s a rarity in modern horror flicks. There...
“[The First Omen serves] up a sumptuous feast for the eyes that’s as stylish as it is shadowy.”
From the opening scenes, the film devilishly dazzles with a rich color palette that superbly captures the eerie 1970s Rome, replete with political unrest, religious skepticism and foreboding religious iconography. The grandeur of the Eternal City is captured in sweeping vistas, which, combined with a robust orchestral score, elevates the production value to a level that’s a rarity in modern horror flicks. There...
- 4/12/2024
- by Kimberley Elizabeth
The mighty Titans – Godzilla and Kong – will likely lose their spot at the top of the box office heap this weekend, with Alex Garland’s Civil War aiming to replace it in the top spot. Alex Garland’s provocative and timely work of speculative fiction has got amazing buzz (check out my review here) and looks to become one of A24’s biggest openings ever. It seems like it’s on track to open with $20 million, which would be a solid opening for the $50 million movie. It’s the kind of film that could have solid legs at the box office, and it will get a nice boost by playing premium format IMAX screens.
Godzilla x Kong: The New Empire should slip to second place, and I’m predicting a $15 million finish. Some folks think a $12 million weekend is more likely, but I’ve noticed the film constantly outperforms expectations,...
Godzilla x Kong: The New Empire should slip to second place, and I’m predicting a $15 million finish. Some folks think a $12 million weekend is more likely, but I’ve noticed the film constantly outperforms expectations,...
- 4/11/2024
- by Chris Bumbray
- JoBlo.com
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